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Anne Richter was born in 1973 in Jena, in the former German Democratic Republic. Her degree in Romance languages and English included study periods in England, Italy and France. In 2011, Anne was nominated for the Ingeborg Bachmann Prize, a highly regarded German-language literary award. Her debut novel, Distant Signs, was published in Germany in 2013. Anne is currently writing her second novel.
A fascinating and truly memorable read concentrating on one family, with the centre of the story resting in East Germany. Two families join, with the marriage of Margret and Hans in the 1960’s. They as children, and both sets of parents lived through the Second World War. The repercussions from that time deeply affect all, with the story finishing in 1992, a few years after the fall of the wall. The opening note, before the novel begins was for me necessary and interesting. It charts the rise of the Nazi party and how all opposition was forcibly removed. It describes how after the war, as part of the Eastern bloc, industry was centralised and agriculture state controlled with workers housing being heavily subsidised. Defection was high and the Berlin Wall was built in 1961, with East and West Germany eventually reunified in 1990. Anne Richter focuses on just a few characters, their thoughts and feelings clamour from the page and show the wider world around them. The story grows, becomes clearer as the focal point moves from one person to the next. This is such an incredibly intimate novel, my understanding altered as I read, as events became clear. I always know that I’ve thoroughly enjoyed a novel when I want to research the history and time it is set in. I just want to say that the translation is excellent, with a glossary of terms and literary references also available. ‘Distant Signs’ set my thoughts thrumming, it is so intruiging, compelling and beautifully readable too.
From the magnificent royal gold jewelry of Burma and Thailand to the simple adornments worn by remote hill peoples, Anne Richter visually explores the complex cultural landscape of what is now Myanmar, Cambodia, Thailand, Laos,Vietnam, Malaysia, Indonesia, Singapore and the Philippines. Necklaces, buckles, pendants, belts, buttons, ear ornaments, hairpins, anklets, torques and bracelets are presented in a superb array of images. Her understanding of the symbolism sheds light on Asian cultures, while the aesthetic appeal of the items will make this volume irresistible to all jewelry lovers. To make it more accessible, this new paperback edition of the book first published in 2000 concentrates on the colour plates with their illuminating captions, and in a new introduction Anne Richter shows how the historical background has influenced the jewelry.