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Hot off the press! Check out the books we think are the best of the best this month!
Dark, provocative, and addictive, The Beresford saunters out into the limelight as it plays in the shadows. In an apartment building, in a city somewhere, a never-ending cycle of death is watched over by landlady Mrs May. This standalone supernatural thriller enters a fascinating world where hope cowers in the corner. Will Carver skirts and plays with the unseen curtain that sits on the edge of irreverence. There is a knowing, almost teasing atmosphere that is dark and grim and entirely seductive. The short punchy chapters ensured I couldn’t stop for breath or take a break. It felt as though the rhythm increased, as though I had to read that little bit faster in order to keep up as the ending hurtled towards me. I devoured The Beresford in one all-consuming sitting, if you find the edge of darkness a fascinating place to stand, then this is the book for you.
A chilling tone and unsettling plot is wrapped up inside this cracking police procedural and psychological thriller. West Iceland CID investigate the death of a woman who went missing seven months previously. While suicide was the initial assumption, it's only when Marianna’s body is found that they can establish murder. This is the second in the Forbidden Iceland series, I recommend starting with The Creak on the Stairs which was a bestseller in Iceland, winning the Blackbird Award. While a police procedural, the other characters share the stage which ensures there are some fascinating trails of information to follow. In this book Eva Björg Ægisdottir cements the characters of the policing team. The vivid descriptions and haunting quality of the writing, which is so well translated by Victoria Cribb, ensured I could see and feel Iceland. Two stories sit side by side, each twisting around the other and allowing tension and intrigue access while themes of child neglect and social issues are thoughtfully handled. Girls Who Lie slithers and suggests and coils towards its thought-provoking conclusion, and I will be following this series with interest.
Carolyn Kirby’s When We Fall tells the gripping, read-in-one-sitting stories of two women who fall for the same man. Sparked by the long-suppressed WW2 Katyn massacre atrocity that saw 22,000 Polish military officers and intelligentsia killed by the Soviet Union, it presents the painful complexities of love and loyalty during terrible times in readably elegant style. England, 1943 and British pilot Vee is set on being given her Wings when she first encounters charismatic Polish RAF pilot Stefan. There’s an immediate frisson between them, and from this first meeting their lives are to be entangled for the rest of their days. Both of them are immensely likeable - Vee for her dogged and down-to-earth determination to succeed in a male dominated field, and Stefan for his amiability and respectfulness. Meanwhile, in the Polish town of Posen (formerly Poznań), Eva (formerly Ewa before Nazi occupation) has all but given up on her lover returning as she waits tables in her father’s guesthouse while working for the resistance. Matters are complicated when she falls for a handsome German officer, and then her lover - Stefan - returns and asks Eva to take a huge risk for him. He’s asked similar of Vee in England and so, unbeknown to each other, both women become caught up in a costly mission to disclose the horrors Stefan witnessed while in Russian captivity. Covering events from spring 1943 to late 1945 (with an unexpected addendum from 1963), this is a highly visual, highly sensory novel with relatable, powerful human dilemmas at its heart.
The most wonderful, funny, and engaging novel, Woman of a Certain Rage simply danced into my hands and I read with true glee. Eliza has hit middle age and the menopause, as she navigates all that her hormones throw at her, can she rediscover the joys of her youth? I wanted to wriggle with excitement when I heard that this was Fiona Walker taking a writing step in a new direction as Georgie Hall. I completely understand why she is using a different name, as she says on her site: “I don’t want to mislead readers into expecting a big-cast Walker romp”. I genuinely feel as though I have been waiting for this novel, she takes the menopause years and runs with it, with laughter, warmth, and most of all empathy. She explores family life with teens and parents while maintaining a career, a relationship and home-life while the menopause is on the rampage. She made me snort with laughter on a number of occasions, and I frequently exclaimed as I recognised and related with different scenarios. While the midlife years and all the trials and tribulations that come with it sit centre stage, this is a book that can be read right through the age groups. All hail Georgie Hall as she uncovers the menopause with wit and honesty, excuse me while I find a few rooftops to camp out and shout from. Beautifully readable and laugh-out-loud funny, Woman of a Certain Rage is a LoveReading Star Book with attitude.
