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Wake by Anna Hope
  

Sarah Broadhurst's view...

A story set just after the First World War and revolving around half a dozen people, the choosing of the body that became ‘the unknown soldier’, its journey to London and the memorial service for its burial. There are no really happy people in this story (hardly surprising) as we learn of their grim tales and trauma, but yet it is not a depressing story due to the fine writing and just enough lift at the end to finish feeling a bit ‘up’. Oh, but what a dreadful time and what dreadful experiences to live through. This is an excellent book, highly recommended.

If you like Anna Hope you might also like to read books by Judith Allnatt, Helen Dunmore and Nigel Farndale.

Who is Sarah Broadhurst

The Good Book Guide logo The Good Book Guide Review. In the dark days following the First World War, no one has come through unscathed. In November 1920, in the five days that it took to bring the Unknown Soldier over from France to his final resting place, we follow three women all unknowingly connected. Each is struggling to come to terms with their losses, unable to rebuild their lives, full of confusion. A deeply moving, compassionate novel, exploring many strands of the damage war causes, which ultimately tries to answer the question – in the wake of war, is hope possible again?
~ The Good Book Guide

Synopsis

Wake by Anna Hope

Hope's unblinking prose is reminiscent of Vera Brittain's classic memoir Testament of Youth . (New York Times). Remembrance Day 1920: A wartime secret connects three women's lives: Hettie whose wounded brother won't speak; Evelyn who still grieves for her lost lover; and Ada, who has never received an official letter about her son's death, and is still waiting for him to come home. As the mystery that binds them begins to unravel, far away, in the fields of France, the Unknown Soldier embarks on his journey home. The mood of the nation is turning towards the future - but can these three women ever let go of the past?


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Reviews

'A compelling and emotionally charged debut about the painful aftermath of war and the ways - small, brave or commonplace - that keep us going. It touches feelings we know, and settings - dance halls, war front, queues outside the grocer - that we don't. I loved it.' -- Rachel Joyce, author of THE UNLIKELY PILGRIMAGE OF HAROLD FRY

'A tender and timely novel, full of compassion and quiet insight. The author gives us a moving and original glimpse into the haunted peace after the Great War, her characters drawn by the gravity of the unmarked, the unknown and perhaps, finally, the unhoped for.' -- Chris Cleave, author of THE OTHER HAND

'Wake is powerful and humane; a novel that charms and beguiles. Anna Hope's characters are so real; flawed and searching, and her prose so natural, one almost forgets how very great a story she is telling.' -- Sadie Jones, author of THE OUTCAST

'Superb ... beautifully crafted Irish Times A moving novel about the aftershock of the 1914-1918 conflict. ... unlikely many will prove better than Anna Hope's Wake' Sunday Times

About the Author

Anna Hope

Anna Hope was born in Manchester and educated at Oxford University and RADA. She is the author of the acclaimed debut Wake. The Ballroom is her second novel, and is inspired by the true story of her great grand-father.

Author photo © Jonathan Greet, 2014

Below is a Q & A with this author

Your author’s note states that The Ballroom was inspired by your great-great-grandfather. Would you tell us a little about how you came to know of his story?

I was doing some digging into my family history and came across the census of 1911, where a tiny, crossed out note stated that my great-great-grandfather was a patient in Menston Asylum. I had never heard of the place and immediately searched on the internet, and found a fantastic archive dedicated to the building that had opened in the Victorian era as West Riding Pauper Lunatic Asylum, and only closed its doors in 2003.

The archive held many old photographs and as I looked further I came across a picture of the ruined, spectacular ballroom at the asylum’s heart, and knew I had to write about the place.

The details of my great-great-grandfather’s life emerged gradually in the course of my research; he was admitted to the asylum as a ‘melancholic’ who hardly spoke, and died there, having never recovered bodily or mental health in 1918. I really wanted to honour a little of his memory in writing the book.

The natural world almost becomes a character in the novel as the 1911 heatwave summer progresses. How important was it to you to evoke the atmosphere of the Yorkshire moors?

Incredibly important! I grew up not far from where the book takes place, over the Pennines in Lancashire, and throughout my childhood I was struck by how industrial towns lay cheek-by-jowl with such wild and open country. I was always fascinated by that contrast between the relative claustrophobia of working lives spent in factories and mills and what the moors beyond their walls might represent. So it seemed natural to explore those themes of freedom and confinement in The Ballroom. Ella is in the asylum for breaking a window, simply because she wants to see the sky. John is brought back to himself after a devastating depression by his contact with working the land. It is his guilt that he is outside, experiencing this beautiful summer that leads to him writing to Ella, and them falling in love. So landscape, love and language are all intimately connected in the novel.

The three main characters are very different, was it ever hard to make their voices distinct?

Well, I wrote a whole first draft of the book in first person, hoping to capture their voices on the page. Ultimately it was the wrong approach for the book, but I think it really helped me to think my way into the characters. Many writers talk about seeing their characters, but I have a hard time with that; instead I feel them, like a pulse, and hear them. In terms of dialogue, it was fairly easy with Charles, he’s such a talky character, even if only his internal chatter, but it was harder with Ella and John, because both are very private, internal characters who don’t speak much.

The theme of eugenics become very important as the novel progresses. Were you shocked to discover of the extent of the belief in eugenics in Britain at the time?

Very shocked. Especially seeing Churchill’s language as Home Secretary for instance; so much of it, in its concerns over race hygiene and purity seemed to echo that of his great enemy twenty years later. It’s as though the Nazis were so extreme and horrifying, that we’ve forgotten our own role in the eugenics movement, which was significant. It’s easy to demonise Churchill though, the fact was that there were many, many people across the political spectrum who were supporters of the theory, from the Fabians Sidney and Beatrice Webb, to George Bernard Shaw. It’s a fascinating, troubling time to read about.

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Book Info

Publication date

1st January 2015

Author

Anna Hope

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Author's Website

annehope.com/
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Publisher

Black Swan an imprint of Transworld Publishers Ltd

Format

Paperback
416 pages

Categories

Family Drama
Historical Fiction
eBook Favourites
eBook Favourites

Historical fiction
First World War fiction

ISBN

9780552779463

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