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This is where you will find stunning books from literary masters past and present. Literary fiction doesn’t just mean good or valued, as brilliant writing can be found in any genre. These are serious stories with high artistic qualities that strike at the heart of what it is to be human.
What if Jesus had married? What kind of woman would he marry? Who would marry him? These questions are at the heart of Sue Monk Kidd’s sweepingly inventive The Book of Longings. Ana, with her “turbulent black curls and eyes the colour of rainclouds” and a narrative voice that sweeps you up in its bold passion, was born into a wealthy Galilean family. Sharp-minded and a gifted writer, Ana secretly transcribes the stories of matriarchs in the scriptures, women omitted from the records: “To be ignored, to be forgotten, this was the worst sadness of all. I swore an oath to set down their accomplishments and praise their flourishings, no matter how small. I would be a chronicler of lost stories.” Ana seems destined to marry an elderly widower to further her father’s career (he’s the closest adviser to Herod Antipas, whom Ana despises), until she encounters eighteen-year-old Jesus and is emboldened and aroused by his revolutionary ideas: “I called him Beloved and he, laughing, called me Little Thunder.” Jesus understands Ana’s longings, her “life begging to be born,” and she loves his kindness, his capacity for listening. Of course, we know how the real-life narrative plays out, but this affecting story gets under the skin as familiar events unfold through Ana’s eyes, as a proto-feminist, as wife of Jesus, as sister of Judas. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
Ancient gods and the elemental spirit of an island are interwoven with modern reality in this remarkable debut that begins with a family impoverished by the decline of the sugar cane industry. In the pounding, poetic words of Augie, the father of the household: ”I was once the sugarcane. I was the cane and clacking and the sugar-sweet smoke of the reaping season.” Amidst escalating money struggles, a shiver of sharks save seven-year-old Nainoa from drowning, which the family embrace as a sign from Hawai’i’s ancient gods, especially when Nainoa also seems to have been bestowed with healing powers. Throughout the writing is majestically powerful, from punch-packing phrases that slam you in the gut, to monumental descriptions that rise, crash, roar and swell like Big Island waves, not least when life unravels again after Nainoi – now a young adult - and his siblings leave the island for various parts of the USA. Sister Kaui captures one of the novel’s core themes when, relocated to San Diego, she speaks of being, “A person of here and there, and not belonging in either place.” Meanwhile, in Portland, struggling with his healing gift, and the failings of this gift, Nainoa recalls the shark incident and memories call to him: “Home. Come home.” With its sweeping sense of myth, this multi-voiced family saga is a brilliant, involving exposition of how the places we inhabit also inhabit us at bone-deep level. It rings and rages with the wrath, revival, healing and hope of its characters. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
LONGLISTED FOR THE BOOKER PRIZE 2020 America. In the twilight of the Gold Rush, two siblings cross a landscape with a gun in their hands and the body of their father on their backs . . . Ba dies in the night, Ma is already gone. Lucy and Sam, twelve and eleven, are suddenly alone and on the run. With their father's body on their backs, they roam an unforgiving landscape dotted with giant buffalo bones and tiger paw prints, searching for a place to give him a proper burial. How Much of These Hills is Gold is a sweeping adventure tale, an unforgettable sibling story and a remarkable novel about a family bound and divided by its memories.
Glorious, simply and beautifully glorious! Inspired by Shakespeare’s son Hamnet, this is the imagined story behind the writing of Hamlet, which was written between 1599 and 1601. Hamnet and Hamlet were apparently “entirely interchangeable in Stratford records in the late sixteenth and early seventeenth centuries”. Maggie O’Farrell says she wanted to write this story for over thirty years. “What did it mean for a father to name a tragic hero after his ( ) son. What was this unusual act telling us?” The cover design is beautiful, it called to me. On opening, I slipped into and fell in love with this tale. Hamnet has an almost otherworldly feel, and yet is as earthy and believable as can be. Two time frames sit side by side, Hamnet becoming ill in 1596, and then the earlier story of Shakespeare and Agnes meeting and falling in love. The descriptions became clear bright images in my mind. I could feel the words, they echoed deep inside me, creating pools of emotion. I cried on finishing, all the feelings that Hamnet created slipped out of me and trickled down my cheeks. I adore Hamnet, it now sits on my list of favourite books, and will be one that I reread each year. Chosen as a Book of the Month, LoveReading Star Book, and Liz Pick of the Month.
