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This is it. The place for the greatest writing: stories that transcend all other ‘genres’. Literary fiction goes above and beyond any specific genre in order to deliver stories that strike at the heart of what it means to be human.
May 2014 Guest Editor Daisy Goodwin on The Palliser Series... Dickens is the prose stylist, but Trollope is the psychologist. His characterisation is subtle and surprising and he is particularly good at creating convincing female characters. I love Lady Glencora in the Palliser series, she is the embodiment of what today we would call ‘soft power’. I have written two novels set in the nineteenth century and I read Trollope continually as a language barometer.
Two cousins, Toby and Cat(riona), are annoyed when Miranda, a London cousin, arrives at their island in Scotland for the summer. After preliminary snarls, the three become involved in a mysterious puzzle with occult overtones. Carrigona, the island, is a seal-nursery; the seals are connected to St. Culzean and their ancestors, especially Malise and his granddaughter Lucy. Lucy's portrait, with its piercing eyes, provokes the teens; Miranda's singing (during which her hands look strangely like Lucy's) unsettles the seals -- they leave the island for the first time in centuries. A young pup remains, wounded, and he becomes a household pet, diverting the teens to more earthy pursuits. But there is a serious threat for the seals -- they've moved to an unfriendly island -- which adds some suspense. Eventually the seals return, but only after Miranda turns against her country cousins and looks for adventure elsewhere.
A fugitive train loaded with the plunder of a doomed people. A dazzling jewelled pendant in the form of a stylized peacock. And three men - an American infantry captain in World War II, an Israeli-born dealer in art stolen by the Nazis, and a pioneering psychiatrist in fin-de-siecle Budapest - who find their carefully-wrought lives turned upside-down by three fierce women, each locked in a struggle against her own history and the history of our times. And at the centre of Love and Treasure, nested like a photograph hidden in a locket, a mystery: where does the worth of a people and its treasures truly lie? What is the value of a gift, when giver and recipient have been lost - of a love offering when the beloved is no more? In an intricately constructed narrative that is by turns funny and tragic, thrilling and harrowing, with all the expertise and narrative drive that readers have come to expect from her work, Waldman traces the unlikely journey, from 1914 Budapest to post-war Salzburg to present-day New York, of the peacock pendant whose significance changes - token of friendship, love-offering, unlucky talisman with the changes of fortune undergone by her characters as they find themselves caught up in the ebb and flow of modern European history. Spanning continents and a hundred years of turbulent history, encompassing war and revolution, the history of art, feminism and psychoanalysis, depicting the range of human feeling from the darkness of a shattered Europe to the ordinary heartbreaks of a contemporary New York woman, Love and Treasure marks the full maturity of a remarkable writer.
Literary fiction is a bit of a “catch-all” phrase. Some call it “Serious Fiction” but we prefer to think of it as all of the greatest stories ever told, all in one place. This is where you will find literary classics from literary masters past and present.
Why not have a look at our monthly featured titles for inspiration? Revisit old friends? Discover new ones? Or finally read that book that your friends have been banging on about for ages? Whatever your reasons, settle down with your favourite tipple, unwind and open your mind with the home-spun brilliance of authors like Martin Amis, Salman Rushdie, David Nicholls and Zadie Smith; or those from further afield: Gabriel Garcia Marquez, Haruki Murakami, Ben Okri, Jostein Gaarder and so many more. There are obviously so many to choose from, you could get lost in the Sea of Choices.