No catches, no fine print just unadulterated book loving, with your favourite books saved to your own digital bookshelf.
New members get entered into our monthly draw to win £100 to spend in your local bookshop Plus lots lots more…Find out more
Featuring 75 images (fifty of them full page), and an engrossing extended essay by Ami Bouhassane, Miller’s granddaughter and Co-Director of the Lee Miller Archives, Grim Glory: Lee Miller’s Britain at War is the perfect primer to Lee Miller’s inimitable coverage of Blitz-time Britain. For context, a book called Grim Glory: Pictures of Britain Under Fire was published in 1941, the British edition of a book originally intended for an American audience. Miller was the largest contributor to this, and the only credited photographer. Skipping back a few years, 1939 saw Miller move from Egypt to Britain, with a summer sojourn in France to catch up with surrealist friends. She and Roland Penrose arrived in Britain on the very day war was declared. Being American, she wasn’t allowed to undertake paid work, or to do any official war work, so she offered her services as a volunteer to British Vogue (Brogue). Her outstanding fashion shoots are showcased in the highly recommended Lee Miller – Fashion in Wartime Britain, while this book features images of Britain and Britons during the Blitz – bombed-out buildings, eerily empty fashionable London streets, shattered statues captured at disarmingly jaunty angles, female fire service and textile factory workers, with some wartime fashion, and much more besides. With notes on fifty-two images providing fascinating detail, variously on the likes of their subjects, historical references and composition, and a compact size that lends itself marvellously to extended, detailed appreciation of each image, this will surely inspire readers to delve deeper into Miller’s life and work (perhaps pair this with Surrealist Lee Miller).
Perhaps best known for her seminal WWII photojournalism, or her earlier life as a surrealist model and muse, or her sublimely striking solarised portraits, Lee Miller was also an exceptional fashion photographer, whose work illuminated the pages of British Vogue (Brogue) from 1939 to 1944. Featuring over 130 images, plus an excellent contextualisation essay by Ami Bouhassane, Miller’s granddaughter and Co-Director of the Lee Miller Archives, Lee Miller: Fashion in Wartime Britain is a breathtakingly beautiful, informative book - clearly a must-have for Lee devotees, and also essential for those interested in forties fashion and style. Since many of the images featured here haven’t been seen since they were shot in the 1940s (they came to light while being archived in 2020), this truly is a treasure chest to delight in. Miller’s editor at Brogue wrote of her in 1941 that “she has borne the whole weight of our studio production through the most difficult period in Brogue’s history” and this book is a glorious record and celebration of Lee’s contribution to the publication, with an essay by Robin Muir, contributing editor to British Vogue, furnishing readers with detail on this. The range of subjects, settings and fashion is a joy to behold, and fashion historian Amber Butchart’s essay offers fascinating insights into the era. There are classic Lee portraits of women wearing tailored suits, striking angled poses in stark light. There are women positioned by rubble, or going about their day-to-day business. There are staged studio shots of women in elegant eveningwear. And there are women (and the occasional man) in utilitarian outfits - “fashion factories”. All of them, of course, bear Miller’s inimitable panache, her way of seeing the world and its people. Simply stunning.