No catches, no fine print just unadulterated book loving, with your favourite books saved to your own digital bookshelf.
New members get entered into our monthly draw to win £100 to spend in your local bookshop Plus lots lots more…Find out more
This is it. The place for the greatest writing: stories that transcend all other ‘genres’. Literary fiction goes above and beyond any specific genre in order to deliver stories that strike at the heart of what it means to be human.
Khalid and Amira are taken away from their well-loved childhood home due to the civil war in Syria. This book comes across as an ode to their childhood, their happy memories and the places they were created, but it is also a pilgrimage through life, how the childhood friends move and grow into adulthood. A mix of genres, this book focuses on relationships, culture and family as Amira and Khalid’s story develops, and I think this would be a good recommendation for people who like books similar to The Kite Runner- two characters growing and changing with a background of conflict is quite similar. This is also a great way to educate about a very real conflict through the guise of fiction and the use of fictional characters. I didn’t know much about the conflicts in Syria and the backdrop of Khalid and Amira’s story was enlightening.
Acclaimed as an editor of unparalleled ingenuity, the late, great Diana Athill was herself a remarkable writer. Her memoirs and this - her only novel - are compelling, candid and affectingly meticulous, with a precise style reminiscent of Jean Rhys, whose work Athill edited and championed. Indeed, Meg, the main character here, with her self-critical wit, lodging house living and misfortune in matters of the heart is somewhat reminiscent of Rhys’s characters. The daughter of a poor pastor and distant mother, Meg found school “hateful and humiliating” and “knew that the adjectives most often used in connection with my name were ‘conceited’, ‘superior’ and ‘affected’”. But it’s here that Meg discovers her talent for drawing and befriends grown-up, glamorous, wealthy Roxane, to whom she remains complicatedly connected for many years. After attending art school in Oxford, Meg defies convention and moves to London where she finds some happiness in the chaos of a shared house. While Meg becomes a sought-after illustrator, her existence always feels precariously unsettled. She falls in love with entirely the wrong man and their passionate affair renders her impotent in many regards. “Two sayings which I detest”, she declares: “You must face facts” and “You can’t have your cake and eat it’”. And herein lies Meg’s fundamental struggle to find ease (her needs and outlook are at odds with the world), which Athill explores to intense affect in this luminous coming-of-age treasure.
A blistering, satirical novel about life under a global media corporation that knows exactly what we think, what we want, and what we do - before we do. Self-anointed guru of the Digital Age, Guy Matthias, has become one of the world's most powerful and influential figures. Untaxed and ungoverned, his company 'Beetle' essentially operates beyond the control of Governments or the law. But trouble is never far away, and for Guy a perfect storm is brewing: his wife wants to leave him; malfunctioning Beetle software has led to some unfortunate deaths which are proving hard to cover up and a mystery hacker, Gogol, is on his trail. With the clock ticking- Guy, his aide Douglas Varley, conflicted national security agent Eloise Jayne, depressed journalist David Strachey, and Gogol, whoever that may be - the question is becoming ever more pressing, how do you live in reality when nobody knows anything, and all knowledge, all certainty, is partly or entirely fake?
Distorted Days looks at what happens after one of the worst events of your life takes place. Doris, Andy and Colleen all play a main role in this book as they come into each other's lives and discover the true value of friendship. I liked this book, it was a simple, short read that is perfect for enjoying over a weekend. I read this book in two sittings, interested to know how each of the characters' issues were going to be resolved. I found the characters endearing and, as you discover more about them, more complex. I would love to know more about Coleen's backstory, perhaps there's potential for another book? Initially, I struggled with the change of perspective between characters mid-chapter and I would have liked a bit more separation between the narratives to start with, then merging as the stories become more intertwined. I also found the repetition for Doris' drinking a bit unusual, I understand the feeling of falling back down the rabbit hole the author was trying to provoke but I think it was maybe a bit too big of a section to repeat, however with the connection made by her ex-husband at the end I do understand its relevance. In all, I think that Distorted Days is an enjoyable book for those who loved Three Things About Elsie, and Elinor Oliphant is Completely Fine and similar style narratives. I'd be interested in reading Louise's second novel, out May 2020. Charlotte Walker, A LoveReading Ambassador
Not necessarily an easy read, but a fascinating, sad and rather tragic story. Written as Moll Flander's autobiography, it was originally published anonymously with Dafoe only being linked to the novel after his death.