A smart, fast-moving, and riveting crime thriller, make sure you set aside plenty of reading time as I didn’t want to put Trust down. Martin races to help girlfriend Mandy after checking his voicemail and hearing her scream before the call cuts off. Trust is the third in the Martin Scarsden series, the first and Chris Hammer’s debut Scrublands won the Crime Writers’ Association John Creasy New Blood Dagger in 2019. So far, each book has seen a different setting, starting in the Australian interior followed by a small coastal town with Silver, and now we enter Sydney. While a couple of previous characters crop up, Martin and Mandy are the main draw. You could potentially head straight into this and read it successfully as a standalone but for the best experience I really do recommend that you start with Scrublands. I feel as though a lot of unanswered questions from Martin and Mandy’s past are thoroughly and successfully covered here. The author’s background as a journalist can be felt as the corruption of power and privilege is examined in the most punchy way. This is a series you can really get your teeth into, intelligent and challenging, yet as readable as can be, I really do hope there is more to come. Trust is a fabulously suspense filled, powerful and pacy read that we just had to include as a LoveReading Star Book.
Hugely entertaining and addictive, this psychological thriller presses all the klaxon alert buttons from the get-go. The diary of a murdered woman who had been monitoring her neighbours in Brighton holds some very dangerous secrets. Dorothy Koomson is such a consistent writer, her books are oh-so readable, smart and stimulating, and range from family drama and relationship right through to suspense and thrillers. This read is full of suspense and intrigue as it explores family, friendship, and just how well we really know each other. Different characters, all neighbours, head chapters with relevant dates, each person speaking in their own very distinctive voice. These are people who slowly reveal their secrets, and as an added lure the diary secrets are also gradually revealed. I was as hooked as a hooked thing can be as the tension increased, and the explosive ending was just fabulous. This would make a perfect summer read, and though you can just throw yourself in and let go, there are also some thought-provoking themes too. I Know What You’ve Done is a proper page-turner, you may never look at your neighbours in the same way again! Dorothy Koomson is our Summer 2021 Guest Editor. Click here to learn more
This all too plausible and atmospheric reimagining of the end of World War Two hits hard as it turns history on its head. It’s 1945 and Britain is under Nazi occupation after an atomic bomb strikes London. A shocking revelation discovered while on the run, means that David Erskine holds knowledge that could save the world from the Nazi’s. This is historian and award winning writer Alistair Moffat’s first novel. His ability to walk through time with his words, sets a stage that felt as though I was reading history. It really is all too easy to fall into this story and believe it is real, the prologue thoroughly sets the scene before the first chapters take you back a year to 1944 as the Allies were pushing through to victory. Erskine tells his own cooly matter-of-fact story in journal form, while other tales are added to form a wider picture. Action-packed yet succinctly told, The Night Before Morning is a chilling slice of speculative fiction.
From the exceptional author of Black Rock, Amanda Smyth’s Fortune is an absolute dazzler. Set in 1920s Trinidad, and based on real-life events, the novel is founded on exquisite storytelling. It’s measured in style, and panoramic in impact - though the writing is so finely accomplished its influence swells over time as the novel charts a universal story of desire and ambition, of love and lust, of all-but impossible battles with the external forces of nature. I relished every sentence, every considered word, every beat of a plot that pulses to the varied rhythms of its characters’ unsettled hearts. What’s more, it captures a nation on the cusp of monumental change - Trinidad’s earth-shattering shift to oil from its struggling sugar and cocoa industries. A chance encounter between handsome, charismatic Eddie Wade and Trinidadian business man Tito (lately down on his luck) leads them to hatch a plan to make their fortunes in oil. And the man who holds the key to their future fortunes is Sonny Chatterjee, a superstitious farmer whose cocoa estate is failing due to the abundance of oil oozing up through his soil. Sonny is reluctant to go into the oil business with anyone, and sceptical, as is his wife (“Who really need oil? Who want it? Not me, not you. You can eat oil?”), though she’s also angered by their escalating poverty. And so the two men convince Sonny, and they’re granted a lease to drill his land for a year. The very first meeting between Eddie and Tito’s wife Ada is charged with electricity. She’s a beautiful enigma, he’s like no one she’s never met, “he could have fallen out of the sky.” As the oil project progresses, the men battle sickness and set-backs until the black gold starts surging, as does the yearning between Ada and Eddie. Though ignorant of this, Tito unwittingly makes a premonitory statement, of sorts: “Ada has fire in her. A woman who has fire, if you love her, she’ll warm up your heart.” To which Eddie replies, “If you don’t she’ll burn down your house.” Tito laughs, “That’s exactly right, Eddie. She’ll burn down your house.” The way Ada and Eddie’s relationship buds from fascination, to lustful tension, to overwhelming desire, is exquisite: “Ada knew something was happening to her. The world was different. The hills were greener, the sky a painting of light.” A fatal accident on a neighbouring oil site causes Sonny to want to halt the drilling and sell up, but Tito and Eddie want to drill one more well before their lease is up. Enthralling and heart-stopping to the end, Fortune is a magnificent feat of fiction.
