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This is where you will find stunning books from literary masters past and present. Literary fiction doesn’t just mean good or valued, as brilliant writing can be found in any genre. These are serious stories with high artistic qualities that strike at the heart of what it is to be human.
Fake is the intriguing story of James Cowper, an art dealer grappling to recover his work and married life after misdemeanors including theft and gambling which take place before the start of the book. I found James quite endearing throughout, his dry humour and quite optimistic outlook despite his circumstances made me quite fond of him. The plot, without going into too much detail reminded me of a Harold Pinter play, the author does very well at creating a tense and uncertain atmosphere in Delancey Street, a home that’s supposed to be a space of refuge. This unease builds and, even though you can feel where it’s going you don’t quite know how bad the fallout would be. The general unlikeability of Bruce demonstrated how good the author is at developing characters, and I felt differently towards each of them.As more of the plot is revealed those feelings towards all of the characters changed too. I wouldn’t say any of the characters are likeable, they all have their flaws, but you get to know them in a great amount of detail. This is a book that I think readers could find farcical, as one comically bad situation develops into another. I actually found Fake to be quite tension-filled, with the uncertainty and uncomfortable feeling of the living situation at Delancey Street leaching out of the pages and giving me slight anxiety about how everything was going to turn out in the end. This was an absorbing read and I’ll look out for more books from this author in the future.
SHORTLISTED FOR THE 2020 BOOKER PRIZE In this tense and psychologically charged novel, Tsitsi Dangarembga channels the hope and potential of one young girl and a fledgling nation to lead us on a journey to discover where lives go after hope has departed. Here we meet Tambudzai, living in a run-down youth hostel in downtown Harare and anxious about her prospects after leaving a stagnant job. At every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point.
Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food to the Dead. But mostly, he is alone. Messages begin to appear, scratched out in chalk on the pavements. There is someone new in the House. But who are they and what do they want? Are they a friend or do they bring destruction and madness as the Other claims? Lost texts must be found; secrets must be uncovered. The world that Piranesi thought he knew is becoming strange and dangerous. The Beauty of the House is immeasurable; its Kindness infinite.
Mansfield Park is considered Jane Austen's first mature work and, with its quiet heroine and subtle examination of social position and moral integrity, one of her most profound.
May 2014 Guest Editor Daisy Goodwin on Persuasion... I love Jane Austen with a deep and enduring passion, and I think the story of Anne Elliott’s second chance is possibly my favourite. The way that she revives as a character like a flower soaking up water is quite miraculous. It is also has a plot of clockwork perfection. I read this book at least once a year and I always find something new to marvel at.
Often regarded as Jane Austen’s greatest work, the eponymous Emma is an attractive, altruistic, self-absorbed young woman of means who’s sworn off marriage, addicted to match-making her circle of friends (with usually dreadful results), and - horror of horrors! - falls in love. This prettily packaged Wordsworth Collector’s Edition will make a delightful gift for a friend, or a great addition to school libraries, with a hardback format that’s both attractive and resilient. Beautiful Books - Wordsworth Collector's Editions - The latest series for people that love beautiful books.
Longlisted for the Booker Prize 2020 This life is like being in an ocean. Some people keep swimming towards the bottom. Some people touch the bottom with one foot, or even both, and then push themselves off it to get back up to the top, where you can breathe. Others get to the bottom and decide they want to stay there. I don't want to get to the bottom because I'm already drowning. This is a story of a London you won't find in any guidebooks. This is a story about what it's like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities - and the girls trying to make it their own way. This is a story of reputations made and lost, of violence and vengeance - and never counting the cost. This is a story of concrete towers and blank eyed windows, of endless nights in police stations and prison cells, of brotherhood and betrayal. This is about the boredom, the rush, the despair, the fear and the hope. This is about what's left behind.
Beautifully eloquent, well written, and somehow teetering right on the edge of being a crime novel even with a murder and two investigating detectives. When a young woman is murdered, a neighbour and retired teacher is arrested and quickly forged into a monster by the press and social media. One of the detectives recognises his former teacher and takes a step back into his childhood. This is a book that covers a number of subjects, it is both sharp and focused, and lyrically descriptive. While a murder sits at its heart, it looks into the shadows of hate, bullying and abuse. Patrick McGuinness has the ability in a few words to paint a vivid scene. New thoughts cracked open inside my head and I felt that not a word was wasted, even when “a third cup of tea” is poured. As I read I explored a variety of emotions and found myself entirely consumed by Throw Me to the Wolves. A Liz Pick of the Month, and a fabulously provocative and challenging read, I loved it.
