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Find out moreMainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way plus some relevant non-fiction titles too.
Falling in love, riding out change, figuring out what you want to do with your life – Ciara Smyth’s pitch perfect debut simmers with romance and deep-rooted dilemmas, delivered through witty dialogue and affecting emotional detail. Seventeen-year-old Saoirse (pronounced ‘Seer-sha’- be sure to get it right) is on the cusp of crossing the Irish Sea to read history at Oxford. Except she’s not sure she wants to go. She has more than enough on her plate dealing with her dad’s remarriage, getting over breaking-up with her girlfriend, and coming to terms with her mum’s debilitating illness. She just wants to spend her summer watching horror movies and kissing girls – no strings attached. To that end, Saoirse goes to a mate’s end-of-exams party and gets it on with his cousin Ruby. Irresistibly drawn to Ruby’s good looks and good heart, Saoirse accepts her challenge to embark on a summer romance with all the serious bits left out, in finest romcom tradition. But, as Ruby sagely points out, “the thing about the falling in love montage…is that when it’s over, the characters have fallen in love”. Super smart and funny (“If you are a girl inclined to deface school property, may I suggest the classic penis and balls, as you will avoid suspicion due to stereotyping”), Saoirse is lead fans of contemporary YA will love and root for - flaws and all - and her journey is a thoroughly entertaining, thought-provoking rollercoaster ride.
Exploring the all-consuming throes of love, malicious secondary school social politics, sexual abuse, and how difficult coming out can be, William Hussey’s Hideous Beauty is a top-notch YA thriller with hard-hitting emotional resonance. Forced by social media exposure to come out earlier than planned, Dylan and his gregarious boyfriend Ellis reveal their relationship to the world in spectacular style at a school dance: “Okay, Dylan, this is it. No going back. The closet door is firmly barred behind you, chained and bolted. No re-entry, no refunds. It’s gay all the way from here on out.” Riding high after an unexpectedly jubilant response to their revelation, tragedy strikes when they leave the party - Ellis becomes angry and their car plunges into a lake. While Dylan is rescued, Ellis drowns, leaving Dylan wracked with grief and guilt: “I deserve the pain. I deserve the crazy. I deserve a messed-up hand. No one’s taking these things away from me.” Set on trying to “find out who pulled me out of that car and why they left Ellis to drown”, it’s not long before Dylan stomps into a viper’s nest, uncovering jaw-dropping truths that set him - and readers – reeling. With his family less than supportive, at least best friend Mike remains at Dylan’s side, even though he’s undergoing chemotherapy for leukaemia. Gripping, moving and unflinchingly honest, this is a fiercely affecting novel, told through the cleverly interwoven collision of two timelines.
Exploring racial and cultural tensions in London (especially between African and African-Caribbean communities), and arranged marriage and the education of girls in Kenya, Not So Black and White is a timely, pacey, personal novel. Essentially aimed at teenagers, but with adult main protagonists, this could prompt empathy-building discussion while promoting cultural understanding and exchange. Precious left Kenya for London six years ago and now advises the Metropolitan Police as a leadership and diversity trainer. From the outset, the vital importance of cultural awareness is highlighted when an officer is surprised to learn that “in Africa, children are taught that it’s rude to look an adult in the eye, but here you think someone looks guilty if they don’t look you in the eye.” Working with a committed young community officer, Precious is involved with a number of vibrant initiatives when a promising book-loving Ghanaian boy she knows falls victim to gang violence. After forming a bond (and more) with Adrian, a journalist covering the story, Precious opens up about her difficult childhood in Kenya, revealing the inequalities and domestic violence meted out by her tribal leader father. When Precious is compelled to revisit her Kenyan village with Adrian at her side, she faces difficulties from her past alongside present cultural conflicts. Back in London, both their lives changed, a ground-breaking initiative sees Precious unite different communities across London and Kenya. With proceeds of book sales going to The Nasio Trust, an inspirational charity that empowers communities in western Kenya through providing education, improving health, and developing commerce through sustainable income generating projects, this was co-authored by The Nasio Trust’s CEO, Nancy Mudenyo Hunt, and partly based on her personal experiences, which explains the personal insights threaded through the novel.
