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Find out moreMainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way.
Westworld meets The Handmaid’s Tale in this start to a thrilling, subversive near future series from New York Times bestselling author Suzanne Young about a girls-only private high school that is far more than it appears to be. Some of the prettiest flowers have the sharpest thorns. The Girls of Innovations Academy are beautiful and well-behaved—it says so on their report cards. Under the watchful gaze of their Guardian, they receive a well-rounded education that promises to make them better. Obedient girls, free from arrogance or defiance. Free from troublesome opinions or individual interests. But the girls’ carefully controlled existence may not be quite as it appears. As Mena and her friends uncover the dark secrets of what’s actually happening there—and who they really are—the girls of Innovations Academy will learn to fight back. Bringing the trademark plot twists and high-octane drama that made The Program a bestselling and award-winning series, Suzanne Young launches a new series that confronts some of today's most pressing ethical questions.
Compiled by YA author and broadcaster Juno Dawson, this inspiring anthology of illustrated short stories by LGBTQ+ writers shines a light on a kaleidoscopic array of experiences through an equally kaleidoscopic breadth of genres, themes and styles. From Chinese lesbian fairytale The Phoenix’s Fault by Cynthia So, to Simon James Green’s hilarious, heart-warming Penguins (who would’ve thought a pair of penguins could steal a person’s coming out thunder?!), this is a powerfully diverse collection. Alongside more established names, among them authors David Levithan and Jess Vallance, and illustrator David Roberts, special mention must go to the four new voices whose stories grace these pages – be sure to seek out what Karen Lawler, Michael Lee Richardson, Cynthia So and Kay Staples do next. These are stories of struggle and trouble, passion and promise, with much wit, warmth, wisdom and support shared along the way. And so it seems fitting to leave the last loud, proud, celebratory words to Dan from David Levithan’s queer youth choir story: “You hold your ground. You sing out loud and proud in defiance of all the people who want you to be quiet”.
Smart, soulful, authentic and original, there’s no doubt that Zentner is an outstanding YA writer. His debut novel was a southern gothic gem, his second an incisive account of grief and guilt, while this is a contemporary coming-of-age classic, replete with a heartrending road trip, feverish romance and LOLs aplenty. About to graduate from high school, best friends Josie and Delia host a humorous horror movie show on public access TV, with Delia channeling her estranged dad’s love of low-budget fright fests and Josie working towards a career in TV. Experts in the art of witty back-and-forth tennis-rally banter, the girls are super close, but unsettling changes are on the horizon. Delia is desperately torn-up by being abandoned by her dad and, having tracked him down to Florida, has to decide whether she wants to contact him, just when it looks like Josie is about to leave her to take up an internship in another city. While this simmers, and as Delia struggles with being “the mother to my mother”, they’re invited to attend Shivercon. Seeing this gathering of horror moviemakers as the ideal opportunity to meet and enlist the support of an iconic presenter, they embark on a twelve-hour road-trip to Florida with Josie’s new boyfriend Lawson in tow, and Delia now set on seeing her dad. Josie and Lawson’s unexpected romance is as head-over-heels uplifting as Delia’s reunion with her dad is poignant, and there are plenty of entertaining plot twists and moments of everyday magic as this novel wends to a heartfelt conclusion.
Set in the United States ‘fifteen minutes in the future’ this cuttingly timely cautionary tale exposes Islamophobia and bigotry through the injustices inflicted on seventeen-year-old Layla and her resulting fight for freedom. Layla has her sights set on her future when, on one terrifying night, she and her parents are visited by the Exclusion Authority. “Under order of the Exclusion Authority and by the powers vested in the secretary of war under Presidential Order 1455, we are here to serve notice and carry out your relocation,” declares one of the suited men. What “relocation” means in this hostile, intolerant society is that Layla and her family are snatched from their home and interned in a camp with fellow Muslim-Americans, their wrists stamped with permanent ID numbers on arrival. The backdrop of book-burnings, curfews, Exclusion Laws and a president who declares, “Muslims are a threat to America” is all too powerfully prescient and evoked in an entirely believable fashion. But while confined in the camp, strong, caustic-tongued Layla orchestrates an uprising against the guards and camp Director. Urgent and intense – much like Layla’s acts of resistance – this novel of social justice will chill, grip, start conversations and mobilise readers to speak out against racism and intolerance. In the words of Layla’s poet dad, “we have a moral and ethical obligation to tell the truth.
