Edward St Aubyn was born in London in 1960. He is the author of seven novels, the most recent of which is At Last, the final volume in his Melrose series of novels. The others are 'Never Mind' (winner of the Betty Trask Award), 'Bad News', 'Mother’s Milk' (shortlisted for the 2006 Man Booker Prize and winner of the 2007 Prix Femina Etranger and the 2007 South Bank Show Award for Literature). Edward St Aubyn's other novels are 'On the Edge' (shortlisted for the Guardian Fiction Prize) and 'A Clue to the Exit'.
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'Belly-achingly hilarious' Sunday Times 'Written with restless wit ...a pleasure.' Observer 'What makes you smile, and smile, and smile is the elegance of the writing. Seldom was so much pretentiousness skewered so stylishly.' Novel of the Week, Mail on Sunday 'Everything St. Aubyn writes is worth reading for the cleansing rancor of his intelligence and the fierce elegance of his prose.' Anne Enright, New York Times Book Review 'Black and brilliant stuff ...Very clever and extremely funny.' The Times
Winner of the Bollinger Everyman Wodehouse Prize 2014. From the bestselling author of the Patrick Melrose novels, this is a thought-provoking and entertaining insight into a sniping world of literature, celebrity culture and ambition. Each of the judges of the Elysian Prize for literature has a reason for accepting the job. For the chairman, MP Malcolm Craig, it is backbench boredom, media personality Jo Cross is on the hunt for a 'relevant' novel, and Oxbridge academic Vanessa Shaw is determined to discover good writing. But for Penny Feathers of the Foreign Office, it's all just getting in the way of writing her own thriller. Over the next few weeks they must read hundreds of submissions to find the best book of the year, and so the judges spar, cajole and bargain in order that their chosen title gets the recognition it deserves. Meanwhile, a host of authors are desperate for Elysian glory, including brilliant writer and serial heart-breaker Katherine Burns, lovelorn debut novelist Sam Black, and Sonny, convinced that his magnum opus, The Mulberry Elephant, will take the literary world by storm. Lost for Words is razor-sharp and fabulously entertaining. It cuts to the quick of some of the deepest questions about the place of art in our celebrity-obsessed culture, and asks how we can ever hope to recognize real talent when everyone has an agenda.
April 2012 Book of the Month. One of our Great Reads You May Have Missed in 2012. At Last is a masterpiece of glittering dark comedy and profound emotional truth. If you haven't already discovered these novels then a real treat awaits you. The eagerly anticipated conclusion to the brilliant Melrose sequence from the Man Booker-shortlisted author of Mother's Milk and Some Hope is now in paperback. If you want to appreciate the full brilliance of this talented author then do read the series in order as it provides one of the most powerful reflections on pain and acceptance, and the treacheries of family, ever written. Never Mind (the first Melrose) Bad News (Melrose 2) Some Hope (Melrose 3) Mother's Milk (Melrose 4) At Last (the last Melrose)
Shortlisted for the Man Booker Prize for Fiction 2006. The novel’s perspective ricochets among all members of the Melrose family – the family featured in St. Aubyn’s Melrose series that began with Never Mind – starting with Robert, who provides an exceptionally droll and compelling account of being born; to Patrick, a hilariously churlish husband who has been sexually abandoned by his wife in favour of his sons; to Mary, who’s consumed by her children and an overwhelming desire not to repeat the mistakes of her own mother. All the while, St. Aubyn examines the web of false promises that entangle this once-illustrious family whose last vestige of wealth – an old house in the south of France – is about to be donated by Patrick’s mother to a New Age foundation.An up-to-the-minute dissection of the mores of child-rearing, marriage, adultery and assisted suicide, Mother’s Milk showcases Edward St. Aubyn’s luminous and acidic prose – and his masterful ability to combine the most excruciating emotional pain with the driest comedy. Absorb Mother's Milk into your and bloodstream and postnatal depression will never seem the same again . . . Never Mind (the first Melrose) Bad News (Melrose 2) Some Hope (Melrose 3) Mother's Milk (Melrose 4) At Last (the last Melrose)
THE THIRD PATRICK MELROSE NOVEL Patrick Melrose, cleaned-up and world-weary, is a reluctant guest at a glittering party deep in the English countryside. Amid a crowd of flitting social dragonflies, he finds his search for redemption and capacity for forgiveness challenged by his observation of the cruelties around him. Armed with his biting wit and a newly fashioned openness, can Patrick, who has been to the furthest limits of experience and back again, find release from the savageries of his childhood? 'A masterpiece. Edward St Aubyn is a writer of immense gifts' Patrick McGrath 'St Aubyn's Melrose series slices and dices morality with prose so chiselled and a narrative so intense that the hairs on the back of your neck stand up' Geordie Greig, Evening Standard 'I've loved Edward St Aubyn's Patrick Melrose novels. Read them all, now' David Nicholls 'A memorable tour de force' New York Times Book Review
From the author of the Patrick Melrose novels, now a major Sky Atlantic television series starring Benedict Cumberbatch Henry Dunbar, the once all-powerful head of a global media corporation, is not having a good day. In his dotage he handed over care of the corporation to his two eldest daughters, Abby and Megan. But relations quickly soured, leaving him to doubt the wisdom of past decisions. Now imprisoned in a care home in the Lake District with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. Who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate?
