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Mainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way plus some relevant non-fiction titles too.
Shortlisted for the Costa Children's Book Award 2019 Former Children’s Laureate Malorie Blackman makes a brilliant return to her best-selling Noughts and Crosses series with an all-guns-blazing story of prejudice, love, ambition, politics and violence. In the series launch title, Sephy, a Cross, and Callum, a Nought, challenged the divisions in their society. They paid a heavy price for doing so but they did make changes; racial and class barriers were brought down and the future would be brighter. Or so they thought. But a generation on, while superficially things look better, the prejudices are never far away and where they are, violence follows. When the first Nought Prime Minister is framed for murder he turns to his old friend Callie Rose, daughter of Sephy and Callum to defend him. But crossing the racial divide is still unpopular and both have ruthless enemies. As corruption spills into violence the next generation, Troy and Liberty, are terrifyingly caught up in the conflict. Malorie Blackman’s scope is huge in terms of characters and time- frames in this hard hitting socio-political commentary which has obvious resonance for today.
Uplifting and dazzlingly unique, this coming-of-age treasure explores identity and sexuality with an emboldening message to remember that “you have the right to be you”. As a young Barbie-loving boy, mixed race Michael wonders if he’s “only half” of everything, to which his mother poignantly replies: “Don’t let anyone tell you/that you are half-black/and half-white. Half-Cypriot/ and half-Jamaican./ You are a full human being.” But he doesn’t feel like a whole human being. Dubbed a “queerdo and weirdo” by bullies and subjected to “batty bwoy” taunts through his teenage years, he leaves London for Brighton University with hope in his heart. But even here Michael feels “like Goldilocks; trying to find a group of people/the perfect fit for me”. He doesn’t feel black enough for the Caribbean Society, or Greek enough for Hellenic Society, or queer enough for the LBGT Society. Then Michael finally finds a fit at Drag Society where he becomes The Black Flamingo, “someone fabulous, wild and strong. With or without a costume on.” Michael’s journey is complex, moving and told with a raw vitality that makes the soul soar and the heart sing, with Anshika Khullar’s magnificent illustrations and the smart design adding further depth, prompting the reader to pause for thought as his story requires.
Jason Reynolds is the master of giving voice to children and teenagers who exist - and often struggle - on the margins of society. Against tough competition, this exceptional novel might be his finest yet. Matt has recently lost his beloved mom and feels excruciatingly lonely in his grief. By page two, when Matt comes home to a house that was “totally silent. And it had no smell,” the author encapsulates the raw invisibility of grief with visceral power. Haunted by how his mom made him feel “like the luckiest kid in the world...like I was somebody important”, and needing something to occupy his mind (and some cash), Matt takes a job helping family friend and funeral director Mr Ray, and unexpectedly finds that attending funerals and witnessing the grief of others makes him feel less alone. With his dad otherwise disposed after seeking solace in whiskey, Mr Ray is heart-meltingly supportive, reaching out to Matt while his “old man is getting himself together”. It’s at one of his work funerals that Matt begins to form a beautiful bond with Lovey, a young woman who’s experienced more pain and loss than even Matt can imagine. As Lovey opens Matt’s world and heart, they discover that they’re also bonded by a tragic moment that shaped both their lives. Readers will hope with all their hearts that Lovey and Matt’s futures are presaged by Bob Marley’s “every little thing gonna be alright” lyrics that ring out during a momentous shared taxi ride. Boldly honest and bathed in empathy, Matt’s all-consuming, touching tale possesses a rare power to leave a lasting imprint.
TRUST NO ONE. NOT EVEN YOURSELF. After a devastating scandal breaks in her elite New York City private school, Magdalena is shipped off to her family home to spend a summer recovering under the radar. Over-medicated and under-confident, she spends her days in a fog, hiking in the woods behind her grandparents' cottage. But then a gorgeous boy called Bo stumbles across her picnic blanket and Magdalena starts believing she might be able to move on from her past. Bo is wild and free and he gets her - it's like he can see into her soul. Finally she's starting to feel . . . something. But there's something dark going on in this sleepy town, and when a mutilated body is found in the woods near Bo's forest home, it's clear that Magdalena's nightmare is just beginning. She's no longer sure if she can trust anyone - even herself . . . What She Found in the Woods is an addictive and all-consuming thriller with a twist from the internationally bestselling author of the Starcrossed series, Josephine Angelini.
