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Ted Hughes was born on 17 August 1930 in Mytholmroyd, a small mill town in West Yorkshire. His father made portable wooden buildings. The family moved to Mexborough, a coal-mining town in South Yorkshire, when Hughes was seven. His parents took over a newsagent and tobacconist shop, and eventually he went to the local grammar school.
In 1948 Hughes won an Open Exhibition to Pembroke College, Cambridge. Before going there, he served two years National Service in the Royal Air Force. Between leaving Cambridge and becoming a teacher, he worked at various jobs, finally as a script-reader for Rank at their Pinewood Studios.
In 1956 Hughes married the American poet Sylvia Plath, who died in 1963, and they had two children. He remarried in 1970. He was awarded the OBE in 1977, created Poet Laureate in December 1984 and appointed to the Order of Merit in 1998. He died in October 1998.
This multi-award winning collection, the first from Ted Hughes, has at its heart the mixture of beauty and violence in the natural world. Dedicated to Sylvia Plath, Hawk in the Rain is a stunning collection of poems on the themes of competition and the struggle for survival. Hughes would go on to become Britain's Poet Laureate in 1984 until his death in 1998.
Written by Ted Hughes and illustrated by Raymond Briggs (The Snowman) this beautiful collection has been specially arranged to start with poems for younger readers and progress to the more complex and sophisticated for older children. Ted Hughes, a former Poet Laureate has an instinctive grasp of how children think and his poems will engage and stretch their imagination. Perfect for a gift and equally perfect on your own shelf so you can dip in whenever you like.
Originally published in 1979, Moortown Diary is the updated version of Ted Hughes's acclaimed Devon farming sequence, written over a period of several years during which he was spending almost every day outside, either gardening or farming. The introduction and notes (added in 1989) sketch in the background from which these remarkable poems emerged as an improvised verse journal, sparely edited, coalescing spontaneously on the page. 'Moortown Diary keeps its eye firmly on the creatures behind the language. It's written in the style of Hughes's play translations: very swift and bright and urgent and speakable . . . Hughes strips away the protective layers - the soundproofed ears, the double-glazed eyes - that prevent us making contact with anything outside ourselves. Right now, I can't think of anything more important than that kind of poem. Because we're not just here to think about literature. We're here to try to wake up.' Alice Oswald, The Guardian 'It grips your heart, and your intestines, like a vice from the first page. He makes language as physical as a bruise, and in these poems beauty and tenderness blend with violence.' John Carey, Sunday Times 'The Moortown sequence includes some of Hughes's finest poems . . . They are like no other poems I have read, with a degree of intensity, sanity and grace that he has never equalled.' Anthony Thwaite, Times Literary Supplement
From his remarkable debut The Hawk in the Rain (1957) to his death in 1998, Ted Hughes was a colossal presence in the English literary landscape. He was also admired as a performer of his own work. Tales from Ovid, Ted Hughes's masterful versions of stories from Ovid's Metamorphoses, includes those of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe, as well as many others. Ted Hughes (1930-1998) was born in Yorkshire. His first book, The Hawk in the Rain, was published by Faber and Faber and was followed by many volumes of poetry and prose for adults and children, including Wolfwatching (1989). He received the Whitbread Book of the Year for both Tales from Ovid (1997) and Birthday Letters (1998). He was Poet Laureate from 1984, and in 1998 he was appointed to the Order of Merit.
This multi-award winning collection, the first from Ted Hughes, has at its heart the mixture of beauty and violence in the natural world. Dedicated to Sylvia Plath, The Hawk in the Rain is a stunning collection of poems on the themes of competition and the struggle for survival. Hughes would go on to become Britain's Poet Laureate in 1984 until his death in 1998. Including many of Hughes' best-known poems, such as 'The Jaguar', 'The Thought-Fox' and 'Wind' - now staples of British poetry anthologies - The Hawk in the Rain is the foundation of Hughes' reputation as one of the twentieth-century's greatest poets. This beautifully designed edition forms part of a series of ten titles celebrating Faber's publishing over the decades.
The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world.
Cold, delicately as the dark snow A fox's nose touches twig, leaf; Two eyes serve a movement, that now And again now, and now, and now Sets neat prints into the snow Between trees, and warily a lame Shadow lags by stump and in hollow Of a body that is bold to come All the richness of the wild is seen through the poet's eye, highlighting the variety of the natural world and of Hughes's poetry about it. Poetry for young adult readers.
