"The six wives of Henry VIII have become defined in a popular sense not so much by their lives as by the way these lives ended. But, as Antonia Fraser conclusively proves, they were rich and feisty characters. They may have been victims of Henry's obsession with a male heir, but they displayed considerable strength and intelligence at a time when their sex supposedly possessed little of either. Inevitably there was great rivalry and jealously between them. The story Antonia Fraser tells is romantic and cruel, funny and sad, dramatic and enthralling."
"From the outset, Caroline Lamb had a rebellious nature. From childhood she grew increasingly troublesome, experimenting with sedatives like laudanum, and she had a special governess to control her. She also had a merciless wit and talent for mimicry. She spoke French and German fluently, knew Greek and Latin, and sketched impressive portraits. As the niece of Georgiana, Duchess of Devonshire, she was already well connected, and her courtly skills resulted in her marriage to the Hon. William Lamb (later Lord Melbourne) at the age on nineteen. For a few years they enjoyed a happy marriage, despite Lamb's siblings and mother-in-law detesting her and referring to her as 'the little beast'.
In 1812 Caroline embarked on a well-publicised affair with the poet Lord Byron - he was 24, she 26. Her phrase 'mad, bad and dangerous to know' became his lasting epitaph. When he broke things off, Caroline made increasingly public attempts to reunite. Her obsession came to define much of her later life, as well as influencing her own writing - most notably the Gothic novel Glenarvon - and Byron's.
Antonia Fraser's vividly compelling biography animates the life of 'a free spirit' who was far more than mad, bad and dangerous to know."
"'Before biography was fashionable, Antonia Fraser made the past popular' Guardian
'As a pure storyteller, Antonia Fraser has few equals' Sunday Times
CAROLINE NORTON, a nineteenth-century heroine who wanted justice for women.
Poet, pamphleteer and artist's muse, Caroline Norton dazzled nineteenth-century society with her vivacity and intelligence. After her marriage in 1828 to the MP George Norton, she continued to attract friends and admirers to her salon in Westminster, which included the young Disraeli. Most prominent among her admirers was the widowed Prime Minister, Lord Melbourne. Racked with jealousy, George Norton took the Prime Minister to court, suing him for damages on account of his 'Criminal Conversation' (adultery) with Caroline. A dramatic trial followed. Despite the unexpected and sensational result - acquittal - Norton legally denied Caroline access to her three children under seven. He also claimed her income as an author for himself, since the copyrights of a married woman belonged to her husband.
Yet Caroline refused to despair. Beset by the personal cruelties perpetrated by her husband and a society whose rules were set against her, she chose to fight, not surrender. She channelled her energies in an area of much-needed reform: the rights of a married woman and specifically those of a mother. Over the next few years she campaigned tirelessly, achieving her first landmark victory with the Infant Custody Act of 1839. Provisions which are now taken for granted, such as the right of a mother to have access to her own children, owe much to Caroline, who was determined to secure justice for women at all levels of society from the privileged to the dispossessed.
Award-winning historian Antonia Fraser brilliantly portrays a woman, at once courageous and compassionate, who refused to be curbed by the personal and political constraints of her time."
"The story of Catholic Emancipation begins with the Anti-Catholic Gordon Riots in 1780, fuelled by a reduction in Penal Laws against Catholics harking back to the sixteenth century. Fifty years later, the passing of the Emancipation Bill was hailed as a 'bloodless revolution'.
Yet, had the Irish Catholics been a 'millstone' or were they the prime movers?
Antonia Fraser brings colour and humour to this vivid drama with its huge cast of characters, including: George III, the Prince of Wales, Lady Conyngham, Lord Wellington, Sir Robert Peel, 'roaring' Lord Winchilsea and the heroic Daniel O'Connell. Expertly written and deftly argued, The King and Catholics stands as a distant mirror of our times, reflecting the political issues arising from religious intolerance."
"Antonia Fraser's memoir describes growing up in the 1930s and 1940s but its real concern is with her growing love of history. The fascination began as a child when her evacuation at the beginning of the war to an Elizabethan manor house became an inspiration for historical imaginings - and developed into an enduring passion; as she writes, 'for me, the study of History has always been an essential part of the enjoyment of life'."
"Internationally bestselling historian Antonia Fraser's book brilliantly evokes one year of pre-Victorian political and social history - the passing of the Great Reform Bill of 1832, an eventful and violent year that featured riots in Bristol, Manchester and Nottingham.
The time-span of the book is from Wellington's intractable declaration in November 1830 that 'The beginning of reform is beginning of revolution' to 7 June 1832, when William IV reluctantly assented to the Great Reform Bill, under the double threat of the creation of 60 new peers in the House of Lords and the threat of revolution throughout the country. Wider themes of Irish and 'negro emancipation' underscore the narrative.
The book is character driven; we learn of the Whig aristocrats prepared to whittle away their own power to bring liberty to the country, the all-too-conservative opposition who included the intransigent Duchess of Kent and Queen Adelaide and finally the 'revolutionaries' like William Cobbett, author of Rural Rides. These events led to a total change in the way Britain was governed, a two-year revolution that Antonia Fraser brings to vivid dramatic life.
'A writer whose command of sources, eye for detail, perception of character and shrewd judgment enable her to bring the past truthfully to life' ( Sunday Telegraph)
'Drama, betrayal, religion and sex, it's all here, adorned by often fascinating, at times esoteric detail' ( Guardian)
'Fraser brings to life the female stars circling the Sun King in an account that successfully combines erudition with gossipy stories of the kind the Versailles courtiers loved so much.' ( Sunday Times)"
"Remember, remember, the Fifth of November ...
With a narrative that grips the reader like a detective story, Antonia Fraser brings the characters and events of the Gunpowder Plot to life. Dramatically recreating the conditions and motives that surrounded the fateful night of 5 November 1605, she unravels the tangled web of religion and politics that spawned the plot.
“An excellent book which unravels the whole story of the plot.” LITERARY REVIEW
“Told with impressive scholarship and panache ... with a sense of pace and tension worthy of a John le Carré novel'.” SUNDAY TELEGRAPH"
"When Antonia Fraser met Harold Pinter she was a celebrated biographer and he was Britain's finest playwright. Both were already married - Pinter to the actress Vivien Merchant and Fraser to the politician Hugh Fraser - but their union seemed inevitable from the moment they met: 'I would have found you somehow', Pinter told Fraser. Their relationship flourished until Pinter's death on Christmas Eve 2008 and was a source of delight and inspiration to them both until the very end.
Fraser uses her Diaries and her own recollections to tell a touching love story. But this is also a memoir of a partnership between two of the greatest literary talents, with fascinating glimpses into their creativity and their illustrious circle of friends from the literary, political and theatrical world.
“Deeply moving.” THE TIMES
“The quiet brilliance of this book steals up on you...funny, clever and controlled.” GUARDIAN"
"Mistresses and wives, mothers and daughters - Antonia Fraser brilliantly explores the relationships which existed between The Sun King and the women in his life. This includes not only Louis XIV's mistresses, principally Louise de La Vallière, Athénaïs de Montespan, and the puritanical Madame de Maintenon, but also the wider story of his relationships with women in general, including his mother Anne of Austria, his two sisters-in-law who were Duchesses d'Orléans in succession, Henriette-Anne and Liselotte, his wayward illegitimate daughters, and lastly Adelaide, the beloved child-wife of his grandson.
“A sparkling history which captures the giddy quality of the times.” SUNDAY TELEGRAPH
“Vividly capturing 17th-century Europe's most extravagant court.” DAILY EXPRESS"
