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This is it. The place for the greatest writing: stories that transcend all other ‘genres’. Literary fiction goes above and beyond any specific genre in order to deliver stories that strike at the heart of what it means to be human.
Everything changes for rural lad Emmett Farmer when a gloriously grouchy wise woman compels him to be her bookbinding apprentice. While this line of work is generally shrouded in superstitious fear, Emmett is shocked when his mentor explains that they “don’t make books to sell, boy. Selling books is wrong”. Rather, their gothically intriguing trade involves binding unwanted memories into books: ”Whatever people can’t bear to remember. Whatever they can’t live with. We take those memories and put them where they can’t do any more harm”. Most clients are wealthy; well-to-do gentlemen who have their servants and wives bound so they forget what wrongs their masters and husbands have done to them. No wonder then, that Emmett is horrified to discover a book bearing his own name, and so a tempestuous tangle of secrets unfurls. The novel is also fragrantly spiced with witty references to literary history and the novel as an art form: “It makes one wonder who would write them [novels]. People who enjoy imagining misery, I suppose. People who have no scruples about dishonesty”. Yet through the duplicity of her exquisitely crafted characters, and luminous storytelling, this novel’s author reveals truths of the human spirit in a most entertaining and absorbing fashion.
Oh my, I have quite fallen in love with this absolutely glorious and spellbinding tale. A wonderful infusion of themes means ‘Attend’ quite rightly, refuses to be labelled. Set in Deptford, London the streets, houses, and locations are as eloquently described and important as the characters. Skirting the violent criminal underbelly of the town and exploring the struggle of addiction, the story hovers within touching distance of an unseen mysterious power that planted itself in my mind and continued to lurk and explore my thoughts and feelings. The enigmatic and almost otherworldly Deborah sits centre stage, acting as a magnet, weaving Sam and Anne into her story. ‘Attend’ has a deliciously dark fairytale quality that sits alongside the heartfelt realism of life quite beautifully. This is West Camel’s debut, his writing is alluring and sang out to me, I simply can't wait to see what comes next. I recommend Attend with every fibre of my being, it has must-read stamped all over it.
When Levi and Charlotte McAllister’s mother dies, she suffers the post-death fate experienced by many a McAllister woman. After cremation, she re-appears and bursts into flame on the lawn. Fearing his sister is headed for the same end, Levi swears to “bury her whole and still and cold”, which prompts Charlotte to flee southward “towards the bottom of the earth”. What follows is a cleverly twisting story that crackles with intrigue and invention as the lives of an assortment of compelling characters collide. There’s the wildly eccentric coffin maker Levi commissions to make Charlotte’s casket, and the hard-drinking female detective he employs to track her down. There’s the wombat-farmer slipping into insanity, and the young woman who works for him and changes Charlotte’s life. Raw and real, yet also suffused in otherworldly magic, the author has conjured an elemental mythological landscape alongside the true-world Tasmanian setting. I raced through these blistering pages, but this is a book I shall undoubtedly return to.
Bitingly fierce and wonderfully different, Into The Night is a provocative powerful read. Senior Detective Gemma Woodstock investigates a hugely complex case, the murder of a movie star on a film set surrounded by hundreds of people. Although you could easily read this as a standalone, I really do feel that The Dark Lake is a fabulous introduction to Gemma, so if you haven’t read it yet, do buy yourself a copy of both books. Gemma Woodstock is prickly and feisty, her job means everything to her, however she isn’t quite sure where she sits in the world. Sarah Bailey creates a raw, plausible background for Gemma to reside in, and I found myself slowly becoming a part of it. Real human emotions are not only visible, they can be felt, including the unbearably grim and darkly amusing. Unexpected jolts and shocks lie in wait, while everything still feels incredibly authentic, and the rolling ending suited me down to the ground. Into The Night crept up on me, I didn’t realise how actively involved I was in the storyline until I came up for air at the end, highly recommended.
Thirty very different pieces about extraordinary women, keenly observed and astute. They cover the spectrum from triumphant to pathetic, sad to humerous, surprising to surreal. There is the woman who unravels, another who grows wings, one who secretly paints her grass green, one talks to ducks, one slips through a timeless crack and another is put on a shelf. Some will irritate, others make you laugh or cry. Do not read too many together else you will lose the flavour. I would believe it to be a good bedside book, read two or three a night and take the next day pondering and digesting them before the next batch. I also believe it would make an excellent Christmas present for any woman any age.
The Center for women's reproductive health offers a last chance at hope - but nobody ends up there by choice. Its very existence is controversial, and to the demonstrators who barricade the building every day, the service it offers is no different from legalised murder. Now life and death decisions are being made horrifyingly real: a lone protester with a gun has taken the staff, patients and visitors hostage. Starting at the tensest moment in the negotiations for their release, A Spark of Light unravels backwards, revealing hour by urgent hour what brought each of these people - the gunman, the negotiator, the doctors, nurses and women who have come to them for treatment - to this point. And certainties unwind as truths and secrets are peeled away, revealing the complexity of balancing the right to life with the right to choose.
