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Audiobooks by Mary Roberts Rinehart
Browse audiobooks by Mary Roberts Rinehart, listen to samples and when you're ready head over to Audiobooks.com where you can get 3 FREE audiobooks on us
"On trial for murder, a young bride recalls the steps that led her to the dock.
The state has accused beautiful young Elinor Norton of murder, and she refuses to mount a defense. Guilt is written all over her elegant features, but her childhood best friend cannot believe it when Elinor confesses to the crime.
Forced into a dull marriage against her will, Elinor is just beginning to adjust to life with Lloyd when she meets the man who will tear her world apart. Blair Leighton is her husband's best friend and was his companion in the war, and he has a charm that makes Elinor quiver from the inside out. At first, her husband is oblivious to this illicit attraction, but when the two men go into business together, the tension threatens to rip the triangle apart. Soon, Elinor is forced to make a chilling decision. One of these men must die―but which?"
"An essay on writing by Mary Roberts Rinehart. Rinehart, a contemporary of Agatha Christie, was a prolific writer in her time.
This essay gives fascinating insight into her process and a glimpse into her thoughts on writing, which is, in fact, work."
"This audiobook is narrated by a digital voice.
Letitia “Tish” Carberry is no ordinary amateur sleuth. Alongside her loyal—and often flustered—companions Aggie and Lizzie, Tish finds herself entangled in a web of strange events, shadowy corridors, and one very suspicious institution. When a body disappears and a ghostly rumor spreads through the ward, the trio’s curiosity turns into a full-blown investigation, laced with hilarity and heart.
The Amazing Adventures of Letitia Carberry by Mary Roberts Rinehart delivers cozy mystery at its Edwardian best. With sharp wit, endearing characters, and a warm blend of suspense and comedy, these tales celebrate friendship, fearless curiosity, and the joy of unraveling life’s oddities—one lantern-lit hallway at a time.
Perfect for fans of light-hearted mysteries, clever dialogue, and spirited women who refuse to stay on the sidelines."
"''The Breaking Point' by Mary Roberts Rinehart is a captivating mystery novel that weaves together suspense, romance, and intrigue. Let's delve into the intriguing plot: Summary Setting: The story unfolds in a New York suburban town shortly after the end of World War I. Protagonist: Meet Dr. Dick Livingston, a quiet man with a mysterious past. He can only remember the last ten years of his life. Love and Mystery: As Dick practices medicine, he falls in love with Elizabeth Wheeler, a young lady who sings in a church choir. Unexpected Revelation: One evening, while attending a play, Dick is recognized by the main actress' manager. He is identified as Jud Clark, wanted for questioning in a potential homicide that occurred ten years earlier in Wyoming. Themes: The novel explores identity, memory, and the consequences of a hidden past. Mary Roberts Rinehart, often called 'America's Agatha Christie,' crafted this tale with her signature blend of suspense and character-driven storytelling. As you follow Dick's journey, you'll unravel secrets and confront the breaking point where past and present collide.'"
"There are so many kinds of love: romantic, filial, spiritual …The following stories by Mary Roberts Rinehart present all sorts of love:
“Twenty-two”“Jane”“In the Pavilion”“God’s Fool”“The Miracle”“Are We Downhearted? No!”“The Game”
Many of the stories take place in hospitals, and two involve trans-Atlantic steam travel. Many have a light heart at their core, while some may induce the wonderment of social issues of their time and of ours. All end with an element of hope and happiness."
"Mary Roberts Rinehart, known for her bestselling mystery novels such as The Circular Staircase published in 1907, earned a reputation as “the American Agatha Christie” through the success of her novels. Yet Rinehart was also a WWI correspondent.
After convincing her editor at The Saturday Evening Post to send her to the Belgian front, and armed with letters of introduction, her status as a well-known writer and member of the American Red Cross, as well as plenty of fearless initiative, she became the first American to report from the front. In Kings, Queens and Pawns (1915) Rinehart records scenes of life at, and far from, the front: a baby whose legs were blown off, a young soldier rendered blind in battle sitting quietly as he listens to a recording of Madama Butterfly, the entire noncombatant population of a Belgian town homeless after relentless German-lead bombings, a queen overseeing her Needlework Guild.
Anticipating the ultimately widely held view of the bloody and often futile conflict, Rinehart argues that the greatest treasures of the warring countries, the young soldiers fighting so valiantly in the prime of their lives, are mere pawns wasted and lost on the desolate battlefields."