Often lyrical, and always entertaining, this Norse-vibed YA debut has friendship, fear and coming-of-age conundrums at its heart. It tells the tale of a land ransacked by a civil war that saw a new religion and younger prince replace a brutal old regime. Some nine years later, in peacetime, friends Torny and Ebba remember nothing of the war, or life before the uprising. But with their land on the brink of fresh upheaval, the unforgettable female protagonists find themselves on separate tracks, with painful, testing, relentless repercussions. With a cast of characters that includes gods and spirits, shamans and magic-workers, the world-building is fabulous, and the dual narrative device (it alternates between Torny and Ebba) really adds to the drama and tension. Fantasy fans will be delighted to hear that a sequel is on its way.
Cassandra Clare certainly knows how to write on an epic scale - following hot on the heels of Lady Midnight and Lord of Shadows, this third and final book in The Dark Artifice trilogy is a true beast of a book due to its wildly imaginative world, doggedly determined characters, and its sheer size and scope. “There was blood on the Council dais, blood on the steps, blood on the walls…Later Emma would remember it as a sort of red mist”. Amidst this gory scene, Julian clutches Livvy Blackthorn, “resisting all efforts by the guards to lift her dead body away from him”. But, while death looks down upon them and Julian grieves, the Clave is on the brink of war and swift action must be taken if the Shadow World is to survive. To this end, Julian and Emma embark on a jeopardous journey to recover the Black Volume of the Dead, battling great peril alongside grappling with their forbidden love. And then the secrets they uncover in the Court risk destroying everything they value, and everyone they love. The sense of urgency is dazzlingly evoked and swells to a suitably heart-pounding finale to this opulent love-and-justice-driven trilogy, with the many plot threads woven together in Clare’s typically extravagant style. Take a look at our Ambassador Book Buzz for The Dark Artifices.
From passionate, all-consuming love-at-first-sight, to possession, obsession, jealousy and control, the subject of emotional abuse in relationships is here explored from every complex, confusing angle. What a devastatingly vital feat of YA fiction this is. Talented country songwriter Gemma has just started college and feels like she’s riding a wave of change: “Starting college feels like such a massive step, like suddenly the world’s got that much wider.” And then a further tidal wave sweeps Gemma up when she locks eyes with a handsome stranger – Aaron, a charismatic young app-developer who overwhelms her with big romantic gestures and expensive gifts that seem to show how much he gets her, far more than her family do, as Aaron is wont to remind her. He points out that Gemma’s passion for songwriting will always play second fiddle to her brother’s football talent, that her friends don’t appreciate her like he does. Before Gemma knows it, Aaron’s controlling, manipulative ways seep through her veins like an undetected virus and, when he isolates her from her loved ones, her world closes in, with shattering repercussions. At once tense, compassionate and (importantly) brutally honest, readers will plead with Gemma, rage at Aaron, and gasp as the crippling extremes of his toxic behaviour are made manifest. But there’s a glimmer of light through the dark, especially in the form of Gemma’s friends – Ghanaian feminist Esi who warns her to slow down and step away, and kind-hearted Callum, her loyal music partner. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
This unique, incisive novel is an emotionally engrossing road-trip reinvention of Moby Dick with female characters, and a gripping mystery about what main protagonist Dinah is running from to find her place to call home. Seventeen-year-old Dinah has lived her whole life on a commune and now feels compelled to flee everything she’s ever known. After being home-schooled, a recent period in mainstream schooling has turned her world upside-down, as has turbulent upheavals at home, and then there’s the mystery of what happened between Dinah and new friend Queenie. She shaves off her hair, adopts a new name and flees, illegally driving a VW campervan (her version of Moby Dick’s Pequod ship) with a cantankerous one-legged neighbour for company. While driving, Dinah confronts her many demons, most of which stem from her confusing sense of identity. She’s mixed race, but feels neither black nor white, and she’s attracted to boys and girls. The road is bumpy, with many revelations and confrontations along the way. Eventually, though, Dinah realises that “the road that took you away has led you all the way back home”. This is a smartly-crafted novel with real resonance, a story that honestly and empathetically imparts an uplifting message to “Always be yourself first…find yourself and be yourself”. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Raw, honest and powerfully emotional this debut novel is an important contribution to understanding mental health and well being. Three beautifully drawn, distinctive and compelling voices narrate this heartbreakingly honest story. All three are young women dealing with depression and mental health issues. The story starts with Mehren and the depression and anxiety which she personifies as “Chaos” are overwhelming her life causing her to sign up to a terrifyingly authentic suicide website called MementoMori, a website that matches people with partners and allocates them a date and method of death. This is where she met Cara and Olivia. We learn that Cara is blaming herself for her father’s death and her own injuries while Olivia is suffering from the abuse that started when she was fifteen. The girls share their problems and find strength and friendship while completing the bizarre tasks set them by the website. The different points of view enable the reader to understand how mental health affects us all differently. The book pulls no punches and librarians and teachers must be wary of triggering descriptions of suicide attempts and abusive situations. But the authentic representations are extremely valuable for increasing understanding and showing that each culture and situation has its own unique problems. Family relationships and secondary characters are equally well depicted and although dark and intense the resolution is realistically hopeful. An impressive and important debut.