Why is it The roustabout Rooster, raging at the dawn Wakes us so early? A warrior king is on fire! His armour is all crooked daggers and scimitars And it's shivering red-hot - with rage! First published in 1984, this book of prose-linked animal poems won both the Guardian Children's Fiction Award and the Signal Poetry Award. This new, illustated edition remains 'a very beautiful book: God and his son go to visit mankind and ask a few simple questions . . . the poems are pure enchantment' (The School Librarian).
Right from the start he is dressed in his best - his blacks and his whites. Little Fauntleroy - quiffed and glossy, A Sunday suit, a wedding natty get-up, Standing in dunged straw For older readers than the first two volumes of Collected Animal Poems, animal life is seen afresh through the diversity and imaginative energy of this collected volume.
Spring will marry you. A promise! Cuckoo brings the message: May. O new clothes! O get your house ready! Expectation keeps you starry. But at which church and on what day? In these poems Ted Hughes invites the reader to try and catch the spring (but she's elusive); to take a closer look at the March calf; to listen to the happiness of the summer grass; and to notice the 'weak-neck snowdrops' in winter. Earth is revealed in all its surprising richness and rawness, and so is humankind's own constantly changing relationship with the seasons.
The Iron Wolf, the Iron Wolf Stands on the world with jagged fur. The rusty Moon rolls through the sky. The iron river cannot stir. The iron wind leaks out a cry Animals of air, land and sea are brilliantly imagined in this perfect introduction for young readers to the work of Ted Hughes. Part of Hughes's Collected Animal Poems, The Iron Wolf is for the youngest readers, both to listen to and explore themselves. Chris Riddell's delightful line illustrations add to the journey of discovery.
Ted Hughes wrote a series of stories for children from the early 1960s through until 1995 about how the world, and the creatures in it, came into being. They are collected here in one volume for the first time. These are richly told tales of sparkling intensity about animals finding their form, and God's struggle to understand what he has created. Meet the Polar Bear whose obsession with her snowy white fur is so great that she can only live in a landscape surrounded by her own reflection; the Whale, growing in God's garden beside the carrots; King Leo, who began life because God was hungry for his sausages; poor Parrot's painful defeat in the marriage song contest at the wedding of Man and Woman; and Sparrow's heroic battle against the bird-swallowing Black Hole. There are stories here to suit children from four to fourteen, whether for reading aloud or alone.
The Iron Man came to the top of the cliff. Where had he come from? Nobody Knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world. Ted Hughes - The most magnetic and original writer of his generation
The streaming shape reared . . . like a sudden wall of cliff, pouring cataracts of black mud and clotted, rooty lumps of reeds. Mankind for has polluted the seas, lakes and rivers. The Iron Woman has come to take revenge. Lucy understands the Iron Woman's rage and she too wants to save the water creatures from their painful deaths. But she also wants to save her town from total destruction. She needs help. Who better to call on but Hogarth and the Iron Man . . . ? A sequel and companion volume to Ted Hughes' The Iron Man, this new, child-friendly setting will be treasured by a new generation of readers.
A classic is something utterly strange and original, and yet as deeply familiar and necessary as your own hands. The Iron Man is like no other story in the world and, fifty years after its first publication, we need it as much as ever. -- Philip Pullman Part modern fairy tale, part science-fiction myth, The Iron Man describes the unexpected arrival in England of a mysterious giant metal man who wreaks havoc on the countryside by attacking the neighbouring farms and eating all their machinery. A young boy called Hogarth befriends him, and Hogarth and the extraordinary being end up defending and saving the earth when it is attacked by a fearsome space-bat-angel-dragon from outer space. Ted Hughes' classic tale, with its message of peace and hope, is known and loved all over the UK and is an exciting collaboration between Walker Books and Faber and Faber. This beautiful, small-format paperback celebrates 50 wonderful years of Ted Hughes' classic tale. WINNER OF THE V&A BEST ILLUSTRATED BOOK OF THE YEAR A stunning production ... spectacular The Sunday Times
A very ordinary boy. Nobody noticed him, he was just like everyone else. But Fred knew he was different. He just didn't know quite how different. And when he did.... Well, what then?
Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world.
Originally the medieval bestiary or book of animals set out to establish safe distinctions - between them and us - but Hughes's poetry works always in a contrary direction: showing what man and beast have in common, the reservoir from which we all draw. Alice Oswald's selection is arranged chronologically, with an eye to different books and styles, but equally to those poems that embody animals, rather than just describe them. Some poems are here because, although not strictly speaking animal, they become so in the process of writing; and in keeping with the bestiary tradition there are plenty of imaginary animals - all concentratedly coming about their business. The resulting selection is subtly responsive to a central aspect of Hughes's achievement, while offering room to some wonderful overlooked poems, and to 'those that have the wildest tunes.'