This authentic YA page-turner about making sense of the whirlwind that is growing-up fizzes with heart, humanity and honest true-to-life experiences.For the past few years Vetty, her dad and little sister Ariel have been living with her aunt, trying to get themselves back on track after the death of her mum. Now they’re moving home to Camden, Vetty is hopeful that “soon I’ll be back to me”, not least because she’ll be reunited with best-friend-since-childhood Pez. But on her return, things are agonizingly strained between them. “It’s like we’ve skipped from kids to something else but it’s not at all clear which steps we’ve missed”. On top of this painful gulf, Vetty is struggling with her sexuality, trying to make sense of the fact that she’s attracted to boys and girls, while Pez is consumed by a struggle of his own that’s effecting all his relationships. Sexuality, love and friendship are explored in all their giddy complexity as Vetty, Pez and their wider circle of friends try to make sense of the world and their place within it. Every bit as life-affirmingly authentic as the author’s debut, No Filter, this comes thoroughly recommended for fans of Holly Bourne, Sara Barnard and Non Pratt.
Don't miss this prequel to the multi award-winning SLATED trilogy by Teri Terry, queen of the teen thriller! I'm just one girl. What can I do? Sam's cosy life as daughter of the Deputy Prime Minister is about to end. These are turbulent times. Borders have closed and protests are turning violent. The government blames the country's youth, and is cracking down hard. Mobile phones are blocked, gatherings are banned and dissent is brutally crushed. Sam is torn between family loyalty and doing what is right. When she meets Ava and Lucas her mind is made up. One girl, one choice. She can make a difference: she must. Even if her life - and her heart - are on the line ... A red-hot thriller packed with secrets and revelations that shines a new light on the award-winning SLATED trilogy.
This compulsive conjuration of decadence, desire, deceit and rebellion is a truly dazzling debut - historical fantasy at its finest. Paris, 1789, and spirited seventeen-year-old Camille has assumed responsibility for her younger sister, Sophie, following the deaths of their parents to smallpox, their struggles exacerbated by a violent, drunken brother who gambles away what little they have. Romantic Sophie dreams of being an aristocrat like their maternal Grandmère (their mother forsook the privileged life when she married their anti-Royalist father) and Camille longs to re-open her beloved dad’s printing press. However, desperation forces her to use the one thing of value she inherited from her mother – magic. While she initially uses her ancestresses’ gifts to transform “bits of metal into coins” so they can survive, it’s not long before she ups the stakes. After deploying a “dark and creeping magic” to transform herself into the beautiful Baroness de la Fontaine, Camille enters the opulent court of Louis XVI and Marie Antoinette set on “fleecing the nobles for all their worth”. But here she discovers that she’s not the only one with such powers, not everyone is who they seem, and conflicts crackle at every turn. Camille is seduced by her glamorous new life while despising the aristocracy, and then there’s unconventional, warm-hearted aeronaut Lazare, whom she falls for. Underpinned by a spirit of rebellion and radiant with romance, this is an entertaining, intoxicating read.
Written by the founder of Everyday Sexism, and based on real-life experiences, double-standard “slut shaming” and sexual degradation are here exposed with vital urgency, and interwoven with the gripping story of a medieval woman whose abuse at the hands of a misogynistic society has present-day parallels. Fifteen-year-old Anna and her mum have moved hundreds of miles so she can escape the sexist bullying she was subjected to at her last school. But as Anna tries to make a fresh start, her past rears its head and continues to haunt her. While suffering torrents of abuse from her peers, Anna immerses herself in a history project that draws her into the tragic life of Maggie, an unmarried young woman from the 17th century. In juxtaposing Maggie and Anna’s experiences, the author lays bare an unbroken thread of misogyny from the Middle Ages to today’s culture of “revenge porn” and sexual shaming. Centuries on from scold’s bridles and burnings at the stake, women are still blamed and punished for the brutal behaviour of men. But Anna finds strength in her friendships with Alisha, Cat and Robin, and her connection with Maggie makes this a potent page-turner that will speak to a generation. As the author states in her afterword, “You are not alone, you are not to blame, and you deserve to feel better”. Or, in Anna’s words, “We are the granddaughters of the witches you burned. And we’re not putting up with it any more.”
