“In his masterly reworking of this powerful myth, Hillerman creates a kachina for contemporary times. . . . No wonder Hillerman’s stories never grow old. Like myths, they keep evolving with the telling.”— New York Times Book Review
From the enduring 'national and literary cultural sensation' (Los Angeles Times) Tony Hillerman, a crackling tale of myth, mystery, and murder featuring the legendary Leaphorn and Chee.
Though he may be retired, Navajo Tribal Police Lieutenant Joe Leaphorn hasn’t lost his curiosity or his edge. He’s eager to help Sergeant Jim Chee and his fiancée Bernie Manuelito with their latest case—clearing an innocent kid accused of robbing a trading post.
Billy Tuve claims he received the precious diamond from a strange old man in the canyon. Could it be one of the gems that went missing in an epic plane crash decades earlier? Now that it may have resurfaced, it’s attracted dangerous strangers to the Navajo lands.
Proving Billy’s innocence won’t be easy. Leaphorn, Chee, and Manuelito must find the remains of a passenger who died in the crash—one of 172 lost souls whose remains were scattered across the magnificent tiered cliffs of the Grand Canyon.
But nature may prove their deadliest adversary. To find the proof they need, the detectives must battle a thunderous monsoon and a killer as they plunge deeper into the dark realm of the Hopi Lord of Death—the guardian of the underworld known as Skeleton Man.
“With The Shape Shifter, Hillerman once again proves himself the master of Southwest mystery fiction, working in a Hemingway-esque tradition of pared-down writing to bring the rugged Southwest into focus.”—Santa Fe New Mexican
Legendary Lieutenant Joe Leaphorn is drawn back into the past to solve a cold case that has haunted him for nearly a decade in this atmospheric and twisting mystery infused with the Native American culture and lore of the desert Southwest.
Though he’s officially retired from the Navajo Tribal Police, Joe Leaphorn occasionally helps his former colleagues Jim Chee and Bernie Manuelito crack particularly puzzling crimes.
But there is that rare unsolved investigation that haunts every lawman, including the legendary Leaphorn. Joe still hasn’t let go of his “last case”—a mystery involving a priceless Navajo rug that was supposedly destroyed in a fire. Nine years later, what looks like the same one-of-a-kind rug turns up in a magazine spread, and the man who showed Joe the photo has gone missing.
With Chee and Bernie on their honeymoon, Leaphorn plunges into the case solo, picking up the threads of this crime he’d long thought impossible to solve. Not only has the passage of time obscured the details, but a murderer long thought dead continues to roam free—and is ready to strike again to keep the past buried.
First there was the trouble at Saint Boneventure boarding school. A teacher is dead, a boy is missing, and a council woman has put a lot of pressure on Lieutenant Joe Leaphorn and Officer Jim Chee to find her grandson. Sitting on a rooftop watching sacred clowns perform their antics in a Pueblo ceremony, Chee spots the boy. Then, suddenly, the crowd is in commotion. One of the clowns has been savagely murdered. Without a single clue, Chee and Leaphorn must follow a serpentine trail through the Indian clans and nations, seeking the thread that links two brutal murders, a missing teenager, a band of lobbyists trying to put a toxic dump site on Pueblo land, and an invaluable memento given to the tribes by Abraham Lincoln in a fast-paced, flawless mystery that is Hillerman at his lyrical, evocative, spellbinding best.
Performed by Gil Silverbird
Ace reporter John Cotton is a fly on the wall, seeing all, hearing all, and keeping out of sight. But the game changes when he finds his best friend 's corpse sprawled on the marble floor of the central rotunda of the U.S. Capitol. Suddenly Cotton knows too much about a scandal centered around a senatorial candidate, a million-dollar scam, and a murder. And he hears the pursuing footsteps of powerful people who have something to hide . . . and a willingness to kill to keep their secrets hidden.
Hundreds of thousands of devotees will cheer the return of Joe Leaphorn and Jim Chee in Tony Hillerman's most intricate and atmospheric novel yet. The Navajo policemen, whose exploits are now published in sixteen languages, are brought together by the death of a man on Ship Rock, almost 1700 feet above the desert floor.
The fallen man had sprawled on the ledge under the peak of Ship Rock mountain for eleven years-visited only by the ravens who had picked his bones bare and scattered his rock-climbing gear.
Through the memory of those who had known him, emerges an understanding of the fallen man, who had been given everything and found it was not enough.
The Fallen Man is replete with Hillerman trademarks-ingeniously intricate plotting, splendid evocations of the Southwest's harsh beauty, insights into a venerable culture, and subtly poignant characterizations.
Tony Hillerman's many bestselling novels include Finding Moon, Sacred Clowns, and Coyote Waits. He lives with his wife, Marie, in Albuquerque, New Mexico.
