No catches, no fine print just unadulterated book loving, with your favourite books saved to your own digital bookshelf.
New members get entered into our monthly draw to win £100 to spend in your local bookshop Plus lots lots more…Find out more
Mainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way.
From #1 New York Times bestseller Cassandra Clare and award-winner Wesley Chu comes the first book in a new series that follows High Warlock Magnus Bane and Alec Lightwood as they tour the world after the Mortal War. The Red Scrolls of Magic is a Shadowhunters novel. All Magnus Bane wanted was a vacation-a lavish trip across Europe with Alec Lightwood, the Shadowhunter who against all odds is finally his boyfriend. But as soon as the pair settles in Paris, an old friend arrives with news about a demon-worshipping cult called the Crimson Hand that is bent on causing chaos around the world. A cult that was apparently founded by Magnus himself. Years ago. As a joke. Now Magnus and Alec must race across Europe to track down the Crimson Hand and its elusive new leader before the cult can cause any more damage. As if it wasn't bad enough that their romantic getaway has been sidetracked, demons are now dogging their every step, and it is becoming harder to tell friend from foe. As their quest for answers becomes increasingly dire, Magnus and Alec will have to trust each other more than ever-even if it means revealing the secrets they've both been keeping. Learn more about the world of the Shadowhunters at Shadowhunters.com.
The Wrongful Death is the third book in the Great Devil War series – and yet again I raced through it. I don’t think it could be read easily as a standalone, and I would recommend reading the previous books before anyone dives into this one. Philip is back in Hell, this time searching for the school bully, Sam, who shouldn’t be there (yet). This book goes ‘beyond’ Hell though, as Philip (with his friend Satina) journeys into Heaven and also Hades, providing a contrast between all of the ‘after-life’ worlds. The relationship between Lucifer and Jehovah, in particular, is very entertaining. I can tell that the author has had fun creating each setting and the characters within them – his vivid imagination driving the plot forwards through great world building and character development. Trouble is brewing in Lucifer’s kingdom, providing the backdrop for Philip’s search and the start of the ‘Great Devil War’. Yet again the book features strong themes and also an unconventional (though not disrespectful) view of religion – Heaven versus Hell, punishment and retribution in the afterlife and creation of the world (explained as six years in Heaven is a couple of billion years on Earth). There’s plenty of dark humour alongside some gruesome descriptions (so, as with the previous books, this may not be suitable for younger teenagers or for the faint-hearted). There are several familiar biblical and historical characters to watch out for (I’ll leave these as a surprise), and the inclusion of Hades also introduces Greek mythology. This provides not only entertainment but also an educational slant. The Wrongful Death doesn’t end as neatly as the two previous books – in fact, there is a huge cliff-hanger, so be prepared for it. I won’t give anything away, but it is clear that there is more to come (as there’s a teaser for the next book at the end). I’m looking forward to it!
Following hot on the heels of Resurrection, this eleventh instalment of Skulduggery Pleasant’s incomparable exploits offers everything devoted fans have come to expect - all-out action, astonishing twists, riotously witty repartee – and more, for this latest epic ramps up the stakes on the emotional front. Intrepid, intelligent, endlessly entertaining Valkyrie Cain is no stranger to fighting to keep her friends and family from harm, but this gripping story sees her having to face her biggest battle yet when a cruel killer captures her little sister, Alice. Worse still, she has just twelve hours to track her down. The sense of urgency and anxiety is heart-poundingly evoked, and I thoroughly enjoyed discovering more about Omen.
This lithe and lucidly lyrical debut is a delectable treat for fans of inventive, trope-busting fantasy. Seventeen-year-old Lena is a cryptling, a person “marked out by their various deformities”. In Lena’s case, this is a dark birthmark on her face. She lives in Duke’s Forest, a magic-loathing, sealed-off city situated beneath a deadly storm cloud. And now Lena’s on the run. Accused of being a mage, she’s been sentenced to death and is desperate to flee Duke’s Forest. Meanwhile, on the other side of the barrier Constance wants to get back inside the city she fled before her own magical powers were discovered. The two women meet when Lena manages to escape, and their alternating narratives make for an un-put-down-able reading experience as it emerges that the storm cloud is actually a spell, and that they alone possess the power to quell it. Immersive world building, intriguing characters, unexpected twists – this is a smart and atmospheric debut from an author to watch, and comes recommended for fans of Sarah J Maas and Melinda Salisbury.
