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Find out moreThis is where you will find stunning books from literary masters past and present. Literary fiction doesn’t just mean good or valued, as brilliant writing can be found in any genre. These are serious stories with high artistic qualities that strike at the heart of what it is to be human.
In Baxter's Beach, Barbados, Lala's grandmother Wilma tells the story of the one-armed sister, a cautionary tale about what happens to girls who disobey their mothers. For Wilma, it's the story of a wilful adventurer, who ignores the warnings of those around her, and suffers as a result. When Lala grows up, she sees it offers hope - of life after losing a baby in the most terrible of circumstances and marrying the wrong man. And Mira Whalen? It's about keeping alive, trying to make sense of the fact that her husband has been murdered, and she didn't get the chance to tell him that she loved him after all. HOW THE ONE-ARMED SISTER SWEEPS HER HOUSE is the powerful, intense story of three marriages, and of a beautiful island paradise where, beyond the white sand beaches and the wealthy tourists, lies poverty, menacing violence and the story of the sacrifices some women make to survive.
A powerful, provocative and quite wonderful modern literary fairy tale, but if you enter expecting ‘happily ever after’ you’ll be sorely disappointed. Rather than sugar and spice and all things nice, you’ll instead find a novel brimming with exquisitely sharp and pointed attitude. Thirteen and a half years after Cinderella married the man of her dreams and she’s had enough, she wants out. The prologue pierces love, and binds hate, firmly setting the tone, yet wicked humour and gentle observations also tickle the page. The echoes of well known fairy tales make themselves felt, adding to the enchantment. There is much to take delight in, yet beware, all magic is paid for and you’ll need to be on the look out for hidden snares. I adore the tale that runs alongside the main story, of the two mice that accompanied Cinderella and live in a world circling through an entire civilisation. How easy it is to view what you want to see, rather than what is actually there. As the fairy tale splinters and a shimmer of reality breaks through, I found my thoughts tossed high in the air, and where they will land, I still don’t know. So bright, so clever, and thought-provoking this just had to sit as a Liz Pick of the Month. I danced through the deep dark magic of The Charmed Wife, long live the fairy tale that lives beyond 'happily ever after'.
SHORTLISTED FOR THE BOOKER PRIZE 2020: A searing, compulsively readable story of mothers and daughters, memory and madness, love and betrayal. PICKED AS A BOOK OF THE YEAR 2020 BY the Guardian, Economist, Spectator and more... In her youth, Tara was wild. She abandoned her arranged marriage to join an ashram, took a hapless artist for a lover, rebelled against every social expectation of a good Indian woman - all with her young child in tow. Years on, she is an old woman with a fading memory, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a mother who never seemed to care for her. This is a poisoned love story. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar gradually untangles the knot of memory and myth that bind two women together, revealing the truth that lies beneath.
A heart-breaking, unforgettable and incredible story that will stay with you long after you've finished it. It is difficult to believe it's a debut as you read the travails of young Shuggie, his alcoholic mother Agnes and see inside their dysfunctional family life in 1980s working-class Glasgow. It's a powerful story with unflinching honesty that will no doubt make you cry. It shows the power of love and despite the bleak subject matter, it's incredibly tender, hopeful and oh so readable. It's a triumph.
