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"“Kaplan takes the thriller genre at its word, moving as fast as Ludlum, but with ten times the eye for settings and crisp characterization.” –Kirkus Reviews A candidate for U.S. President ahead in the polls and about to win the election suddenly commits suicide, and no one knows why. A mysterious woman the media has dubbed “the Invisible Woman” may hold the key. An American bystander is killed during a botched jewel heist in the French Riviera. This triggers a worldwide hunt by global intelligence agencies for something the dead American left behind - a secret so explosive they will let nothing get in their way. U.S. Homeland Security Special Agent Casey Ramirez uncovers a clue involving the dead American in France.The discovery catapults her into a deadly cat-and-mouse chase across Europe to find the dead man’s secret before it’s too late. Her quest will put her life at risk as she races to unravel the bombshell secret that threatens the foundations of the American government. Master storyteller Andrew Kaplan weaves these disparate elements into a stunning tale of international intrigue that is being hailed a “must read” of the mystery and thriller genres. “Flawlessly conceived . . . The characters are unforgettable. Kaplan is up there with the best.” –Readers Favorite"
Andrew Kaplan (Author), Andrew Kaplan (Narrator)
Audiobook
"It’s no secret that authors have a love-hate relationship with Hollywood. The oft-repeated cliché that “the book was better than the movie” holds true for more reasons than the average reader will ever know. When asked about selling their book rights to Hollywood authors like to joke that they drive their manuscripts to the border of Arizona and California and toss them over the fence, driving back the way they came at breakneck speed. This is probably because Hollywood just doesn’t “get it.” Its vision for the film or TV series rarely seems to match the vision of the author. And for those rare individuals who’ve had the fortune of sitting across the desk from one of the myriad, interchangeable development execs praising the brilliance of their work while ticking off a never-ending list of notes for the rewrite, the pros of pitching their work to Hollywood rarely outweigh the cons. Stephen Jay Schwartz has sat on both sides of that desk―first as the Director of Development for film director Wolfgang Petersen, then as a screenwriter and author pitching his work to the film and television industry. He’s seen all sides of what is known in this small community as “Development Hell.” The process is both amusing and heartbreaking. Most authors whose work contains a modicum of commercial potential eventually find themselves in “the room” taking a shot at seeing their creations re-visualized by agents, producers or development executives. What they often discover is that their audience is younger and less worldly as themselves. What passes for “story notes” is often a mishmash of vaguely connected ideas intended to put the producer’s personal stamp on the project. Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand―some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen. They underscore the insanity of every crazy thing you’ve ever heard about Hollywood. For insiders and outsiders alike, Hollywood vs. The Author delivers the goods."
Stephen Jay Schwartz (editor) (Author), Alan Jacobson, Alexandra Sokoloff, Andrew Kaplan, Diana Gould, James Brown, Joshua Corin, Lawrence Block, Lee Goldberg, Naomi Hirahara, P. J. Ochlan, Rob Roberge, Simon Mattacks, Stephen Jay Schwartz, Tess Gerritsen (Narrator)
Audiobook
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