No catches, no fine print just unadulterated book loving, with your favourite books saved to your own digital bookshelf.
New members get entered into our monthly draw to win £100 to spend in your local bookshop Plus lots lots more…Find out more
This is where you will find stunning books from literary masters past and present. Literary fiction doesn’t just mean good or valued, as brilliant writing can be found in any genre. These are serious stories with high artistic qualities that strike at the heart of what it is to be human.
This haunting tale of a child’s faltering navigation of her poverty-stricken upbringing in rural Australia crackles with grit, beauty and poignant truths of the human heart. The world is a bleak and bewildering place for Justine. Born “back to front”, she also sees words the wrong way round. “My words were breech like me. Every year finished and I never caught up.” Abandoned by her mother and with her unhinged, unreliable father largely absent, she lives in poverty with her war-traumatised grandfather, Pop. While Justine is isolated and neglected, she experiences some of life’s joys though her friendship with Michael, a bright spark of a boy who’s written off for his disabilities and cruelly known to his classmates as “spastic elastic”. Theirs is a truly life-affirming relationship, a beautiful bond built on understanding and kindness in Justine’s otherwise brutal world. Then there’s fellow outsider Aunty Rita, who lives in the city but offers Justine a helping hand, inviting her to call whenever she needs to, though Justine can’t decipher Rita’s phone numbers – Justine’s moments of light are typically quick to fade and flicker out. Emotionally isolated and disoriented by the dysfunctional adults in her life, Justine’s voice is acutely involving, her naïve perspective poignant with real-life rawness. What a feat of suspenseful and tautly lyrical storytelling this is, a moving story that ends on a note of bittersweet hope.
'An unapologetic novel of ideas which is also wise, funny and paced like a thriller' Observer The magnificent new novel by bestselling award-winning Kate Atkinson In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past for ever. Ten years later, now a producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence. Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit and empathy. It is a triumphant work of fiction from one of this country's most exceptional writers. 'How vehemently most novelists will wish to produce a masterpiece as good' Telegraph
LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2019 Lucy has been writing her dissertation for nine years when she and her boyfriend have a dramatic break-up. After she hits rock bottom, her sister in Los Angeles insists that Lucy dog-sit for the summer. Staying in a gorgeous house on Venice Beach, Lucy can find little relief from her anxiety - not in the Greek chorus of women in her love addiction therapy group, not in her frequent Tinder excursions, not even in Dominic the dog's easy affection. Everything changes when she becomes entranced by an eerily attractive swimmer while sitting alone on the beach rocks one night. But when Lucy learns the truth about his identity, their relationship, and Lucy's understanding of what love should look like, take a very unexpected turn.
Longlisted for the Desmond Elliott Prize 2019 Exploring themes of ownership and abandonment, Eleanor Anstruther's bestselling debut is a fictionalised account of the true story of Enid Campbell (1892-1964), granddaughter of the 8th Duke of Argyll. Interweaving one significant day in 1964 with a decade during the interwar period, A Perfect Explanation gets to the heart of what it is to be bound by gender, heritage and tradition, to fight, to lose, to fight again. In a world of privilege, truth remains the same; there are no heroes and villains, only people misunderstood. Here, in the pages of this extraordinary book where the unspoken is conveyed with vivid simplicity, lies a story that will leave you reeling.
At once lyrical and sparse, intimate and expansive, delicate and sharp, this collection is the final work of a late, great writer who understood and articulated the subtle complexities of the human heart in each of her novels, poems and stories. The themes here will be familiar to Dunmore aficionados – friendship, family, folk at life’s liminal junctures. Take Nina, whose tales portray a young woman teetering into a new phase of life. She’s a naïve and lonely seventeen-year-old living in a drab bedsit, unsure of what to do, but making do and on the brink - one hopes - of finding her place in the world. Indeed, many of these stories explore life’s big transitions, and how individuals live with such precariousness, as in “A Night Out”, a life-affirming tale of two widows’ unforeseen unity beneath the stars. There’s much tenderness too, characters who awaken affection, a personal favourite being glorious Auntie Binnie, an unassuming companion to an old lady who blooms as an artist later in life (“Portrait of Auntie Binbag, with Ribbons”). While Dunmore’s devotees will adore this treasure, I’d also recommend it wholeheartedly as an introduction to her exquisite writing.