Rich in romance and peril, this explores the intersection of art, gender and politics in the turbulent 1930s, from Germany, Austria and Italy, to the United States. Second in a trilogy, Roma Calatayud-Stocks’s A Symphony of Rivals is suffused in the author’s passion for music, and her belief in the powerful persistence of art. The novel traverses 1930’s Germany, Austria, Italy and the United States as it tells the tale of Alejandra Morrison, a woman who aspires to become a symphony conductor in a man’s world, at a time when culture is increasingly coming under the crippling, censoring grip of Nazism. With a keen eye for detail and spritely dialogue, the author is clearly immersed in her subject as we follow Alejandra’s determined journey, first training with celebrated conductors in Berlin, later attracting the unwelcome attention of a high-ranking German officer. At times, this has the page-turning pace and drama of a literary thriller, replete with terrifying peril as Alejandra must make agonising, life-changing decisions, and domestic strife playing out alongside tangled political troubles. Musicophiles will no doubt appreciate the appendix that details works to accompany each chapter, among them Mozart’s Rondo Alla Turca, Hubfeld’s As Time Goes By, and Verdi’s Nabucco. Joanne Owen, A LoveReading Ambassador
Sometimes it's easy to fall between the cracks... At 3.04pm on a hot, sticky day in June, Bess finds out that she's pregnant. She could tell her social worker Henry, but he's useless. She should tell her foster mother, Lisa, but she won't understand. She really ought to tell Boy, but she hasn't spoken to him in weeks. Bess knows more than anyone that love doesn't come without conditions. But this isn't a love story...
Glorious, simply and beautifully glorious! Inspired by Shakespeare’s son Hamnet, this is the imagined story behind the writing of Hamlet, which was written between 1599 and 1601. Hamnet and Hamlet were apparently “entirely interchangeable in Stratford records in the late sixteenth and early seventeenth centuries”. Maggie O’Farrell says she wanted to write this story for over thirty years. “What did it mean for a father to name a tragic hero after his ( ) son. What was this unusual act telling us?” The cover design is beautiful, it called to me. On opening, I slipped into and fell in love with this tale. Hamnet has an almost otherworldly feel, and yet is as earthy and believable as can be. Two time frames sit side by side, Hamnet becoming ill in 1596, and then the earlier story of Shakespeare and Agnes meeting and falling in love. The descriptions became clear bright images in my mind. I could feel the words, they echoed deep inside me, creating pools of emotion. I cried on finishing, all the feelings that Hamnet created slipped out of me and trickled down my cheeks. I adore Hamnet, it now sits on my list of favourite books, and will be one that I reread each year. Chosen as a Book of the Month, LoveReading Star Book, and Liz Pick of the Month.
What if Jesus had married? What kind of woman would he marry? Who would marry him? These questions are at the heart of Sue Monk Kidd’s sweepingly inventive The Book of Longings. Ana, with her “turbulent black curls and eyes the colour of rainclouds” and a narrative voice that sweeps you up in its bold passion, was born into a wealthy Galilean family. Sharp-minded and a gifted writer, Ana secretly transcribes the stories of matriarchs in the scriptures, women omitted from the records: “To be ignored, to be forgotten, this was the worst sadness of all. I swore an oath to set down their accomplishments and praise their flourishings, no matter how small. I would be a chronicler of lost stories.” Ana seems destined to marry an elderly widower to further her father’s career (he’s the closest adviser to Herod Antipas, whom Ana despises), until she encounters eighteen-year-old Jesus and is emboldened and aroused by his revolutionary ideas: “I called him Beloved and he, laughing, called me Little Thunder.” Jesus understands Ana’s longings, her “life begging to be born,” and she loves his kindness, his capacity for listening. Of course, we know how the real-life narrative plays out, but this affecting story gets under the skin as familiar events unfold through Ana’s eyes, as a proto-feminist, as wife of Jesus, as sister of Judas. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
An incredibly engaging, fascinating, and rather beautiful read, this book will stay with me for some time. A couple seek refuge after the Spanish Civil War and end up in Chile, where years later they again face exile. Covering the period from 1938 through to 1994, this is a story that crosses continents, examines topics such as fascism, war, and migration, yet is as intimate as intimate can be. I entered and thought no more about the fact that this was translated from Spanish by Nick Caister and Amanda Hopkinson, it is so clearly, simply, and fabulously done. Within the first few pages there were tears in my eyes. I couldn’t stop reading, thoughtful and sensitive, yet not afraid to focus on unbearable sorrow, this feels as though it could be a biography. As Isabelle Allende explains in the acknowledgments, while this is a novel, with fictional characters (though based on people she has known), the historical events and people are real. She says: “This book wrote itself, as if it had been dictated to me” and I truly felt that. A Long Petal of the Sea opened my eyes and my heart, and has left me wanting to know more. Coming as highly recommended by me, it has also been chosen as a LoveReading Star Book.
