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Mainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way.
From #1 New York Times bestseller Cassandra Clare and award-winner Wesley Chu comes the first book in a new series that follows High Warlock Magnus Bane and Alec Lightwood as they tour the world after the Mortal War. The Red Scrolls of Magic is a Shadowhunters novel. All Magnus Bane wanted was a vacation-a lavish trip across Europe with Alec Lightwood, the Shadowhunter who against all odds is finally his boyfriend. But as soon as the pair settles in Paris, an old friend arrives with news about a demon-worshipping cult called the Crimson Hand that is bent on causing chaos around the world. A cult that was apparently founded by Magnus himself. Years ago. As a joke. Now Magnus and Alec must race across Europe to track down the Crimson Hand and its elusive new leader before the cult can cause any more damage. As if it wasn't bad enough that their romantic getaway has been sidetracked, demons are now dogging their every step, and it is becoming harder to tell friend from foe. As their quest for answers becomes increasingly dire, Magnus and Alec will have to trust each other more than ever-even if it means revealing the secrets they've both been keeping. Learn more about the world of the Shadowhunters at Shadowhunters.com.
This deservedly best-selling series launches with a powerful love story that thrills and chills in equal measure. Sailing from New York, 16 year old Tessa Gray arrives in Victorian London to meet her brother. But nothing goes according to plan and Tessa finds herself instead in the Downworld, a terrifying supernatural place of vampires, demons and warlocks. How Tessa survives before falling in love – the biggest danger of all! – is a terrifying and passionate read. This is a new urban fantasy full of vampires, werewolves and shape-shifters from the bestselling author of The Mortal Instruments series.
Sarah J. Maas devotees certainly have a treat in store with this luxurious collector’s edition of the first book in her outrageously popular A Court of Thorns and Roses series. The story that spurred the series is here presented in a beautiful black slipcase that’s embellished with gold foiling. The book itself features a stunning gold foil depiction of a forest scene on its cover, lavish metallic ink endpapers, intricate fairy tale-esque illustrative detail on every page, plus a handsome newly drawn map of the Faerie Lands of Prythian. It’s a beguiling package that befits the tale itself, an enchanting story that follows nineteen-year-old Feyre’s magical, epic quest through the beautiful, dangerous faerie lands. Reeling with romance, intrigue and outright “immortal horror”, Feyre’s journey feels timeless in setting and atmosphere, and contemporary in much of its straight-talking delivery.
Faithful fans of the Throne of Glass fantasy phenomenon need never be without access to Celaena’s epic adventures with this limited mini edition of her first epic quest. With its compact format, violet ink decoration and unabridged text, this mini edition of Throne of Glass is the perfect stocking-filler for completest collector devotees, and a glam gift for newcomers to the series. But what of the story printed on the fine-papered glory of this mini-format? It’s a seductive cocktail of all-out action and fighting for survival in a wildly imagined fantasy world, with a smart, sassy eighteen-year-old assassin at its pounding heart. After a year of slavery and being “escorted everywhere in shackles and at sword-point” Celaena Sardothian is called to the castle and issued with a task that may secure her release. If she succeeds in defeating a band of warriors, she’ll be freed to serve as the King’s Champion. But with evil afoot, and duplicity, distrust and paranoia in abundance, our headstrong, sharp-tongued heroine must summon all her physical and intellectual strength.
Reading a new Frances Hardinge novel is always an adventure into a new, carefully constructed world - where things are never quite as one might imagine as you begin. Here two friends, raised together in poverty and scavenging are leader and led, counterpoint to each other, one believing in friendship above all, the other of a very much darker outlook. They live on one of a series of islands that form the Myriad, each island with its own long dead gods, each with its own strange traditions and stories. The sea surrounding the islands hides many things within it, wrecks, bones as one may expect, but also the undersea where danger lurks ready to take any who venture too far and spit them out utterly changed. In this world Hardinge has created a masterpiece of tension, fear and friendship. A slow coming to the realisation of the world that they inhabit, and a look at power and how it can be manipulated for politicians, gods and evildoers own nefarious ends. It makes your mind race with the adventure but pulls you up to consider the philosophy behind the characters motivations. A truly great read – I think I may have to read it again now!
