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Find out moreThis is where you will find stunning books from literary masters past and present. Literary fiction doesn’t just mean good or valued, as brilliant writing can be found in any genre. These are serious stories with high artistic qualities that strike at the heart of what it is to be human.
Hauntingly tender, and written with powerful grace, Clare Chambers’s Small Pleasures is an absolute joy from start to finish. It’s 1957 in suburban Kent, where Jean writes for a local newspaper with every aspect of her life still dominated by her contrary, controlling mother as Jean approaches forty. No post-work drinks with colleagues. No friends. No romance. Enter Gretchen Tilbury, an elegant Swiss woman who writes to the paper claiming her daughter was the result of a virgin birth. As Jean investigates the case, she becomes close to Gretchen, her kind, witty husband Howard, and the alleged miraculous daughter, all four of them finding comfortable joy in each other’s company. “You’ve stirred us out of our routine,” Howard remarks, to which Jean responds, “I would have thought it was the other way about.” While researching Gretchen’s youth, Jean inadvertently sends shockwaves through the Tilbury family when she reconnects Gretchen to a powerful figure from her past. At the same time, she and Howard find themselves falling for each other, both of them remaining faithful to Gretchen, graciously skirting their attraction - until it’s right to act. The novel features some of the most finely drawn, endearing characters I’ve encountered in recent contemporary fiction. For all her lonely frustration, Jean isn’t one to wallow. She’s pragmatic, with ripples of not-quite-regret lapping beneath her smooth, reasoned surface - a woman “who took pride in her ability to conceal unruly emotions.” Her domesticity pieces for the paper have something of Carrie Bradshaw’s musings about them, albeit without any in-your-face sex in the city (or the suburbs, in Jean’s case), with their apparently humdrum themes humorously paralleling soul-stirring events in her own life. Laying bare a quivering three-way tug between obligation, propriety and passion, and the inexplicable way thunderbolt-bonds are formed between similar-souled individuals, Jean’s conflicts and chance to love truly get under your skin. What a remarkable book, with a dagger-sharp climax that will pierce your heart.
A heart-breaking, unforgettable and incredible story that will stay with you long after you've finished it. It is difficult to believe it's a debut as you read the travails of young Shuggie, his alcoholic mother Agnes and see inside their dysfunctional family life in 1980s working-class Glasgow. It's a powerful story with unflinching honesty that will no doubt make you cry. It shows the power of love and despite the bleak subject matter, it's incredibly tender, hopeful and oh so readable. It's a triumph.
“For the last thirty-two years, you’ve not once trotted out for a run around the block. And now you tell me with a straight face that you want to run a marathon.” So begins this scathingly amusing novel that sees 64-year-old Remington - recently forced to retire early after an unsavoury employment tribunal – develop an unhealthy obsession with extreme exercise and his hideously competitive trainer, Bambi. Remington’s wife, sixty-year-old Serenata has always been a solitary exerciser (“I find large numbers of people doing the same thing in one place a little repulsive”), so the fact that her “husband had joined the mindless lookalikes of the swollen herd” comes as a shock, and an insensitive affront too, given that she was recently compelled to give up a lifetime of running after a diagnosis of osteoarthritis in both knees. Their spiteful bickering begins immediately, with neither party displaying themselves in a favourable light. Indeed, both characters are largely unlikeable, which makes their sniping all the more entertaining. Remington bemoans accusations of privilege, thus revealing said privilege: “I’m a little tired of being told how ‘privileged’ I am... How as a member of the ‘straight white patriarchy’ I have all the power. I’m supposedly so omnipotent, but I live in fear, less like a man than a mouse.” After (eventually) crossing the finish line of his first marathon, Remington signs-up for a gruelling triathlon, with his farcical persistence in spite of serious incidents and injuries making this novel both hilarious and excruciatingly cringe-worthy, albeit with an unexpectedly bittersweet upshot.
Glorious, simply and beautifully glorious! Inspired by Shakespeare’s son Hamnet, this is the imagined story behind the writing of Hamlet, which was written between 1599 and 1601. Hamnet and Hamlet were apparently “entirely interchangeable in Stratford records in the late sixteenth and early seventeenth centuries”. Maggie O’Farrell says she wanted to write this story for over thirty years. “What did it mean for a father to name a tragic hero after his ( ) son. What was this unusual act telling us?” The cover design is beautiful, it called to me. On opening, I slipped into and fell in love with this tale. Hamnet has an almost otherworldly feel, and yet is as earthy and believable as can be. Two time frames sit side by side, Hamnet becoming ill in 1596, and then the earlier story of Shakespeare and Agnes meeting and falling in love. The descriptions became clear bright images in my mind. I could feel the words, they echoed deep inside me, creating pools of emotion. I cried on finishing, all the feelings that Hamnet created slipped out of me and trickled down my cheeks. I adore Hamnet, it now sits on my list of favourite books, and will be one that I reread each year. Chosen as a Book of the Month, LoveReading Star Book, and Liz Pick of the Month.
