No catches, no fine print just unadulterated book loving, with your favourite books saved to your own digital bookshelf.
New members get entered into our monthly draw to win £100 to spend in your local bookshop Plus lots lots more…
Find out moreWelcome to the present, here we have some fabulous reads set in the modern era. From provocative to beautiful, open your heart and mind and discover strong, believable stories that hammer at your awareness and cause thoughts to hesitate, develop, and flow.
Suffused in the haunting longings and losses of complex, compelling Mari, The Jeweller shines with mysterious originality. Mari is a market stallholder in a West Wales seaside town whose wares come from clearing the houses of the dead, and who spends hour after hour fashioning a perfect emerald. Throughout, the language is exquisitely vivid, the story dappled with shocking, jarring moments, such as when Mari is publicly accused of being responsible for a man’s death, and the depiction of her pet monkey’s degeneration. And then there’s the unexpected discovery that leads to a reunion that releases Mari to a new life. Gleaming with precise lyricism (kudos to translator Gwen Davies, who rendered it from the original Welsh), this mesmeric novel has a truly mythic quality.
A stunningly beautiful, courageous read, one that crosses through time to 1612, when witchcraft allegations went hand in hand with fear, power and corruption. This is a work of fiction based on real people, local residents, Pendle witches and all. Let me tell you about the cover of this book, which really is very gorgeous indeed. The green leaves sooth, with fiery bursts of orange-red and gold, I then noticed the fox, the ring, pendant, feather… and last of all, the noose, which of course once I had seen, reached out and became all I could see. I tell you this, because the cover reminds me of how I felt about the book, mysterious, yet almost gentle, I let the words take me, I felt myself floating, and then bites of uncertainty and disquiet started gnaw at my awareness. The persecution of the women hammered home while an otherworldly existence lodged itself in my thoughts, and remains there. Deceptively powerful, moving and provocative, Stacey Hall writes with an eloquent pen. Opening a window into a vivid feast of a read, as a debut novel The Familiars stands out from the crowd.
35 years after the release of The Handmaid's Tale, Margaret Atwood takes us back to Gilead. Following three characters we are introduced to perspectives outside of those of the Handmaids. This is a terrific book that rounds out Gilead and tells of its downfall as opposed to being a direct sequel. A perfect book for anyone who wants to learn more about this restrictive, dystopian regime and for anyone who wants the questions they had at the end of The Handmaid's Tale answered.
35 years after the release of The Handmaid's Tale, Margaret Atwood takes us back to Gilead. Following three characters we are introduced to perspectives outside of those of the Handmaids. This is a terrific book that rounds out Gilead and tells of its downfall as opposed to being a direct sequel. A perfect book for anyone who wants to learn more about this restrictive, dystopian regime and for anyone who wants the questions they had at the end of The Handmaid's Tale answered.
Random House presents the audiobook edition of The Overstory by Richard Powers, read by Suzanne Toren. The Overstory unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond: An Air Force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another. These four, and five other strangers – each summoned in different ways by trees – are brought together in a last and violent stand to save the continent’s few remaining acres of virgin forest. There is a world alongside ours – vast, slow, interconnected, resourceful, magnificently inventive and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.
A beautifully engaging novel that both broke and truly captured my heart. We travel with Laure through three time frames, from Prague of 1986, through to Paris of today. She finds love, and founds a museum based on promises broken, discarded, forgotten. Elizabeth Buchan writes with such eloquence, compassion and meaning. I felt, really felt the history and heartache. The past and the present somehow balance, as they move backwards and forwards slowly cutting snippets of information free. I fully existed in each moment, almost forgetting another point existed until I found myself there and became immersed once more. I really cared about the characters, including the museum, the idea is captivating, and so completely believable I feel as though I should be able to walk through its doors. The Museum of Broken Promises is for a me a must-read, I’ve chosen it as one of our star books, and one of my picks of the month, it is quite simply, glorious.
