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Short and sweet poems and sonnets or lyrical and lengthy epics, sit back and relax while you enjoy the work of these wonderful wordsmiths.
By turns gripping, meditative and elemental, and always inspirational, this treasure trove of prose, poetry and art lays bare a richness of relationships between female adventurers and the great outdoors. Shunning conventional, simplistic narratives about mankind conquering the highest this, or the deepest that, each adventurer-contributor shares their unique experiences with enlightening, engaging subtlety. In the wise words of one writer, “People go outdoors to push themselves past what they thought they could do…I go outdoors for the struggle, not to beat it.” This eloquent anthology contains over seventy pieces of writing and art, among them an enlightening piece about the motivations of an Antarctic researcher, an intimate account of a mountaineer’s connection with her father through cross-country skiing, and an exquisite evocation of the sensuous life-forces of a Dartmoor brook. It’s a delight to dip into, and the perfect gift for nature-lovers and adventure-seekers.
Here you can discover a truly lovely collection of poems celebrating friendship. With 365 on offer, you can read one a day for a year, or splurge out and just read until sated. Can I say how visually gorgeous this book is, both inside and out! Friends sits so well alongside its sister A Nature Poem for Every Day of the Year, and here is where I admit to stroking the cover when I first picked it up (stroking beautiful books is absolutely, in fact more than fine in my opinion). Edited by Jane McMorland Hunter, each poem focuses on the special nature of friendship and each month is preceded by a lovely illustration by Tatiana Boyko. In her introduction she examines the different types of friendship, from marriage, to a connection with or between animals. Also contained within are some extracts from essays, novels, plays, and diaries. I found some of my favourite poets, including Christina Rossetti, William Blake, and Edward Lear, there really is the most huge variety on offer here! Friends A Poem For Every Day Of The Year called out to me, it made me smile, it is a book I will treasure, and dip into again and again. It really would make the most perfect present (alongside its sister) and I can highly recommend it.
This captivating collection comprises intensely poignant profiles of people and places; of domestic life and wild landscapes, especially Scotland’s “dark and stormy waters”, with flashes of crimson running through the poems in the form of fire, a fox, red shoes, a red balloon. Among the cast of memorable characters is Mrs Dungeon Brae, terrifying in both life and death, and The Knitter, who “knits to keep death away” and urgently recounts big life occasions knitting has accompanied her through, all the while “casting on, casting off”. Then there’s the grandmother lamenting the fact that “it’s no like the past for grannies these days...nobody knows how to make a conversation/ let alone make a home-made meal or a fresh baked scone.” Brimming with humanity - with love, anger, frustration and flashes of humour - this engaging, accessible anthology makes a richly rewarding gift for language lovers of all ages.
Uplifting and dazzlingly unique, this coming-of-age treasure explores identity and sexuality with an emboldening message to remember that “you have the right to be you”. As a young Barbie-loving boy, mixed race Michael wonders if he’s “only half” of everything, to which his mother poignantly replies: “Don’t let anyone tell you/that you are half-black/and half-white. Half-Cypriot/ and half-Jamaican./ You are a full human being.” But he doesn’t feel like a whole human being. Dubbed a “queerdo and weirdo” by bullies and subjected to “batty bwoy” taunts through his teenage years, he leaves London for Brighton University with hope in his heart. But even here Michael feels “like Goldilocks; trying to find a group of people/the perfect fit for me”. He doesn’t feel black enough for the Caribbean Society, or Greek enough for Hellenic Society, or queer enough for the LBGT Society. Then Michael finally finds a fit at Drag Society where he becomes The Black Flamingo, “someone fabulous, wild and strong. With or without a costume on.” Michael’s journey is complex, moving and told with a raw vitality that makes the soul soar and the heart sing, with Anshika Khullar’s magnificent illustrations and the smart design adding further depth, prompting the reader to pause for thought as his story requires.