"Precocious seventeen-year-old Bab, with a sizeable sense of the romantic and an over-developed sense of the dramatic, shares how these traits get her into continuous scrapes via school themes, journals, and articles meant for publication.
How can a made-up paramour appear at a ball? Will Bab find inspiration or romance from the neighboring vacation cottage? How can she save the career of her latest (and dearest) love? Managing an allowance is easy—isn’t buying a car to save on shoe repair fiscally responsible? Is the family’s butler a spy for Germany?
Set against the backdrop of the first World War, these humorous tales highlight how little has changed in the past century with regard to a young girl’s finding her place in the world.
Rerelease additions! Hear two additional stories from two of Rinehart’s other collections: Jane from Love Stories, and Affinities from Affinities and Other Stories. Both collections will be released in their entirety soon."
"The Circular Staircase is a mystery novel by American writer Mary Roberts Rinehart. The story follows dowager Rachel Innes as she thwarts a series of strange crimes at a summer house she has rented with her niece and nephew."
"An older woman of the elite class has lots of money and abundant courage and determination. Miss Cornelia Van Gorder wants some adventure in her life, so she rents a large mansion to see what she can stir up. She moves in with her niece and an unpredictable Irish maid and is confronted by an embezzlement problem at the owner’s bank. But that’s just the beginning of troubles, because a murderous masked criminal known as the Bat is using the mansion as a hideout.
All this becomes more than a mere summer vacation for Miss Cornelia during a stormy night when she more or less stumbles across a corpse, an apparent victim of the deadly Bat. In addition, her niece’s boyfriend is considered a suspect in the bank embezzlement case.
This literary combination of events had actually begun as a play that evolved into novel form conceived by noted author Mary Roberts Rinehart. Her credentials for conceiving such a mystery with murderous mayhem resulted in her often being called “America’s Agatha Christie.”
Let’s listen now to a story that contains some comedy in addition to its dire circumstances."
"Rachel Innes, a middle-aged spinster, has barely settled in at the country house she has rented for the summer when a series of bizarre and violent events threaten to perturb her normally unflappable nature. A strange figure appears briefly in the twilight outside a window. At night, a rattling, metallic sound reverberates through dark halls, and—most disconcerting of all—the body of a strange man is found lying in a pool of blood at the bottom of a circular staircase.
Before this spine-tingling tale ends, five connected deaths shatter the normally placid atmosphere of the vacation retreat. Rachel’s devoted niece and nephew are among the prime suspects in one of the murders; stolen securities and a bank default threaten the young pair’s financial security, and Aunt “Ray” ultimately fights for her life in an airless secret room."
"The stage on which we play our little dramas of life and love has for most of us but one setting. It is furnished out with approximately the same things. Characters come, move about, and make their final exits through long-familiar doors. And the backdrop remains approximately the same from beginning to end. Palace or hovel, forest or sea, it is the background for the moving figures of the play.
Sara Lee Kennedy had a backdrop that had every appearance of permanency. The great Scene Painter apparently intended that there should be no change of set for her. Sara Lee herself certainly expected none.
But now and then, amazing things are done on this great stage of ours: lights go down; the backdrop, which had given the illusion of solidity, reveals itself transparent. A sort of fairyland transformation takes place. Beyond the once solid wall, strange figures move on—a new mise-en-scène, with the old blotted out in darkness. The lady, whom we left knitting by the fire, becomes a fairy—Sara Lee became a fairy, of a sort—and meets the prince. Adventure, too; and love, of course. And then the lights go out, and it is the same old backdrop again, and the lady is back by the fire—but with a memory.
This is the story of Sara Lee Kennedy’s memory—and of something more. You’ll hear all about it."
"There's been an awful murder at Elizabeth Bell's otherwise quiet household in this classic mystery from the author of The Yellow Room.
Elizabeth Bell runs a quiet household, with no family and no more than the usual number of servants. She passes her time thinking about crime and working on her biography of a relative. When a young cousin comes to stay, life in the house becomes uncharacteristically lively. First, cousin Judy burns a hole in Miss Bell's desk. Next, they spy a burglar on the staircase—a shadowy figure who vanishes without a trace. And finally, Sarah, the nurse, takes the dogs for a walk and never returns.
She is found savagely murdered, and she will not be the last to die. At first, Miss Bell stays calm, but when the police determine that the killer was one of her household, she begins to panic. If one of her servants is the killer, what is an old woman to do?"