A beautifully poignant, thought-provoking and special novel that really does travel to the heart of what it is to be human. 20 year old Sebastian knows exactly what he wants, his hormones are raging and he is desperate for sex however his autism limits his ability to meet girls. When Sebastian’s mother Veronica contacts escort Violetta, the lives of all three change forever. The novel focuses on the three main characters, each is vividly realised and I positively ached for and adored all three. Their individual stories weave through and under and around each other, the short chapters tying them together, creating one whole tale. Louise Beech often crosses genres in her novels, and has explored crime through to relationship stories. Her particular skill, on display in all of her novels, is allowing us to connect and sink in to what it means to be human, she takes us below the surface, below the obvious, and allows us to explore. My emotions sang throughout this novel, I balanced the exquisite tightrope that swings from the pages, stepped out, and fell in love with the words, the feelings they evoked. The title is absolutely perfect, and when I had finished, I just sat pondering its meaning. The Author’s Note at the end shows just how connected Louise is to this story, how she was inspired by her experience of autism as ‘an outsider’ and she also talks about #OwnVoices. This is How we are Human is bold and provocative, thoughtful and warmhearted, and I declare it is completely gorgeous!
Welcome to the most squishy heart-warming hug of a romance. Marisa finds herself adrift after her grandfather dies, her grief moves with her to Mount Polbearne in Cornwall where she shies away from her neighbour and the welcoming community. Neil the puffin is back, but no need to worry if you’ve not yet joined the Little Beach Street Bakery Series. Jenny Colgan’s books read as perfect standalone titles, though this as an introduction will undoubtedly call you back to read the rest of the series! It is acknowledged that grief is something we all feel differently, Marisa’s feels touchable and relatable, and I positively ached for her. Polly and her wonderful family are as joyful as ever, even with money difficulties. I simply adored getting to know Marisa’s neighbour, and again Jenny Colgan adds real depth to the characters. The storyline, with delicious glimpses of Italy, is a compassionate delight and the ending all that I had hoped for. Uplifting and gorgeous, Sunrise by the Sea is another approachable and heart-soothing read from one of the most wonderfully consistent authors around.
Number One bestselling author Philippa Gregory's new historical novel tracks the rise of the Tidelands family in London, Venice and New England. Midsummer's Eve, 1670. A wealthy man waits outside a poor London warehouse to meet with Alinor, the woman he failed twenty-one years before. He has everything to offer: money, land, status - and he believes she has the only thing he cannot buy: his son and heir. Meanwhile in New England, Alinor's brother Ned cannot find justice in the New World, as the king's revenge stretches across the Atlantic and turns the pioneers against each other and against the American Indians. Then, a beautiful widow, Livia, arrives from Venice, telling Alinor that her son Rob has drowned and that she needs their help. She enchants the warehouse family with her sensual carefree warmth, and promises of a new profitable trade selling beautiful statues of marble and bronze to fuel the classical craze among the wealthy landowners. But something in Livia's story doesn't add up and the answers lies across the dark tides in Venice...
