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Mainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way.
Sarah J. Maas devotees certainly have a treat in store with this luxurious collector’s edition of the first book in her outrageously popular A Court of Thorns and Roses series. The story that spurred the series is here presented in a beautiful black slipcase that’s embellished with gold foiling. The book itself features a stunning gold foil depiction of a forest scene on its cover, lavish metallic ink endpapers, intricate fairy tale-esque illustrative detail on every page, plus a handsome newly drawn map of the Faerie Lands of Prythian. It’s a beguiling package that befits the tale itself, an enchanting story that follows nineteen-year-old Feyre’s magical, epic quest through the beautiful, dangerous faerie lands. Reeling with romance, intrigue and outright “immortal horror”, Feyre’s journey feels timeless in setting and atmosphere, and contemporary in much of its straight-talking delivery.
Faithful fans of the Throne of Glass fantasy phenomenon need never be without access to Celaena’s epic adventures with this limited mini edition of her first epic quest. With its compact format, violet ink decoration and unabridged text, this mini edition of Throne of Glass is the perfect stocking-filler for completest collector devotees, and a glam gift for newcomers to the series. But what of the story printed on the fine-papered glory of this mini-format? It’s a seductive cocktail of all-out action and fighting for survival in a wildly imagined fantasy world, with a smart, sassy eighteen-year-old assassin at its pounding heart. After a year of slavery and being “escorted everywhere in shackles and at sword-point” Celaena Sardothian is called to the castle and issued with a task that may secure her release. If she succeeds in defeating a band of warriors, she’ll be freed to serve as the King’s Champion. But with evil afoot, and duplicity, distrust and paranoia in abundance, our headstrong, sharp-tongued heroine must summon all her physical and intellectual strength.
Reading a new Frances Hardinge novel is always an adventure into a new, carefully constructed world - where things are never quite as one might imagine as you begin. Here two friends, raised together in poverty and scavenging are leader and led, counterpoint to each other, one believing in friendship above all, the other of a very much darker outlook. They live on one of a series of islands that form the Myriad, each island with its own long dead gods, each with its own strange traditions and stories. The sea surrounding the islands hides many things within it, wrecks, bones as one may expect, but also the undersea where danger lurks ready to take any who venture too far and spit them out utterly changed. In this world Hardinge has created a masterpiece of tension, fear and friendship. A slow coming to the realisation of the world that they inhabit, and a look at power and how it can be manipulated for politicians, gods and evildoers own nefarious ends. It makes your mind race with the adventure but pulls you up to consider the philosophy behind the characters motivations. A truly great read – I think I may have to read it again now!
The Angel of Evil is the fourth book in The Great Devil War series and yet again I raced through it. It’s filled with the same tongue-in-cheek humour as the previous books, but feels much darker. Before I go on, I must stress that it’s essential that you read books one to three in this series first, to understand the concept of Lucifer’s Kingdom, immerse yourself in the cleverly-constructed setting and to follow Philip’s journey into Hell. It feels like there’s less new world building in The Angel of Evil than in the previous books, and Hell and its surroundings felt more familiar and more ‘natural’ - the devils, the condemned, punishment and death. Though this time, Philip travels to the far reaches of Hell to save his friend Satina who has been kidnapped, which means there are some new characters to meet while Hell is under attack from rogue devils. This series is about good versus evil, though not in a conventional way, as devils take the centre stage. As with humans, some are good, some are not so good and some are evil. The narrative is littered with biblical and historical characters that brings a sense of familiarity. There are also a few poignant moments as Philip finally meets someone from his past and decides on his future. This is an ‘alternative’ Harry Potter series. It grows as the series progresses, with twists and turns and an action-packed plot. It’s very easy to read. But some of the descriptions can be quite graphic so it’s not for younger children or the faint-hearted.