Wow what an interesting book. If you like story lines similar to Twister, or 2012 then this would be a great book for you. I would describe this book as an environmental thriller, displaying the all too real and well researched consequences of global warming and the melting of the Greenland Ice Sheet. We follow several groups of scientists as they all investigate a number of natural events that slowly become more and more dangerous. Alongside the environmental dystopia there’s stories of friendships, romance and family that keep you invested in the well being of the scientists and the environment behaves less predictably. As the environment deteriorates and events wind out of the characters’ control I waited with bated breath to see if they would find their way back out OK. I really enjoyed this story, as well as skillfully adapting key tropes of the horror and thriller genres (namely taking a topic that is a key concern, and exploring some of the darker outcomes) I think Iceapelago also delivers a lot of important information about the potential impact of global warming in a way that’s digested easily. I do think that a map with the bases mentioned would be a nice idea but I didn’t struggle to enjoy the book without one. This book kind of reminds me of Twister and Dante’s Peak, films you watched in Geography class to get information across without feeling like you’re studying and so I think this would also be a great book for teens and young adults too. Iceapelago is a fast moving read that can be enjoyed in a day and I would recommend it.
As the tenth Hunger Games plays out, The Ballad of Songbirds and Snakes explores the life, trials and roots of eighteen-year-old Coriolanus Snow, President of Panem when we reach the story of the original The Hunger Games trilogy. With the formally powerful house of Snow now teetering on poverty and ruin, Coriolanus is set on mentoring the winning tribute to escape “the endless dance with hunger that had defined his life”, go to university and then “embark on some lucrative profession”. But in a devasting blow, he’s assigned the task of mentoring Lucy Gray Baird, the lowliest tribute from District 12, and “everyone knew what happened if you went to the districts. You were written off. Forgotten. In the eyes of the Capitol, you were basically dead.” But with their fates now interlocked and their survival in his hands, Coriolanus vows to do his best to take care of Lucy. What a twisted, conflicted assignment this turns out to be, and all the more engrossing for being apparently doomed. Though more meandering and meditative than the original trilogy, fans will be fascinated to discover the complex causes of President’s Snow’s villainy, and it’s shot-through with core themes - friendship bonds, betrayal, power and oppression – that devoted readers will relish.
It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined — every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.
At seventeen, Brooklyn hipster Cal is a successful social media journalist accustomed to living in the public eye, with a whopping 435,000 followers on the FlashFame app. But even Cal isn’t ready for the unforgiving media storm he’s thrust into when his pilot dad is shortlisted for NASA’s Orpheus mission to Mars. Initially dead against leaving Brooklyn, Cal begins to wonder whether “maybe Clear Lake, Texas, has a story out there just waiting for me to uncover.” And then there’s handsome Leon, one of the other “Astrokids”, who’s set his heart pounding before they’ve even met. On arrival, and immediately thrust into the spotlight by StarWatch reality TV show, Cal finds himself “admitting I like our new home, even this town”, which in turn “feels like I’m abandoning my old life.” Maybe this is down to his contradictory nature - Cal is anything but a straightforward teenager. He doesn’t think like one. He doesn’t speak like one. Indeed, his thought processes and dialogue can seem out of kilter with his age. He needs everything just-so, but at the same acts impulsively. For example, he can’t stop himself from broadcasting news about his dad to his followers, which - as predicted - results in him facing the wrath of StarWatch. Cal’s settling-in has a lot to do with his rollercoaster romance with Leon. It’s starts out with the thrust of a rocket launch (“This crush is strong. This crush is too powerful. This crush will be the end of me”), and then comes a crash to earth alongside tragedy striking the mission. In the aftermath of this, Cal finds himself working to expose Starwatch’s agenda, both to clear his name and save the mission, and the truths revealed sure ain’t pretty. Covering mental health issues (via Leon’s depression and Cal’s mom’s anxiety) alongside a whirlwind coming-of-age gay love story, The Gravity of Us is an entertaining YA debut that gives many underrepresented folk a chance to see themselves on the page, with the added kick of space exploration and media ruthlessness.
So, so readable, Of Ants and Dinosaurs with the lightest and brightest of touches, made my brain itch with its creativity and klaxon alarm. Perfect for readers from young adult on, this sets itself as a “satirical fable, a political allegory and ecological warning”. In a time long long ago ants and dinosaurs joined forces to build a magnificent civilisation, when doom threatens will the dinosaurs listen to the ants? Cixin Liu is China’s number one science-fiction writer and his The Three-Body Problem was the first translated novel to win a Hugo award. I just love the cover, and the ants marching across the chapter pages had me smiling. As soon as I started to read my attention was well and truly caught. The prologue sets the scene with wonder and I read and believed without a moment's doubt. While portraying the ant and dinosaur alliance, there is very much a warning to the human race here. Deceptively simple and brilliantly clever, Of Ants and Dinosaurs just has to sit as a Liz Pick of the Month and a LoveReading Star Book, I simply adored it.