The Angel of Evil is the fourth book in The Great Devil War series and yet again I raced through it. It’s filled with the same tongue-in-cheek humour as the previous books, but feels much darker. Before I go on, I must stress that it’s essential that you read books one to three in this series first, to understand the concept of Lucifer’s Kingdom, immerse yourself in the cleverly-constructed setting and to follow Philip’s journey into Hell. It feels like there’s less new world building in The Angel of Evil than in the previous books, and Hell and its surroundings felt more familiar and more ‘natural’ - the devils, the condemned, punishment and death. Though this time, Philip travels to the far reaches of Hell to save his friend Satina who has been kidnapped, which means there are some new characters to meet while Hell is under attack from rogue devils. This series is about good versus evil, though not in a conventional way, as devils take the centre stage. As with humans, some are good, some are not so good and some are evil. The narrative is littered with biblical and historical characters that brings a sense of familiarity. There are also a few poignant moments as Philip finally meets someone from his past and decides on his future. This is an ‘alternative’ Harry Potter series. It grows as the series progresses, with twists and turns and an action-packed plot. It’s very easy to read. But some of the descriptions can be quite graphic so it’s not for younger children or the faint-hearted.
This endearing character-driven treasure from the award-winning author of Dear Martin is a race-against-time romance replete with real-life hardship, class conflict and hope. Rico is a high school senior who works at Gas ‘n’ Go after class to keep her family afloat and then races home to look after her little brother so her mom can pick up extra shifts. In the intensity and exhaustion of this hamster-stuck-in-a-ball situation Rico’s lost sight of what she wants for her future, but selling a jackpot-winning lottery ticket gives her new focus: to find the little old lady she believes won the ticket. Then maybe – just maybe – she’ll be rewarded with a life-changing cut of the multi-million-dollar winnings. To this end, Rico reluctantly enlists the help of handsome, rich “Zan-the-Man”, a tech whizz who “has no idea what it’s like to constantly be on the brink of not having what you need to survive.” But, as Rico discovers, while Zan’s set to take over the throne of his family’s toilet paper empire, his dad has made sure he knows the value of money. Their opposite-side-of-the-tracks narrative plays out with heated banter and feverish frisson, with class conflict rearing its head at every turn as Rico struggles to accept Zan’s generosity just like her mom refuses to apply for government support. Quirkiness comes courtesy of interludes told from the points of views of inanimate objects - the winning ticket, a taxi, a stash of $100 dollar bills, Zan’s fancy bed sheets, a salt shaker – and the novel’s conclusion is as thrilling and life-affirming as it is unexpected. Readers will be left rooting for Rico and Zan to forge the futures they deserve.
From the one-of-a-kind author of Poet X comes a one-of-a-kind novel suffused in YA’s finest features - friendship, shifting family relationships, fighting to find your voice, romantic passion – and more besides, thanks to the exuberant drive of its teen mom protagonist. Emoni has an extraordinary gift for creative cooking and a complicated home life. Her mom, whose family is “straight-from-the-Carolinas Black” died in childbirth, which caused her grief-stricken Puerto Rican dad to head home to his island. As a result Emoni was raised by his mother, the fabulous ‘Buela. Emoni is used to hearing other people’s problems with her dual heritage (“it’s like I’m some long-division problem folks keep wanting to parcel into pieces, and they don’t hear me when I say: I don’t reduce, homies. The whole of me is Black. The whole of me is whole”), but since falling pregnant in her freshman year she has a new set of struggles to contend with. It’s not easy being a teenage mom while also studying, working and dealing with Babygirl’s judgmental paternal grandmother, but somehow Emoni keeps it all going, finding soulful solace in the kitchen: “I’m happier in the kitchen than anywhere else in the world…my food doesn’t just taste good, it is good – straight up bottled goodness that warms you and makes you feel better about your life”. Enrolling on a culinary arts class makes Emoni even more determined to accomplish her gastronomic career goals, and also brings her heatedly close to new boy Malachi. But with multiple obstacles at every turn, when life reaches boiling point her best friend and family step-up as supporting sous chefs. Spiced with inspirational wisdom (“Taking risks and making choices in spite of fear – it’s what makes our life story compelling” says one of Emoni’s teachers; “The world is a turntable that never stops spinning; as humans we merely chose the tracks we want to sit out and the ones that inspire us to dance,” says Emoni), this luminous novel challenges multiple stereotypes and dances to its own love-infused, inspirational beat.