Set in 1980s Atlanta, Tayari Jones’s Silver Sparrow is a rich tour de force that sparkles with wit, warmth and candid lyricism. Exploring the weight of secrets and the complexities of love and family life through the compelling coming of age stories of sisters estranged by their father’s bigamy, this novel lingers long in the soul. “The truth is a strange thing. Like pornography, you know when you see it.” This potent proclamation cuts to the novel’s core, for Dana and her mother Gwen are the other wife, the other daughter, of bigamist James, and they know this truth while his first wife and daughter remain oblivious. Upset when James tells her that being his second daughter “You are the one that’s a secret,” Gwen poignantly informs Dana that rather than being secret, she’s simply “unknown. That little girl there doesn’t know she has a sister. You know everything.” Knowledge that she possesses the truth offers Dana consolation, of sorts. While James’s other family is financially better off, both wives have a distinct lack of agency. Indeed, the novel is sharp on showing how women often have to make their lives from what men decide, such as when Gwen remarks that when you’re four weeks late, “All you can do is give him the news and let him decide if he is going to leave or if he is going to stay.” The novel is also powerful on elemental love and the nature of memory, such as Dana’s response to being gifted a fur coat her father won in a card game: “To this day and for the rest of my life I will always have a soft spot for a man with rum on his breath.” In time, during her own tempestuous teenage years, Dana orchestrates encounters with her sister and they become friends, with tension rising as the secret threatens to detonate. With finely drawn, flawed characters that pull readers’ loyalties in different directions, this commanding, compassionate novel confirms the author’s exceptional gifts. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
This is an astounding novel telling the stories of twelve characters living across the country and through the years. Each character is vivid as they take centre stage to share their story with us. Whether it's the sassy, argumentative Yazz, or the devastating narratives of Carole and Dominique. This book is filled with humour, culture and passion and I think it is a must-read for everyone. Composed as poetic prose, Bernadine Evaristo's lyricism throughout makes the sections flow, hammers home key points and gives each character their own unique tone. This is a book that will stop you in your tracks as you find out more about the characters but will also stop you reading as you contemplate the beauty in Evaristo's style of writing. "It's a novel about who we are now". Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
LONGLISTED FOR THE 2020 BOOKER PRIZE The novel of a lifetime about two men and their daughters: divided by conflict, yet united in grief. Rami Elhanan and Bassam Aramin live near one another - yet they exist worlds apart. Rami is Israeli. Bassam is Palestinian. Rami's license plate is yellow. Bassam's license plate is green. It takes Rami fifteen minutes to drive to the West Bank. The same journey for Bassam takes an hour and a half. Both men have lost their daughters. Rami's thirteen-year-old girl Smadar was killed by a suicide bomber while out shopping with her friends. Bassam's ten-year-old daughter Abir was shot and killed by a member of the border police outside her school. There was a candy bracelet in her pocket she hadn't had time to eat yet. The men become the best of friends. In this epic novel - named for a shape with a countably infinite number of sides - Colum McCann crosses centuries and continents, stitching time, art, history, nature and politics into a tapestry of friendship, love, loss and belonging. Musical, muscular, delicate and soaring, Apeirogon is the novel for our times.