Jack King - one of the most authentic and charming characters to have stepped off a YA page - and his best-friends-since-childhood Franny and Jillian are on the brink of a new chapter in their lives, picking out colleges, planning their careers, while having fun hanging out. And then Jack meets Kate at a party and falls for her big-time. They’re soul-mates who bond over their love of cereal until, all too soon, Kate dies. But this tragic event turns out to be the beginning of their story, for Kate’s death flips Jack back in time and he meets her again, as if for the first time, with Kate sensing that she knows him from somewhere: “The way you look at me. Like we’ve been doing it our whole lives.” Jack sets about trying to change the course of history, firstly so Kate doesn’t die, and then also to swerve bad stuff away from his friends. But, in classic time travel tradition, this has dangerous effects. Cue Jack wryly referencing Back to the Future and Groundhog Day while up to his neck in serious complications. Take away the pulse-quickening time travel element and you’d still have a novel heated by much heart and humour. With it, this is a firework of urgent, impactful YA fiction, a book that’s ablaze with tough choices and all kinds of love. Throughout there’s a whole lot of heart-melting cuteness - the trio’s friendship, the sweet relationship between Franny and Jillian, Jack’s parents’ perfect marriage. The plot progression and developments revealed through the various play-outs of the past are brain-flippingly smart, with twists wending through to Jack’s desperate need for “one more re-set to undo this tragedy”. Reader, I cried on the bus.
Westworld meets The Handmaid’s Tale in this start to a thrilling, subversive near future series from New York Times bestselling author Suzanne Young about a girls-only private high school that is far more than it appears to be. Some of the prettiest flowers have the sharpest thorns. The Girls of Innovations Academy are beautiful and well-behaved—it says so on their report cards. Under the watchful gaze of their Guardian, they receive a well-rounded education that promises to make them better. Obedient girls, free from arrogance or defiance. Free from troublesome opinions or individual interests. But the girls’ carefully controlled existence may not be quite as it appears. As Mena and her friends uncover the dark secrets of what’s actually happening there—and who they really are—the girls of Innovations Academy will learn to fight back. Bringing the trademark plot twists and high-octane drama that made The Program a bestselling and award-winning series, Suzanne Young launches a new series that confronts some of today's most pressing ethical questions.
Compiled by YA author and broadcaster Juno Dawson, this inspiring anthology of illustrated short stories by LGBTQ+ writers shines a light on a kaleidoscopic array of experiences through an equally kaleidoscopic breadth of genres, themes and styles. From Chinese lesbian fairytale The Phoenix’s Fault by Cynthia So, to Simon James Green’s hilarious, heart-warming Penguins (who would’ve thought a pair of penguins could steal a person’s coming out thunder?!), this is a powerfully diverse collection. Alongside more established names, among them authors David Levithan and Jess Vallance, and illustrator David Roberts, special mention must go to the four new voices whose stories grace these pages – be sure to seek out what Karen Lawler, Michael Lee Richardson, Cynthia So and Kay Staples do next. These are stories of struggle and trouble, passion and promise, with much wit, warmth, wisdom and support shared along the way. And so it seems fitting to leave the last loud, proud, celebratory words to Dan from David Levithan’s queer youth choir story: “You hold your ground. You sing out loud and proud in defiance of all the people who want you to be quiet”.
Smart, soulful, authentic and original, there’s no doubt that Zentner is an outstanding YA writer. His debut novel was a southern gothic gem, his second an incisive account of grief and guilt, while this is a contemporary coming-of-age classic, replete with a heartrending road trip, feverish romance and LOLs aplenty. About to graduate from high school, best friends Josie and Delia host a humorous horror movie show on public access TV, with Delia channeling her estranged dad’s love of low-budget fright fests and Josie working towards a career in TV. Experts in the art of witty back-and-forth tennis-rally banter, the girls are super close, but unsettling changes are on the horizon. Delia is desperately torn-up by being abandoned by her dad and, having tracked him down to Florida, has to decide whether she wants to contact him, just when it looks like Josie is about to leave her to take up an internship in another city. While this simmers, and as Delia struggles with being “the mother to my mother”, they’re invited to attend Shivercon. Seeing this gathering of horror moviemakers as the ideal opportunity to meet and enlist the support of an iconic presenter, they embark on a twelve-hour road-trip to Florida with Josie’s new boyfriend Lawson in tow, and Delia now set on seeing her dad. Josie and Lawson’s unexpected romance is as head-over-heels uplifting as Delia’s reunion with her dad is poignant, and there are plenty of entertaining plot twists and moments of everyday magic as this novel wends to a heartfelt conclusion.
