Short and sweet poems and sonnets or lyrical and lengthy epics, sit back and relax while you enjoy the work of these wonderful wordsmiths.
POETRY BOOK SOCIETY RECOMMENDATION Flèche (the French word for 'arrow') is an offensive technique commonly used in fencing, a sport of Mary Jean Chan's young adult years, when she competed locally and internationally for her home city, Hong Kong. This cross-linguistic pun presents the queer, non-white body as both vulnerable ('flesh') and weaponised ('fleche'), and evokes the difficulties of reconciling one's need for safety alongside the desire to shed one's protective armour in order to fully embrace the world. Central to the collection is the figure of the poet's mother, whose fragmented memories of political turmoil in twentieth-century China are sensitively threaded through the book in an eight-part poetic sequence, combined with recollections from Chan's childhood. As complex themes of multilingualism, queerness, psychoanalysis and cultural history emerge, so too does a richly imagined personal, maternal and national biography. The result is a series of poems that feel urgent and true, dazzling and devastating by turns.
This is what a reading experience is all about, Ness touches, tests, pushes, strokes, inspires, and I have given this little book my heart. I have hesitated about explaining the background to Ness, but have decided that to know doesn’t unduly shape thoughts. Orford Ness in Suffolk is a shingle island which is constantly changing due to the sea and weather. It is the site of an abandoned military base where research included nuclear weaponry during the Cold War. The author and illustrator know this place, and have created a powerful lyrical read where nature takes steps to stop a crime against the world. It is a wonderful heady mix of novella and poetry-prose, a fantasy creation of word and illustration that took up lodging in my mind. A hagstone, which allows a veiled glimpse to the future or past, sits centre stage throughout the book, the illustrations by Stanley Donwood allowing a viewing station, a pause, before the next taste of action. The words by Robert Macfarlane sing, they just beg to be spoken, to be heard. As I spoke the words, I had the feeling that I was setting them free, and at the final few pages a shiver of emotion skittered down my arms. Ness is a beautiful yet fierce and frightening call, containing a warning that we should be shrieking from the rooftops. I have chosen it as one of my Liz Robinson Picks of the Month, and a LoveReading Star Book.
Paul Farley is now widely recognized as one of the leading English poets writing today. As usual it is impossible to summarise in terms of theme, as his interests are too various: there's an air of 'the innocence of childhood' being viewed through the corrective lens of worldly middle age, though, and also of mid-life, its creeping self-consciousness and decrepitude, and the distortions of perception that attend it; confusing encounters with tech, modernity and its accelerated rate of change; satirical excursions critiquing the way business and digital communications have debased language. Farley is also interested as ever in the peripheral and marginal and no-man's lands - the lives of others, and their strange occupations; the birds and unsung-by-the-pocket-guides fauna and flora you miss. 'Selfie with Sea Monsters' encapsulate one of poetry's most capacious and eclectic imaginations.
By turns gripping, meditative and elemental, and always inspirational, this treasure trove of prose, poetry and art lays bare a richness of relationships between female adventurers and the great outdoors. Shunning conventional, simplistic narratives about mankind conquering the highest this, or the deepest that, each adventurer-contributor shares their unique experiences with enlightening, engaging subtlety. In the wise words of one writer, “People go outdoors to push themselves past what they thought they could do…I go outdoors for the struggle, not to beat it.” This eloquent anthology contains over seventy pieces of writing and art, among them an enlightening piece about the motivations of an Antarctic researcher, an intimate account of a mountaineer’s connection with her father through cross-country skiing, and an exquisite evocation of the sensuous life-forces of a Dartmoor brook. It’s a delight to dip into, and the perfect gift for nature-lovers and adventure-seekers.
Here you can discover a truly lovely collection of poems celebrating friendship. With 365 on offer, you can read one a day for a year, or splurge out and just read until sated. Can I say how visually gorgeous this book is, both inside and out! Friends sits so well alongside its sister A Nature Poem for Every Day of the Year, and here is where I admit to stroking the cover when I first picked it up (stroking beautiful books is absolutely, in fact more than fine in my opinion). Edited by Jane McMorland Hunter, each poem focuses on the special nature of friendship and each month is preceded by a lovely illustration by Tatiana Boyko. In her introduction she examines the different types of friendship, from marriage, to a connection with or between animals. Also contained within are some extracts from essays, novels, plays, and diaries. I found some of my favourite poets, including Christina Rossetti, William Blake, and Edward Lear, there really is the most huge variety on offer here! Friends A Poem For Every Day Of The Year called out to me, it made me smile, it is a book I will treasure, and dip into again and again. It really would make the most perfect present (alongside its sister) and I can highly recommend it.
This captivating collection comprises intensely poignant profiles of people and places; of domestic life and wild landscapes, especially Scotland’s “dark and stormy waters”, with flashes of crimson running through the poems in the form of fire, a fox, red shoes, a red balloon. Among the cast of memorable characters is Mrs Dungeon Brae, terrifying in both life and death, and The Knitter, who “knits to keep death away” and urgently recounts big life occasions knitting has accompanied her through, all the while “casting on, casting off”. Then there’s the grandmother lamenting the fact that “it’s no like the past for grannies these days...nobody knows how to make a conversation/ let alone make a home-made meal or a fresh baked scone.” Brimming with humanity - with love, anger, frustration and flashes of humour - this engaging, accessible anthology makes a richly rewarding gift for language lovers of all ages.
