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Short and sweet poems and sonnets or lyrical and lengthy epics, sit back and relax while you enjoy the work of these wonderful wordsmiths.
From the multi-award-winning author of The Poet X and With the Fire on High comes Elizabeth Acevedo’s exceptional dual-voiced novel about loss, love and sisterhood across the sea, a story partly sparked by the fatal crash of a flight from NYC to Santo Domingo in 2001. Camino Rios has always lived in the Dominican Republic with her aunt Tia, “a woman who speaks to the dead, who negotiates with spirits”, a woman who’s like a mother to her: “Even when Mama was alive, Tia was the other mother of my heart.” Life’s not easy for them on the island, but they have it better than their neighbours as a result of Camino’s beloved Papi working in the US for most of year. To Camino, Papi is a “A king who built an empire so I’d have a throne to inherit”, and she lives for the summer months when he comes home to them. But all life is thrown into terrible disarray when she goes to meet Papi at the airport and learns that his plane has fallen from the sky, and then: “I am swallowed by this shark-toothed truth.” This story is blessed with such divinely piercing language throughout. At the same time, across the Atlantic, Yahaira Rios learns that her hero Papi has died in a plane crash. She already knew he had a wife on the island (but not of his secret daughter), and has always longed to reconcile her Dominican heritage with her American life: “Can you be from a place you have never been? You can find the island stamped all over me, but what would the island find if I was there? Can you claim a home that does not know you, much less claim you as its own?” When it emerges that Papi wishes to be buried back in DR, Yahaira’s Mami insists that she will never let her “touch foot on the sands of that tierra.” But Yahaira has other plans, not least when she’s contacted by a girl named Camino Rios who bears an undeniable resemblance to Papi, and to her too. As well as being exceptionally affecting on grief, forgiveness and family secrets, Clap When You Land is also devastatingly sharp on the exploitative tendencies of tourism. In Camino’s words: “I am from a playground place…Our land, lush and green, is bought and sold to foreign powers so they can build luxury hotels...Even the women, girls like me, our mothers and tias, our bodies are branded jungle gyms…Who reaps? Who eats? Not us. Not me.” Overflowing with truths of the heart, and truths about inequalities that need to be broken, while also addressing the complexities of what it means to be of a place, I can’t praise this highly enough. Read our 'Book-aneers of the Caribbean' listicle to find more unforgettable books by Caribbean writers. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
In 'New Beginnings' Victoria Day-Joel chronicles some of the more important recent events in her life in verse. From finally meeting her 'man of the earth, mind of the universe' to looking for her 'home in the sun.....my new beginning' the poems describe the development of her relationship and the processes in her decision to move abroad in intimate and relatable detail. Each individual poem is followed by an eloquent explanation of the circumstances that gave rise to it. I really enjoyed the honesty and beauty of these verses and their imagery and I think readers will be left hoping that she successfully makes the move to Spain in the search for her spiritual home. Drena Irish, A LoveReading Ambassador
A forceful and moving final volume from one of the most masterful poets of the twentieth century. Throughout her nearly sixty-year career, acclaimed poet Eavan Boland came to be known for her exquisite ability to weave myth, history, and the life of an ordinary woman into mesmerizing poetry. She was an essential voice in both feminist and Irish literature, praised for her 'edgy precision, an uncanny sympathy and warmth, an unsettling sense of history' ( J.D. McClatchy). Her final volume, The Historians, is the culmination of her signature themes, exploring the ways in which the hidden, sometimes all-but-erased stories of women's lives can powerfully revise our sense of the past. Two women burning letters in a back garden. A poet who died too young. A mother's parable to her daughter. Boland listens to women who have long had no agency in the way their stories were told; in the title poem, she writes: 'Say the word history: I see / your mother, mine. / ... Their hands are full of words.' Addressing Irish suffragettes in the final poem, Boland promises: 'We will not leave you behind', a promise that animates each poem in this radiant collection. These extraordinary, intimate narratives cling to the future through memory, anger, and love in ways that rebuke the official record we call history.