His ‘Dark Materials’, is the story of Lyra, a young girl with an exceptional destiny. Brought up in Jordan College, Oxford Lyra uncovers a secret about her mysterious guardian which leads to some dangerous questioning. It also marks the beginning of Lyra’s search for her friend Roger, a search that takes her to the ice kingdoms of the North where armoured bears rule. Lyra’s courage and stubborn determination lead her on this mission of incredible danger in this brilliant and imaginative story. The author’s vivid imagination and vision is so spectacular and moving that it will leave you almost speechless with admiration and the amazingly diverse characters will be universally admired by all those who read about them. It’s completely original and totally spellbinding; a true classic that will stand the test of time much in the way Tolkien’s famous work has done.
New Yorker Leah is a tenacious, snarky queen of quips. She’s also an exceptional chess player but decides to give up the game after losing a match that, had she won, would have seen her move up the rankings to grandmaster status. Feeling the pressure of her mom and coach, feeling that she’s let down her beloved dad, she decides to get a tattoo, “proving to myself and the world that there is life after chess and that I’m not just a pawn for other people to push around.” Leah’s certainly not a girl given to being pushed around but, with the skills of a master weaver, the author sensitively shows how grief’s deep wounds underpin her anger and tendency to drive people away. When her tattoo plan is foiled by one of her blog readers, Kit, who makes big bucks from illegal chess hustling, Leah winds up making a thousand dollars in a couple of hours. It’s through the police busting one of the illegal games that she finds out about chessboxing, “the ultimate contest of brains and brawn”. The thrill Leah feels for this hybrid sport’s speed and tension is palpable, and she’s a natural at it too, with her boxing coach praising her exceptional resilience: “You never know what’s inside a fighter until they’re flat out on the canvas”, a perceptive comment that encapsulates Leah’s story journey. She’s grappling with grief, but making emotional breakthroughs and learning new skills, to the point that she’s ready to fight Death (a formidable champion chessboxer) in Vegas. With a truly pulse-quickening climax, this exceptional novel rages with raw emotion. It’s a bona fide page-turner seared with life-affirming insights into grief, friendship and finding new paths.
Told in narrator Newt’s distinctive phonetic English, this dark debut dazzles with originality and delivers a potent case for combatting inequality. Bearmouth is home to a grim mining business, where men and children labour under inhumane conditions to make their Master wealthy. They work under the earth, under the omniscient Mayker who - so workers are told - “sen us down into the dark Earf/To atone for the sins o our forefarvers an muvvers”. Naïve Newt hasn’t seen daylight in years, but takes pride in being taught to read and write by fatherly Thomas, blithely accepting this lot until the arrival of new boy Devlin. Devlin’s talk of “revolushun” makes Newt feel that things are “unravellin slowly slowly lyke a bootlayce comin all undun.” Life in Bearmouth is beyond bleak, but the sparks of Devlin’s revolutionary spirit catch light and drive Thomas to ask the Master for “more coinage” for the workers, to question why they must pay for essential clothes, to demand to know when the promised safety lamps are coming. Then when tragedy strikes, Newt too realises that things “ent bloody well ryte” and takes on Devlin’s insurgent tendencies, with explosive effects. Emotionally engaging, this searingly original novel about standing up to abuses of power and fighting for freedom is radiant with story-telling excellence.