Beautiful, brutal and raw - I cannot praise Michael Crummey’s The Innocents highly enough. Set in an inhospitable isolated area of the Newfoundland coast in the nineteenth-century, it’s a remarkable Garden of Eden, Babes in the Wood masterwork in which we witness age-old nature-nurture conflicts ebb and flow as we observe two siblings living on the edge, in every sense. Through their poignant passages to adulthood we see humanity at its most elemental, and we’re compelled to consider what it means to become a human adult Siblings Evered and Ada have survived the loss of their mother and baby sister Martha, though Ada still hears and speaks to Martha. Now their father has died and there’s no one but them to remove his body from their home. No one but each other to ensure they survive. Equipped with very limited knowledge of the world, and facing perilous poverty, the siblings fish and cure their catch, as their father used to, but the catches come either in unmanageable excess, or not at all. They are never far from the ravages of starvation, or wild storms. As time passes, Ada and Evered derive secret knowledge from their bodies, as well as from infrequent interactions with outsiders. Once a year, men come to collect the sibling’s paltry cured fish, dropping off scant supplies as payment. Then there are chance visits from seamen surprised to find them living alone in this precarious way. The siblings assimilate new knowledge from these unexpected visitors – knowledge of brewing, hunting, history and human relationships - who in turn leave indelible marks on Ada and Evered, leaving them changed to the extent that “each in their own way was beginning to doubt their pairing was requisite to what they might want from life.” Inspired by a story the author found in local archives, this is an incredibly haunting novel – the language powerfully pure, the story uniquely thought-provoking.
From the detailed domestic scenes dappled with loss, love, hardship and hanging on, to sweeping waves of war, the rare power of Maaza Mengiste’s The Shadow King creeps up on you, catches you unaware, becomes compulsive in the manner of complex classics of the ancient world. It’s 1935 in Ethiopia and newly-orphaned Hirut is employed as a maid by an officer in Emperor Hailie Selassie’s army. In her previous life, Hirut’s father taught her to use a gun: “This, he says, you do not touch unless you are prepared. Prepared for what, she asks. He slips the bullet back into his pocket. Prepared to be something you are not.” And this is what Hirut is prepared for when Ethiopia is invaded by Mussolini’s vengeful army. Not content to merely care for the wounded, she devises a plan and rouses women to rise up and fight. As they shift from being housewives, to nurses, to warriors, their stories are haunting, harrowing and stirring, and this novel confirms Mengiste’s status as a writer blessed with lyrical bravery and unique vision. Head to our 'Black Lit Matters' list to find more must-read novels by black writers. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
Our August 2020 Book Club Recommendation. Click here to see our Reading Group Questions. Glorious! A novel of such startling sincerity, clarity and eloquence it feels as though the narrator herself is stamped onto every page. A Room Made of Leaves is inspired by letters and documents on entrepreneur and pioneer John Macarthur and his wife Elizabeth. They left England in 1788 for New South Wales in Australia when he was posted as Lieutenant to the penal colony of Sydney Town. This is Kate Grenville’s first novel in a decade, she is the author of the 2006 Man Booker shortlisted novel The Secret River. Elizabeth narrates, headstrong and wilful she nonetheless finds she is folding herself smaller and smaller in order to not be observed. Each chapter may be short but they are full of suppressed emotion, candour, and are as compelling as can be. The chapter headings, if all joined together, would create a story in themselves. As each word, as each sentence and chapter flowers, the inner being of Elizabeth opened to allow me to see, and also feel her emotions. The cover is gorgeous and the understanding of the title when it came, made the beauty resonate all the more. Australia is obviously much loved, and I in turn loved reading between the lines of history. Unique and spirited, A Room Made of Leaves truly is a beautiful novel, it also deservedly joins our LoveReading Star Books. Have a look at our Ambassador Book Buzz for A Room Made of Leaves. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
SHORTLISTED FOR THE BOOKER PRIZE 2020: A searing, compulsively readable story of mothers and daughters, memory and madness, love and betrayal. PICKED AS A BOOK OF THE YEAR 2020 BY the Guardian, Economist, Spectator and more... In her youth, Tara was wild. She abandoned her arranged marriage to join an ashram, took a hapless artist for a lover, rebelled against every social expectation of a good Indian woman - all with her young child in tow. Years on, she is an old woman with a fading memory, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a mother who never seemed to care for her. This is a poisoned love story. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar gradually untangles the knot of memory and myth that bind two women together, revealing the truth that lies beneath.