At seven years old, Nainoa falls into the sea and a shark takes him in its jaws - only to return him, unharmed, to his parents. For the next thirty years Noa and his siblings struggle with life in the shadow of this miracle. Sharks in the Time of Saviours is a brilliantly original and inventive novel, the sweeping story of a family living in poverty among the remnants of Hawai'i's mythic past and the wreckage of the American dream.
Reeling with edge-of-your-seat atmosphere and the entangled lives, lusts and obsessions of three compelling characters involved in a unique ménage à trois (of sorts), Helen McClory’s Bitterhall is a brilliantly unnerving novel that explores the liminal blurring of inner life with outer reality. Narrated by the three characters in intense, short, tight episodes, their lives begin to unravel due to the eerie influence of a nineteenth-century diary, with matters coming to an irreversible, bewildering crescendo at a decadent Halloween party. Daniel Lightfoot’s voice opens the book, breaking the metafictional fourth wall by addressing readers direct: “I want you to love me, if I’m being honest. That’s why I start so gently, in the garden, in the present tense. A good story begins tipsily in a garden, and carries on through well-proportioned rooms in the past tense in which blood is being spilled and was spilled.” His work involves futuristic 3D printing technology that aims to “copy important rare objects from all over the world to create replicas, mostly for museums.” He wants to “keep the old things safe... To save the past, but let people in.” Another link to the past is the nineteenth-century diary he’s reading, an intriguing document written by James Lennoxlove, the ancestor of his best friend. The diary finds its way to Daniel’s new flatmate, Tom, who can’t put it down and obsesses over Lennoxlove. Both Daniel and Tom’s girlfriend Órla notice a strange shift in Tom, the extent of which is revealed though Tom’s haunted, tormented narrative, and all three accounts of the Halloween party. Laced with Daniel’s dry wit alongside the growing confusion and creeping sense of madness (“Whatever I had done, I had done with my socks on”), this shrewdly-written read rises to a gripping, question-raising climax.
With love and family sitting centre stage, this is an emotionally intelligent and beautiful story. Reclusive 51 year old twins Jeanie and Julius find their lives in disarray when their mother dies and secrets spill forth. At LoveReading we have adored Claire Fuller’s novels since her debut Our Endless Numbered Days which won the Desmond Elliott Prize in 2015. I love her writing style, she has the ability to take you to known yet entirely unexpected places within the human soul and your own subconscious. Her descriptions almost hurt as they land with apparently effortless precision. This has a seemingly simple premise, yet it thoroughly provokes thoughts and contemplation. The words danced into my mind, and pieces of my heart cracked and broke away. A wonderful balance is maintained as hope is allowed to remain within touching distance. These are characters that will stay with me, this is a story that I will return to. Unsettled Ground evokes raw emotions and yet it is a thoughtfully compassionate and gorgeous story. Highly recommended.
Our April 2021 Book Club Recommendation Click here to see our Reading Group Questions. With love and family sitting centre stage, this is an emotionally intelligent and beautiful novel. Reclusive 51 year old twins Jeanie and Julius find their lives in disarray when their mother dies and secrets spill forth. At LoveReading we have adored Claire Fuller’s novels since her debut Our Endless Numbered Days which won the Desmond Elliott Prize in 2015. I love her writing style, she has the ability to take you to known yet entirely unexpected places within the human soul and your own subconscious. Her descriptions almost hurt as they land with apparently effortless precision. This has a seemingly simple premise, yet it thoroughly provokes thoughts and contemplation. The words danced from the pages into my mind, and pieces of my heart cracked and broke away. A wonderful balance is maintained as hope is allowed to remain within touching distance. These are characters that will stay with me, this is a story that I will return to. Unsettled Ground evokes raw emotions and yet it is a thoughtfully compassionate and gorgeous read. Highly recommended and a LoveReading Star Book.