Gil Silverbird is an American Navajo Indian who sings in several languages and performs extensively in the theater and on television. He can be heard on Tony Hillerman's The Ghostway and Sacred Clowns
Reunited by a grave robber and a corpse, Navajo Tribal Police Lieutenant Joe Leaphorn is trying to determine the identity of a murder victim, while Officer Jim Chee is arresting Smithsonian conservator Henry Highhawk for ransacking the sacred bones of his ancestors.
But with each peeled-back layer, it becomes shockingly clear that these two cases are mysteriously connected -- and that others are pursuing Highhawk, with lethal intentions. And the search for answers to a deadly puzzle is pulling Leaphorn and Chee into the perilous arena of superstition, ancient ceremony, and living gods.
Tony Hillerman's bestselling Navajo mysteries have thrilled millions of readers with their taut, intricate plotting, sensitive, subtle characterizations and lyrical evocations of landscapes and cultures. Now he departs his trademark terrain and applies his talents to a story he has wanted to tell for decades about an ordinary man thrust into total chaos.
Until the telephone call came for him on April 12, 1975, the world of Moon Mathias had settled into a predictable routine. He knew who he was. He was the disappointing son of Victoria Mathias, the brother of the brilliant, recently dead Ricky Mathias and a man who could be counted on to solve small problems. But the telephone caller was an airport security officer, and the news he delivered handed Moon a problem as large as Southeast Asia.
His mother, who should be in her Florida apartment, is fighting for her life in a Los Angeles hospital -- stricken while en route to the Philippines to bring home a grandchild they hadn't known existed. The papers in her purse send Moon into a world totally strange to him. They lure him down the back streets of Manila, to a rural cockfight, into the odd Filipino prison on Palawan Island and finally across the South China Sea to where Pol Pot's Khmer Rouge is turning Cambodia into killing fields and Communist rockets are beginning to fall on the outskirts of Saigon.
Finding Moon is many things: a latter-day adventure epic, a deftly orchestrated romance, an arresting portrait of an exotic realm engulfed in turmoil, and a neatly turned tale of suspense. Most of all, it is a singular story of how a plain, uncertain man finds his best self.
Two Native American boys have vanished into thin air, leaving a pool of blood behind them. Lieutenant Joe Leaphorn of the Navajo Tribal Police has no choice but to suspect the very worst, since the blood that stains the parched New Mexican ground once flowed through the veins of one of the missing, a young Zuni. But his investigation into a terrible crime is being complicated by an important archaeological dig-and a steel hypodermic needle. And the unique laws and sacred religious rites of the Zuni people are throwing impassable roadblocks in Leaphorn's already twisted path, enabling a craven murderer to elude justice or, worse still, to kill again.
Winner of the 1974 Edgar Allan Poe Award for best novel.
For Sergeant Jim Chee of the Navajo Tribal Police, the case begins when he finds a pair of boots in the rabbit brush beside a wilderness trail. The boots' owner lies nearby, his palms and soles "scalped" in what appears to be a witch's scavenging. The federal investigators tell Chee to mind his own business. But a series of disturbing events draws Chee into a dangerous web of intrigue spun by Navajo sorcery and white greed.
In his Chee/Leaphorn series, best-selling author and recipient of the Navajo Tribe's Special Friend Award, Tony Hillerman, magically combines Navajo lore and modern American culture. In The Fallen Man, he brings Leaphorn out of retirement to join Chee in solving one of his most chilling mysteries to date. When a human skeleton is discovered on sacred Navajo land, the publicity surrounding the find sets in motion a widespread investigation and a series of attempted murders. After a Washington group hires Leaphorn to investigate the "fallen man's" past, he joins Chee in unraveling a deadly intrigue that finally involves players from both the FBI and a suspicious corporation. Sensitive insight into Navajo culture and intricate storytelling explain why Hillerman's tales are bestsellers. Guidall's dramatic, well-paced narration makes clear why each release in the Leaphorn/Chee series attracts a wider audience.
An old man's hazy memory and a Polaroid snapshot are all Chee has to go on, but they are enough to send him deep into an underworld of murder and revenge when a shootout erupts between two strangers at the Shiprock Wash-O-Mat. One man dies and the other drives off, but not before showing old Joseph Joe a photograph of the man he is looking for. It's not much of a lead for Sergeant Chee, but it's enough to put him on the killer's trail.
A dying man is murdered. A rich man's wife agrees to pay three thousand dollars for the return of a stolen box of rocks. A series of odd, inexplicable events is haunting Sergeant Jim Chee of the Navajo Tribal Police and drawing him alone into the Bad Country of the merciless Southwest, where nothing good can survive...including Chee. Because an assassin waits for him there, protecting a thirty-year-old vision that greed has sired and blood has nourished. And only one man will walk away.
