Irony and the satirical impulse in cinema have gradually lost favor, mockery increasingly more selective in its choice of targets. As Linda Hutcheon notes, irony is becoming a problematic mode of expression in the twenty-first century.
The book examines the work of eight film auteurs: Luis Bunuel, R.W. Fassbinder, Stanley Kubrick, Robert Altman, Paul Verhoeven, Aki Kaurismaki, Aleksei Balabanov and David Lynch, much of whose work is not always regarded thus and the films examined are often more ironic than satirical. From apparent melodrama and eroticism to fantasy and horror, these eight directors redefine satire's limits, providing evidence that irony in cinema often goes unrecognised.
The introduction examines the various categories of satire, and the chapters then study the filmmakers individually through selected works, offering interpretations of films and identifying a consistent approach. Since the work is often ambiguous the book speculates on each film's purport, engaging in textual interpretation of individual works to understand concerns underneath the most obvious. The afterword tries to find common targets and strategies on the filmmakers' part.
| ISBN: | 9781835951408 |
| Publication date: | 8th September 2025 |
| Author: | M K Raghavendra |
| Publisher: | Intellect Books |
| Format: | Hardback |
| Pagination: | 236 pages |
| Genres: |
Films, cinema Individual film directors, film-makers Digital, video and new media arts |
Irony and the satirical impulse in cinema have gradually lost favor, mockery increasingly more selective in its choice of targets. As Linda Hutcheon notes, irony is becoming a problematic mode of expression in the twenty-first century.
The book examines the work of eight film auteurs: Luis Bunuel, R.W. Fassbinder, Stanley Kubrick, Robert Altman, Paul Verhoeven, Aki Kaurismaki, Aleksei Balabanov and David Lynch, much of whose work is not always regarded thus and the films examined are often more ironic than satirical. From apparent melodrama and eroticism to fantasy and horror, these eight directors redefine satire's limits, providing evidence that irony in cinema often goes unrecognised.
The introduction examines the various categories of satire, and the chapters then study the filmmakers individually through selected works, offering interpretations of films and identifying a consistent approach. Since the work is often ambiguous the book speculates on each film's purport, engaging in textual interpretation of individual works to understand concerns underneath the most obvious. The afterword tries to find common targets and strategies on the filmmakers' part.
Without Empathy features in the following genres: Films, cinema, Individual film directors, film-makers, Digital, video and new media arts
Without Empathy is available in Hardback
Without Empathy was written by M K Raghavendra and published by Intellect Books
Without Empathy has 236 pages
£80.96