»Eine Meisterin des Plots, eine grandiose Stilistin« - Die ZEITJoanna Hunter, 36 Jahre alt, hat alles, was man sich nur wünschen kann: ein schönes Haus, einen guten Job als Ärztin, einen treuen Hund und einen attraktiven Mann. Doch ihr ganzes Glück ist ihr kleiner Sohn Gabriel. Für ihn würde sie alles tun. Wie wunderbar muss es sein, mit dieser Frau in diesem Haus zu leben, denkt sich das Kindermädchen Reggie. Mit ihren 16 Jahren hat sie schon alles gesehen und erlebt. Joanna lässt sie wieder an das Gute in der Welt glauben. Für sie würde Reggie alles tun. Als Joanna und ihr Sohn eines Tages verschwunden sind, findet Reggie sämtliche Erklärungen des Ehemannes merkwürdig. Sie wendet sich an die Polizei, doch keiner versteht ihre Sorge - bis Jackson Brodie auftaucht. Er kennt Joanna Hunter und ihre dunkle Geschichte und er setzt alles daran, sie ein zweites Mal zu finden ...-
'Die beste Detektivgeschichte des Jahrzehnts!' - Stephen King Seit der Aufklärung seines letzten Falls hat sich das Leben des unkonventionellen Privatermittlers Jackson Brodie grundlegend verändert. Er ist zu Geld gekommen und hat seinen Job an den Nagel gehängt. Doch glücklich ist er nicht. Im Gegensatz zu seiner Freundin, der Schauspielerin Julia, kann er das süße Nichtstun nicht wirklich genießen. Ein Mann ohne Arbeit, das passt nicht in Brodies Weltbild. Zudem langweilt er sich gehörig, und daran ändert auch der Aufenthalt in Edinburgh nichts. Ziellos streift Brodie durch die Stadt, während Julia für ihr neues Stück probt. Erst als er bei einem Strandspaziergang eine Leiche entdeckt, ist seine Schwermut wie verflogen. Brodie ist wieder ganz der Alte und ermittelt auf eigene Faust - sehr zur Verärgerung der ansässigen Polizei. Als Brodie sich kurz vor der Aufklärung des Mordes wähnt, gerät er selbst in Gefahr ...-
'Die beste Detektivgeschichte des Jahrzehnts!' - Stephen KingIn einer heißen Sommernacht verschwindet die kleine Olivia spurlos. Die Familie, deren absoluter Liebling sie war, zerbricht an diesem Unglück. Vor allem für die drei älteren Schwestern dreht sich fortan alles um diesen Verlust und die Beantwortung der Frage nach dem Warum. Dreißig Jahre später taucht Olivias Lieblingsspielzeug wieder auf. Sie beauftragen den Privatdetektiv Jackson Brodie, der jedoch kaum Hoffnung hat, den Fall nach all den Jahren lösen zu können. Für die drei Schwestern ist Olivias Verschwinden das Drama ihres Lebens. All ihre Träume und Sehnsüchte haben sich verflüchtigt, die kleine Schwester dagegen ist allgegenwärtig. Brodie rührt es zu sehen, wie die Frauen um ein normales Leben für sich kämpfen. Er kennt dies nur allzu gut, denn auch er hat seine Schwester auf schreckliche Weise verloren. Pflichtbewusst trägt er seine mageren Ermittlungsergebnisse zusammen - und stößt auf einen Hinweis, der das ganze Ausmaß der Tragödie sichtbar werden lässt.-
Penguin presents the audiobook edition of Big Sky written by Kate Atkinson, read by Jason Isaacs.
The highly anticipated return of Jackson Brodie, ex-military, ex-Cambridge Constabulary, now private investigator, 'a hero for men and women alike'*.
Jackson Brodie has relocated to a quiet seaside village in North Yorkshire, in the occasional company of his recalcitrant teenage son Nathan and ageing Labrador Dido, both at the discretion of his former partner Julia. It's a picturesque setting, but there's something darker lurking behind the scenes.
Jackson's current job, gathering proof of an unfaithful husband for his suspicious wife, seems straightforward, but a chance encounter with a desperate man on a crumbling cliff leads him into a sinister network-and back into the path of someone from his past. Old secrets and new lies intersect in this breathtaking new novel, both sharply funny and achingly sad, by one of the most dazzling and surprising writers at work today.
*The Times
A deeply moving family story of happiness and heartbreak, Behind the Scenes at the Museum is bestselling author Kate Atkinson's award-winning literary debut.