From the bestselling and Booker Prize winning author of Never Let me Go and The Remains of the Day, a stunning new novel - his first since winning the Nobel Prize in Literature - that asks, what does it mean to love? A thrilling feat of world-building, a novel of exquisite tenderness and impeccable restraint, Klara and the Sun is a magnificent achievement, and an international literary event.
Who was Nick Carraway before he stepped into the world of The Great Gatsby? Michael Farris Smith sets out to explore these questions in Nick, a darkly absorbing, brilliantly accomplished literary undertaking provoked by the author’s complex relationship with F. Scott Fitzgerald’s masterpiece. With themes of isolation and dislocated identity at its heart, this masterful novel opens in Paris when Nick leaves his lover to return to the horrors of war, ever conscious of death. Imagining his own demise, he wonders, “Who would be there to mourn?... Did anyone truly love him and did he love anyone?” Nick is also constantly consumed by an impulse to escape, juxtaposed with wondering what it is “know your place in the world”. Unable to find his lover when the war is over, and unable to bring himself to return to the family home, he transports himself to Frenchtown, New Orleans, with its drinking dens, whorehouses and vicious vendettas. The world over seems to be filled with folk floundering, people desperate to escape or obliterate their tattered lives, and time and time again Nick’s life entwines with fellow broken, lost souls. This curious magnetism is pertinently expressed by sick bartender Judah when he says, “if there’s one thing the lost are able to recognise it is the others who are just as wounded and wandering.” Ending on a radiant dawn epiphany scene, with Nick on the verge of moving East, this left me longing to re-visit The Great Gatsby, and keen to read the rest of Farris Smith’s novels.
Beginning in rural Jamaica in the late 1950s with the island on the verge of independence from Britain, A Tall History of Sugar is an all-consuming story of love, history and self-determination whose author, Curdella Forbes, possesses a majestic ability to evoke the big from the small. Rich details of dialogue, of time and place, of inner states and the outer world, intermesh with a sweeping sense of history, with its pertinent opening line referencing the state of contemporary Britain: “Long ago, when teachers were sent from Britain to teach in the grammar schools of the West Indian colonies (it was Great Britain then, not Little England, as it is now, after Brexit and the fall of empire)…” At the heart of this mythic tale is Moshe, whose appearance and biblical discovery as a baby in a twist of sea grape trees shrouds him in mystery, and elicits much mockery and fear. “With his pale skin, one sky-blue eye and one dark-brown eye…people said the boy just looked like sin. Big sin at work when he was made.” After spending his first years in the company of the childless woman who found him, Moshe forms an unbreakable bond with fellow outsider Arrienne. At school, “with the large girl sitting silently beside him, he felt that he would die of happiness.” While both Arrienne and Moshe excel in their studies, artistically gifted Moshe leaves his politically-engaged soul mate and arrives in England during the hot, fractious summer of 1976, where he hopes to find his birth father. His search takes him from Brixton, borough with a “thousand faces”, to Bristol, where he encounters the incongruity of former slave-owners being celebrated as hero philanthropists, with the urge to be close to Arrienne remaining a constant draw through all his experiences. Complex, compelling and luminously lyrical, this tells a powerful tale I know I’ll return to over and over. Read our 'Book-aneers of the Caribbean' listicle to find more unforgettable books by Caribbean writers. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Excuse me while I rave about this book, it’s so different, so powerful, so fabulous that I’m experiencing reading elation after finishing it. When Wolf Willeford meets Mrs Death, he becomes her scribe and travels with her to view humanity as it circulates from life to death. A renowned performance poet, this is Salena Godden’s debut novel. In 2018 a BBC Radio 4 documentary was broadcast as it followed the novel as it was written over twelve months. Containing poetry, chants, commentary, recollections, moments in time, and all within the most wonderful story, this is a recognisable yet totally unique take on death. Her words entered my thoughts and made me see, search, examine, they entered my heart and made me feel. Small intimate and intricate moments sit alongside huge stories that are all linked by death. My feelings span from humour to heartbreak, from darkness to light, and all the while the story flows with strength and beauty. This is a reading experience that I won’t forget and I just had to choose it as one of my Liz Picks of the Month and of course a LoveReading Star Book. Celebrating life and opening up questions on how we view death, Mrs Death Misses Death is a wake-up call of a book that I will be recommending far and wide.