A reimagining of one of Shakespeare's most well-read tragedies, by the contemporary, critically acclaimed master of domestic dramaHenry Dunbar, the once all-powerful head of a global media corporation, is not having a good day. In his dotage he hands over care of the corporation to his two eldest daughters, Abby and Megan, but as relations sour he starts to doubt the wisdom of past decisions. Now imprisoned in Meadowmeade, an upscale sanatorium in rural England, with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. But who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate? Edward St Aubyn is renowned for his masterwork, the five Melrose novels, which dissect with savage and beautiful precision the agonies of family life. His take on King Lear, Shakespeare's most devastating family story, is an excoriating novel for and of our times an examination of power, money and the value of forgiveness.
COLLECTED INTO ONE VOLUME FOR THE FIRST TIME, ALL FIVE INSTALLMENTS OF EDWARD ST. AUBYN'S CELEBRATED PATRICK MELROSE NOVELSNow a 5-Part Limited Event Series on Showtime, Starring Benedict Cumberbatch and Blythe Danner.Edward St. Aubyn has penned one of the most acclaimed series of the decade with the Patrick Melrose Novels. Now you can read all five novels in one volume: Never Mind, Bad News, Mother's Milk, Some Hope, and At Last.By turns harrowing and hilarious, this ambitious novel cycle dissects the English upper class. Edward St. Aubyn offers his reader the often darkly funny and self-loathing world of privilege as we follow Patrick Melrose's story of abuse, addiction, and recovery from the age of five into early middle age.The Patrick Melrose Novels are "e;a memorable tour de force"e; (The New York Times Book Review) by one of "e;the most brilliant English novelists of his generation"e; (Alan Hollinghurst).
Edward St. Aubyn is "e;great at dissecting an entire social world"e; (Michael Chabon, Los Angeles Times)Edward St. Aubyn's Patrick Melrose novels were some of the most celebrated works of fiction of the past decade. Ecstatic praise came from a wide range of admirers, from literary superstars such as Zadie Smith, Francine Prose, Jeffrey Eugenides, and Michael Chabon to pop-culture icons such as Anthony Bourdain and January Jones. Now St. Aubyn returns with a hilariously smart send-up of a certain major British literary award in this witty audiobook.The judges on the panel of the Elysian Prize for Literature must get through hundreds of submissions to find the best book of the year. Meanwhile, a host of writers are desperate for Elysian attention: the brilliant writer and serial heartbreaker Katherine Burns; the lovelorn debut novelist Sam Black; and Bunjee, convinced that his magnum opus, The Mulberry Elephant, will take the literary world by storm. Things go terribly wrong when Katherine's publisher accidentally submits a cookery book in place of her novel; one of the judges finds himself in the middle of a scandal; and Bunjee, aghast to learn his book isn't on the short list, seeks revenge.Lost for Words is a witty, fabulously entertaining audiobook satire that cuts to the quick of some of the deepest questions about the place of art in our celebrity-obsessed culture, and asks how we can ever hope to recognize real talent when everyone has an agenda.
NATIONAL BESTSELLERAn Atlantic Magazine Best Book of the YearA Publishers Weekly Best Book of the Year"e;The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England."e; -Alice Sebold, author of The Lovely BonesFor more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels-Never Mind, Bad News, Some Hope, and Mother's Milk, a Man Booker finalist-to coincide with the publication of At Last, the final installment of this unique novel cycle.By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose's story from child abuse to heroin addiction and recovery. Never Mind, the first novel, unfolds over a day and an evening at the family's chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel, Bad News opens as the twenty-two-year-old Patrick sets off to collect his father's ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel, Some Hope, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted Mother's Milk, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother's desire for assisted suicide, and the loss of the family home to a New Age foundation.Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty-welcome to the declining British aristocracy.
A New York Times Notable Book of 2012One of The Telegraph's Best Fiction Books 2011One of Esquire's Best Books of 2012One of TIME's Top 10 Fiction Books of 2012Here, from the writer described by The Guardian as "e;our purest living prose stylist"e; and whom Alan Hollinghurst has called "e;the most brilliant English novelist of his generation,"e; is a work of glittering social comedy, profound emotional truth, and acute verbal wit. At Last is also the stunning culmination of one of the great fiction enterprises of the past two decades in the life of the English novel. As readers of Edward St. Aubyn's extraordinary earlier works-Never Mind, Bad News, Some Hope, and the Man Booker Prize finalist Mother's Milk-are well aware, for Patrick Melrose, "e;family"e; has always been a double-edged sword. At Last begins as friends, relatives, and foes trickle in to pay final respects to his mother, Eleanor. An American heiress, Eleanor married into the British aristocracy, giving up the grandeur of her upbringing for "e;good works"e; freely bestowed on everyone but her own son, who finds himself questioning whether his transition to a life without parents will indeed be the liberation he had so long imagined. The service ends, and family and friends gather for a final party. Amid the social niceties and social horrors, Patrick begins to sense the prospect of release from the extremes of his childhood, and at the end of the day, alone in his room, the promise some form of safety. . . at last.
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