Best known for his No.1 Ladies Detective Agency series, Alexander McCall Smith’s writing is nothing if not warm-hearted, charming and filled with the joys of friendship - themes and characteristics that are at the heart of this delightful poetry anthology. Being a book to treasure and return to through the year (and across years), this will make a wonderful gift for fans of his fiction - even those who don’t usually read poetry. With sections covering the likes of journeys, Scotland through the seasons, animals, love and longing, books and reading, and places - with contextualisation coming courtesy of the author’s personal anecdotes - many of the poems invite readers to slow down, to look, to see, to remember. To take-in “the simple facts of being”. Others take readers on evocative journeys - we stand beside the author as he observes Mumbai from his hotel room, and as he and a friend save an oak tree in Scotland. We sit beside him as his train pulls into Kings Cross, as he drives through Los Angeles, as he explores Kerala, South India, and rural Australia. And all of them inspire reflection, and an empathetic urge to take-in the world through the eyes of others.
A wonderful game for all the family, this really would make the most beautiful gift to celebrate the wonder of nature. Based on the best-selling book The Lost Words by Robert Macfarlane and Jackie Morris this is a game for two to four players from the age of 8 and up. The Lost Words was one of our Books of the Year in 2017, and the more recent The Lost Spells is another LoveReading Star Book, these are books to celebrate and treasure. The card game has been created in conjunction with the authors, and is firmly embedded within the ideology found in the books. The cards are large (tarot size), feel luxurious to touch, and the pack contains the beautiful artwork of Jackie Morris (Nature Cards), spells of Robert Macfarlane (Spell Cards), and Special Cards which instruct an action, such as fishing for a Spell Card or sealing and protecting a completed pair. The aim of the game is to be the first player to place a matching Spell Card, on to all of your displayed Nature Cards. I would suggest you thoroughly read the instructions before starting, and perhaps form a few rules of your own, such as when you match a Spell and Nature Card, you read or chant or sing the spell! The game takes roughly 30 minutes, I was thoroughly beaten when playing for the first time. I would say there is a small amount of skill involved, but it is mostly down to the luck of the draw, which means all of the family can play together. The Lost Words Card Game would make the perfect stocking filler for Christmas, and comes with a celebratory thumbs up from me.
A seriously beautiful, absolute treasure of a book which is just as magical and bewitching as its big sister The Lost Words. Read, chant, feel each spell-poem by Robert Macfarlane and sink into the artwork by Jackie Morris, each giving life to the other. I was haunting my postbox waiting for this to arrive, suitable for any age it would be the perfect present for any lover of our natural world. It isn’t in the slightest bit fluffy (as the barn owl declares), instead you’ll find the most vibrantly real and alive book awaits you. Jackie Morris and Robert Macfarlane make the most wonderful combination of words and pictures together, each part without the other would be lost, together they just create magic. The fox, both city and countryside dweller is the perfect start, the jackdaw leapt into my heart and was conjured in front of me, while the last spell sent a shiver skittering down my arms. This is a book to tell your friends about, I’ve read the poems to family and friends and I will be thrilled when I see it on their bookshelves. Yes, of course I adored it, once again I have lost my heart to a creation of the team behind The Lost Words. It just had to be one of my picks of the month, and a LoveReading star book too, it really is that gorgeous.
Katherine Rundell’s brief introduction which explains why hope is so important and why we should look for it in stories and illustrations sets a context for the wonderful range of very short stories, poems, thoughts and illustrations which will certainly give hope as well as laughs and surprises to readers of all ages. Perfect for dipping into, the anthology is a treasure trove of story treats starting with Michael Morpurgo’s uplifting ‘A Song of Gladness’ and ending with Rundell’s own ‘The Young Bird-Catcher’. Lauren Child, Axel Scheffler, Chris Riddell and Jackie Morris are just some of the wonderful artists whose black and white illustrations light up the pages of this hand this handsome volume. Dedicated to all the workers in the NHS and with proceeds going to NHS Charities Together, The Book of Hopes will certainly bring hope to all.
