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This deliciously quirky, amusing and sharply-pointed debut novel slowly wormed its way into my heart and soul. Anxiety is plaguing Gilda, who also has death on her mind, she unexpectedly finds herself in a new job, fending off unwanted attention from men while keeping her girlfriend secret, and investigating a suspicious death. Emily Austin writes with such honesty and empathy, I found her words burrowed their way into my mind before reaching beyond thought, to feelings. It took me a while to get to know and warm to Gilda, she borders on awkward as she tells her story. I gradually found myself getting closer and closer to this fragile yet thoughtful and beautiful woman. The plot weaves a unique magic as it ranges from mystery to family drama to relationship story. The humour is pithy and smart, the observations can sting yet are compassionate, and the descriptions simply sing. I really have fallen in love with this book, and can’t wait to see what comes next from Emily Austin, she is a writer I will be looking out for. Everyone In This Room Will Someday Be Dead is a compelling, provocative, and beautiful LoveReading Star Book.
Our June 2021 Book Club Recommendation Click here to see our Reading Group Questions. Heady, rich and evocative, and while a reimagining of Great Expectations, this debut stands as a unique and startling read in its own right. As a child, orphaned Kit finds the world of his Uncle and Aunt an enticing place to be, as he grows older he discovers that all that glitters isn’t necessarily gold. Gill Darling travels through three decades from the 1970’s, creating the most spelling-binding novel. She doesn’t flinch from the harsher side of life, and while building an enchanting world, exposes vulnerability, selfishness, and excess. The characters feel as real as can be, with a tapestry of traits they ensured my feelings moved through the gamut of emotions. While I knew this was inspired by Great Expectations before I started, I entered and read it as Erringby, completely absorbed and only looking between the two when I had turned the last page. I found growing up with Kit at times disturbing, while at others I relished his adventures, and the ending sent little goose pimples skittering down my arms. When I finish reading I always return to the cover again to see with new eyes, and oh what a gorgeously expressive and clever creation it is! Thoughtful and loving, yet passionate and provocative, Erringby is a truly striking coming-of-age novel and a deserves its place as a LoveReading Star Book.
A beautifully poignant, thought-provoking and special novel that really does travel to the heart of what it is to be human. 20 year old Sebastian knows exactly what he wants, his hormones are raging and he is desperate for sex however his autism limits his ability to meet girls. When Sebastian’s mother Veronica contacts escort Violetta, the lives of all three change forever. The novel focuses on the three main characters, each is vividly realised and I positively ached for and adored all three. Their individual stories weave through and under and around each other, the short chapters tying them together, creating one whole tale. Louise Beech often crosses genres in her novels, and has explored crime through to relationship stories. Her particular skill, on display in all of her novels, is allowing us to connect and sink in to what it means to be human, she takes us below the surface, below the obvious, and allows us to explore. My emotions sang throughout this novel, I balanced the exquisite tightrope that swings from the pages, stepped out, and fell in love with the words, the feelings they evoked. The title is absolutely perfect, and when I had finished, I just sat pondering its meaning. The Author’s Note at the end shows just how connected Louise is to this story, how she was inspired by her experience of autism as ‘an outsider’ and she also talks about #OwnVoices. This is How we are Human is bold and provocative, thoughtful and warmhearted, and I declare it is completely gorgeous!
Like the very best short stories, Wandeka Gayle’s Motherland and Other Stories are multi-layered, long-lingering, and delivered in a deceptively simple style - vivid vignettes of life from varied corners of the globe with lasting impact that grows over time and draws you back. Many of the tales take turns down unexpected paths - purposeful detours and changes of direction that reveal new truths. Others present intimate, intense portraits of their protagonist’s complex relationship to home (Jamaica). All of them exude elegance and insights into the human condition. In my book, that’s pretty much short story perfection. Though distinct, the twelve stories are united by the courage of their protagonists, and an exploration of what it is to be black in white worlds. In Motherland we meet compassionate Roxanne, who moved from Jamaica and works in a London care home. She encounters racism, but strikes a bond with an elderly writer resident. Then there’s Ayo in Finding Joy, who leaves Jamaica to study in Louisiana and finds agency through personal upheavals “in this foreign place.” Each story, and each woman’s experiences, had me utterly in their thrall.