This consummately fascinating study into the relationship between dance and poetry – the “step” of dance, and the “foot” of verse – presents a complex, intricate interlacing of disciplines. Dappled with personal anecdotes alongside probing evolutionary questions, historical depth and contemporary insights, it is at once thought-provoking and engaging. The author’s experience as both a dancer and poet inform his unique investigation. He ascribes his long-held passion for both to a deep-rooted childhood awareness of rhythm: “Rhythm is common to both pursuits. Increasingly I have come to feel that dance is a language and that language is a dance.” I found the “Which Came First?” chapter especially compelling. The author’s exploration of humankind’s transition to bipedalism and language takes in fascinating linguistic and archaeological theories, and links the shift to bipedalism to the development of reflective thought, and to walking as an expressive activity. Suffused in spirited intellectualism and a global perspective, this is a must-read for anyone interested in poetry, dance and exploring the history of humanity through the lens of the arts.
Jay Bernard's extraordinary debut is a fearlessly original exploration of the black British archive: an enquiry into the New Cross Fire of 1981, a house fire at a birthday party in south London in which thirteen young black people were killed. Dubbed the 'New Cross Massacre', the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain. Tracing a line from New Cross to the 'towers of blood' of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice. A ground-breaking work of excavation, memory and activism - both political and personal, witness and documentary - Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment. 'Jay Bernard's poems sing with outrage and indignation, with fury and passion. They tell the story, among other things, of the two of the terrible fires of our times: New Cross and Grenfell and, shockingly, show how the past holds up an uncomfortable mirror to the present...They have brio, they have brilliance, they are breathtakingly brave' Jackie Kay, British Council and National Centre for Writing's International Literature Showcase on Britain's 10 best BAME writers
SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD 2019 Wordsworth and Coleridge as you've never seen them before in this new book by Adam Nicolson, brimming with poetry, art and nature writing. Proof that poetry can change the world. It is the most famous year in English poetry. Out of it came The Ancient Mariner and 'Kubla Khan', as well as Coleridge's unmatched hymns to friendship and fatherhood, Wordsworth's revolutionary verses in Lyrical Ballads and the greatness of 'Tintern Abbey', his paean to the unity of soul and cosmos, love and understanding. Bestselling and award-winning writer Adam Nicolson tells the story, almost day by day, of the year in the late 1790s that Coleridge, Wordsworth, his sister Dorothy and an ever-shifting cast of friends, dependants and acolytes spent together in the Quantock Hills in Somerset. To a degree never shown before, The Making of Poetry explores the idea that these poems came from this place, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. What emerges is a portrait of these great figures as young people, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths towards it. The poetry they made was not from settled conclusions but from the adventure on which they were all embarked, seeing what they wrote as a way of stripping away all the dead matter, exfoliating consciousness, penetrating its depths. Poetry for them was not an ornament for civilisation but a challenge to it, a means of remaking the world.
Reckless Paper Birds blends raw emotion, acute social observation and sharp wit to capture the gay male experience. The author of the critically acclaimed collections The Frost Fairs and Spacecraft, Brighton-based John McCullough pulls no punches in this latest - and his most powerful -collection. These are poems of skill, joy and quiet musicality that reflect the conflict and complexity of being.
From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge. There is something about Demi. When this boy is angry, rain clouds gather. When he cries, rivers burst their banks and the first time he takes a shot on a basketball court, the deities of the land take note. His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows Gods often act like men: the same fragile egos, the same unpredictable fury and the same sense of entitlement to the bodies of mortals. She will sacrifice everything to protect her son, but she knows the Gods will one day tire of sports fans, their fickle allegiances and misdirected prayers. When that moment comes, it won’t matter how special he is. Only the women in Demi’s life, the mothers, daughters and Goddesses, will stand between him and a lightning bolt.