Companion to A Nature Poem for Every Day of the Year and Friends: A Poem for Every Day of the Year, A Nature Poem for Every Night of the Year is an exquisitely curated collection that induces calm contemplation as it evokes nature in all its awe-inspiring forms - frozen lakes, majestic trees, creeping autumnal twilights, disquieting night winds, multitudes of birds, and much more besides. It’s a book to reach out to before bed, for pondering each poem will instil a sense of slowing down before sleep sets in, nurturing gentle focus and moments of natural respite. As the book progresses through the year, there’s a tangible sense of nature budding, blooming and abating through the shifting seasons. We walk with Oscar Wilde by the “withered leaf of the moon”. We pass through the “door of spring” with Ethelwyn Wetherald. We revel in springtime birdsong beside William Wordsworth. We’re dazzled by Christina Rossetti’s blossoming “golden glories”. And then comes Betjeman’s harvesttime hues, Tennyson’s September dew, and Sara Teasdale’s “feathery filigree of frost”. Alongside such esteemed names, lesser-known poets are included too, which means it also serves as an excellent springboard to discovering hitherto unknown voices.
Co-written by award-winning novelist Ibi Zoboi and Dr Yusef Salaam, a prison reform activist, poet and one of the Exonerated Five, Punching the Air is a timely, heartachingly powerful free verse novel. Through its shatteringly succinct lyricism, Amal’s story is a mighty call to action that rouses readers to question the deep-rooted and damaging consequences of racially biased societal systems, while radiating the light and hope of art and Amal himself. Sixteen-year-old Amal is a talented poet and artist, but even at his liberal arts college, he’s victimised by destructive preconceptions, deemed disruptive by people who “made themselves a whole other boy in their minds and replaced me with him.” Amal’s budding life careers off-course when he’s wrongfully convicted of a crime in a gentrified area. Even in the courtroom it feels to him “like everything that I am, that I’ve ever been, counts as being guilty”. Standing before judgemental eyes in his specially chosen grey suit, he’s aware that “no matter how many marches or Twitter hashtags or Justice for So-and-So our mind’s eyes and our eyes’ minds see the world as they want to/Everything already illustrated in black and white.” In the detention centre, Amal considers his African ancestry: “I am shackled again,” he says. “Maybe these are the same chains that bind me to my ancestors. Maybe these are the same chains that bind me to my father and my father’s father and all the men that came before.” He expresses society’s double standards with searing clarity too - Black boys are “a mob/a gang ghetto/a pack of wolves animals/thugs hoodlums men” while white boys “were kids having fun home loved supported protected full of potential boys.” But through the beatings and despair, through anger and frustration, Amal finds solace in the supportive letters he receives from a girl in his school, and his “poet, educator and activist” teacher. By turns soul-stirring and inspiring, this sharp exposure of injustice and testament to the transformative power of art comes highly recommended for readers who love the work of Jason Reynolds and Elizabeth Acevedo. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Our September 2020 Book Club Recommendations. Click here to see our Reading Group Questions. Unique, provocative, and powerful, this is also a painfully exquisite and beautifully written book. Focusing on her affair with Connor, the harrowing and damaging emotions of loss, grief, and obsession overflow within Ana’s mind. A novel, yes, but not as you know it. Told in verse, Sarah Crossan writes as you might think. Thoughts flow, yet are spliced, splintered, hesitant, fractured. This is the first novel for adults from award winning Sarah Crossan, who was Ireland’s Children’s Literature Laureate (Laureate na nOg) for 2018-2020 and it has huge impact. Ana’s mind is an uncomfortably intimate place to be, thoughts ebb, flow, blast, rage. Each new unexpected bite of information hit me with raw overwhelming precision. As Ana unravelled, so did my feelings, and I positively ached for all involved. Will some people find this a difficult read due to the raw dark content, yes quite possibly, yet for me that is the wonder of this book. Every slicing emotion peels away another layer until you reach the core. Here is the Beehive has been chosen as a LoveReading Star Book and Liz Robinson Pick of the Month as for me this is a must-read.
