"En 1920, un joven hindú deja su Trinidad natal para abrirse camino en la metrópolis, una nueva realidad que lo desconcierta y le obliga a buscar un lugar en el mundo.
Una novela del Premio Nobel de Literatura V.S. Naipaul.
Un joven hindú, nacido en Trinidad, llega a la antigua metrópoli y al enfrentarse a ese nuevo mundo descubre la necesidad y el placer de aprender de nuevo.
El proceso de construcción de una mirada. Llegar presupone una preparación, unas expectativas; produce angustia y deseos. Llegar supone afrontar una separación previa, un desgarramiento, un tránsito, establecer vínculos nuevos. Ocasiona incomodidad y desconcierto, pero también enriquecimientos inesperados, hallazgos múltiples. Llegar, en fin, es transitar por un limbo que no está en el origen ni en el término del trayecto
Reseña:
«En El enigma de la llegada Naipaul reflexiona con hondura sobre el luminoso oficio de la escritura: una carta a uno mismo que vale tanto como una carta a un joven poeta.»
Miguel Sánchez-Ostiz"
"With all the narrative power and intellectual authority that have distinguished his earlier books, V.S. Naipaul explores the life, the culture, the ferment inside the nations of Islam – in a book that combines the fascinations of great travel literature with the insights of a uniquely sharp, original and idiosyncratic political mind. He takes us into four countries in the throes of ‘Islamisation’ – countries that, in their ardour to build new societies based entirely on the fundamental laws of Islam, have violently rejected the ‘materialism’ of the technologically advanced nations that have long supported them. He brings us close to the people of Islam – how they live and work, the role of faith in their lives, and how they see their place in the modern world."
"Fourteen years after the publication of his landmark travel narrative Among the Believers, V.S. Naipaul returned to the four non-Arab Islamic countries he reported on so vividly at the time of Ayatollah Khomeini’s triumph in Iran. Beyond Belief is the result of his five-month journey in 1995 through lands where descendants of Muslim converts live at odds with indigenous traditions. In extended conversations with a vast number of people, he deliberately effaces himself to let the voices of his subjects come through – yet the result is a collection of stories that has the author’s unmistakable stamp. With its incisive observation and brilliant cultural analysis, Beyond Belief is a startling and revelatory addition to the Naipaul canon."
"Arising out of Naipaul’s lifelong obsession and passion for a country that is at once his and totally alien, India: A Million Mutinies Now relates the stories of many of the people he met traveling there more than fifty years ago. He explores how they have been steered by the innumerable frictions present in Indian society—the contradictions and compromises of religious faith, the whim and chaos of random political forces. This book represents Naipaul’s last word on his homeland, complementing his two other India travelogues, An Area of Darkness and India: A Wounded Civilization."
"In 1975, at the height of Indira Gandhi’s “Emergency,” V. S. Naipaul returned to India, the country his ancestors had left one hundred years earlier. Out of that journey he produced this concise masterpiece: a vibrant, defiantly unsentimental portrait of a society traumatized by centuries of foreign conquest and immured in a mythic vision of its past.
Drawing on novels, news reports, political memoirs, and his own encounters with ordinary Indians—from a supercilious prince to an engineer constructing housing for Bombay’s homeless—Naipaul captures a vast, mysterious, and agonized continent inaccessible to foreigners and barely visible to its own people. He sees both the burgeoning space program and the five thousand volunteers chanting mantras to purify a defiled temple; the feudal village autocrat and the Naxalite revolutionaries who combined Maoist rhetoric with ritual murder. Relentless in its vision, thrilling in the keenness of its prose, India: A Wounded Civilization is a work of astonishing insight and candor."
"A classic of modern travel writing, An Area of Darkness is Nobel laureate V. S. Naipaul’s profound reckoning with his ancestral homeland and an extraordinarily perceptive chronicle of his first encounter with India.
Traveling from the bureaucratic morass of Bombay to the ethereal beauty of Kashmir, from a sacred ice cave in the Himalayas to an abandoned temple near Madras, Naipaul encounters a dizzying cross-section of humanity: browbeaten government workers and imperious servants, a suavely self-serving holy man, and a deluded American religious seeker. An Area of Darkness also abounds with Naipaul’s strikingly original responses to India’s paralyzing caste system, its apparently serene acceptance of poverty and squalor, and the conflict between its desire for self-determination and its nostalgia for the British raj. The result may be the most elegant and passionate book ever written about the subcontinent."
"V. S. Naipaul’s legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction—two novels and a collection of stories—that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor.
