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The Obie-winning play by the Tony-nominated playwright of A Doll's House, Part 2 Ray's swum his way to the eve of the Olympic trials. If he makes the team, he'll get a deal with Speedo. If he gets a deal with Speedo, he'll never need a real job. So, when someone's stash of performance-enhancing drugs is found in the locker-room fridge, threatening the entire team's Olympic fate, Ray has to crush the rumors or risk losing everything. Red Speedo is a sharp and stylish play about swimming, survival of the fittest, and the American dream of a level playing field-or of leveling the field yourself.
Lucas Hnath's darkly clever A Public Reading of an Unproduced Screenplay About the Death of Walt Disney centers on the reading, in a generic corporate conference room, of a stylized screenplay written by the great man himself, in the ultimate act of self-mythologizing. It's being read by the people it's about-Walt himself, his brother/henchman Roy, and Walt's resentful daughter and her ex-jock husband. It's about Walt's last days on earth. It's about a city he's going to build that's going to change the world. And it's about his brother. It's about everyone who loves him, and how sad they're going to be when he's gone. Can Walt control the future from the grave? Why does his daughter hate him so much? Were thousands of lemmings harmed in the making of a famous Disney nature film? Stay tuned . . .
A remarkable exploration of faith and community in the modern world, which asks profound questions about what we believe and why.For the last twenty years, Pastor Paul has been building his church.Starting in a modest storefront, he now presides over a flock of thousands. Idolised by his followers, today should be a day for joy and celebration. But the sermon that Paul is about to preach will shake the very foundations of his followers' beliefs. As fractures spread throughout his congregation, Paul must fight to prevent his church tearing itself apart.The Christians made its UK premiere at the Traverse Theatre, Edinburgh, as part of Edinburgh Festival Fringe 2015, before transferring to the Gate Theatre, London.