Zombies, Werewolves, Robots, and Extraterrestrials provides a broad survey of acting theory and training technique through the lens of the performance of non-human characters found in horror and science fiction film, television, and theatre.
Specifically, the book examines the performance challenges of undead characters (zombies, vampires, Frankenstein's monster), characters that transform from human to non-human (werewolves, human-flies, Dr. Jekyll/Mr. Hyde, and others), mechanical creatures (robots, androids, cyborgs) and extraterrestrials - and then suggests a wide array of training methods to meet each challenge. Theories and training methods are taken from Michael Chekhov, Vsevolod Meyerhold, Antonin Artaud, Jerzy Grotowski, German Expressionist dance, Tadashi Suzuki, Lev Kuleshov, Jacques Copeau and Jacques Lecoq, Bertolt Brecht, François Delsarte, and others. Each chapter includes numerous actor training exercises of each technique, journaling opportunities for self-reflection, and lists of films to watch and books to read to further one's knowledge.
This book is an excellent resource for actors, acting teachers, and both academic and professional directors with an interest in broadening their knowledge of actor training, and their skill base as both students and working professionals.
| ISBN: | 9781041071952 |
| Publication date: | 13th March 2026 |
| Author: | Gerald Large |
| Publisher: | Routledge an imprint of Taylor & Francis |
| Format: | Paperback |
| Pagination: | 182 pages |
| Series: | Routledge Advances in Theatre & Performance Studies |
| Genres: |
Acting techniques Films, cinema Performing arts |
Zombies, Werewolves, Robots, and Extraterrestrials provides a broad survey of acting theory and training technique through the lens of the performance of non-human characters found in horror and science fiction film, television, and theatre.
Specifically, the book examines the performance challenges of undead characters (zombies, vampires, Frankenstein's monster), characters that transform from human to non-human (werewolves, human-flies, Dr. Jekyll/Mr. Hyde, and others), mechanical creatures (robots, androids, cyborgs) and extraterrestrials - and then suggests a wide array of training methods to meet each challenge. Theories and training methods are taken from Michael Chekhov, Vsevolod Meyerhold, Antonin Artaud, Jerzy Grotowski, German Expressionist dance, Tadashi Suzuki, Lev Kuleshov, Jacques Copeau and Jacques Lecoq, Bertolt Brecht, François Delsarte, and others. Each chapter includes numerous actor training exercises of each technique, journaling opportunities for self-reflection, and lists of films to watch and books to read to further one's knowledge.
This book is an excellent resource for actors, acting teachers, and both academic and professional directors with an interest in broadening their knowledge of actor training, and their skill base as both students and working professionals.
Zombies, Werewolves, Robots, and Extraterrestrials features in the following genres: Acting techniques, Performance art
Zombies, Werewolves, Robots, and Extraterrestrials is available in Hardback, Paperback
Zombies, Werewolves, Robots, and Extraterrestrials was written by Gerald Large and published by Routledge an imprint of Taylor & Francis
Zombies, Werewolves, Robots, and Extraterrestrials has 182 pages
Yes it is part of Routledge Advances in Theatre & Performance Studies series
£39.59