This is the story of one family, one dreamy summer - the summer when everything changes. In a holiday house by the sea, in a big, messy family, one teenager watches as brothers and sisters, parents and older cousins fill hot days with wine and games and planning a wedding. Enter the Goddens - irresistible, charming, languidly sexy Kit and surly, silent Hugo. Suddenly there's a serpent in this paradise - and the consequences will be devastating. From bestselling, award-winning author Meg Rosoff comes a lyrical and quintessential coming-of-age tale - a summer book that's as heady, timeless and irresistible as Bonjour Tristesse and I Capture the Castle but as sharp and fresh as Normal People.
Our August 2020 Book Club Recommendation. Click here to see our Reading Group Questions. Glorious! A novel of such startling sincerity, clarity and eloquence it feels as though the narrator herself is stamped onto every page. A Room Made of Leaves is inspired by letters and documents on entrepreneur and pioneer John Macarthur and his wife Elizabeth. They left England in 1788 for New South Wales in Australia when he was posted as Lieutenant to the penal colony of Sydney Town. This is Kate Grenville’s first novel in a decade, she is the author of the 2006 Man Booker shortlisted novel The Secret River. Elizabeth narrates, headstrong and wilful she nonetheless finds she is folding herself smaller and smaller in order to not be observed. Each chapter may be short but they are full of suppressed emotion, candour, and are as compelling as can be. The chapter headings, if all joined together, would create a story in themselves. As each word, as each sentence and chapter flowers, the inner being of Elizabeth opened to allow me to see, and also feel her emotions. The cover is gorgeous and the understanding of the title when it came, made the beauty resonate all the more. Australia is obviously much loved, and I in turn loved reading between the lines of history. Unique and spirited, A Room Made of Leaves truly is a beautiful novel, it also deservedly joins our LoveReading Star Books. Have a look at our Ambassador Book Buzz for A Room Made of Leaves. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
What a devastatingly honest - and brilliant - book this is. Its portrayal of grief and the absurdity of death - the bizarre, unfathomable fact that someone just isn’t there anymore - are simply incredible. Earth-shatteringly raw and resonant, it’s a book that will break your heart and heal it. Set in Tasmania and London, Gill and Gabe are thousands of miles from their son, Dougie, when they’re told he’s drowned in a caving accident in England. They rush to London, deciding to keep Dougie’s death from their daughter Sylvie, who’s seriously ill with anorexia, and leaving their adorable youngest child, Teddy in the care of a close friend and his equally adorable grandfather Papabee, who has dementia. In England, chef and food writer Gill can’t face viewing her son’s body, can’t face the fact of Dougie’s death and so she returns to Tasmania, keeping up the pretence that he’s still alive by writing letters from him to Sylvie - it becomes an obsession. In England, Gabe obsesses over every excruciating detail of Dougie’s death, both of them distracting themselves from the truth. In contrast, Teddy is working to uncover the truth of Sylvie’s illness, believing she’ll get well if he can work out when it began - his love and steadfast determination to save his sister are incredibly touching, and I cannot praise the authentic, tender representation of his relationship with granddad Papabee enough. Inseparable, they have their own “TeddyandPapabee” collective noun. Teddy also perfectly expresses brutal truths about death and grief with piercing honesty: “When Dougie went into that little box, I thought the main bit of his dying was finished. I was wrong. Nobody tells you that being dead just keeps on going… he’s dead every day.” Similarly, in her haunting monologues, Sylvie reveals brutal truths about her anorexia. Peppered with Gill’s heart-breaking recipes (Mediterranean vegetable soup for the day you land in England to collect your son’s body; Roast beetroot salad for the week after your son’s post-mortem results are released), the story reels and swerves to a truly edge-of-your-seat, hold-your-breath conclusion. While the family’s pain and grief always tangible, the buds of healing are too. What a book.
