No catches, no fine print just unadulterated book loving, with your favourite books saved to your own digital bookshelf.
New members get entered into our monthly draw to win £100 to spend in your local bookshop Plus lots lots more…Find out more
This is where you will find stunning books from literary masters past and present. Literary fiction doesn’t just mean good or valued, as brilliant writing can be found in any genre. These are serious stories with high artistic qualities that strike at the heart of what it is to be human.
Who was Nick Carraway before he stepped into the world of The Great Gatsby? Michael Farris Smith sets out to explore these questions in Nick, a darkly absorbing, brilliantly accomplished literary undertaking provoked by the author’s complex relationship with F. Scott Fitzgerald’s masterpiece. With themes of isolation and dislocated identity at its heart, this masterful novel opens in Paris when Nick leaves his lover to return to the horrors of war, ever conscious of death. Imagining his own demise, he wonders, “Who would be there to mourn?... Did anyone truly love him and did he love anyone?” Nick is also constantly consumed by an impulse to escape, juxtaposed with wondering what it is “know your place in the world”. Unable to find his lover when the war is over, and unable to bring himself to return to the family home, he transports himself to Frenchtown, New Orleans, with its drinking dens, whorehouses and vicious vendettas. The world over seems to be filled with folk floundering, people desperate to escape or obliterate their tattered lives, and time and time again Nick’s life entwines with fellow broken, lost souls. This curious magnetism is pertinently expressed by sick bartender Judah when he says, “if there’s one thing the lost are able to recognise it is the others who are just as wounded and wandering.” Ending on a radiant dawn epiphany scene, with Nick on the verge of moving East, this left me longing to re-visit The Great Gatsby, and keen to read the rest of Farris Smith’s novels.
Katherine O’Dell is an Irish theater legend. Every moment of her life is a performance, with her daughter, Norah, standing in the wings. With age, alcohol, and dimming stardom, however, Katherine’s grip on reality grows fitful. Fueled by a proud and long-simmering rage, she commits a bizarre crime. As Norah’s role gradually changes to Katherine’s protector, caregiver, and finally legacy-keeper, she revisits her mother’s life of fiercely kept secrets; and Norah confronts in turn the secrets of her own sexual and emotional coming-of-age. With virtuosic storytelling, Actress weaves together two generations of women with difficult sexual histories, touching a raw and timely nerve. With virtuosic storytelling and in prose at turns lyrical and knife-sharp, Enright takes readers to the heart of the maddening yet tender love that binds a mother and daughter.
Beginning in rural Jamaica in the late 1950s with the island on the verge of independence from Britain, A Tall History of Sugar is an all-consuming story of love, history and self-determination whose author, Curdella Forbes, possesses a majestic ability to evoke the big from the small. Rich details of dialogue, of time and place, of inner states and the outer world, intermesh with a sweeping sense of history, with its pertinent opening line referencing the state of contemporary Britain: “Long ago, when teachers were sent from Britain to teach in the grammar schools of the West Indian colonies (it was Great Britain then, not Little England, as it is now, after Brexit and the fall of empire)…” At the heart of this mythic tale is Moshe, whose appearance and biblical discovery as a baby in a twist of sea grape trees shrouds him in mystery, and elicits much mockery and fear. “With his pale skin, one sky-blue eye and one dark-brown eye…people said the boy just looked like sin. Big sin at work when he was made.” After spending his first years in the company of the childless woman who found him, Moshe forms an unbreakable bond with fellow outsider Arrienne. At school, “with the large girl sitting silently beside him, he felt that he would die of happiness.” While both Arrienne and Moshe excel in their studies, artistically gifted Moshe leaves his politically-engaged soul mate and arrives in England during the hot, fractious summer of 1976, where he hopes to find his birth father. His search takes him from Brixton, borough with a “thousand faces”, to Bristol, where he encounters the incongruity of former slave-owners being celebrated as hero philanthropists, with the urge to be close to Arrienne remaining a constant draw through all his experiences. Complex, compelling and luminously lyrical, this tells a powerful tale I know I’ll return to over and over. Read our 'Book-aneers of the Caribbean' listicle to find more unforgettable books by Caribbean writers. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
From the best-selling, prize-winning author of Golden Hill, Light Perpetual is a story of the everyday, the miraculous and the everlasting. Ingenious and profound, full of warmth and beauty, it is a sweeping and intimate celebration of the gift of life.
February 2021 Book Club Recommendation Click here to see our Reading Group Questions. Excuse me while I rave about this book, it’s so different, so powerful, so fabulous that I’m experiencing reading elation after finishing it. When Wolf Willeford meets Mrs Death, he becomes her scribe and travels with her to view humanity as it circulates from life to death. A renowned performance poet, this is Salena Godden’s debut novel. In 2018 a BBC Radio 4 documentary was broadcast as it followed the novel as it was written over twelve months. Containing poetry, chants, commentary, recollections, moments in time, and all within the most wonderful story, this is a recognisable yet totally unique take on death. Her words entered my thoughts and made me see, search, examine, they entered my heart and made me feel. Small intimate and intricate moments sit alongside huge stories that are all linked by death. My feelings span from humour to heartbreak, from darkness to light, and all the while the story flows with strength and beauty. There may well be some emotionally difficult paths to explore along the way, and while uncomfortable reading in places this is as much about life, love, and hope as it is death. This is a reading experience I won’t forget and I just had to choose it as one of my Liz Picks of the Month and of course a LoveReading Star Book. Celebrating life and opening up questions on how we view death, Mrs Death Misses Death is a wake-up call of a book that I will be recommending far and wide.