Inside the Sun is book three of the 8th Island Trilogy. As this is the third and final instalment of Ella’s story I would recommend starting with book one to fully understand the story, there are too many different characters species and quick references to what I assume are events in previous books to read this as a standalone. However, there is a Glossary of characters, creatures, plants and places at the back to help. A teen fantasy book which includes portal jumping, other worlds, strange creatures. This series also handles very real challenges, as Ella is suffering from Cancer and the divide between the races on Jarr-Wya reflect the divisions that can be found in our own society. Facing the ultimate battle against evil and their nemesis the Milia sands, will Ella and her friends be able to stop everything they love being destroyed. And will Ella and her family be able to find a cure for her cancer? I like the map at the start of the book and the illustrations throughout. I don’t often see illustrations in YA fiction, so I thought this was a nice addition. I also liked the illustrations as they help you to picture the different creatures, which I found useful, and also helped to drive the plot forward. I also liked the detailed descriptions of the places and creatures. The author is very good at world-building and it must have taken a lot of time and imagination to come up with the 8th Island worlds. I found the relationships between the characters interesting and the prominent place of Ella’s mum in this book different from the other YA Fiction I’ve read. The group aren’t strangers to peril and it would seem that what they face in the final book may be their biggest challenge to date. Everything is tied up satisfactorily in the final pages and the epilogue and in all, I think this is a good finale to a teen fantasy trilogy.
From the multi-award-winning author of The Poet X and With the Fire on High comes Elizabeth Acevedo’s exceptional dual-voiced novel about loss, love and sisterhood across the sea, a story partly sparked by the fatal crash of a flight from NYC to Santo Domingo in 2001. Camino Rios has always lived in the Dominican Republic with her aunt Tia, “a woman who speaks to the dead, who negotiates with spirits”, a woman who’s like a mother to her: “Even when Mama was alive, Tia was the other mother of my heart.” Life’s not easy for them on the island, but they have it better than their neighbours as a result of Camino’s beloved Papi working in the US for most of year. To Camino, Papi is a “A king who built an empire so I’d have a throne to inherit”, and she lives for the summer months when he comes home to them. But all life is thrown into terrible disarray when she goes to meet Papi at the airport and learns that his plane has fallen from the sky, and then: “I am swallowed by this shark-toothed truth.” This story is blessed with such divinely piercing language throughout. At the same time, across the Atlantic, Yahaira Rios learns that her hero Papi has died in a plane crash. She already knew he had a wife on the island (but not of his secret daughter), and has always longed to reconcile her Dominican heritage with her American life: “Can you be from a place you have never been? You can find the island stamped all over me, but what would the island find if I was there? Can you claim a home that does not know you, much less claim you as its own?” When it emerges that Papi wishes to be buried back in DR, Yahaira’s Mami insists that she will never let her “touch foot on the sands of that tierra.” But Yahaira has other plans, not least when she’s contacted by a girl named Camino Rios who bears an undeniable resemblance to Papi, and to her too. As well as being exceptionally affecting on grief, forgiveness and family secrets, Clap When You Land is also devastatingly sharp on the exploitative tendencies of tourism. In Camino’s words: “I am from a playground place…Our land, lush and green, is bought and sold to foreign powers so they can build luxury hotels...Even the women, girls like me, our mothers and tias, our bodies are branded jungle gyms…Who reaps? Who eats? Not us. Not me.” Overflowing with truths of the heart, and truths about inequalities that need to be broken, while also addressing the complexities of what it means to be of a place, I can’t praise this highly enough. Read our 'Book-aneers of the Caribbean' listicle to find more unforgettable books by Caribbean writers. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
This novel moves from poetry to prose, and back again, as it explores a girl’s relationship with her Grandfather. Mizuki can see something is deeply troubling to her Grandfather Ichiro, but she can’t find its source, except it is somehow connected with an old book and Ichiro’s need to create origami paper cranes from it. Mizuki’s worries are expressed in verse before we jump back into prose - to the at times brutal description of the day the bomb fell on Hiroshima and Ichiro’s role in that day and beyond. The descriptions of the effects of the bomb are based on effective research and from survivor’s tales and told in such a way that the reader is entirely there in the moment and the long days after as Hiro rebuilds a life for himself. As we return to Japan in 2018 the novel reverts to poetry to the very modern tale of how Mizuki uses the internet to try to get to the bottom of the problem facing her elderly grandfather. The illustrations in the book help create the many impressions and emotions aroused by the story – they are based on Japanese brush and ink techniques and add a further layer to this already impressive book. This is a harrowing tale but the ultimate redemption in the story leaves one with a sense of hope. Highly recommended.
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The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.