Wearing its warm heart and uplifting messages on its sleeve, Uzma Jalaluddin’s Hana Khan Carries On is a highly readable romance about staying true to your principles - even when that means risking your future. Riffing on You’ve Got Mail, and exuding the same feel-good vibe of forging a positive path through hardship as the author’s debut, Ayesha at Last, this is a cute and charismatic read with a powerful portrayal of a community rallying round to stand up to racists. Twenty-four-year-old Hana Khan is a Toronto-born, South Asian Muslim who interns at a radio station, helps out in her family’s dwindling restaurant on the Golden Crescent and hosts a podcast “to ask questions, without worrying who might be listening and judging”. Through her podcast Hana strikes up an adorable anonymous friendship with one of her listeners, to whom she turns for advice about her worries, particularity those around her family’s restaurant when a flashy competitor rocks up and threatens to put them out of business. While Hana’s family is at the heart of her life, she’s chosen to follow her own path, not unlike her charismatic aunt, “a woman ahead of her time” who “hadn’t been afraid to make bold decisions and carry them out.” Evoking her aunt’s spirit comes to the fore when Hana’s put in an impossible situation at her radio station - an exciting opportunity to work on a show with a fellow intern sours when they’re pushed into “perpetuating harmful stereotypes about Brown people and Muslims”. To handle this, Hana must heed her aunt’s advice: “Find your principles and see your story through to the end, no matter what.” Alongside worries about work and the restaurant, Hana is attacked by racists before a baseball game, and then comes a hate-fuelled attack on the Golden Crescent. Throughout, the sense of unity and generosity in her community is a joy - it serves as such a wonderful support network. Hana is persistent, tenacious and, as the title states, “carries on” to forge a bright future - on her own terms, according to her principles, with an unexpected someone at her side. Fun and thought-provoking, this serves up a sweet slice of romance with a side of real-life grit.
Gentle, mysterious, and incredibly evocative, this is a novel to read slowly and absorb. After realising no-one attended the funeral of garden designer Nina Lawrence in 1978, archivist Lottie begins to investigate her life and death. The story flows between Lottie finding her feet in Rome, and excerpts from Nina’s notebook. While the two women sit centre stage, it is actually Rome that struts forward to earn the title of lead character. Elizabeth Buchan has brought this wondrous city to life, the social history, the small intricate details that make a place touchable and breathable all flow from the page. We are allowed an almost immediate connection with Lottie, while Nina remains enigmatically detached. Information about Nina is slowly revealed and I sat back and observed her life unfolding. Quietly cultivated reveals keep a soft tension thrumming through the novel. I rather liked the fact that I didn’t know every intimate detail. While the ending enfolds and divulges answers, not everything was resolved and I was left still pondering, still thinking, still wondering. Two Women in Rome is an atmospheric, truly lovely read, with a deep mystery at its heart.
A wonderfully warm, bright book to escape into, to give yourself up to and just enjoy. Jodie Jackson leaves everything she knows for a houseboat in the Isle of Wight, she soon finds herself falling for the island and its inhabitants, but London is calling and won’t take no for an answer. I always look forward to reading the latest book by Carole Matthews, they wrap me up and give me a massive loving squeeze. Having said that, this isn’t syrupy sweet, oh no, some real life dilemmas and mistakes sneak in to ensure a feeling of connection, that this could be you, or someone you know. I loved Jodie’s voice and how she talks to the reader, it not only created a bond, I ended up feeling as though I had made a brand new friend. Pure, wonderful escapism, Sunny Days and Sea Breezes really is the most lovely relationship tale and I can thoroughly recommend picking up a copy and just allowing yourself to sink into the pages. We simply adored this book in the office and so it has been chosen as a LoveReading Star Book as well as a Book of the Month. Explore our '80+ Books That Deliver a Hug' listicle for more feel-good or uplifting books.
An all-consuming read awaits in this wonderfully crafted, fast and sharp thriller. Colter Shaw wants to take down crooked company BlackBridge, but they will let nothing get in their way. This action-packed series began with The Never Game, and here we are already at the third book in and I’ve particularly enjoyed how the plot has continued and developed through the novels. Dare I say it, The Final Twist is my favourite in the series so far, Colter is really settling in as a must-read character. Jeffery Deaver is hugely adept at setting whip-smart plotlines and characters you care about. The reader is always kept in the dark about one or two things, which lead to exciting reveals that hit the spot at just the right moment. Here, the wow of the introduction and first chapter explodes into being, and that was it, I was as hooked as a hooked thing can be and read it in one glorious sitting. I felt as though I was in the heart and heat of the action right through to the smile-inducing end. The Final Twist is an engaging and enthralling thriller that proclaims Jeffery Deaver as the master storyteller he is.
