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Mainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way.
It's 200 years since Cinderella found her prince, but the fairytale is over. Sophia knows the story though, off by heart. Because every girl has to recite it daily, from when she's tiny until the night she's sent to the royal ball for choosing. And every girl knows that she has only one chance. For the lives of those not chosen by a man at the ball ... are forfeit. But Sophia doesn't want to be chosen - she's in love with her best friend, Erin, and hates the idea of being traded like cattle. And when Sophia's night at the ball goes horribly wrong, she must run for her life. Alone and terrified, she finds herself hiding in Cinderella's tomb. And there she meets someone who will show her that she has the power to remake her world ... An electrifying twist on the classic fairytale that will inspire girls to break out of limiting stereotypes and follow their dreams!
Is there such a word as bookstruck? Because that is what I'm feeling right now, The Court of Miracles is a debut, the start of a trilogy, and a stonkingly good read. I believe both (older) young adults and adults will fall for this and I suggest just throwing yourself in and letting go. Find yourself in a reimagined Paris years after the French Revolution has failed with some of the cast of Les Miserables… this is what might have been. As well as cast members (with notable exceptions), there are little references to Les Mis to discover along the way which made me smile but please don’t think of this as being a historical tale as you are opening up a whole new world. I think The Court of Miracles would work without already knowing Eponine, Cosette, Gavroche and friends, as some develop in a completely unexpected way and there are a whole host of new characters to meet. Eponine (Nina) the Black Cat narrates, and after her father sells her beloved sister, she becomes a thief in the criminal underworld of the Court of Miracles. She soon finds herself another sister Cosette (Ettie), but in order to protect, she must betray. Opening up the trilogy in the best possible way The Court of Miracles is an adventurous story stuffed full of revenge, courage, and love. While it felt like a wondrous tale in its own right, there is obviously still much to come. I adored it and this oh so readable novel sits as a Debut of the Month, LoveReading Star Book, and Liz Pick of the Month.
Set in the 17th century, a breathtaking debut, and a potential prize-winner, about the power of women, witchcraft, fury, revenge and the ties that bind us. After witnessing the brutal murder of her mother by witch-hunters, Evey vows to avenge her and track down the killers. Fury burns in her bright and strong. But she has promised her mother that she will keep Dill, her little sister, safe. As the lust for blood and retribution rises to fever pitch, will Evey keep true to the bonds of sisterhood and to the magick that is her destiny?
Through the tangled identity struggles of authentic characters you’ll truly care about, Alice Oseman’s Loveless extends an understanding hand to aromantic asexuals (people who experience little-to-no romantic or sexual attraction, also known as aro-ace) while guiding all readers through fears of being alone and dealing with the pressure to hook up. Moreover, it’s a thoroughly entertaining, gripping page-turner that shows finding happiness isn’t dependent on romantic love. Georgia is desperate to experience her first kiss before she and her two best friends head to Durham University. After being made to feel “weird” and “disgusting” when she confesses to her peers that she’s never kissed anyone, Georgia seizes an opportunity to snog the one and only crush she’s ever had. When this goes spectacularly wrong in a scene that sizzles with tension and scorching comic timing, it hits her that “I hadn’t ever fancied anyone,” that the reality of kissing and romance “disgusts me.” But still she resolves to “try harder. I wanted forever love. I didn’t want to be loveless.” At Durham, while still struggling to find love, Georgia finds new friends in her outwardly confident, sexually active roommate, and Sunil, president of her college’s LBGTQ society. Sunil’s compassion and personal experiences help her discover who she is, to realise that she’s not alone in not feeling sexual or romantic attraction. Georgia’s journey to discovery is far from smooth, though, with many friendship-threatening, edge-of-your-seat errors made along the way.