Clued-up creative activists Chelsea and Jasmine attend a New York school that’s proud of its progressive approach, with classes and clubs called things like Science for Social Justice and Poets for Peace and Justice. But, while forward-thinking liberalism is supposed to lie at the heart of their school’s ethos, Jasmine and Chelsea are infuriated by its evident neglect of women’s rights: “It feels like everyone outside Amsterdam Heights is taking it seriously, but here, it’s like we think the work is done… But it’s not”. When Chelsea’s drama teacher tries to coax her to develop a stereotypical “sassy and angry” black female character, she’s inspired to set up the Write Like a Girl club with a punch-packing feminist blog that sets off a whole lot of buzz in the school community. Alongside attempts to silence the girls’ powerful voices and direct action, Jasmine faces painful personal loss, but they remain strong, firmly fixed on changing the status quo “from the inside out”. Insightful on gender inequity, and the intersection of gender and race, this comes highly recommended for fans of Angie Thomas. Chelsea and Jasmine’s story is a smart and awe-inspiring call to action, a vital novel with the power to empower a generation of young women, much like co-author Renée Watson’s previous book, Piecing Me Together.
This companion to Beautiful Broken Things is a vital, powerful portrayal of the complexities of mental health, friendship and love. Now a legal adult, Suzanne, the self-declared “queen of fresh starts”, leaves her foster parents, acutely aware that “this time, I’m on my own”. She’s moving back to Brighton, the only place she’s ever felt a sense of belonging. “I’m overdue some goodness”, Suzanne muses as she moves into a basic bedsit, with Auntie Sarah and dear friends Rosie and Caddy on hand to help her settle in. But Rosie and Caddy soon head off to their respective universities, leaving Suzanne feeling abandoned. Lonely and struggling to make ends meet on the wages from her café job, she forms a friendship with her 79 year-old neighbour, a storyline that swells with raw, life-affirming beauty. Alongside this, painful mental health setbacks are triggered, and further rollercoaster rides come courtesy of a confusing, overwhelming romance with musician Matt. Honest, authentic, moving and entertaining, this all-consuming story is sensitive and wise on the complexities of growing up, and offers a guiding hand to young adults facing mental health struggles.
This companion to Beautiful Broken Things is a vital, powerful portrayal of the complexities of mental health, friendship and love. Now a legal adult, Suzanne, the self-declared “queen of fresh starts”, leaves her foster parents, acutely aware that “this time, I’m on my own”. She’s moving back to Brighton, the only place she’s ever felt a sense of belonging. “I’m overdue some goodness”, Suzanne muses as she moves into a basic bedsit, with Auntie Sarah and dear friends Rosie and Caddy on hand to help her settle in. But Rosie and Caddy soon head off to their respective universities, leaving Suzanne feeling abandoned. Lonely and struggling to make ends meet on the wages from her café job, she forms a friendship with her 79 year-old neighbour, a storyline that swells with raw, life-affirming beauty. Alongside this, painful mental health setbacks are triggered, and further rollercoaster rides come courtesy of a confusing, overwhelming romance with musician Matt. Honest, authentic, moving and entertaining, this all-consuming story is sensitive and wise on the complexities of growing up, and offers a guiding hand to young adults facing mental health struggles.
A Stunning, vital wake-up call of a novel about racism, social inequality and not giving up told through the eyes of an incredible, unforgettable sixteen-year-old. Starr straddles two very different worlds. She has one foot in Garden Heights, a rough neighbourhood ruled by gangs, guns and dealers, and the other in an exclusive school with an overwhelmingly wealthy white student population. One night she’s at a party when gunshots are fired and Khalil, her friend since childhood, takes her to his car for safety. Khalil is unarmed and poses no threat, but he’s shot dead by an officer right in front of her. It will take a lot of courage to speak to the police, and to face the media who choose to highlight that Khalil was a “suspected drug dealer”, while omitting to mention that he was unarmed. But, with their neighbourhood under curfew and a tank on the streets, Starr risks going public. Danger escalates as the hearing approaches (and beyond), but Starr isn’t about to give up fighting for Khalil, and for what’s right. Alongside the intense struggles and conflicts faced by Starr’s family and community, there are some truly heart-melting moments between Starr and her white boyfriend Chris (their shared love of the Fresh Prince of Bel Air is super cute), and also between Starr and her parents. Complex, gripping, stirring and so, so important – I can’t recommend this remarkable debut enough.
The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.