Like the very best short stories, Wandeka Gayle’s Motherland and Other Stories are multi-layered, long-lingering, and delivered in a deceptively simple style - vivid vignettes of life from varied corners of the globe with lasting impact that grows over time and draws you back. Many of the tales take turns down unexpected paths - purposeful detours and changes of direction that reveal new truths. Others present intimate, intense portraits of their protagonist’s complex relationship to home (Jamaica). All of them exude elegance and insights into the human condition. In my book, that’s pretty much short story perfection. Though distinct, the twelve stories are united by the courage of their protagonists, and an exploration of what it is to be black in white worlds. In Motherland we meet compassionate Roxanne, who moved from Jamaica and works in a London care home. She encounters racism, but strikes a bond with an elderly writer resident. Then there’s Ayo in Finding Joy, who leaves Jamaica to study in Louisiana and finds agency through personal upheavals “in this foreign place.” Each story, and each woman’s experiences, had me utterly in their thrall.
All twenty-two of the short stories included in Elizabeth Walcott-Hackshaw’s stunning Caribbean-set Stick No Bills are rich in atmosphere and thought-provoking observational detail. Cutting to the core of their characters’ states and situations, lingering long, and possessing the power of a Siren’s call to draw readers back for multiple readings, these stories are masterworks of the form. Vibrant with humanity and emotional ambiguities and truths, each story is a finely drawn vignette. The author’s characterisation is first-class; her painterly observations and details of place and psychological states profoundly affecting. Take 'Killing Time', for example, in which a young Trinidadian woman coins the term “lostfulness” to describe her uncertain state of being and relinquishes her dream of becoming a writer - the ending made my heart flip. Some of the stories are only a few paragraphs long, and yet these too bear tremendous power. 82, for example, unpacks an entire existence in its chain of 82 words. In these shortest pieces, Walcott-Hackshaw conveys the feeling of existing within particular moments with brilliant dynamism - fleeting flashes of thought, or poignant reflection, or anticipation of what will come next. The eponymous story, 'Stick No Bills', is an exquisite example of this, capturing as it does the cycle of life and motherhood as a woman ponders the imminent departures of her daughter and mother with heart-aching precision, and all prompted by observing a “stick no bills” notice on an ice factory she first saw during her childhood. While the stories exude multiple moods, together they form an exquisite whole, united by finely-threaded themes of family, loss, the passing of time, ponderings on the past, and possible futures.
Written in its unforgettable protagonist’s captivating Trinidadian voice, Lisa-Allen Agostini’s The Bread the Devil Knead is an exceptionally immersive read that resonates with the heart-wrenching rawness of a women’s lifelong abuse at the hands of men, and the seeds of her future liberation. Every perfectly-placed word, every perfectly-formed sentence rings with truth and strikes deep. Port of Spain boutique manager Alethea is about to turn forty. Thankfully, though, there’s one thing she can count on, “and that is my looks. I going on forty but you would never know it, because every morning and night God spare life I does cleanse and tone and moisturise from head to foot.” But while she has her looks and is philosophical about reaching this life landmark (“is just a number and the face you does see staring back at you in the mirror not as important as the memories in the mind behind it”), the trouble with Alethea is that “most of the memories was bad”, while her present-day life sees her frequently abused by her partner. She finds some solace in the arms of her boss, though, and in books: “This is how I does see the world: by reading books. I does go to London, Hong Kong, Siberia, even, when I read a book. I does meet all kind of people. Learn all kinds of words. Live all kinds of lives. Thank God for books.” Then, when her adopted brother, now a priest, returns after decades away, she begins to take a new path as secrets are laid bare and ways through a dark and tangled forest come to light. Through Alethea’s complex, damaged character Agostini lays bare complex, potent truths about sexual and violent abuse, racism and colourism. Mixed race and light of skin, she’s subjected to prejudice: “because my skin light colour they feel like I feel I better than them. That is bullshit”, and “People in this island does always surprise to know it have poor white people, but though we skin was light and we hair was straight we wasn’t really white and we didn’t have a penny to we name.” And she also sees that “even after Independence, after Black Power, after all that. Is still a kind of racial, colour-conscious place where people who look like me does get through” while darker skinned people “doesn’t get one shit.” Raw and achingly beautiful, this really is remarkable.
