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Short and sweet poems and sonnets or lyrical and lengthy epics, sit back and relax while you enjoy the work of these wonderful wordsmiths.
Shortlisted For The Forward Prize For Best First Collection 2015. There is a Chinese proverb that says: 'It is more profitable to raise geese than daughters.' But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love - what meaning we find in the world, in art, and in each other.
In the informal rituals of the tide remaking its tideline, of a painter absorbed in the act of painting or of an old couple greeting the night, the English poet Kate Miller sees and charts the creative process at work. As its title suggests, Miller's striking debut collection explores perception, the poet's eye and ear trained on distances that stretch beyond comfort zones. This is a book full of movement: even quiet reflections on home and family life are rarely still.
Larkin's final collection of poems shows, as does all his best work, his ability to adapt contemporary speech rhythms and everyday vocabulary to subtle metrical patterns and poetic forms. Rather than words comes the thought of high windows: The sun-comprehending glass, And beyond it, the deep blue air, that shows Nothing, and is nowhere, and is endless. - from High Windows .
T.S. Eliot - editor, poet, critic and publisher - was the greatest poet of his generation. The winner of the 1948 Nobel Prize for Literature, virtually every English language poet since owes him a debt of gratitude.
In this beautiful paperback edition, poems old and new, familiar and unfamiliar explore such diverse topics as love, London, exile, family, dreams, war, music and nature, and feature hundreds of poets including Owen Sheers, Paul Muldoon, Sylvia Plath, William Blake, D. H. Lawrence, Kathleen Raine, Roger McGough, Wilfred Owen, Wendy Cope and John Clare, among many others.
Agbabi, Armitage, Burnside, Duffy, Dunmore, Fanthorpe, Heaney, Motion, Nagra, O'Brien and more Poems of the Decade brings together more than one hundred poems from the many thousands submitted to the Forward Prizes for Poetry in the first decade of the 21st century. The Forwards are among the world's most coveted poetry honours. They have been awarded annually since 1992 for the Best Collection, Best First Collection and Best Single Poem published in Britain and Ireland, and the roster of winning, shortlisted and highly commended poets regularly juxtaposes familiar canonical names with fresh voices. This anthology of anthologies draws on the ten Forward Books of Poetry published to accompany the prizes between 2001 and 2010. It is the perfect introduction to a wide range of contemporary poetry: works that speak of violence, danger and fear, of love and all that opposes love, in forms of language broken and reshaped by the need to communicate what it is to be alive now, here. These annual anthologies of the poems in the running for the Forward Prizes remain the best way of encountering the richness that new poetry has to offer. (Daily Telegraph).
From William Shakespeare to Carol Ann Duffy, our most popular and best loved poets and poems are gathered in one essential collection, alongside many lesser known treasures that are waiting to be discovered. These are poems that help you to see the miraculous in the commonplace and turn the everyday into the exceptional - to discover, in Kipling's words, that yours is the Earth and everything that's in it.
In 'The Swifts' and 'The Pyracantha Anthem' she marvels at nature, while 'A Patient's Prayer' and 'Litter Moron' offer wry views on Modern Britain. From the dog being afraid of the toaster to your son leaving home for university; and from the search for that perfect swimsuit to becoming a gran for the first time - Pam's poems are beautifully crafted, and her subjects the everyday and the universal.
Frances Leviston's first collection, Public Dream, was one of the most acclaimed debuts of recent years, and praised for combining 'technical mastery with a lucidity that verges on the hypnotic' (The Independent). Leviston's keenly-anticipated second book sees both an intellectual and dramatic intensification of her project. We often credit poetry as a kind of truth-telling, but it can also be an agent and a vessel of disinformation: in the course of making its proofs and confessions, it also seeks to persuade and seduce by any means it can. Leviston uses both sides of poetry's tongue to address one of the key questions of the age: how have we come to know what we think we know? In the title poem, a woman preparing for a child's birthday party suddenly glimpses the invisible screen of false data behind which she lives - and her own complicity in its power. Disinformation challenges us to rescue our idea of identity from that mass of glib truth and persistent falsehood - and proposes how we might begin to think of poetry itself as a means to that end.
'It's the way that you say I don't usually do this.' Romance and poetry seem to go hand in hand but - implicit, explicit, nuanced or starkly frank - sex itself has long been a staple subject for poets. And little has changed over the centuries, from Ovid describing a summer afternoon of love-making to Rosemary Tonks telling the Story of a Hotel Room. Sophie Hannah's selection ranges from ancient Rome to modern New York, from gay to straight, from marital bliss to furtive adultery, but her principle has been to go low on the sugar and high on the excitement.
'What will survive of us is love.' Whether in marriage or heartbreak, friendship or infatuation, whether in pursuit of the unattainable ideal or else settling down together for life, whether in love or out of it, you will find poems here to touch the heart. It is a vital assembly of our most treasured and enduring love poems.
From the Haiku to Xanadu, a well-crafted poem can speak of an experience of our world in a way that stays with us for a long time; often for life. Everyone has a poem they learned in school that holds increased sentimental importance as time goes by.
The ability of words and language to define us and the poet’s ability to harness it are what makes poetry such a powerful genre. The field is huge, the subjects covered too numerous to list. From the fields of Flanders to the kitchen sink there are poems that encapsulate all of human life. Funny, thought-provoking, challenging, evocative, story-telling, satire and tribute. All are here. Why not use our special recommendations to find something to inspire you today?