Richard Taylor asks to what extent the film can lay claim to authentic history. He then examines October 's relationship to the politics of the period and explains the theory and its application, as well as placing October in the wider context of Eisenstein's career.
|Publication date:||1st March 2002|
|Publisher:||BFI Publishing an imprint of Bloomsbury Publishing PLC|
|Categories:||Film theory & criticism, European history, 20th century history: c 1900 to c 2000,|
Richard Taylor is Professor of Politics at the University of Wales Swansea and general editor of the five-volume bfi edition of Eisenstein Writings, including The Eisenstein Reader (1998).More About Richard Taylor