New Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project, Time Code, Run Lola Run, Memento, The Celebration, Gummo, and Requiem for a Dream. New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema. Features * Offers a comprehensive examination of the term 'new punk' cinema. * Provides several new approaches for the study of digital cinema. * Includes close analysis of several key new punk films and directors.
| ISBN: | 9780748620357 |
| Publication date: | 19th May 2005 |
| Author: | Nicholas Rombes |
| Publisher: | Edinburgh University Press |
| Format: | Paperback |
| Pagination: | 224 pages |
| Series: | Traditions in World Cinema |
| Genres: |
Film history, theory or criticism |
New Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project, Time Code, Run Lola Run, Memento, The Celebration, Gummo, and Requiem for a Dream. New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema. Features * Offers a comprehensive examination of the term 'new punk' cinema. * Provides several new approaches for the study of digital cinema. * Includes close analysis of several key new punk films and directors.
New Punk Cinema features in the following genres: Film history, theory or criticism
New Punk Cinema is available in Paperback
New Punk Cinema was written by Nicholas Rombes and published by Edinburgh University Press
New Punk Cinema has 224 pages
Yes it is part of Traditions in World Cinema series
£27.90