This endearing character-driven treasure from the award-winning author of Dear Martin is a race-against-time romance replete with real-life hardship, class conflict and hope. Rico is a high school senior who works at Gas ‘n’ Go after class to keep her family afloat and then races home to look after her little brother so her mom can pick up extra shifts. In the intensity and exhaustion of this hamster-stuck-in-a-ball situation Rico’s lost sight of what she wants for her future, but selling a jackpot-winning lottery ticket gives her new focus: to find the little old lady she believes won the ticket. Then maybe – just maybe – she’ll be rewarded with a life-changing cut of the multi-million-dollar winnings. To this end, Rico reluctantly enlists the help of handsome, rich “Zan-the-Man”, a tech whizz who “has no idea what it’s like to constantly be on the brink of not having what you need to survive.” But, as Rico discovers, while Zan’s set to take over the throne of his family’s toilet paper empire, his dad has made sure he knows the value of money. Their opposite-side-of-the-tracks narrative plays out with heated banter and feverish frisson, with class conflict rearing its head at every turn as Rico struggles to accept Zan’s generosity just like her mom refuses to apply for government support. Quirkiness comes courtesy of interludes told from the points of views of inanimate objects - the winning ticket, a taxi, a stash of $100 dollar bills, Zan’s fancy bed sheets, a salt shaker – and the novel’s conclusion is as thrilling and life-affirming as it is unexpected. Readers will be left rooting for Rico and Zan to forge the futures they deserve. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
New Yorker Leah is a tenacious, snarky queen of quips. She’s also an exceptional chess player but decides to give up the game after losing a match that, had she won, would have seen her move up the rankings to grandmaster status. Feeling the pressure of her mom and coach, feeling that she’s let down her beloved dad, she decides to get a tattoo, “proving to myself and the world that there is life after chess and that I’m not just a pawn for other people to push around.” Leah’s certainly not a girl given to being pushed around but, with the skills of a master weaver, the author sensitively shows how grief’s deep wounds underpin her anger and tendency to drive people away. When her tattoo plan is foiled by one of her blog readers, Kit, who makes big bucks from illegal chess hustling, Leah winds up making a thousand dollars in a couple of hours. It’s through the police busting one of the illegal games that she finds out about chessboxing, “the ultimate contest of brains and brawn”. The thrill Leah feels for this hybrid sport’s speed and tension is palpable, and she’s a natural at it too, with her boxing coach praising her exceptional resilience: “You never know what’s inside a fighter until they’re flat out on the canvas”, a perceptive comment that encapsulates Leah’s story journey. She’s grappling with grief, but making emotional breakthroughs and learning new skills, to the point that she’s ready to fight Death (a formidable champion chessboxer) in Vegas. With a truly pulse-quickening climax, this exceptional novel rages with raw emotion. It’s a bona fide page-turner seared with life-affirming insights into grief, friendship and finding new paths.
Shortlisted for the Costa Children's Book Award 2019 Empathetic, insightful and buzzing with drama, the brilliant Jenny Downham has done it again in this vital, true-to-life treasure about a young woman’s struggle to stand up to her bully-boy stepfather.“She threw things and slammed things and swore. She was clumsy and rude and had no friends. Her teachers thought her dim-witted. Her family despaired.” On the verge of turning sixteen, Lexi is a firework of frustration. Her furious outbursts are getting worse now John, her soon-to-be-stepdad, has taken over their family home, and his son – Lexi’s best friend (and long-time crush…) – has moved away to uni. On top of that, her younger half-sister is John’s favoured child, while she’s blamed for everything that goes wrong, including - most viciously of all - what happened to her beloved granddad. It’s no coincidence that the intensification of Lexi’s rage coincides with John’s increasingly coercive behaviour. Thanks to his constant criticism and angry desire to have everything exactly how he likes it, Lexi can see that her mum has become a shadow of herself. Trapped in this unbearable situation – one in which no one listens or believes her - what else can Lexi do but kick out?Interwoven with fairy tale motifs that combine to create a satisfying whole at the novel’s heartrending climax, this is a brilliantly exacting exposé of coercive control and emotional abuse, and a powerful portrayal of a young woman’s refusal to give in. Lexy is a dazzlingly-created character that readers will root for and empathise with. Her battle to break the abuse elicits much compassion and sympathetic fury, while her irrepressible wit provokes plenty of laughs.