Set in the United States ‘fifteen minutes in the future’ this cuttingly timely cautionary tale exposes Islamophobia and bigotry through the injustices inflicted on seventeen-year-old Layla and her resulting fight for freedom. Layla has her sights set on her future when, on one terrifying night, she and her parents are visited by the Exclusion Authority. “Under order of the Exclusion Authority and by the powers vested in the secretary of war under Presidential Order 1455, we are here to serve notice and carry out your relocation,” declares one of the suited men. What “relocation” means in this hostile, intolerant society is that Layla and her family are snatched from their home and interned in a camp with fellow Muslim-Americans, their wrists stamped with permanent ID numbers on arrival. The backdrop of book-burnings, curfews, Exclusion Laws and a president who declares, “Muslims are a threat to America” is all too powerfully prescient and evoked in an entirely believable fashion. But while confined in the camp, strong, caustic-tongued Layla orchestrates an uprising against the guards and camp Director. Urgent and intense – much like Layla’s acts of resistance – this novel of social justice will chill, grip, start conversations and mobilise readers to speak out against racism and intolerance. In the words of Layla’s poet dad, “we have a moral and ethical obligation to tell the truth.
This authentic YA page-turner about making sense of the whirlwind that is growing-up fizzes with heart, humanity and honest true-to-life experiences.For the past few years Vetty, her dad and little sister Ariel have been living with her aunt, trying to get themselves back on track after the death of her mum. Now they’re moving home to Camden, Vetty is hopeful that “soon I’ll be back to me”, not least because she’ll be reunited with best-friend-since-childhood Pez. But on her return, things are agonizingly strained between them. “It’s like we’ve skipped from kids to something else but it’s not at all clear which steps we’ve missed”. On top of this painful gulf, Vetty is struggling with her sexuality, trying to make sense of the fact that she’s attracted to boys and girls, while Pez is consumed by a struggle of his own that’s effecting all his relationships. Sexuality, love and friendship are explored in all their giddy complexity as Vetty, Pez and their wider circle of friends try to make sense of the world and their place within it. Every bit as life-affirmingly authentic as the author’s debut, No Filter, this comes thoroughly recommended for fans of Holly Bourne, Sara Barnard and Non Pratt.
Don't miss this prequel to the multi award-winning SLATED trilogy by Teri Terry, queen of the teen thriller! I'm just one girl. What can I do? Sam's cosy life as daughter of the Deputy Prime Minister is about to end. These are turbulent times. Borders have closed and protests are turning violent. The government blames the country's youth, and is cracking down hard. Mobile phones are blocked, gatherings are banned and dissent is brutally crushed. Sam is torn between family loyalty and doing what is right. When she meets Ava and Lucas her mind is made up. One girl, one choice. She can make a difference: she must. Even if her life - and her heart - are on the line ... A red-hot thriller packed with secrets and revelations that shines a new light on the award-winning SLATED trilogy.
Clued-up creative activists Chelsea and Jasmine attend a New York school that’s proud of its progressive approach, with classes and clubs called things like Science for Social Justice and Poets for Peace and Justice. But, while forward-thinking liberalism is supposed to lie at the heart of their school’s ethos, Jasmine and Chelsea are infuriated by its evident neglect of women’s rights: “It feels like everyone outside Amsterdam Heights is taking it seriously, but here, it’s like we think the work is done… But it’s not”. When Chelsea’s drama teacher tries to coax her to develop a stereotypical “sassy and angry” black female character, she’s inspired to set up the Write Like a Girl club with a punch-packing feminist blog that sets off a whole lot of buzz in the school community. Alongside attempts to silence the girls’ powerful voices and direct action, Jasmine faces painful personal loss, but they remain strong, firmly fixed on changing the status quo “from the inside out”. Insightful on gender inequity, and the intersection of gender and race, this comes highly recommended for fans of Angie Thomas. Chelsea and Jasmine’s story is a smart and awe-inspiring call to action, a vital novel with the power to empower a generation of young women, much like co-author Renée Watson’s previous book, Piecing Me Together.
The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.