Saskia and Jenny are twins, alike in appearance only: Saskia has a single-minded focus on her studies, while Jenny is glamorous, thrill-seeking and capricious. Still, when Jenny is severely injured in an accident, Saskia puts her life on hold for her sister. Sara and Mattie are sisters with another difficult dynamic: Mattie needs almost full-time care, while Sara loves nothing more than fine wines, perfumes and expensive clothing, and leaves home at the first opportunity. But when their mother dies, Sara must move Mattie in with her. Gradually, Sara and Saskia learn that both their sisters' lives, and indeed their own, have been altered by the devastating actions of one man... In turns razor-sharp, provocative and precise, Consent is a blistering novel of sisters and their knotty relationships, of predatory men and sexual power, of retribution and the thrilling possibilities of revenge.
Set in Barbados in 1984, Cherie Jones’s How the One-Armed Sister Sweeps Her House undulates with ocean-pure, ocean-powerful writing. Telling the poignant stories of Bajan women struggling to survive the actions of abusive men who’ve veered violently off track, it’s an exceptional debut that deftly exposes the inequalities of race and gender that simmer beneath the island’s paradisal veneer. As a child, Lala’s grandmother guardian told her the cautionary tale of the one-armed sister who disobeyed her elders and ventured into the tunnels near their home at Baxter’s Beach. As a young woman, Lala braids the hair of white tourists who rent luxury beachfront villas while she cares for her baby and lives with her abusive, petty criminal husband Adan. When Adan bungles a burglary, he unleashes a succession of devastating events that results in two women losing the thing most dear to them. As a result, Adan is compelled to flee to his secret hideaway, and so the tunnels of the cautionary tale take on real-world significance. Demonstrating the deep-rooted extent of patriarchal control and abuse, the narrative slips back in time to tell the stories of Lala’s mother and grandmother. “Of course she did not leave him. What woman leaves a man for something she is likely to suffer at the hands of any other?” - tellingly this excerpt is applicable to all three generations. The author also explores the tangled relationships between these women, and the complexity of mother-daughter bonds, such as when Lala comments, of herself, “despite your best efforts, you are exactly like your mother”. And yet, at the same time, she misses her mother “more than ever”. Another powerful theme is that of the destructive underbelly of tourism - the fishing villages that “died in the birthing of the big houses, because rich tourists who visit for a few months each year do not wish to suffer the stink of market”, and the men who sell themselves to older white women, such as Tone the gigolo, Lala’s childhood love, who’s much more than he seems. What a novel. What execution. What a writer to watch.
A powerful, provocative and quite wonderful modern literary fairy tale, but if you enter expecting ‘happily ever after’ you’ll be sorely disappointed. Rather than sugar and spice and all things nice, you’ll instead find a novel brimming with exquisitely sharp and pointed attitude. Thirteen and a half years after Cinderella married the man of her dreams and she’s had enough, she wants out. The prologue pierces love, and binds hate, firmly setting the tone, yet wicked humour and gentle observations also tickle the page. The echoes of well known fairy tales make themselves felt, adding to the enchantment. There is much to take delight in, yet beware, all magic is paid for and you’ll need to be on the look out for hidden snares. I adore the tale that runs alongside the main story, of the two mice that accompanied Cinderella and live in a world circling through an entire civilisation. How easy it is to view what you want to see, rather than what is actually there. As the fairy tale splinters and a shimmer of reality breaks through, I found my thoughts tossed high in the air, and where they will land, I still don’t know. So bright, so clever, and thought-provoking this just had to sit as a Liz Pick of the Month. I danced through the deep dark magic of The Charmed Wife, long live the fairy tale that lives beyond 'happily ever after'.
Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial politics as a young black woman wasn’t already hard enough, with nowhere else left to go, Edie finds herself falling head-first into Eric’s home and family. Razor sharp, provocatively page-turning and surprisingly tender, Luster by Raven Leilani is a painfully funny debut about what it means to be young now.
Reese nearly had it all: a loving relationship with Amy, an apartment in New York, a job she didn't hate. She'd scraped together a life previous generations of trans women could only dream of; the only thing missing was a child. Then everything fell apart and three years on Reese is still in self-destruct mode, avoiding her loneliness by sleeping with married men. When her ex calls to ask if she wants to be a mother, Reese finds herself intrigued. After being attacked in the street, Amy de-transitioned to become Ames, changed jobs and, thinking he was infertile, started an affair with his boss Katrina. Now Katrina's pregnant. Could the three of them form an unconventional family - and raise the baby together?
Maddy is sixteen. She has loyal friends, a mother with whom she's unusually close, a father she's never met, devoted grandparents, and a crush on a boy named Jack. Maddy is also dying. Told alternately by Maddy and her mother, Eve, All the Water in the World is a heart-breaking story of a family doing its best when faced with the worst, and a poignant testimony to the transformative power of love.
Your roots can always lead you home… Amjad cradles his baby daughter in the middle of the night. He has no time to mourn his wife’s death. Saahil and Zahra, his two small children, are relying on him. Amjad vows to love and protect them always. Years later, Saahil and his best friend, Ehsan, have finished university and are celebrating with friends. But when the night turns dangerous, its devastating effects will ripple through the years to come. Zahra’s world is alight with politics and activism. But she is now her father’s only source of comfort, and worries she’ll never have time for her own aspirations. Life has taken her small family in different directions – will they ever find their way back to each other? The Family Tree is the moving story of a British Muslim family full of love, laughter and resilience as well as all the faults, mistakes and stubborn loyalties which make us human.