Goosebumps still compete in a race down my arms when I think about The Snakes, it is remarkable, truly remarkable, so please just trust me when I say this is a must-read. Bea and Dan rent out their flat so they can travel, stopping off at her brother’s hotel in France on route. When Bea’s parents unexpectedly visit, Dan can’t understand why Bea has kept them at arms length and refused their financial help all of these years, surely it can’t hurt to get to know them? Sadie Jones is a master storyteller, apparently simple sentences gang together to create a slicing tension. There is a purity to the writing, even though the very darkest of human attributes are so wonderfully and tellingly observed as the tale unfolds. This isn’t a comfortable read, but gosh it’s compelling, I sat and read it in one heady afternoon. I felt on high alert, my mind unclouded as I tasted, tested, scrutinised both the thoughts of the characters, and my own. ‘The Snakes’ is powerful and provocative, not in a shouty, boastful way, it slid into my mind, creating and filling secret spaces, and when I reached the last few pages, and read the final words, I just stopped and sat in wondering heart-hammering silence.
Shortlisted for the Booker Prize 2020 It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. Shuggie is different. Fastidious and fussy, he shares his mother's sense of snobbish propriety. The miners' children pick on him and adults condemn him as no' right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place. Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst's The Line of Beauty, it also recalls the work of Edouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell.
Beginning in rural Jamaica in the late 1950s with the island on the verge of independence from Britain, A Tall History of Sugar is an all-consuming story of love, history and self-determination whose author, Curdella Forbes, possesses a majestic ability to evoke the big from the small. Rich details of dialogue, of time and place, of inner states and the outer world, intermesh with a sweeping sense of history, with its pertinent opening line referencing the state of contemporary Britain: “Long ago, when teachers were sent from Britain to teach in the grammar schools of the West Indian colonies (it was Great Britain then, not Little England, as it is now, after Brexit and the fall of empire)…” At the heart of this mythic tale is Moshe, whose appearance and biblical discovery as a baby in a twist of sea grape trees shrouds him in mystery, and elicits much mockery and fear. “With his pale skin, one sky-blue eye and one dark-brown eye…people said the boy just looked like sin. Big sin at work when he was made.” After spending his first years in the company of the childless woman who found him, Moshe forms an unbreakable bond with fellow outsider Arrienne. At school, “with the large girl sitting silently beside him, he felt that he would die of happiness.” While both Arrienne and Moshe excel in their studies, artistically gifted Moshe leaves his politically-engaged soul mate and arrives in England during the hot, fractious summer of 1976, where he hopes to find his birth father. His search takes him from Brixton, borough with a “thousand faces”, to Bristol, where he encounters the incongruity of former slave-owners being celebrated as hero philanthropists, with the urge to be close to Arrienne remaining a constant draw through all his experiences. Complex, compelling and luminously lyrical, this tells a powerful tale I know I’ll return to over and over. Read our 'Book-aneers of the Caribbean' listicle to find more unforgettable books by Caribbean writers. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
A collection of Kafka's greatest short fiction, translated by Michael Hofmann Kafka's masterpiece of unease and black humour, Metamorphosis, the story of an ordinary man transformed into an insect, is brought together in this collection with the rest of his works that he thought worthy of publication. It includes Contemplation, a collection of his earlier short studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America; and an eyewitness account of an air display. Together, these stories, fragments and miniature gems reveal the breadth of his vision, his sense of the absurd, and above all his acute, uncanny wit. Translated with an introduction by Michael Hofmann
An incredibly engaging, fascinating, and rather beautiful read, this book will stay with me for some time. A couple seek refuge after the Spanish Civil War and end up in Chile, where years later they again face exile. Covering the period from 1938 through to 1994, this is a story that crosses continents, examines topics such as fascism, war, and migration, yet is as intimate as intimate can be. I entered and thought no more about the fact that this was translated from Spanish by Nick Caister and Amanda Hopkinson, it is so clearly, simply, and fabulously done. Within the first few pages there were tears in my eyes. I couldn’t stop reading, thoughtful and sensitive, yet not afraid to focus on unbearable sorrow, this feels as though it could be a biography. As Isabelle Allende explains in the acknowledgments, while this is a novel, with fictional characters (though based on people she has known), the historical events and people are real. She says: “This book wrote itself, as if it had been dictated to me” and I truly felt that. A Long Petal of the Sea opened my eyes and my heart, and has left me wanting to know more. Coming as highly recommended by me, it has also been chosen as a LoveReading Star Book.