Brought to you by Penguin. Kai lives in a mixed-race family on a rural council estate in Somerset where he and his three older sisters have three different dads, and his mum is being led into crack addiction by his petty-thief father. He idolises his dad, adores his friend Saffie and the school rabbit Flopsy, and is full of ambition to be the fastest runner in Middledown Primary. He and Saffie build a secret world of friendship in the school garden. But Kai's natural optimism, imagination and energy run up against adult behaviour he doesn't understand: his parents' on-and-off romance, his dad's increasing addiction and the limitations of poverty. Despite the people who try to look out for him, notably his loving Nanny Sheila and his big sister Leah, Kai's life drifts towards a tragedy from which it is hard for him to recover. The refuge he seeks in his love of nature, and the wild rabbits who have made their burrows in the woods, may not be refuge enough. Karla Neblett has created a vivid language that is both crafted and raw to tell a story of class, race and how our society fails working class young men.
WOW! What a fabulous and enjoyable read - read it in one sitting as needed to know what happened next. A tale of time travel from 2020 to 1982 - and back again. Following the story of Tom when he meets Beth - such detail in lives during the pandemic of 2020 and lives in 1982. Don't want to give too much of the story away - can't recommended it highly enough. I have just ordered one of her other books I am so impressed. Jayne Burton, A LoveReading Ambassador
This was a wonderful read but also a difficult title to categorise as it covers many subjects throughout its pages.The author writes with humour and realism whilst conjuring up a magical experience to take readers on. I was drawn in from the prologue and being of a similar age to the author found myself nodding in agreement at various reminiscences. The pairing of Casey and Danny as childhood friends was brilliantly observed with the way they spoke, argued, joked and cried together as they overcame often insurmountable obstacles during the journey. Like Casey I, too, was unsure how the trip would work-if it could work-with the third traveller but it added a positive poignant dimension to the story. I was in admiration of the historical paragraphs relating to each country the trio passed through but it ultimately was a way that helped break the ice between Casey and Ari. It also made for interesting reading and I felt I learned a lot! Alice was a great addition to the storyline and I was sad to see her go before the trip ended. She had been through so much for a second hand ice cream van! However by using other modes of transport other characters could then be brought in subtlety to continue the rich pattern of different cultures and languages. If you are looking for a thought-provoking read covering friendships, relationships and travel tips then look no further. An absolutely fantastic debut novel. Caroline Highy, A LoveReading Ambassador
An eye-opening novel that feels like a blistering, witty, understanding-of-self travel diary, and an insight into 19 year old Erin’s soul. Erin travels around the top of the globe to Alaska, as she wants to burst the image of the rugged male explorer. I saw the synopsis for The Word For Woman is Wilderness and just had to read it as I’ve been to Alaska, and read various books set there, including Into The Wild by Jon Krakauer, based on the true story of a traveler who died while trying to live off the land. Erin has read the same books, feels the same pull by the wilderness, and she has been written so beautifully by Abi Andrews that she slipped into a state of reality in my mind. I adored travelling with Erin, she took me to familiar and sometimes entirely unexpected places. It took me a little while to settle in and feel the words, the pace, the tone. I was surprised by her observations, so pithy, so huge, so spot on, it feels at times as though her thoughts have been bottled, shaken, and then explode out of her. The Word for Woman is Wilderness is a beautifully surprising, clever, startling novel and I adored it. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
So incredibly entertaining, this is a novel I can read again and again. Discover adventure, betrayal, revenge and love between the pages of a drama filled belter of a read. Yes, I love this book, and it is one of my favourite classic reads. Visit our '50 Classics Everyone Should Read' collection to discover more classic titles.
October 2017 Book of the Month | Shortlisted for the Man Booker Prize 2017. From the imagination of the peerless Ali Smith comes a shape-shifting series, wide-ranging in timescale and light-footed through histories, and a story about ageing and time and love and stories themselves. Here comes Autumn. On being Longlisted for the Man Booker prize Ali Smith said; "A lovely surprise – I'm very very chuffed – but especially to be on this longlist, in such bloody good company". You can read an interview with her on the Man Booker website here.
Winter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer's leaves? Dead litter. The world shrinks; the sap sinks. But winter makes things visible. And if there's ice, there'll be fire. In Ali Smith's Winter, lifeforce matches up to the toughest of the seasons.
An idyllic family are shattered by a phone call that reveals a terrible crime, committed years before. Alice Hoffman once again has hit gold with a story that will leave you feeling a plethora of emotions as you watch a family fall apart and the effects it has on all those around them. As always Hoffman captures the mood and atmosphere brilliantly, transporting you right in to this small sleepy town and it’s newfound problems. Highly recommended.