Maddy is sixteen. She has loyal friends, a mother with whom she's unusually close, a father she's never met, devoted grandparents, and a crush on a boy named Jack. Maddy is also dying. Told alternately by Maddy and her mother, Eve, All the Water in the World is a heart-breaking story of a family doing its best when faced with the worst, and a poignant testimony to the transformative power of love.
Your roots can always lead you home… Amjad cradles his baby daughter in the middle of the night. He has no time to mourn his wife’s death. Saahil and Zahra, his two small children, are relying on him. Amjad vows to love and protect them always. Years later, Saahil and his best friend, Ehsan, have finished university and are celebrating with friends. But when the night turns dangerous, its devastating effects will ripple through the years to come. Zahra’s world is alight with politics and activism. But she is now her father’s only source of comfort, and worries she’ll never have time for her own aspirations. Life has taken her small family in different directions – will they ever find their way back to each other? The Family Tree is the moving story of a British Muslim family full of love, laughter and resilience as well as all the faults, mistakes and stubborn loyalties which make us human.
A heart-breaking, unforgettable and incredible story that will stay with you long after you've finished it. It is difficult to believe it's a debut as you read the travails of young Shuggie, his alcoholic mother Agnes and see inside their dysfunctional family life in 1980s working-class Glasgow. It's a powerful story with unflinching honesty that will no doubt make you cry. It shows the power of love and despite the bleak subject matter, it's incredibly tender, hopeful and oh so readable. It's a triumph.
From childhood in Germany and England to young womanhood in Ghana, this enthralling novel follows a steadfastly thoughtful Ghanaian forging her own identity in the face of fractured family ties, tragedy and colonial imperialism. Though of illustrious heritage, Maya’s childhood as an émigré is complex, uncomfortable and evoked with lyrical precision. Her beautiful mother is self-absorbed, always scented with “powdery luxury” and critical of Maya. ”It’s a pity my child did not take my beauty”, she tells her reflection before counselling Maya to “always look more than perfect. Not just good enough, but perfect”. And Maya receives conflicting messages from her father too. “Boys will not like you if you are too clever”, he tells her, while also criticising an eight out of ten mark: “Why not ten out of ten? You must always do your best.” The arrival of cousin Kojo changes everything. His impassioned talk of Ghana fuels Maya’s understanding of her mother country, her parents, and her own identity. She observes that Kojo’s knowledge “gave him the power to upset the order of things,” leading her to wonder, “Could I learn these secrets and codes, even though I did not grow up in our country?” When she and Kojo are sent to schools in England, Maya experiences the racism of peers who “touched my hair and stroked my skin and passed me round on their laps like a doll”, and Kojo is bullied. No wonder then that he decides that, “this is nothing but a small shitty island that doesn’t work properly. It’s a cold wet Third World country, but they made us think they were all powerful.” Later back in Germany, Maya is maddened by the cultural imperialism of her education: “I could not think of much that was more frightening than fitting into this pinched-in sterile world.” Maya’s story is at once arresting and nuanced, and suffused in an elegant sense of triumph when she returns to Ghana, where Kojo has been struggling to set-up a museum, and in time finds her voice and purpose through navigating a tangle of personal misfortune and cultural complexities.
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