With characteristic vision and grace Meg Rosoff has done it again in this exquisite novel that merits a place alongside I Capture the Castle, Bonjour Tristesse and The Lost Estate (Le Grand Meaulnes) for its coming-of-age, loss-of-innocence excellence. Though contemporary, it feels timeless and elementally affecting, much like the Great Godden’s impact on the family whose story it tells. With an idyllic seaside summer stretching ahead, the tingling anticipation of The Great Godden’s unnamed teenage narrator is deliciously palpable: “This year is going to be the best ever: the best weather, the best food, the best fun. The actors assembled, the summer begins.” But there are still two more actors to take to the stage - enter the Godden brothers in a shiny black car. The narrator’s older sister Mattie is immediately smitten by magnetic, handsome, self-assured Kit: “She was desperate to lose her virginity, and what sort of person would say no to Mattie? Surely not some movie star’s kid, fresh off the plane?” Though Mattie is certainly attractive, it’s obvious that charmer Kit has the upper hand of any situation, but might he also be a trouble-maker, as his curt, less-of-a-looker brother warns? Such wonderings underpin some of this novel’s essence. With the stage fully set and summer speeding towards the climax of a wedding, it poses fundamental questions about motivation, and the nature of agency, of lust, of the desire to be seen for who you are. Quivering with unease, passion and paranoia, it also reveals how past experiences engrave themselves upon us, creating fault-lines that may crack and cause future ructions. Sophisticated, seductive and smoothly readable, this is a summer story par excellence, and a coming-of-age tale for all times.
Kesia Lupo's We Are Bound By Stars is a fine follow-up to We Are Blood and Thunder, a richly-realised fantasy epic in which intrigue, trickery and powerful gifts from the gods throng through a cast of colourfully compelling characters. If you’re a fan of female-fronted fantasy, of Leigh Bardugo and Sarah J. Maas, this series is sure to be your chalice of char. Beatrice is one of three female mask-makers in the kingdom of the Wishes, a cluster of volcanic islands ruled by a Contessa. As a result of a secret pact the Contessa made with Mythris, patron god of the Wishes, the chosen triplet mask-makers are taught to create masks with powers that aid “the Contessa in discovering and destroying her enemies”, as long as the chain of inheritance remains intact. As a middle sister, Beatrice makes Grotesques, masks that “draw power from expression”, creations with the power to manipulate emotions, but she’s desperate to flee this life of bondage. Then there’s Livio, born into a powerful family, destined to be the first male leader in aeons, but his magic is overwhelmingly wild. When his path collides with Beatrice’s, it falls to them to prevent devastating insurgency, as menacing masked assassins close in on their heels. Can they cut the strings of a controlling puppet master? Can they change the course of destiny? As their tales twist along a troubled path, the sense of time running out, of high-stakes decisions, of human emotions are grippingly evoked within a tangled web of magical trickery.
Telling the affecting story of sixteen-year-old Cal’s battles with homophobic bullies, family upheavals, mental health and heartbreak, this hard-hitting page-turner pulls no punches from the opening coming-out scene that results in Cal’s mum needing medical attention and an almighty clash with his dad. Reeling from strife at home and school, along with a series of ill-advised one-night stands, Cal’s life seems to take an upward turn when he falls for handsome, wealthy Matt. But since the course of passion and romance rarely runs smooth, thank goodness Cal’s best friend Em and her joyous Scotch-drinking, straight-talking nan are there when he needs them. Exploring themes of homophobia, self-harm, complex family dynamics, friendship, and intergenerational bonds with clarity and sensitivity, Fall Out is underpinned by a warm message of hope and the possibilities of starting afresh. As Cal says, “You can’t pave over the faults; you can’t wash away the past but sometimes, when you make mistakes, you get a second chance.”