Bea is the kind of open, honest, amusing character readers immediately care about. Told through her wittily illustrated diary, Bea’s tale begins with a(nother) upheaval. She and her family have just moved to their new Chinese takeaway, but her hopes for a fresh start are immediately dashed when she sees there’s no living room, and she has to share a room with little sister Bonny while big brother Simon lives with their grandparents. Bea’s experience of feeling “doubly different” is poignantly portrayed – she’s an outsider at school because she’s Chinese, and an outsider among her wider Chinese family because her own family is dysfunctional, and because she doesn’t speak the same language. Thank goodness, then, that she forms a friendship with fellow outcast, Tina the Goth, who stands up to racist school bullies. But while Bea begins to feel hopeful about her future and takes steps towards realising her dream of working in fashion, she and Bonny are increasingly neglected by their parents, and then there’s Dad’s aggressive outbursts. The mid-1980s setting prompts many amusing references, from ra-ra skirts and Gary Kemp’s perm, to sending drawings to Take Hart and going to Wimpy for a Knickerbocker Glory - but above all this is a highly readable, highly empathetic, impactful novel about familial abuse and neglect, trying to fit in, and finding your way in the world. Based on her own experiences, author Sue Cheung’s big-hearted story will chime with readers of 12+ who know how it feels to fall between cracks and dream of a different life.
Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
This is the third in Simon Mason’s award-winning Garvie Smith crime series and you won’t find a better, more entertaining or more stylishly written whodunnit. His hero Garvie Smith is very smart – indeed, he’s a virtual maths genius – but very lazy, whether it comes to housework, schoolwork or his new job as a fencer (delivered courtesy of his friend Smudge). The disappearance of the teenage daughter of the house behind the fences they are fixing is something that exercises Garvie and he’s much better placed to solve the mystery than the police, of whom he has a very low opinion. The story he untangles is full of double-dealing and deceit and Mason creates a world of dark cynicism that Chandler would recognise and envy. Garvie solves the crime but is definitely left with cracks in his hard-boiled exterior. A brilliant page-turner for all readers, and a sharply observed and often very funny bit of YA.
This captivating collection comprises intensely poignant profiles of people and places; of domestic life and wild landscapes, especially Scotland’s “dark and stormy waters”, with flashes of crimson running through the poems in the form of fire, a fox, red shoes, a red balloon. Among the cast of memorable characters is Mrs Dungeon Brae, terrifying in both life and death, and The Knitter, who “knits to keep death away” and urgently recounts big life occasions knitting has accompanied her through, all the while “casting on, casting off”. Then there’s the grandmother lamenting the fact that “it’s no like the past for grannies these days...nobody knows how to make a conversation/ let alone make a home-made meal or a fresh baked scone.” Brimming with humanity - with love, anger, frustration and flashes of humour - this engaging, accessible anthology makes a richly rewarding gift for language lovers of all ages.
Uplifting and dazzlingly unique, this coming-of-age treasure explores identity and sexuality with an emboldening message to remember that “you have the right to be you”. As a young Barbie-loving boy, mixed race Michael wonders if he’s “only half” of everything, to which his mother poignantly replies: “Don’t let anyone tell you/that you are half-black/and half-white. Half-Cypriot/ and half-Jamaican./ You are a full human being.” But he doesn’t feel like a whole human being. Dubbed a “queerdo and weirdo” by bullies and subjected to “batty bwoy” taunts through his teenage years, he leaves London for Brighton University with hope in his heart. But even here Michael feels “like Goldilocks; trying to find a group of people/the perfect fit for me”. He doesn’t feel black enough for the Caribbean Society, or Greek enough for Hellenic Society, or queer enough for the LBGT Society. Then Michael finally finds a fit at Drag Society where he becomes The Black Flamingo, “someone fabulous, wild and strong. With or without a costume on.” Michael’s journey is complex, moving and told with a raw vitality that makes the soul soar and the heart sing, with Anshika Khullar’s magnificent illustrations and the smart design adding further depth, prompting the reader to pause for thought as his story requires.