Razor-sharp tightrope time with this belter of a read, it is as dramatic and different as it is fabulous. Discover two books in one novel as true crime is enveloped by breathtaking storytelling. Read Eve Black’s memoir as she searches for the man who murdered the rest of her family 20 years ago. Sitting by its side is the story of the killer Jim Doyle as he reads the book and fears he will be unmasked. This has such a clever premise, Catherine Ryan Howard ensures that this is one of the few instances where knowing the identity of the killer actually adds to the intensity and drama. The change from one book to the other doesn’t jar in the slightest, each embraces and calls to the other and the transition is seamless. The tension increases until it is fairly reverberating through the pages. I let myself be carried away in the story, and don’t forget, this is a story, and it works because there is no sneaking a peek at the end! The Nothing Man is a blast of pure reading entertainment, and has been chosen as a LoveReading Star Book. Have a look at our Ambassador Book Buzz for The Nothing Man.
With the most wonderful blend of stark and sharp plot lines mixed with richly descriptive detailing this is a beautifully readable novel. It stands independently outside of genres as it slips into mystery, family drama, and relationship tales, and covers nearly one hundred years. A Highland shepherd disappears, years later his family still have questions and start to search within their family for answers. A eulogy sits at the very beginning, setting the mystery element in stone yet opening a door to intrigue. Numbered signs sit among the chapters, allowing a personal insight into the shepherd himself. The chapters are short and there is a large cast of characters but I didn’t ever lose my way. The majority of the novel sees two main characters spilling thoughts and feelings, which encourages a closer connection. Merryn Glover has an evocative pen, the descriptions sing, the sense of place flowed into my awareness and I found I couldn’t stop reading. Of Stone and Sky is an unexpected novel, echoing the past and asking questions of the future, it really is a truly lovely read.
What an elegant, edge-of-your-seat triumph this is. Set near the ocean in 1980s San Francisco, Vendela Vida’s We Run the Tides explores the coming-of-age experiences of thirteen-year-old Eulabee and her best friend Maria Fabiola, an enigmatic, attractive, gets-whatever-she-wants kind of girl. They stride affluent Sea Cliff with supreme confidence - the streets are theirs, the world is theirs, and nothing can stop them: “We want to want. We want to love. We want to want love. We are on the precipice of having real boyfriends, of making out with them. We know this.” While walking to their elite girls’ school with other friends, they witness something disturbing. Or so Maria and the rest of the girls claim. Eulabee insists it didn’t happen - to her friends, and the police. Then, in the aftermath of this disagreement that sees Eulabee ostracised, Maria goes missing, prompting an outpouring of anxiety in the neighbourhood as the police investigate her suspected kidnapping. And so an intense entanglement - and unravelling - begins. The potency of teenage female friendship is masterfully evoked - tightly knotted, holding powerful sway, but also quick to fray. And Eulabee’s offbeat voice is mesmeric, authentic and often amusing, notably during the toe-curling account of her first sexual experience. Unique, unexpected, affecting and funny - you couldn’t ask for much more from a novel, and reading this has pushed the rest of Vendela Vida’s novels to the top of my must-read list.