First Rhyme Mum is an entertaining journey through pregnancy and early motherhood - it made me laugh and reminisce. There are 40 poems in the book - all are fun, relatable and (mainly) humorous, covering wide-ranging topics that you wouldn’t usually expect to find in poetic form, such as needing a wee, a mother’s ‘baby brain’, the job description of motherhood, night shifts and ‘to-do lists’. The poems contain acute observations of everyday life and are varied and very well written, combining simple words to create powerful imagery. I could sense the emotion behind each poem - the excitement yet worry of the 40 weeks of pregnancy and the exhaustion and elation once baby arrives, all bound together by a mother’s love. I was particularly impressed by how the author fits so much descriptive language into each poem while still ensuring that each one manages to give a sense of rhythm and rhyme (even if this doesn’t always match exactly). It reminded me of some of Pam Ayres’s poems, with its sense of humour and laugh-out-loud moments. The book is easy to dip in and out of - each poem is short enough to slot into a few minutes during a busy day. It’s a lovely gift for new parents to remind them that they’re not alone and that others are going through the same emotional ups and downs. It also has wider-ranging appeal, as it reminded me of my own pregnancy experiences and made me chuckle as I recalled stories of early parenthood (my children are now in their mid to late teens). My only regret is that the book ended too soon, but fortunately there are more books on their way.
Braid Poems And Thoughts is a diverse collection of verses by Pierre Sotér, compiled by Anna Tegner. These poems explore human sentiment and the unrelenting of Time, through nature symbolism and motifs pertaining to suns, moons, seas and stars thereby giving a sense of human insignificance and natural beauty. Poems such as Like Fire poeticize human inclination, likening the Moon locked into its orbit to the echo of former pain. I’ll Ask reiterates our ephemeral being in light of pining for eternal youth. For I want to live after rages the storm and I want to buy silver light in the Moon. The nature symbolism bears its presence in many of Sotér’s poems, including Symmmetric Blue, Waves & Tides; a poem that artistically renders the waves of the sea galloping like a horse and Silver Drops where mere rain is compared to silver, in such a way that exposes our shallow nature as humans. In my world, silver shines and drops, but in others, it’s sold in shops. This vast selection of free verse and rhyme includes relatable poems, bound to resonate with many readers, such as Read which perfectly renders the world as beyond the scope of human words and thus personally affected me, as one who revels in reading and writing. The Shakespearean inspired rhyming couplets that culminated such poems as Read and many others were very percipient ways of resounding Sotér’s candid wisdom. “Read this world of ours, but do it right, And then, with human words, let’s try to write.” Sotér is a deft weaver of emotive imagery but his scholarly use of metaphor often got lost on me, an everyday reader in a world of artistic subjectivity. Still one can appreciate his grasp on the futile yet beautifully infinite nature of life and humanity. Lois Cudjoe, A LoveReading Ambassador
Wake up to the wonder of our countryside with this gorgeous book containing a nature poem for every day of the year. I adore this idea, in a world that is changing and becoming endangered in our lifetime, reading a poem a day about nature through the seasons helps to open our eyes to the importance of simple natural beauty and pleasures. The cover is a stunner, bold, simple colours catch the eye, the illustrations by Tatiana Boyko effectively highlight the introduction to each month contained within. The poems range from old to new, the poets from the well known such as William Blake, Percy Bysshe Shelley and Edgar Allan Poe, to those I hadn’t heard of, all of the poems connect with love to the natural world that surrounds us. Jane McMorland Hunter explains in her introduction that the poems are either in their entirety or reduced to an extract. The natural world is what is on show here, and an extract can, in essence, highlight the beauty of that with just a few simple lines such as Thomas Lovell Beddoes “A Lake Is a river curled and asleep like a snake”. Any extracts are explained, so you can easily search out the rest of the poem. A Nature Poem for Every Day of the Year is going to sit on my bedside table, I can’t wait to open it up each day, to reaffirm and celebrate my love for nature.
From the Haiku to Xanadu, a well-crafted poem can speak of an experience of our world in a way that stays with us for a long time; often for life. Everyone has a poem they learned in school that holds increased sentimental importance as time goes by.
The ability of words and language to define us and the poet’s ability to harness it are what makes poetry such a powerful genre. The field is huge, the subjects covered too numerous to list. From the fields of Flanders to the kitchen sink there are poems that encapsulate all of human life. Funny, thought-provoking, challenging, evocative, story-telling, satire and tribute. All are here. Why not use our special recommendations to find something to inspire you today?