Playing on Words
David OsmondSmith
Hardback
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The Oratorio in Venice
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Music for Treviso Cathedral in the Late Sixteenth Century
Bonnie J Blackburn
The Breath of the Symphonist
David Fanning
The Impresario's Ten Commandments
Curtis Alexander Price and 3 more
Institutional Patronage in Post-Tridentine Rome
Noel ORegan
Orientalism, Masquerade and Mozart's Turkish Music
Matthew William Head and 1 more
'Composing With Tones'
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Szymanowski, Eroticism, and the Voices of Mythology
Stephen C Downes
Salomon and the Burneys
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Repetition in Music
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'To Fill, Forbear, or Adorne'
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MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164-167
Anthony M Cummings
Bartók and the Grotesque
Julie Brown
Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England
Philip Ross Bullock
Skryabin, Philosophy and the Music of Desire
Kenneth M Smith
Paperback
The Politics of Plainchant in Fin-De-Siècle France
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Brahms Beyond Mastery
Robert Pascall
Regina Mingotti
Michael Burden
Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata
Nicholas Marston
The Politics of Verdi's Cantica
Roberta Montemorra Marvin
Johann Mattheson's Pièces De Clavecin and Das Neu-Eröffnete Orchestre
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Singing Dante
Elena Abramovvan Rijk
The 'Ars Musica' Attributed to Magister Lambertus/Aristoteles
Christian Meyer and 1 more
Magister Jacobus De Ispania, Author of the Speculum Musicae
Margaret Bent
Towards a Harmonic Grammar of Grieg's Late Piano Music
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The Genesis and Development of an English Organ Sonata
Iain Quinn
The Regulation and Reform of Music Criticism in Nineteenth-Century England
Paul Watt
Upper-Voice Structures and Compositional Process in the Ars Nova Motet
Anna Zayaruznaya
The Cyclic Mass
James Cook
Regina Mingotti: Diva and Impresario at the King's Theatre, London
The Pre-history of ‘The Midsummer Marriage’
Roger Savage
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
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Johann Mattheson’s Pièces de clavecin and Das neu-eröffnete Orchestre
Margaret Seares
Disinformation in Mass Media
Beverly Jerold
Music Theory in Late Medieval Avignon
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Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772)
Florian Bassani
Authorship and Identity in Late Thirteenth-Century Motets
Catherine A Bradley
The Malmariée in the Thirteenth-Century Motet
Dolores Pesce
Gregorio Ballabene's Forty-Eight-Part Mass for Twelve Choirs (1772)
Music, Books and Theatre in Eighteenth-Century Exton
Colin Timms
Return to Riemann
J P E HarperScott and 1 more
The Politics of Plainchant in Fin-De-Si?e France
Paraguayan Musical Nationalism in the Symphonies of Florentín Giménez
Alfredo Colman