A stunningly original ocean adventure by a one-of-a-kind author whose work defies convention and abounds with a purity of ideas and execution. Kel was “always running away from something”, seeking escape “from the world she inhabited within and the world that bullied her from the outside”. She’s a swamper, born oceans apart from the wealthy tower people who live in the same Cornish coastal community. She’s also an unforgettable heroine, a girl with danger in her eyes, a baby to care for and “a stupid heart that beat wrong and was shaped wrong and had wrongness stretched clean through it”. Kel “didn’t want what the tower people had; she only wanted two things, a heart she could rely on and freedom from kin”, which is why she kidnaps Rose, the daughter of a cargo ship captain. Kel plans to use her ill-gotten gains to travel to South America to have a heart operation, because in the UK “swamp folk don’t get operations”. Aboard the ship Kel tracks down Rose and forces her to board a smaller vessel, soon running into trouble when the engine fails amidst scenes of devastation on the mainland. Steering clear of well-worn clichés, Carthew’s stories cut to the heart of human experience, often portraying and championing life’s underdogs and outsiders. What a thrilling, thought-provoking novel this is, brimming with perilous encounters, and the rawness of real-life relationships.
Former Children’s Laureate Malorie Blackman makes a brilliant return to her best-selling Noughts and Crosses series with an all-guns-blazing story of prejudice, love, ambition, politics and violence. In the series launch title, Sephy, a Cross, and Callum, a Nought, challenged the divisions in their society. They paid a heavy price for doing so but they did make changes; racial and class barriers were brought down and the future would be brighter. Or so they thought. But a generation on, while superficially things look better, the prejudices are never far away and where they are, violence follows. When the first Nought Prime Minister is framed for murder he turns to his old friend Callie Rose, daughter of Sephy and Callum to defend him. But crossing the racial divide is still unpopular and both have ruthless enemies. As corruption spills into violence the next generation, Troy and Liberty, are terrifyingly caught up in the conflict. Malorie Blackman’s scope is huge in terms of characters and time- frames in this hard hitting socio-political commentary which has obvious resonance for today.
An all-female high-seas YA fantasy adventure of survival and revenge, with a diverse cast and filmic feel, perfect for fans of Sarah J Maas and Leigh Bardugo.
Jason Reynolds is the master of giving voice to children and teenagers who exist - and often struggle - on the margins of society. Against tough competition, this exceptional novel might be his finest yet. Matt has recently lost his beloved mom and feels excruciatingly lonely in his grief. By page two, when Matt comes home to a house that was “totally silent. And it had no smell,” the author encapsulates the raw invisibility of grief with visceral power. Haunted by how his mom made him feel “like the luckiest kid in the world...like I was somebody important”, and needing something to occupy his mind (and some cash), Matt takes a job helping family friend and funeral director Mr Ray, and unexpectedly finds that attending funerals and witnessing the grief of others makes him feel less alone. With his dad otherwise disposed after seeking solace in whiskey, Mr Ray is heart-meltingly supportive, reaching out to Matt while his “old man is getting himself together”. It’s at one of his work funerals that Matt begins to form a beautiful bond with Lovey, a young woman who’s experienced more pain and loss than even Matt can imagine. As Lovey opens Matt’s world and heart, they discover that they’re also bonded by a tragic moment that shaped both their lives. Readers will hope with all their hearts that Lovey and Matt’s futures are presaged by Bob Marley’s “every little thing gonna be alright” lyrics that ring out during a momentous shared taxi ride. Boldly honest and bathed in empathy, Matt’s all-consuming, touching tale possesses a rare power to leave a lasting imprint.
TRUST NO ONE. NOT EVEN YOURSELF. After a devastating scandal breaks in her elite New York City private school, Magdalena is shipped off to her family home to spend a summer recovering under the radar. Over-medicated and under-confident, she spends her days in a fog, hiking in the woods behind her grandparents' cottage. But then a gorgeous boy called Bo stumbles across her picnic blanket and Magdalena starts believing she might be able to move on from her past. Bo is wild and free and he gets her - it's like he can see into her soul. Finally she's starting to feel . . . something. But there's something dark going on in this sleepy town, and when a mutilated body is found in the woods near Bo's forest home, it's clear that Magdalena's nightmare is just beginning. She's no longer sure if she can trust anyone - even herself . . . What She Found in the Woods is an addictive and all-consuming thriller with a twist from the internationally bestselling author of the Starcrossed series, Josephine Angelini.
The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.