This edition brings together A Scattering and Anniversary into a single book of lamentation and remembrance, its subject being Christopher Reid's wife, the actress Lucinda Gane, who died of cancer at the age of fifty-five. A Scattering was first published in the UK in 2009 to wide acclaim, winning the Costa Book of the Year Award. This moving and fiercely self-reflective collection is divided into four poetic sequences. The first was written during a holiday a few months before Gane's death with the knowledge that the end was approaching; the second recalls her last courageous weeks, spent in a hospice in London; the third continues the exploration of bereavement from a variety of perspectives; and the fourth addresses her directly, celebrating her life, personality and achievements. Pairing A Scattering for the first time with Anniversary, which was written to commemorate the tenth anniversary of Gane's death, this volume brings Reid into dialogue, again, with the wife he loved. A moving exploration of the stages of grief and how the 'weighty emptinesses' that remain after bereavement change us, A Scattering and Anniversary show us what it means to love, lose and - forever changed - continue on.
This consummately fascinating study into the relationship between dance and poetry – the “step” of dance, and the “foot” of verse – presents a complex, intricate interlacing of disciplines. Dappled with personal anecdotes alongside probing evolutionary questions, historical depth and contemporary insights, it is at once thought-provoking and engaging. The author’s experience as both a dancer and poet inform his unique investigation. He ascribes his long-held passion for both to a deep-rooted childhood awareness of rhythm: “Rhythm is common to both pursuits. Increasingly I have come to feel that dance is a language and that language is a dance.” I found the “Which Came First?” chapter especially compelling. The author’s exploration of humankind’s transition to bipedalism and language takes in fascinating linguistic and archaeological theories, and links the shift to bipedalism to the development of reflective thought, and to walking as an expressive activity. Suffused in spirited intellectualism and a global perspective, this is a must-read for anyone interested in poetry, dance and exploring the history of humanity through the lens of the arts.
Jay Bernard's extraordinary debut is a fearlessly original exploration of the black British archive: an enquiry into the New Cross Fire of 1981, a house fire at a birthday party in south London in which thirteen young black people were killed. Dubbed the 'New Cross Massacre', the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain. Tracing a line from New Cross to the 'towers of blood' of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice. A ground-breaking work of excavation, memory and activism - both political and personal, witness and documentary - Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment. 'Jay Bernard's poems sing with outrage and indignation, with fury and passion. They tell the story, among other things, of the two of the terrible fires of our times: New Cross and Grenfell and, shockingly, show how the past holds up an uncomfortable mirror to the present...They have brio, they have brilliance, they are breathtakingly brave' Jackie Kay, British Council and National Centre for Writing's International Literature Showcase on Britain's 10 best BAME writers
SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD 2019 Wordsworth and Coleridge as you've never seen them before in this new book by Adam Nicolson, brimming with poetry, art and nature writing. Proof that poetry can change the world. It is the most famous year in English poetry. Out of it came The Ancient Mariner and 'Kubla Khan', as well as Coleridge's unmatched hymns to friendship and fatherhood, Wordsworth's revolutionary verses in Lyrical Ballads and the greatness of 'Tintern Abbey', his paean to the unity of soul and cosmos, love and understanding. Bestselling and award-winning writer Adam Nicolson tells the story, almost day by day, of the year in the late 1790s that Coleridge, Wordsworth, his sister Dorothy and an ever-shifting cast of friends, dependants and acolytes spent together in the Quantock Hills in Somerset. To a degree never shown before, The Making of Poetry explores the idea that these poems came from this place, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. What emerges is a portrait of these great figures as young people, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths towards it. The poetry they made was not from settled conclusions but from the adventure on which they were all embarked, seeing what they wrote as a way of stripping away all the dead matter, exfoliating consciousness, penetrating its depths. Poetry for them was not an ornament for civilisation but a challenge to it, a means of remaking the world.
Reckless Paper Birds blends raw emotion, acute social observation and sharp wit to capture the gay male experience. The author of the critically acclaimed collections The Frost Fairs and Spacecraft, Brighton-based John McCullough pulls no punches in this latest - and his most powerful -collection. These are poems of skill, joy and quiet musicality that reflect the conflict and complexity of being.
From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge. There is something about Demi. When this boy is angry, rain clouds gather. When he cries, rivers burst their banks and the first time he takes a shot on a basketball court, the deities of the land take note. His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows Gods often act like men: the same fragile egos, the same unpredictable fury and the same sense of entitlement to the bodies of mortals. She will sacrifice everything to protect her son, but she knows the Gods will one day tire of sports fans, their fickle allegiances and misdirected prayers. When that moment comes, it won’t matter how special he is. Only the women in Demi’s life, the mothers, daughters and Goddesses, will stand between him and a lightning bolt.