A captivating, amusing, yet provocative novel set in the Scottish Highlands. If you have read a book by John D. Burns before, it is likely to have been one or both of his memoirs, The Last Hillwalker and Bothy Tales. The author has spent much of his life walking and climbing in the mountains, here he turns his hand to fiction, and ponders the future of the landscape he so loves. We enter what could be called a battle, between environmental protesters and landowners, with the two main characters seasoned hillwalkers. From winter (much beloved by our author), turning through the seasons back to winter again, we spend time on a fictional island in the Scottish Highlands. Using his knowledge, his passion for our wild places John D. Burns has written an engaging and satisfying read. I actually recommend starting with his memoir The Last Hillwalker, as it really sets the scene, and you can appreciate the experience and love that has gone into Sky Dance.
A hard-hitting punch of a crime thriller is waiting to be discovered, but also within the pages lies a provocative and emotionally stunning read too. This debut was the winner of the 2018 Swedish Academy of Crime Writers’ Award, and believe me, I can completely understand why. Lelle has been driving the silver road looking for his missing daughter for three years, his endless search consumes his very being. Within the first page I knew I had fallen in love with the writing, which is exquisitely translated. The words connected with my very being, I could feel the words, look around me and see my surroundings. Stina Jackson balances the dark and light quite beautifully, while tense and foreboding, there is also a silvery thread of hope to be found that thrums gently in the background. The cover of The Silver Road beckons, it leads to a read that emotionally connects, opens feelings and allows access to thoughts. Oh, and that ending… the ending sent goosebumps shivering down my arms. A highly recommended read indeed and one of my picks of the month.
Gosh, this is an absolute treat of a debut novel, so different, so compelling, so fabulously readable! Circling a past that isn’t actually that long ago, the Cold War battle between the USA and USSR intertwines with the background tale to the novel that became Doctor Zhivago. The prologue wonderfully and thoroughly sets the scene. The story spins and spins again, and as several tales are told from different perspectives, we hear from an unknown voice in the typing pool, from a muse, from a carrier… Women take centre stage, even when in a supportive role. Lara Prescott kept my attention as taut as razor wire throughout, the words ganging up to give my thoughts little shoves. I have been left with a thirst for more information about the history of this time, yet thoroughly satisfied by the tale on offer. The Secrets We Kept is many things, spy story, love story, cold war story, it is also an eloquent, surprising read and highly recommended.
This is such a special read, not only different, it is also so incredibly moreish and readable. I picked Louis and Louise up and didn’t put it down until I had turned the final page. I’m not often stuck for words on how to describe a fabulously gorgeous book, but this might just be one of those times when I don’t quite do it justice! Julie Cohen has created a fascinating premise, with one life, lived as both Louis and Louise, not separately but concurrently. I wanted to read this novel, almost before I had even heard of it! Starting in 1978 Louis and Louise are born in Maine, from birth we see them grow, their friends and family surrounding and a part of them. Julie Cohen writes so beautifully, what may sound complicated, actually just flows. Picture a fascinating DNA like strand, twisting beautifully together, creating one story from two, or two stories from one… yet it isn’t separate, it is one cohesive whole. Louis and Louise has an edge, a beautiful, sharp, provocative edge, I absolutely adored it and have picked it as both a Liz Robinson pick of the month, and a LoveReading Star Book.
In 1988 Saul Adler (a narcissistic, young historian) is hit by a car on the Abbey Road. He is apparently fine; he gets up and goes to see his art student girlfriend, Jennifer Moreau. They have sex then break up, but not before she has photographed Saul crossing the same Abbey Road. Saul leaves to study in communist East Berlin, two months before the Wall comes down. There he will encounter - significantly - both his assigned translator and his translator's sister, who swears she has seen a jaguar prowling the city. He will fall in love and brood upon his difficult, authoritarian father. And he will befriend a hippy, Rainer, who may or may not be a Stasi agent, but will certainly return to haunt him in middle age. Slipping slyly between time zones and leaving a spiralling trail, Deborah Levy's electrifying The Man Who Saw Everything examines what we see and what we fail to see, the grave crime of carelessness, the weight of history and our ruinous attempts to shrug it off.
In a tour-de-force that is both an homage to an immortal work of literature and a modern masterpiece about the quest for love and family, Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixote for the modern age. Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where Anything-Can-Happen . Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own. Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.
