What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos.
It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity.
| ISBN: | 9781501352348 |
| Publication date: | 9th January 2020 |
| Author: | Merrie Snell |
| Publisher: | Bloomsbury Academic an imprint of Bloomsbury Publishing (UK) |
| Format: | Paperback |
| Pagination: | 224 pages |
| Series: | The Study of Sound |
| Genres: |
Popular music Films, cinema Other performing arts |
What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song?
Lipsynching features in the following genres: Popular music, Films, cinema, Other performing arts
Paperback. £23.39, down from the £25.99 cover price. Not Available.
Lipsynching was written by Merrie Snell and published by Bloomsbury Academic an imprint of Bloomsbury Publishing (UK)
Lipsynching has 224 pages
Yes it is part of The Study of Sound series
£23.39, reduced from £25.99. Not Available.