Set in the 1930s and inspired by Much Ado About Nothing, this thrilling feast of coming-of-age edginess is giddy with the glamour of freethinking artists, and tingles with romantic tension. Constrained by her life in England, aspiring natural historian Bea constantly battles her parents’ attempts to marry her off: “As far as my parents are concerned, daughters aren’t a terribly useful asset. I’m not supposed to go out in the world and actually do things.” But being “too big, too loud, too clever – too much”, Bea has her own ideas about her future, which she’s able to embrace when she’s sent to stay with her wealthy uncle in Italy and discovers with glee that “things at Villa di Stelle might not be so respectable after all.” Among the villa’s vibrant collective of artists is handsome painter Ben, and sparks fly between he and Bea from the off. A lighthearted challenge sees them set out to enjoy a summer romance without falling in love, until events at a decadent party to invoke rain turn out to be explosive in more ways than one. As the heavens crack open, fireworks fly between Ben and Bea and their lives will never be the same again. Alongside Bea’s awakening of body and heart, she also realises that she cannot return to her previous life. She wants what the artists’ have: an “all-consuming passion for their work...a purpose, a vocation.” With the conflict between her free-spirited nature and societal constraints exacerbated by her Italian experiences, with the world now opened up to her, the gateway cannot be closed. The author’s Great Gatsby-esque A Sky Painted Gold was a 2018 favourite of mine, and this is every bit as bathed in coming-of-age hope and a sense of being on the brink of something special.
Rob and Maegan both have a whole lot on their plates. Rob’s rich dad attempted suicide after he was caught embezzling their community and he’s now severely disabled, unable to speak or do anything for himself. Until eight months ago, “Everyone wanted to be me,” but now Rob’s an outcast, tainted by his father’s fraud, which is something Maegan also knows a thing or two about. Previously an academic overachiever, pressures led her to cheat in last year’s exams, which in turn led to hundreds of her peers’ marks being invalidated. Connected by a Calculus project and their dads (Maegan’s cop father was first on the scene when Rob’s dad shot himself), the two outcasts strike up an unlikely friendship, and more. Alongside their romance and the gripping twists, I loved the moving camaraderie between Rob and Owen, whose single mom was thrown into crippling financial hardship by Rob’s dad. For a book that packs-in plenty of big issues, it’s also an entertaining page-turner - the perfect YA package with the overriding messages that “one mistake doesn’t define you”, and “one choice doesn’t determine your whole future.”
Being the person you want to be, proving detractors wrong, overcoming fears, and revealing the importance of seeing beyond stereotypes - beauty vlogger and dictionary-lover Tulip does all this and more in this hugely entertaining novel. While she’s frequently dismissed for being “stupid, vain and self-obsessed”, Tulip knows there’s no friction between being having a brain and being a successful vlogger. She adores the metamorphic magic of make-up, the fact you “can transform yourself ” and “make every day beautiful.” As Tulip points out to handsome posh boy Harvey when he belittles her passion, her vlog represents “creativity and hard work and self-expression.” Keen to prove that Harvey’s got her wrong, Tulip takes a place on his dad’s Bear Grylls-esque survival show. With Harvey as her team leader and her fellow contestants expecting her to fail, Tulip digs deep and surprises everyone with her resourcefulness and team-spirited outlook, but not before many comic mishaps, terrifying challenges and conflicted swirls of romance. Funny, gripping and with an inspirational feel-good feminist theme, this will have readers rooting for Tulip every step of the way.
The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.