The Suffrage of Elvira is Naipaul’s hilarious take on an electoral campaign in the back country of Trinidad, where the candidates’ tactics include blatant vote-buying and supernatural sabotage. The eponymous protagonist of Mr. Stone and the Knights Companion is an aging Englishman of ponderously regular habits whose life is thrown into upheaval by a sudden marriage and unanticipated professional advancement. And the stories in A Flag on the Island take us from a Chinese bakery in Trinidad—whose black proprietor faces bankruptcy until he takes a Chinese name—to a rooming house in London—where the genteel landlady plays a nasty Darwinian game with her budgerigars.
Unfailingly stylish, filled with intelligence and feeling, here is the work of a writer who can do just about anything that can be done with language."
"The first of Naipaul’s twelve novels tells of one man’s meteoric rise and hilarious metamorphosis from failed schoolteacher and struggling masseur to the most popular man in Trinidad.
In this slyly funny and lavishly inventive novel, Nobel Prize winner V. S. Naipaul traces the unlikely career of Ganesh Ramsumair, a failed schoolteacher and impecunious village masseur who in time becomes a revered mystic, a thriving entrepreneur, and the most beloved politician in Trinidad. To understand a little better, one has to realize that in the 1940s masseurs were the island’s medical practitioners of choice. As one character observes, “I know the sort of doctors they have in Trinidad. They think nothing of killing two, three people before breakfast.”
Ganesh’s ascent is variously aided and impeded by a Dickensian cast of rogues and eccentrics. There’s his skeptical wife, Leela, whose schooling has made her excessively, fond. of; punctuation: marks!; and Leela’s father, Ramlogan, a man of startling mood changes and an ever-ready cutlass. There’s the aunt known as The Great Belcher. There are patients pursued by malign clouds or afflicted with an amorous fascination with bicycles. Witty, tender, filled with the sights, sounds, and smells of Trinidad’s dusty Indian villages, The Mystic Masseur is Naipaul at his most expansive and evocative."
"On an unnamed Caribbean Island, political tensions provoked by race and poverty are high. Jimmy Ahmed, a young mixed-race man, has been hailed as a revolutionary leader of the people. Roche, imprisoned for activities against South Africa’s apartheid regime, and Jane, a feckless English rich girl wanting to feel a part of something bigger, get sucked into the turmoil and world of Ahmed. But does anyone achieve anything by causing unrest? Do any of them really want freedom in a new society or just the old society with themselves at the helm of power?
Written in the politically turbulent 1970s, Guerrillas takes aim at the sacred cows and myths of revolutionaries—how so many of them “huff and puff,” knowing that the house will never blow down. From the safest places come the bravest words.
Naipaul’s bleak tale also takes aim at flaws in Marxist and revolutionary ideology—at the idea that one can predict or manipulate how the “revolution” will turn out. His characters are lost souls trying to navigate a postcolonial world where racism, classism, and conflicting ideals create a festering unrest that no one knows how to fix."
"In a vastly innovative novel, Nobel Prize winner V. S. Naipaul intertwines memory and history to create what is at once an autobiography and an ambitious fictional archaeology of colonialism.
Spanning continents and centuries and defying literary categories, A Way in the World tells intersecting stories whose protagonists include the disgraced and half-demented Sir Walter Raleigh who seeks El Dorado in the New World; the nineteenth-century insurgent Francisco Miranda, who becomes entangled in his own fantasies and borrowed ideas; and the doomed Blair, a present-day Caribbean revolutionary stranded in East Africa. Among these presences is a narrator who bears a telling resemblance to Naipaul himself: a Trinidadian writer of Indian ancestry and English residence boldly trying to come to terms with the mystery and transience that is his inheritance."
"In a narrative that moves with dreamlike swiftness from India to England to Africa, Nobel Laureate V. S. Naipaul has produced his finest novel to date, a bleakly resonant study of the fraudulent bargains that make up an identity.
The son of a Brahmin ascetic and his lower-caste wife, Willie Chandran grows up sensing the hollowness at the core of his father’s self-denial and vowing to live more authentically. That search takes him to the immigrant and literary bohemias of 1950s London, to a facile and unsatisfying career as a writer, and at last to a decaying Portuguese colony in East Africa, where he finds a happiness he will then be compelled to betray. Brilliantly orchestrated, at once elegiac and devastating in its portraits of colonial grandeur and pretension, Half a Life represents the pinnacle of Naipaul’s career."
"The story of a writer’s singular journey—from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another—this is perhaps Naipaul’s most autobiographical work. Yet it is also woven through with remarkable invention to make it a rich and complex novel."
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