On Love

On Love Synopsis

Excerpt from On Love: Translated From the French; With an Introduction and Notes

Stendhal was beset with a horror of being artistic. Was it not he who said of an artist, whose dress was particularly elaborate: Depend upon it, a man who adorns his person will also adorn his work Stendhal was a soldier first, then a writer - Salviati1 is a soldier. Certainly it is his contempt for the type of person - even commoner, perhaps, in 1914 than in 1814 - who carries his emotions on his sleeve, which accounts for Stendhal's naive disclaimer of personal responsibility, the invention of Lisio2 and Salviati, mythical authors of this work on love - all a thin screen to hide his own obsession, which manages, none the less, to break through unmasked on almost every page.

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