Set in the deep American south between the wars, this is the classic tale of Celie, a young poor black girl. Raped repeatedly by her father, she loses two children and then is married off to a man who treats her no better than a slave. She is separated from her sister Nettie and dreams of becoming like the glamorous Shug Avery, a singer and rebellious black woman who has taken charge of her own destiny. Gradually Celie discovers the support of women that enables her to leave the past behind and begin a new life. Head to our 'Black Lit Matters' list to find more must-read novels by black writers. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
So beautifully written, the chills prowl with unexpected menace to climb inside your thoughts, to lurk and provoke. Richard and Juliette’s son Ewan died at the age of 5, Juliette, convinced that her son is still in the house turns to a group of occultists, while Richard searches for the remains of a hangman’s oak tree opposite their home Starve Acre. Andrew Michael Hurley doesn’t waste a single word, each forms a web to create a picture as he captures the essence of a thought or thing. As the story grows, as the oak planted itself in my minds eye, the unsettling force of grief came to settle over everything. I sank into this tale and couldn’t leave, reading from the deep, dark and incredibly soulful first page through to the startling last in one heady afternoon. Folklore gathers in the background, grief preys on the unsuspecting, and a compelling story unfolds. Highly recommended, I have chosen Starve Acre as one of my picks of the month, and a LoveReading Star Book.
So beautifully written, the chills prowl with unexpected menace to climb inside your thoughts, to lurk and provoke. Richard and Juliette’s son Ewan died at the age of 5, Juliette, convinced that her son is still in the house turns to a group of occultists, while Richard searches for the remains of a hangman’s oak tree opposite their home Starve Acre. Andrew Michael Hurley doesn’t waste a single word, each forms a web to create a picture as he captures the essence of a thought or thing. As the story grows, as the oak planted itself in my minds eye, the unsettling force of grief came to settle over everything. I sank into this tale and couldn’t leave, reading from the deep, dark and incredibly soulful first page through to the startling last in one heady afternoon. Folklore gathers in the background, grief preys on the unsuspecting, and a compelling story unfolds. Highly recommended, I have chosen Starve Acre as one of my picks of the month, and a LoveReading Star Book.
'I started to write short pieces when I was living in a room too small to write a novel in.' So says Angela Carter of this collection, written during a period living in Toyko. These exotic, sensuous stories represent Carter's first major achievement in the short story form. Lush imaginary forests, a murderous puppet show and an expressionistic vision of Japan: each one instantly conjures an atmosphere, dark and luminous in turn, and from the recognisably daring imagination of one of the great twentieth-century stylists.
This is considered one of her best novels and does deserve such praise. A wonderfully descriptive book, it is the attention to detail that makes this such an absorbing read, you can picture every line on each character’s face, each subtle movement that they make. Another book of love, longing and loss beautifully told.
Winner of the Orange Prize for Fiction 2002. Terrorists highjack a gathering in a small Latin American country hoping to hold hostage the President, however he had decided to stay home and so the terrorists find themselves with a group of foreign hostages as their bargaining tool. This is not a book about violence and terrorism though this is a book about a group of people thrown together in extraordinary circumstances and the relationships that develop. A Powerful, emotional, treasure of a book. A "Piece of Passion" from the publisher... Ann Patchett's novel is set in an unnamed South American country and is based on the 1996 Japanese embassy hostage crisis in Lima, Peru. Widely praised as one of the best books of 2001, Bel Canto went on to win the Orange Prize and become a bestseller – and rightly so. Patchett skilfully uses the dramatic events and a superb cast of characters to build a beautifully written novel, bursting with unexpected relationships and a wonderful sense of humour throughout.
The unnamed narrator of this remarkable novel is a vulnerable, bookish eighteen-year-old who lives in a close-knit community beset by sectarian violence. Harassed by an older man she calls Milkman, she’s compelled to keep her encounter with this sinister figure a deeply buried secret. She’s isolated, silenced, and must remain silent, and it’s this that cuttingly resonates with the #MeToo movement, and also with the situation of many teenage girls whose early experiences of womanhood all too often involve fear, shame and secrecy. Many reviews of this novel speak of its “challenging” nature, its “difficult” experimentalism, but whether a reader finds it to be “difficult” very much depends as to how one engages with the narrator. It took a little while to fall in step with her rhythm, but I found her stream-of-consciousness voice compelling and richly rewarding. Sharp on the psychology of small communities and the repercussions of inaction, and quirkily comic to boot, this is an exhaustively exceptional novel.