Told in narrator Newt’s distinctive phonetic English, this dark debut dazzles with originality and delivers a potent case for combatting inequality. Bearmouth is home to a grim mining business, where men and children labour under inhumane conditions to make their Master wealthy. They work under the earth, under the omniscient Mayker who - so workers are told - “sen us down into the dark Earf/To atone for the sins o our forefarvers an muvvers”. Naïve Newt hasn’t seen daylight in years, but takes pride in being taught to read and write by fatherly Thomas, blithely accepting this lot until the arrival of new boy Devlin. Devlin’s talk of “revolushun” makes Newt feel that things are “unravellin slowly slowly lyke a bootlayce comin all undun.” Life in Bearmouth is beyond bleak, but the sparks of Devlin’s revolutionary spirit catch light and drive Thomas to ask the Master for “more coinage” for the workers, to question why they must pay for essential clothes, to demand to know when the promised safety lamps are coming. Then when tragedy strikes, Newt too realises that things “ent bloody well ryte” and takes on Devlin’s insurgent tendencies, with explosive effects. Emotionally engaging, this searingly original novel about standing up to abuses of power and fighting for freedom is radiant with story-telling excellence.
From the one-of-a-kind author of Poet X comes a one-of-a-kind novel suffused in YA’s finest features - friendship, shifting family relationships, fighting to find your voice, romantic passion – and more besides, thanks to the exuberant drive of its teen mom protagonist. Emoni has an extraordinary gift for creative cooking and a complicated home life. Her mom, whose family is “straight-from-the-Carolinas Black” died in childbirth, which caused her grief-stricken Puerto Rican dad to head home to his island. As a result Emoni was raised by his mother, the fabulous ‘Buela. Emoni is used to hearing other people’s problems with her dual heritage (“it’s like I’m some long-division problem folks keep wanting to parcel into pieces, and they don’t hear me when I say: I don’t reduce, homies. The whole of me is Black. The whole of me is whole”), but since falling pregnant in her freshman year she has a new set of struggles to contend with. It’s not easy being a teenage mom while also studying, working and dealing with Babygirl’s judgmental paternal grandmother, but somehow Emoni keeps it all going, finding soulful solace in the kitchen: “I’m happier in the kitchen than anywhere else in the world…my food doesn’t just taste good, it is good – straight up bottled goodness that warms you and makes you feel better about your life”. Enrolling on a culinary arts class makes Emoni even more determined to accomplish her gastronomic career goals, and also brings her heatedly close to new boy Malachi. But with multiple obstacles at every turn, when life reaches boiling point her best friend and family step-up as supporting sous chefs. Spiced with inspirational wisdom (“Taking risks and making choices in spite of fear – it’s what makes our life story compelling” says one of Emoni’s teachers; “The world is a turntable that never stops spinning; as humans we merely chose the tracks we want to sit out and the ones that inspire us to dance,” says Emoni), this luminous novel challenges multiple stereotypes and dances to its own love-infused, inspirational beat. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
This is the third in Simon Mason’s award-winning Garvie Smith crime series and you won’t find a better, more entertaining or more stylishly written whodunnit. His hero Garvie Smith is very smart – indeed, he’s a virtual maths genius – but very lazy, whether it comes to housework, schoolwork or his new job as a fencer (delivered courtesy of his friend Smudge). The disappearance of the teenage daughter of the house behind the fences they are fixing is something that exercises Garvie and he’s much better placed to solve the mystery than the police, of whom he has a very low opinion. The story he untangles is full of double-dealing and deceit and Mason creates a world of dark cynicism that Chandler would recognise and envy. Garvie solves the crime but is definitely left with cracks in his hard-boiled exterior. A brilliant page-turner for all readers, and a sharply observed and often very funny bit of YA.
This captivating collection comprises intensely poignant profiles of people and places; of domestic life and wild landscapes, especially Scotland’s “dark and stormy waters”, with flashes of crimson running through the poems in the form of fire, a fox, red shoes, a red balloon. Among the cast of memorable characters is Mrs Dungeon Brae, terrifying in both life and death, and The Knitter, who “knits to keep death away” and urgently recounts big life occasions knitting has accompanied her through, all the while “casting on, casting off”. Then there’s the grandmother lamenting the fact that “it’s no like the past for grannies these days...nobody knows how to make a conversation/ let alone make a home-made meal or a fresh baked scone.” Brimming with humanity - with love, anger, frustration and flashes of humour - this engaging, accessible anthology makes a richly rewarding gift for language lovers of all ages.
The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.