Mina is staring over the edge of the George Washington Bridge when a patrol car drives up. She tries to convince the officers she's not about to jump but they don't believe her. Her husband, Oscar is called to pick her up. Oscar hopes that leaving New York for a few months will give Mina the space to heal. They travel to London, to an apartment wall-papered with indigo-eyed birds, to Oscars oldest friends, to a canal and blooming flower market. Mina, a classicist, searches for solutions to her failing mental health using mythological women. But she finds a beam of light in a living woman. Friendship and attraction blossom until Oscar and Mina's complicated love is tested.
From childhood in Germany and England to young womanhood in Ghana, this enthralling novel follows a steadfastly thoughtful Ghanaian forging her own identity in the face of fractured family ties, tragedy and colonial imperialism. Though of illustrious heritage, Maya’s childhood as an émigré is complex, uncomfortable and evoked with lyrical precision. Her beautiful mother is self-absorbed, always scented with “powdery luxury” and critical of Maya. ”It’s a pity my child did not take my beauty”, she tells her reflection before counselling Maya to “always look more than perfect. Not just good enough, but perfect”. And Maya receives conflicting messages from her father too. “Boys will not like you if you are too clever”, he tells her, while also criticising an eight out of ten mark: “Why not ten out of ten? You must always do your best.” The arrival of cousin Kojo changes everything. His impassioned talk of Ghana fuels Maya’s understanding of her mother country, her parents, and her own identity. She observes that Kojo’s knowledge “gave him the power to upset the order of things,” leading her to wonder, “Could I learn these secrets and codes, even though I did not grow up in our country?” When she and Kojo are sent to schools in England, Maya experiences the racism of peers who “touched my hair and stroked my skin and passed me round on their laps like a doll”, and Kojo is bullied. No wonder then that he decides that, “this is nothing but a small shitty island that doesn’t work properly. It’s a cold wet Third World country, but they made us think they were all powerful.” Later back in Germany, Maya is maddened by the cultural imperialism of her education: “I could not think of much that was more frightening than fitting into this pinched-in sterile world.” Maya’s story is at once arresting and nuanced, and suffused in an elegant sense of triumph when she returns to Ghana, where Kojo has been struggling to set-up a museum, and in time finds her voice and purpose through navigating a tangle of personal misfortune and cultural complexities.
An interesting opening to a story about a young woman looking for happiness. This book starts in a therapy style setting and Chloe is asked to recall her life, a job more easily done in the third person. Thus begins an introduction to Chloe's story. Chloe's early life was fraught, with serious illness and the after-effects including jealousy displayed by her elder sister. This book only tells part of the story, taking you from Chloe's early life to university. Her faith is tested throughout, and although she seemingly makes lots of friends, finding love proves a struggle. I admired Chloe's determination and strong will - she displays confidence in speaking up for herself against elders, dealing with the reaction of her father to her faith and her struggles and enduring perseverance with her studies. She Smiled leaves the door open for the reader to continue Chole's story in the sequel, She Smiled: Broken Yet. Time will tell whether Chloe will be able to finally feel "refreshed" and have everything fall into place for her. Charlotte Walker, A LoveReading Ambassador
This is what a reading experience is all about, Ness touches, tests, pushes, strokes, inspires, and I have given this little book my heart. I have hesitated about explaining the background to Ness, but have decided that to know doesn’t unduly shape thoughts. Orford Ness in Suffolk is a shingle island which is constantly changing due to the sea and weather. It is the site of an abandoned military base where research included nuclear weaponry during the Cold War. The author and illustrator know this place, and have created a powerful lyrical read where nature takes steps to stop a crime against the world. It is a wonderful heady mix of novella and poetry-prose, a fantasy creation of word and illustration that took up lodging in my mind. A hagstone, which allows a veiled glimpse to the future or past, sits centre stage throughout the book, the illustrations by Stanley Donwood allowing a viewing station, a pause, before the next taste of action. The words by Robert Macfarlane sing, they just beg to be spoken, to be heard. As I spoke the words, I had the feeling that I was setting them free, and at the final few pages a shiver of emotion skittered down my arms. Ness is a beautiful yet fierce and frightening call, containing a warning that we should be shrieking from the rooftops. I have chosen it as one of my Liz Robinson Picks of the Month, and a LoveReading Star Book.