Falling in love, riding out change, figuring out what you want to do with your life – Ciara Smyth’s pitch perfect debut simmers with romance and deep-rooted dilemmas, delivered through witty dialogue and affecting emotional detail. Seventeen-year-old Saoirse (pronounced ‘Seer-sha’- be sure to get it right) is on the cusp of crossing the Irish Sea to read history at Oxford. Except she’s not sure she wants to go. She has more than enough on her plate dealing with her dad’s remarriage, getting over breaking-up with her girlfriend, and coming to terms with her mum’s debilitating illness. She just wants to spend her summer watching horror movies and kissing girls – no strings attached. To that end, Saoirse goes to a mate’s end-of-exams party and gets it on with his cousin Ruby. Irresistibly drawn to Ruby’s good looks and good heart, Saoirse accepts her challenge to embark on a summer romance with all the serious bits left out, in finest romcom tradition. But, as Ruby sagely points out, “the thing about the falling in love montage…is that when it’s over, the characters have fallen in love”. Super smart and funny (“If you are a girl inclined to deface school property, may I suggest the classic penis and balls, as you will avoid suspicion due to stereotyping”), Saoirse is lead fans of contemporary YA will love and root for - flaws and all - and her journey is a thoroughly entertaining, thought-provoking rollercoaster ride.
Is there such a word as bookstruck? Because that is what I'm feeling right now, The Court of Miracles is a debut, the start of a trilogy, and a stonkingly good story. I believe both young adults and adults will fall for this and I suggest just throwing yourself in and letting go. Find yourself in a reimagined Paris years after the French Revolution has failed with some of the cast of Les Miserables… this is what might have been. As well as cast members (with notable exceptions), there are little references to Les Mis to discover along the way which made me smile but please don’t think of this as being a historical tale as you are opening up a whole new world. I think The Court of Miracles would work without already knowing Eponine, Cosette, Gavroche and friends, as some develop in a completely unexpected way and there are a whole host of new characters to meet. Eponine (Nina) the Black Cat narrates, and after her father sells her beloved sister, she becomes a thief in the criminal underworld of the Court of Miracles. She soon finds herself another sister Cosette (Ettie), but in order to protect, she must betray. Opening up the trilogy in the best possible way The Court of Miracles is an adventurous story stuffed full of revenge, courage, and love. While it felt like a wondrous tale in its own right, there is obviously still much to come. I adored it and this oh so readable tale.
Exploring the all-consuming throes of love, malicious secondary school social politics, sexual abuse, and how difficult coming out can be, William Hussey’s Hideous Beauty is a top-notch YA thriller with hard-hitting emotional resonance. Forced by social media exposure to come out earlier than planned, Dylan and his gregarious boyfriend Ellis reveal their relationship to the world in spectacular style at a school dance: “Okay, Dylan, this is it. No going back. The closet door is firmly barred behind you, chained and bolted. No re-entry, no refunds. It’s gay all the way from here on out.” Riding high after an unexpectedly jubilant response to their revelation, tragedy strikes when they leave the party - Ellis becomes angry and their car plunges into a lake. While Dylan is rescued, Ellis drowns, leaving Dylan wracked with grief and guilt: “I deserve the pain. I deserve the crazy. I deserve a messed-up hand. No one’s taking these things away from me.” Set on trying to “find out who pulled me out of that car and why they left Ellis to drown”, it’s not long before Dylan stomps into a viper’s nest, uncovering jaw-dropping truths that set him - and readers – reeling. With his family less than supportive, at least best friend Mike remains at Dylan’s side, even though he’s undergoing chemotherapy for leukaemia. Gripping, moving and unflinchingly honest, this is a fiercely affecting novel, told through the cleverly interwoven collision of two timelines.
