"A dazzlingly clever and immensely entertaining novel." --New York Times
By chance, John and Jean--one English, the other French--meet in a provincial railway station. Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking - until at last John falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, Jean has stolen his identity and disappeared. So the Englishman steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.
Gripping and complex, The Scapegoat is a masterful exploration of doubling and identity, and of the dark side of the self.
"Daphne du Maurier is a magician, a virtuoso. She can conjure up tragedy, tension, suspense, the ridiculous, the vain, the romantic." --Good Housekeeping
Honor Harris is only eighteen when she first meets Richard Grenvile, proud, reckless - and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone. As the English Civil war is waged across the country, Richard rises through the ranks of the army, marries and makes enemies, and Honor remains true to him.
Decades later, an undaunted Sir Richard, now a general serving King Charles I, finds her. Finally they can share their passion in the ruins of her family's great estate on the storm-tossed Cornish coast-one last time before being torn apart, never to embrace again.
'There was Manderley, our Manderley, secretive and silent as it had always been...Time itself could not wreck the perfect symmetry of those walls, nor the site itself, a jewel in the hollow of a hand.'
When Maxim de Winter brings his shy new bride to his beautiful stately home on the Cornwall coast, it seems like all her dreams have come true. The terrace slopes to the lawns, the lawns stretch to the sea, and the gardens are full of scented flowers.
But she soon finds that Manderley is haunted by the shadow of Maxim's first wife, Rebecca, who died the year before. It was Rebecca who made the house and gardens the showpiece of the county and her memory is revered by all, especially the housekeeper Mrs Danvers.
As the hot summer fades, the mystery of Rebecca's death grows, weaving a spell of fear and foreboding. In a series of climactic revelations, Rebecca's memory is finally laid to rest.... but at what cost?
"Rebecca is a work of immense intelligence and wit, elegantly written, thematically solid, suspenseful.." --Washington Post
"Daphne du Maurier created a scale by which modern women can measure their feelings." --Stephen King
Last night I dreamt I went to Manderley again . . .
The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives--presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.
First published in 1938, this classic gothic novel is such a compelling read that it won the Anthony Award for Best Novel of the Century.
Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and there he dies suddenly.
Jealous of his marriage, racked by suspicion at the hints in Ambrose's letters, and grief-stricken by his death, Philip prepares to meet his cousin's widow with hatred in his heart.
Despite himself, Philip is drawn to this beautiful, sophisticated, mysterious Rachel like a moth to the flame. And yet . . . might she have had a hand in Ambrose's death?
Du Maurier is of course world famous for many of her novels. These two stories are perhaps even better known as films (The Birds by Alfred Hitchcock and Don't Look Now by Nic Roeg), but here we bring you the full terrifying texts, superbly read by Peter Capaldi, who brings the true dimension of these works to the imagination.
Back when going to the movies meant a whole afternoon or evening's entertainment not just the one movie Audiobook radio is proud to be home to the Hollywood Double Bill. Adapted for radio with all the frills including the big stars and hosted by Roger Prior.
"A fine romantic tale...rich in suspense and surprise." --New York Times Book Review
On a bitter November evening, young Mary Yellan journeys across the rainswept moors to Jamaica Inn in honor of her mother's dying request. When she arrives, the warning of the coachman begins to echo in her memory, for her aunt Patience cowers before hulking Uncle Joss Merlyn. Terrified of the inn's brooding power, Mary gradually finds herself ensnared in the dark schemes being enacted behind its crumbling walls -- and tempted to love a man she dares not trust.
"The House on the Strand is prime du Maurier." --New York Times
Dick Young is lent a house in Cornwall by his friend Professor Magnus Lane. During his stay he agrees to serve as a guinea pig for a new drug that Magnus has discovered in his scientific research.
When Dick samples Magnus's potion, he finds himself doing the impossible: traveling through time while staying in place, thrown all the way back into Medieval Cornwall. The concoction wear off after several hours, but its effects are intoxicating and Dick cannot resist his newfound powers. As his journeys increase, Dick begins to resent the days he must spend in the modern world, longing ever more fervently to get back into his world of centuries before, and the home of the beautiful Lady Isolda...
The lost stories of Daphne du Maurier, collected in one volume for the first time.
Before she wrote Rebecca, the novel that would cement her reputation as a twentieth-century literary giant, a young Daphne du Maurier penned short fiction in which she explored the images, themes, and concerns that informed her later work. Originally published in periodicals during the early 1930s, many of these stories never found their way into print again . . . until now.
Tales of human frailty and obsession, and of romance gone tragically awry, the thirteen stories in The Doll showcase an exciting budding talent before she went on to write one of the most beloved novels of all time. In these pages, a waterlogged notebook washes ashore revealing a dark story of jealousy and obsession, a vicar coaches a young couple divided by class issues, and an older man falls perilously in love with a much younger woman'with each tale demonstrating du Maurier's extraordinary storytelling gifts and her deep understanding of human nature.
"Highly personalized adventure, ultra-romantic mood, and skillful storytelling." --New York Times
Bored and restless in London's Restoration Court, Lady Dona escapes into the British countryside with her restlessness and thirst for adventure as her only guides.
Eventually Dona lands in remote Navron, looking for peace of mind in its solitary woods and hidden creeks. She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall.
Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.