Rachel Long’s much-anticipated debut collection of poems, My Darling from the Lions, announces the arrival of a thrilling new presence in poetry. Each poem has a vivid story to tell – of family quirks, the perils of dating, the grip of religion or sexual awakening – stories that are, by turn, emotionally insightful, politically conscious, wise, funny and outrageous. Long reveals herself as a razor-sharp and original voice on the issues of sexual politics and cultural inheritance that polarize our current moment. But it's her refreshing commitment to the power of the individual poem that will leave the reader turning each page in eager anticipation: here is an immediate,wide-awake poetry that entertains royally, without sacrificing a note of its urgency or remarkable skill.
Us & Everything Else is a collection of poems and short stories by Francoise Helene, in which the author explores her feelings about many different aspects of her life. Covering topics from love and loss, pain and healing to joy and wonder, self-appreciation and inner strength. There are also atmospheric black and white illustrations used throughout which are lovely. The poetry is in free form and the reader will relate to it on a very deep level. Each poem is written from the heart and truly inspiring. Francoise has made herself vulnerable when creating Us & Everything Else so that we may share her connection with the world and indeed the universe. I would challenge anyone not to be moved by these beautiful poems with their amazing imagery. Drena Irish, A LoveReading Ambassador
Heart-rending, inspirational and all-encompassing, Poems for a Pandemic will undoubtedly become a matchless historic document of how it was to live - and die - during the Covid-19 pandemic. And right now, in June 2020, with most of the world still in the clutches of Covid-19, it’s an invaluably empathic volume that shows we are not alone even when we feel at our loneliest. A book that will move readers to tears, to give thanks for life, and to the NHS. Poems for a Pandemic came about due to the drive of Angela Marston, a retired Palliative Care Nurse who devoted almost forty years of her life to the NHS. While struck with Covid-19 symptoms, Angela was inspired to write her first poem in years. On recovering she was compelled to “do something meaningful”, and so the anthology was born. Angela set about collecting poems by people from all walks of life - nurses, doctors, pharmacists, teachers, food bank volunteers – whose varied, powerful thoughts grace this 100-poem collection, with several professional writers adding their voices to the poignant chorus. Her vision was to raise money for the NHS (all proceeds of this anthology will go to NHS Charities Together), and to “record for all eternity the thoughts and feelings of ordinary people at an extraordinary time”. By Jove, she’s done that and more. The anthology spans raw, elemental subjects - health professionals holding the hands of the dying, acute lockdown loneliness, the fears of the proud relatives of NHS staff - to poems that document shifts in behaviour and collective consciousness – interacting online, staying home to save lives, staying apart on eerie streets, the hailing of new kinds of heroes. Then there’s nine-year-old Harry Husselbee who speaks for all humanity when he writes, “How I wish I could get this virus/And throw it to the moon”. And ten-year-old Cory Yeoman who warns, “Coronavirus you better watch out, because these doctors and nurses don’t want you about. This is our world…Get out! Get out! Get out!” We’re with you, Harry and Cory. In his stirring foreword Darren Smith, author of the powerful anti-racist poem “You Clap for Me Now”, writes “At its heart poetry is about trying to express something too big for words. Fear. Loneliness. Love. Community. Death.” With that definition in mind, Poems for a Pandemic is the very epitome of what poetry is about. Download your copy on Amazon here or from any other ebook retailer now
From the Haiku to Xanadu, a well-crafted poem can speak of an experience of our world in a way that stays with us for a long time; often for life. Everyone has a poem they learned in school that holds increased sentimental importance as time goes by.
The ability of words and language to define us and the poet’s ability to harness it are what makes poetry such a powerful genre. The field is huge, the subjects covered too numerous to list. From the fields of Flanders to the kitchen sink there are poems that encapsulate all of human life. Funny, thought-provoking, challenging, evocative, story-telling, satire and tribute. All are here. Why not use our special recommendations to find something to inspire you today?