Exploring racial and cultural tensions in London (especially between African and African-Caribbean communities), and arranged marriage and the education of girls in Kenya, Not So Black and White is a timely, pacey, personal novel. Essentially aimed at teenagers, but with adult main protagonists, this could prompt empathy-building discussion while promoting cultural understanding and exchange. Precious left Kenya for London six years ago and now advises the Metropolitan Police as a leadership and diversity trainer. From the outset, the vital importance of cultural awareness is highlighted when an officer is surprised to learn that “in Africa, children are taught that it’s rude to look an adult in the eye, but here you think someone looks guilty if they don’t look you in the eye.” Working with a committed young community officer, Precious is involved with a number of vibrant initiatives when a promising book-loving Ghanaian boy she knows falls victim to gang violence. After forming a bond (and more) with Adrian, a journalist covering the story, Precious opens up about her difficult childhood in Kenya, revealing the inequalities and domestic violence meted out by her tribal leader father. When Precious is compelled to revisit her Kenyan village with Adrian at her side, she faces difficulties from her past alongside present cultural conflicts. Back in London, both their lives changed, a ground-breaking initiative sees Precious unite different communities across London and Kenya. With proceeds of book sales going to The Nasio Trust, an inspirational charity that empowers communities in western Kenya through providing education, improving health, and developing commerce through sustainable income generating projects, this was co-authored by The Nasio Trust’s CEO, Nancy Mudenyo Hunt, and partly based on her personal experiences, which explains the personal insights threaded through the novel.
As the tenth Hunger Games plays out, The Ballad of Songbirds and Snakes explores the life, trials and roots of eighteen-year-old Coriolanus Snow, President of Panem when we reach the story of the original The Hunger Games trilogy. With the formally powerful house of Snow now teetering on poverty and ruin, Coriolanus is set on mentoring the winning tribute to escape “the endless dance with hunger that had defined his life”, go to university and then “embark on some lucrative profession”. But in a devasting blow, he’s assigned the task of mentoring Lucy Gray Baird, the lowliest tribute from District 12, and “everyone knew what happened if you went to the districts. You were written off. Forgotten. In the eyes of the Capitol, you were basically dead.” But with their fates now interlocked and their survival in his hands, Coriolanus vows to do his best to take care of Lucy. What a twisted, conflicted assignment this turns out to be, and all the more engrossing for being apparently doomed. Though more meandering and meditative than the original trilogy, fans will be fascinated to discover the complex causes of President’s Snow’s villainy, and it’s shot-through with core themes - friendship bonds, betrayal, power and oppression – that devoted readers will relish.
It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined — every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.
At seventeen, Brooklyn hipster Cal is a successful social media journalist accustomed to living in the public eye, with a whopping 435,000 followers on the FlashFame app. But even Cal isn’t ready for the unforgiving media storm he’s thrust into when his pilot dad is shortlisted for NASA’s Orpheus mission to Mars. Initially dead against leaving Brooklyn, Cal begins to wonder whether “maybe Clear Lake, Texas, has a story out there just waiting for me to uncover.” And then there’s handsome Leon, one of the other “Astrokids”, who’s set his heart pounding before they’ve even met. On arrival, and immediately thrust into the spotlight by StarWatch reality TV show, Cal finds himself “admitting I like our new home, even this town”, which in turn “feels like I’m abandoning my old life.” Maybe this is down to his contradictory nature - Cal is anything but a straightforward teenager. He doesn’t think like one. He doesn’t speak like one. Indeed, his thought processes and dialogue can seem out of kilter with his age. He needs everything just-so, but at the same acts impulsively. For example, he can’t stop himself from broadcasting news about his dad to his followers, which - as predicted - results in him facing the wrath of StarWatch. Cal’s settling-in has a lot to do with his rollercoaster romance with Leon. It’s starts out with the thrust of a rocket launch (“This crush is strong. This crush is too powerful. This crush will be the end of me”), and then comes a crash to earth alongside tragedy striking the mission. In the aftermath of this, Cal finds himself working to expose Starwatch’s agenda, both to clear his name and save the mission, and the truths revealed sure ain’t pretty. Covering mental health issues (via Leon’s depression and Cal’s mom’s anxiety) alongside a whirlwind coming-of-age gay love story, The Gravity of Us is an entertaining YA debut that gives many underrepresented folk a chance to see themselves on the page, with the added kick of space exploration and media ruthlessness.
The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.