Light, bright, and tremendously entertaining, The Wife Who Got a Life also tackles some difficult subjects with balance and consideration. After years of putting her family first, Cathy decides to take back control of her life and sets up a list of monthly goals. Over the year I spent with her, I smirked, sniggered, and laughed, oh how I laughed! While Cathy is heading towards menopause, the writing ensures this is a read that everyone could enjoy. Tracy Bloom has a seriously witty pen, and knows exactly when a smile is needed, there were times when the words buffeted my thoughts and then in the next moment hugged me. She has the ability to write about tough times with love and empathy while being sharply aware and ensuring Cathy has an authentic voice. I absolutely adored this novel and would describe it as a wonderfully smart and joyous celebration of life. The Wife Who Got a Life is feel-good writing at its best as it lifts you up while remaining completely aware of the sharp reality of life. A LoveReading Star Book, this is one to pop to the top of your reading pile. The LoveReading LitFest invited Tracy to the festival to talk about the fabulously readable The Wife Who Got A Life. You can view the event by subscribing to the LitFest programme for as little as £6 per month - or you can pay per view. For just £2, go, see Tracy in conversation with Julia Wheeler and find out why you won't want to miss this witty and uplifting read. Check out a preview of the event here
Beautifully-written, smoothly-readable, and waltzing with elegance and the intrigue of espionage, Tessa Morris-Suzuki’s The Lantern Boats is an accomplished work of historical fiction. Melding criss-crossing personal stories with the bigger-picture political climate of occupied Japan, it’s rich in details of time and place, with swathes of charisma that make single-sitting readings all but impossible to resist. Adding to the intrigue, the book’s characters are based on real people. The novel opens with an evocative scene describing the swell of the Sumida River illuminated by paper lanterns in a ritual for the dead, of which there are many as a result of the US firebombing raids that ended six years ago. Then we meet Kamiya Jun, a young war orphan with nothing - “no home, no family, no documents, no identity.” Being invisible makes him ideal spy material, and so he’s tasked by the Americans to spy on Vida Vidanto, a beautiful Japanese poet they suspect of being a communist spy. Meanwhile, part-Japanese, part-Scottish Elly Ruskin feels compelled to spy on Vida herself - she suspects her journalist husband, Fergus, of having an affair with the poet, and all while they’re in the process of adopting a child. The worlds of spy and spied-on intermesh powerfully when Fergus finds Vida’s strangled body, and then follows a gripping quick-fire succession of secrets unveiled, a tragic casualty, and hopeful beginnings.
Potently timely, Diana McCaulay’s Daylight Come is a Caribbean-set masterwork of speculative fiction that explores humanity and avenues of hope in the devastating wake of climate change. It’s 2084. The island of Bajacu is under the ruthless rule of the Domins. While “dawn used to be hopeful,” the inhabitants are now “on the run from the day” as a result of the sun’s scorching strength forcing people to sleep by day and work by night. In the cooler mountains, the Toplander elites protect themselves in a hidden refuge, while Sorrel and her mother Bibi are struggling Lowlanders. On her fourteenth birthday, Sorrel makes a promise: “one day, she would find a place where it was possible to sleep in the dark and go outside all day when it was light.” Sick of their precarious, close-to-starving existence, and having heard of the Tribals, people in the island’s interior who’ve found ways of sustaining themselves and surviving the attacks of feral animals, Sorrel persuades her mother to head for higher ground. Bibi’s narrative reveals the environmental changes that led to this situation - the escalating global effects of “melting ice, swirling snowstorms, cities swallowed by earthquakes”. Closer to home, “the crops began failing and the fruit trees stopped bearing.” Human fertility declined too, resulting in fertile women falling prey to Domin men. During their gruelling journey, Sorrel, the girl who came into the world as the sun rose, the girl whose birth was “daylight come,” is rescued by a young Tribal woman. The Tribals have made a life for themselves in the cooler highlands, where breadfruit and coconuts still grow, where water is plentiful - bounties Sorrel has never known. Mother and daughter are taken to the Tribal elder who will decide if they can stay but, at 45, Bibi is too old. Blamed for the state of the world, and a seen as a drain, older people have no value in this society. The elemental beauty of Bibi and Sorrel’s bond is a powerful thread - how Bibi knows her daughter bone-deep and makes the most profound sacrifice for her. Sisterhood is central too, as seen through the tribe of resourceful women coming together in a society in which men and women are deeply divided. And it’s women who devise and lead the courageous, perilous act that may forge a more hopeful future. Gritty, moving, and startlingly plausible, this exceptional novel delivers an extraordinarily powerful perspective on pertinent problems facing humankind right now (hunger, environmental ruination, deep social inequalities), but beams of hope burn through the bleakness.
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