Audiobooks by Joy McCullough

A Blood Water Paint-style historical YA in prose and verse from New York Times bestselling author Joy McCullough. Early Seventeenth-Century Rome For as long as she can remember, Carmela Tofana has desperately wanted one thing: to be a part of La Tofana's, her mother's apothecary in Campo Marzio, Rome. When she finally turns sixteen, she's allowed into the inner sanctum: the workroom where her mother and two assistants craft renowned remedies for their customers. But for every sweet-smelling flower extract in the workroom, there's another potion requiring darker ingredients. And then there's Aqua Tofana, the apothecary's remedy of last resort. In all Carmela's years of wishing to follow in her mother's footsteps, she never realized one tiny vial could be the death of them all. Everything Is Poison is a story of a deadly secret hiding in plain sight and of the women who risk everything to provide care for those with nowhere else to turn.

Joy McCullough, Joy Mccullough (Author), Joy McCullough, TBD (Narrator)

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Enter the Body

"At once tender, poetic and ferocious, Enter The Body breathes new life into the Bard's most tragic heroines. More than a tribute to Shakespeare, this kaleidoscopic, ambitious novel-in-verse gives Juliet, Ophelia, Cordelia, and Lavinia the chance to tell their own stories full of passion, justice, sisterhood, and love. Simply spectacular."-Michael L. Printz Award winner Laura Ruby, author of Bone Gap In the room beneath a stage's trapdoor, Shakespeare's dead teenage girls compare their experiences and retell the stories of their lives, their loves, and their fates in their own words. Bestselling author Joy McCullough offers a brilliant testament to how young women can support each other and reclaim their stories in the aftermath of trauma.

Joy McCullough, Joy Mccullough (Author), Annie Q, Joy McCullough, Joy Mccullough, Valerie Rose Lohman, Victoria Villarreal (Narrator)

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Great or Nothing

A reimagining of Little Women set in 1942, when the United States is suddenly embroiled in the second World War, this story, told from each March sister's point of view, is one of grief, love, and self-discovery. In the fall of 1942, the United States is still reeling from the attack on Pearl Harbor. While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth. Under the strain of their grief, Beth's remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Connecticut, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London--the same city where one Mr. Theodore Laurence is stationed as an army pilot. Each March sister's point of view is written by a separate author, three in prose and Beth's in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one's way in a world undergoing catastrophic change.

Caroline Tung Richmond, Jessica Spotswood, Joy McCullough, Joy Mccullough, Tess Sharpe (Author), Erin Spencer, Joy McCullough, Joy Mccullough, Saskia Maarleveld, Tess Sharpe (Narrator)

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We Are the Ashes, We Are the Fire

From the author of the acclaimed Blood Water Paint, a new contemporary YA novel in prose and verse about a girl struggling with guilt and a desire for revenge after her sister's rapist escapes with no prison time. Em Morales's older sister was raped by another student after a frat party. A jury eventually found the rapist guilty on all counts--a remarkable verdict that Em felt more than a little responsible for, since she was her sister's strongest advocate on social media during the trial. Her passion and outspokenness helped dissuade the DA from settling for a plea deal. Em's family would have real justice. But the victory is short-lived. In a matter of minutes, justice vanishes as the judge turns the Morales family's world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is literally sick with rage and guilt. To make matters worse, a news clip of her saying that the sentence makes her want to learn 'how to use a sword' goes viral. From this low point, Em must find a new reason to go on and help her family heal, and she finds it in the unlikely form of the story of a fifteenth-century French noblewoman, Marguerite de Bressieux, who is legendary as an avenging knight for rape victims. We Are the Ashes, We Are the Fire is a searing and nuanced portrait of a young woman torn between a persistent desire for revenge and a burning need for hope.

Joy McCullough, Joy Mccullough (Author), Frankie Corzo (Narrator)

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Blood Water Paint

Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do.

Joy McCullough (Author), Xe Sands (Narrator)

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