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A Bold Return to Giving a Damn: One Farm, Six Generations, and the Future of Food
"'If I could have one wish it is that every eater in America would read this book.' -Ruth Reichl From a pioneer of the regenerative agriculture movement, a memoir-meets-manifesto on betting the farm on a better future for our food, animals, land, local communities, and our climate Raised as a fourth-generation farmer, when Will Harris inherited White Oak Pastures he was a full-time commodity cowboy who played hard and fast with every tool the system offered - chemicals, antibiotics, steroids, and more. His ancestors had built a highly profitable, conventionally-run machine, but over time he found himself disgusted with the excess, cruelty, and smalltown devastation this system entailed. So he bet the farm on forging a different way of doing things. One that works with nature not against it, and bridges the quickly widening delta between consumers and their food. Armed with tenacity, conviction and an outsized tolerance for risk, Harris called his approach "radical traditional" and it made him the pioneer of regenerative agriculture long before the phrase existed. At once an intimate, multi-generational memoir and a microcosm of American agriculture at large, A BOLD RETURN TO GIVING A DAMN offers a pathway back to producing food the right way. At a time when food supply chains are straining, climate-induced catastrophes are playing havoc with harvests, and concern around who owns America's farmland are more prescient than ever, Will Harris urges us to consider where the food we eat really comes from, and to re-connect to the places and people who raise what we eat each day. With keen storytelling, a good dose of irreverence, and an unflinching willingness to speak truth to power, Harris shows us why it's never been more important to know your farmer than now. Featured in Food and Country directed by Laura Gabbert and Ruth Reichl"
Will Harris (Author), Will Harris (Narrator)
Audiobook
Ink Tales: Bedtime Stories for the End of the World: Six traditional tales retold by six ground-brea
"Ink Tales reinvigorates fairy tales and myths from around the world, breaking barriers and challenging stereotypes throughout. Travel across oceans and discover the vengeful wrath of a River God in Kayo Chingonyi's West African tale. Soar too close to the sun with Inua Ellam's timely story of a young refugee girl. Fly to a mysterious castle inhabited by a cursed prince with Helen Mort's retelling of East of the Sun, West of the Moon. Uncover the truth of #Bluebeard with Joelle Taylor's modernised fairy tale. Look to the constellations with Will Harris' futuristic Greek tragedy, and never, ever answer to your name in Malika Booker's Trinidadian recreation of the Dwen. Bedtime Stories for the End of the World is produced in partnership with the ground-breaking poetry podcast of the same name. The six featured poets draw on their own experience, adding a new dimension to an existing tale. 'Bedtime Stories for the End of the World' is a spoken word and poetry podcast about the power of myth and the politics of storytelling. The podcast asks some of the UK's top poets to re-imagine their favourite myths, fairy tales and legends - the stories they want to keep and protect for the future. It also involves an annual live event, creating a tangible and accessible experience for existing and new audiences. Reimagined tales include Icarus, the legend of the Zambezi River God, East of the Sun West of the Moon, Bluebeard, Philoctetes and the Trinidadian folklore figure 'douen'."
Helen Mort, Inua Ellams, Joelle Taylor, Kayo Chingonyi, Malika Booker, Will Harris (Author), Will Harris (Narrator)
Audiobook
"In RENDANG, Will Harris complicates and experiments with the lyric in a way that urges it forward. With an unflinching yet generous eye, RENDANG is a collection that engages equally with the pain and promise of self-perception. Drawing on his Anglo-Indonesian heritage, Harris shows us new ways to think about the contradictions of identity and cultural memory. He creates companions that speak to us in multiple languages; they sit next to us on the bus, walk with us through the crowd and talk to us while we're chopping shallots. They deftly ask us to consider how and what we look at, as well as what we don't look at and why. Playing eruditely with and querying structures of narrative, with his use of the long poem, images, ekphrasis, and ruptured forms, RENDANG is a startling new take on the self, and how an identity is constructed. It is intellectual and accessible, moving and experimental, and combines a linguistic innovation with a deep emotional rooting."
Will Harris (Author), Will Harris (Narrator)
Audiobook
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