National Bestseller
Winner of the Whitbread Book of the Year
Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the twentieth century as seen through the eyes of an English girl determined to learn about her family and its secrets. Kate Atkinson's first novel is "a multigenerational tale of a spectacularly dysfunctional Yorkshire family and one of the funniest works of fiction to come out of Britain in years" (The New York Times Book Review).
A dramatic story of WWII espionage, betrayal, and loyalty, by the #1 bestselling author of Life After Life
In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever.
Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.
Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit and empathy. It is a triumphant work of fiction from one of the best writers of our time.
Random House presents the audiobook edition of Transcription by Kate Atkinson, read by Fenella Woolgar.
THE MAGNIFICENT NEW NOVEL BY BESTSELLING AWARD-WINNING KATE ATKINSON
'Think of it as an adventure, Perry had said right at the beginning of all this.And it had seemed like one. A bit of a lark, she had thought. A Girls' Own adventure.'
In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past for ever.
Ten years later, now a producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.
Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit and empathy. It is a triumphant work of fiction from one of this country's most exceptional writers.
One of the Best Books of 2015--TIME, NPR, Washington Post, The Seattle Times, Kirkus, Bookpage, Hudson Booksellers, AARP
The stunning companion to Kate Atkinson's #1 bestseller Life After Life, "one of the best novels I've read this century" (Gillian Flynn).
"He had been reconciled to death during the war and then suddenly the war was over and there was a next day and a next day. Part of him never adjusted to having a future."
Kate Atkinson's dazzling Life After Life explored the possibility of infinite chances and the power of choices, following Ursula Todd as she lived through the turbulent events of the last century over and over again.
A GOD IN RUINS tells the dramatic story of the 20th Century through Ursula's beloved younger brother Teddy--would-be poet, heroic pilot, husband, father, and grandfather-as he navigates the perils and progress of a rapidly changing world. After all that Teddy endures in battle, his greatest challenge is living in a future he never expected to have.
An ingenious and moving exploration of one ordinary man's path through extraordinary times, A GOD IN RUINS proves once again that Kate Atkinson is one of the finest novelists of our age.
Kate Atkinson's dazzling Life After Life, one of the top selling adult books of 2014, explored the possibility of infinite chances, as Ursula Todd lived through the turbulent events of the last century again and again. In A God in Ruins, Atkinson turns her focus on Ursula's beloved younger brother Teddy - would-be poet, RAF bomber pilot, husband and father - as he navigates the perils and progress of the 20th century. For all Teddy endures in battle, his greatest challenge will be to face living in a future he never expected to have.
A God in Ruins is a masterful companion to Life After Life, and will prove once again that Kate Atkinson is one of the finest novelists of our age.
It is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident - an incident which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander - until he becomes a suspect.
With Case Histories, Kate Atkinson showed how brilliantly she could explore the crime genre and make it her own. In One Good Turn she takes her masterful plotting one step further. Like a set of Russian dolls each thread of the narrative reveals itself to be related to the last. Her Dickensian cast of characters are all looking for love or money and find it in surprising places. As ever with Atkinson what each one actually discovers is their true self.
Unputdownable and triumphant, One Good Turn is a sharply intelligent read that is also percipient, funny, and totally satisfying.
What is the real world? Does it exist, or is it merely a means of keeping another reality at bay?
Not the End of the World is Kate Atkinson's first collection of short stories. Playful and profound, they explore the world we think we know whilst offering a vision of another world which lurks just beneath the surface of our consciousness, a world where the myths we have banished from our lives are startlingly present and where imagination has the power to transform reality.
From Charlene and Trudi, obsessively making lists while bombs explode softly in the streets outside, to gormless Eddie, maniacal cataloguer of fish, and Meredith Zane who may just have discovered the secret to eternal life, each of these stories shows that when the worlds of material existence and imagination collide, anything is possible.
On a peat and heather island off the west coast of Scotland, Effie and her mother Nora take refuge in the large mouldering house of their ancestors and tell each other stories.Nora, at first, recounts nothing that Effie really wants to hear, like who her father was - variously Jimmy, Jack, or Ernie.
Effie tells of her life at college in Dundee, the land of cakes and William Wallace, where she lives in a lethargic relationship with Bob, a student who never goes to lectures, seldom gets out of bed, and to whom the Klingons are as real as the French and the Germans (more real than the Luxemburgers).But strange things are happening. Why is Effie being followed?Is someone killing the old people? And where is the mysterious yellow dog?