Unusual, stunning, stinging, a book to fall into, to flinch from, to be carried away by. When Bonnie and her family seek sanctuary in a cliff-top house, she meets Dominic who hides away in plain sight, both hurting and seeking a release, their lives collide. It took me a few pages to adjust to, and fall into sync with the glorious writing style, which felt as though it bypassed the page and instead reached straight into my mind. Fiona Vigo Marshall has the ability to describe things so richly and beautifully that sometimes it isn't immediately obvious that the subject itself isn't necessarily beautiful. The raw and elemental style, when linking with the lyrical descriptions allowed me to feel, really feel the words as they met inside me. Things that aren’t immediately obvious become obvious, so take patience by the hand, allow the story to wander at its own pace, release yourself to the exploration, and let the feelings created settle before moving on. ‘Find Me Falling’ is an emotional read, and while sometimes uncomfortable, is most definitely a reading journey worth taking, I loved it!
Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Bring a timeless treasure from Mark Twain to another generation. Miffed about being made to whitewash the fence on a Sunday morning, Tom Sawyer tricks his friend to do the work for him, while he sits on the pavement, happily munching an apple. So begins the series of Tom's adventures and misadventures. Orphaned and staying with his Aunt Polly, the mischievous Tom manages to create quite a stir in the small village. He runs away to an uninhabited island, falls in love, digs up treasure, and saves an innocent man. The book will take older children through a journey of evolving friendships, budding romance, and thrilling adventures. European English spelling/language conventions
Longlisted for the Desmond Elliott Prize 2019 When your mother considers another country home, it's hard to know where you belong. When the people you live among can't pronounce your name, it's hard to know exactly who you are. And when your body no longer feels like your own, it's hard to understand your place in the world. This is a novel of growing up between cultures, of finding your space within them and of learning to live in a traumatized body. Our stubborn archivist tells her story through history, through family conversations, through the eyes of her mother, her grandmother and her aunt and slowly she begins to emerge into the world, defining her own sense of identity.
LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2019 The moving, powerful and urgent English-language debut from one of the brightest young stars in world literature Suppose you and Pa were gone, and we were lost. What would happen then? A family in New York packs the car and sets out on a road trip. A mother, a father, a boy and a girl, they head south west, to the Apacheria, the regions of the US which used to be Mexico. They drive for hours through desert and mountains. They stop at diners when they're hungry and sleep in motels when it gets dark. The little girl tells surreal knock knock jokes and makes them all laugh. The little boy educates them all and corrects them when they're wrong. The mother and the father are barely speaking to each other. Meanwhile, thousands of children are journeying north, travelling to the US border from Central America and Mexico. A grandmother or aunt has packed a backpack for them, putting in a bible, one toy, some clean underwear. They have been met by a coyote: a man who speaks to them roughly and frightens them. They cross a river on rubber tubing and walk for days, saving whatever food and water they can. Then they climb to the top of a train and travel precariously in the open container on top. Not all of them will make it to the border. In a breath-taking feat of literary virtuosity, Lost Children Archive intertwines these two journeys to create a masterful novel full of echoes and reflections - a moving, powerful, urgent story about what it is to be human in an inhuman world.
Longlisted for the Desmond Elliott Prize 2019 SHORTLISTED FOR THE MAN BOOKER PRIZE 2018 It's been sixteen years since Gretel last saw her mother, half a lifetime to forget her childhood on the canals. But a phone call will soon reunite them, and bring those wild years flooding back: the secret language that Gretel and her mother invented; the strange boy, Marcus, living on the boat that final winter; the creature said to be underwater, swimming ever closer. In the end there will be nothing for Gretel to do but to wade deeper into their past, where family secrets and aged prophesies will all come tragically alive again.