Yun Ko-eun’s The Disaster Tourist is a triumph of originality and slick, satirical style. It’s a richly wry, cuttingly dark comedy that shines a light on the absurdities (and ethical dubiousness) of certain tourism practices, and on modern life more generally, with its understated lyricism packing poignant punch. Through Yona, we certainly see the bizarreness of the world we live in. A world in which a thirty-three-year-old woman works for a travel company that specialises in disaster tourism package holidays. To compensate Yona for being sexually harassed by him, her boss allows her to take a break on one of the trips they’re thinking of axing. What a deal! What a way to deal with harassment! Yona goes on the trip to the remote Vietnamese island of Mui, where the major attraction is a supposedly catastrophic sinkhole. When she becomes trapped here, the island takes on the appearance of “a theme park that wasn’t yet open”. Then, after making a hideous discovery, cutting truths are revealed like exposed nerves amidst escalating absurdity - and tragedy. Quite brilliant.