So beautifully written, the chills prowl with unexpected menace to climb inside your thoughts, to lurk and provoke. Richard and Juliette’s son Ewan died at the age of 5, Juliette, convinced that her son is still in the house turns to a group of occultists, while Richard searches for the remains of a hangman’s oak tree opposite their home Starve Acre. Andrew Michael Hurley doesn’t waste a single word, each forms a web to create a picture as he captures the essence of a thought or thing. As the story grows, as the oak planted itself in my minds eye, the unsettling force of grief came to settle over everything. I sank into this tale and couldn’t leave, reading from the deep, dark and incredibly soulful first page through to the startling last in one heady afternoon. Folklore gathers in the background, grief preys on the unsuspecting, and a compelling story unfolds. Highly recommended, I have chosen Starve Acre as one of my picks of the month, and a LoveReading Star Book.
Discover and be transported by eight wonderfully diverse stories based on the myth, legend and folklore at eight English Heritage sites from the toe of Cornwall to the tip of Northumberland. Editor Katherine Davey, English Heritage, and September Publishing have worked their magic alongside the authors while Clive Hicks-Jenkins has created striking and disquieting illustrations to accompany each story. To give you an idea as to the quality on offer, the authors in order are, Edward Carey, Alison MacLeod, Paul Kingsnorth, Sarah Hall, Graeme Macrae Burnet, Sarah Moss, and Fiona Mozley. Journalist James Kidd introduces the tales, highlighting the importance of folklore, and states that: “The moods of the eight stories are similar eclectic, by turns comic or uncanny, absurd or scholarly, angry or fanciful, unsettling of poignant”. The location each story has been based on, sits at the end of the story, as while some are obviously of the site, others hover, offer, suggest. The afterword by the knowledgeable Charles Kightly explains the background to each of these new stories, the history and tradition that each site is steeped in. From sharp and pointed, to lyrical and whimsical, the creative and inspiring stories in These Our Monsters twisted in my mind. If you enjoy an original and wonderful blend of folklore, myth and legend, stop right here!
IS ANYONE'S LIFE . . . Beth shows that women really can have it all. Ruby lives life by her own rules. And then there's Lauren, living the dream. AS PERFECT AS IT LOOKS? Beth hasn't had sex in a year. Ruby feels like she's failing. Lauren's happiness is fake news. And it just takes one shocking event to make the truth come tumbling out... The bold and brilliant new novel from Dawn O'Porter, the bestselling author of The Cows.
Literary fiction is a bit of a “catch-all” phrase. Some call it “Serious Fiction” but we prefer to think of it as all of the greatest stories ever told, all in one place. This is where you will find literary classics from literary masters past and present.
Why not have a look at our monthly featured titles for inspiration? Revisit old friends? Discover new ones? Or finally read that book that your friends have been banging on about for ages? Whatever your reasons, settle down with your favourite tipple, unwind and open your mind with the home-spun brilliance of authors like Martin Amis, Salman Rushdie, David Nicholls and Zadie Smith; or those from further afield: Gabriel Garcia Marquez, Haruki Murakami, Ben Okri, Jostein Gaarder and so many more. There are obviously so many to choose from, you could get lost in the Sea of Choices.