Heads You Win is the incredible and thrilling novel by the master storyteller and bestselling author of the Clifton Chronicles and Kane and Abel, Jeffrey Archer. Leningrad, Russia, 1968. Alexander Karpenko is no ordinary child, and from an early age, it is clear he is destined to lead his countrymen. But when his father is assassinated by the KGB for defying the state, he and his mother will have to escape from Russia if they hope to survive. At the docks, they are confronted with an irreversible choice: should they board a container ship bound for America, or Great Britain? Alexander leaves that choice to the toss of a coin . . . In a single moment, a double twist decides Alexander's future. During an epic tale of fate and fortune, spanning two continents and thirty years, we follow his triumphs and defeats as he struggles as an immigrant to conquer his new world. As this unique story unfolds, Alexander comes to realize where his destiny lies, and accepts that he must face the past he left behind in Russia. With a final twist that will shock even his most ardent fans, this is international number one bestseller Jeffrey Archer's most ambitious and creative work since Kane and Abel.
The unnamed narrator of this remarkable novel is a vulnerable, bookish eighteen-year-old who lives in a close-knit community beset by sectarian violence. Harassed by an older man she calls Milkman, she’s compelled to keep her encounter with this sinister figure a deeply buried secret. She’s isolated, silenced, and must remain silent, and it’s this that cuttingly resonates with the #MeToo movement, and also with the situation of many teenage girls whose early experiences of womanhood all too often involve fear, shame and secrecy. Many reviews of this novel speak of its “challenging” nature, its “difficult” experimentalism, but whether a reader finds it to be “difficult” very much depends as to how one engages with the narrator. It took a little while to fall in step with her rhythm, but I found her stream-of-consciousness voice compelling and richly rewarding. Sharp on the psychology of small communities and the repercussions of inaction, and quirkily comic to boot, this is an exhaustively exceptional novel.
Gosh, just stunning! For me, this is the very definition of a must-read… eloquent, absorbing, absolutely fascinating and thoroughly enjoyable. I thought The Last Hours (which you really do need to read first) was exquisitely engaging and satisfying, and I enjoyed The Turn of Midnight just as much, perhaps even more as the characters were known to me, beloved by me. Lady Anne and educated serf Thaddeus have joined forces to prevent the Black Death from decimating their community. As they attempt to secure the independence of Develish however, trouble continues to haunt them, to hunt them down. Maps and a summary of the people, places and events from The Last Hours ensured I was able to step straight into the story. Minette Walters has the most beautiful voice, my soul became at one with the words. I sank so fully into the story that I was surprised at the end of each chapter when I suddenly came to and became aware of my surroundings. The time, the place are vibrantly alive, I could touch kindness, smell bitterness, taste fear. Please, please, please let there be more! The Turn of Midnight is a powerful, gripping read, and yes I am gushing most effusively over it, that’s because it really is rather wonderful and I highly recommend buying yourself a copy.
This book is Melmoth. It's pages reach out, take you by the hand and walks you through each of the character's lives, making you bear witness to moral complexities navigated by each character. The Interweaving narratives introduced with the strange manuscript bound me to this book and didn't release me until the final page. I still feel the tingle on the back of my neck - like the book is nearby, watching and waiting... Sarah Perry's writing is a lesson in the mastery of the English language, with the poetic fluidity of the River Elbe. Although this book is rather demure, it packs a real punch and manages to combine history, folklore and morality to create a thrilling allegory of ignorance and narrow sightedness.
The wry, macabre, unforgettable tale of an ambitious orphan in Revolutionary Paris, befriended by royalty and radicals alike, who transforms herself into the legendary Madame Tussaud. In 1761, a tiny, odd-looking girl named Marie is born in a village in Alsace. After the death of her parents, she is apprenticed to an eccentric wax sculptor and whisked off to the seamy streets of Paris, where they meet a domineering widow and her quiet, pale son. Together, they convert an abandoned monkey house into an exhibition hall for wax heads, and the spectacle becomes a sensation. As word of her artistic talent spreads, Marie is called to Versailles, where she tutors a princess and saves Marie Antoinette in childbirth. But outside the palace walls, Paris is roiling: The revolutionary mob is demanding heads, and . . . at the wax museum, heads are what they do.
Insightful, International, Thought-provoking
Literary fiction is a bit of a “catch-all” phrase. Some call it “Serious Fiction” but we prefer to think of it as all of the greatest stories ever told, all in one place. This is where you will find literary classics from literary masters past and present.
Why not have a look at our monthly featured titles for inspiration? Revisit old friends? Discover new ones? Or finally read that book that your friends have been banging on about for ages? Whatever your reasons, settle down with your favourite tipple, unwind and open your mind with the home-spun brilliance of authors like Martin Amis, Salman Rushdie, David Nicholls and Zadie Smith; or those from further afield: Gabriel Garcia Marquez, Haruki Murakami, Ben Okri, Jostein Gaarder and so many more. There are obviously so many to choose from, you could get lost in the Sea of Choices.
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