No catches, no fine print just unadulterated book loving, with your favourite books saved to your own digital bookshelf.
New members get entered into our monthly draw to win £100 to spend in your local bookshop Plus lots lots more…Find out more
This is it. The place for the greatest writing: stories that transcend all other ‘genres’. Literary fiction goes above and beyond any specific genre in order to deliver stories that strike at the heart of what it means to be human.
If books were friends (and more than a few are) then I feel as though I have met the most wonderfully quirky forever friend. Gravity is the Thing is a complete joy of a book, and one that refuses to be pigeonholed into a genre. Abi, a Sydney cafe owner, has been invited to attend a retreat to learn the truth about ‘The Guidebook’, chapters have been arriving since she was a teen, and have kept her company in the darkest of times. The book floats between 1990 and 2010, and as Abi opens up her life, she revisits, examines, and searches for answers. Jaclyn Moriarty writes with the most beautiful eloquence, sharp pointed observations sit alongside the tightest of warm hugs. I wanted to meander, to wander, to eke out my reading time, and yet hoover up the words and the feelings they created in one heady go. I contemplated loss and grief, I smiled, laughed, and believed… oh how I believed! Gravity is the Thing is different (in the best possible way), and I predict that this will be one of my favourite books of the year. So, as well as being one of our Books of the Month, it has also been chosen as a LoveReading Star Book. It really is that gorgeous!
Well, this is one seriously addictive and fabulous read. Now that I have finished I feel bereft, exhilarated, and have one humdinger of a book hangover. Set in London, it is 1863 and private detective Bridie Devine is on the case of a stolen child. The prologue hooked me as surely as a fish on a line, I gaped, wondered, and leaned in for more. Descriptions opened with vivid intensity in my mind, creating the most glorious views. There is something about Jess Kidd’s writing that speaks directly to my soul, she knows how to lull, tickle, burn. She created a stinging tension, on a number of occasions leaving me hanging while popping into the past. I have to say that Bridie Devine is one of the most fabulous characters I’ve come across. She has taken up a somewhat boisterous lodging in my mind and she’s more than welcome! Information swirled around, making my thoughts whirl, adding to the torrent that I knew was surely coming. And oh, that ending! Things in Jars is a Victorian detective story with a difference, it crosses genres and set light to my imagination. It has been added to my list of favourite books. Bridie Devine to my list of favourite detectives. Jess Kidd has been confirmed on my list of favourite authors. Things in Jars is LoveReading Star Book, Book of the Month, and Liz Robinson Pick of the Month… Need I say more?
Everything changes for rural lad Emmett Farmer when a gloriously grouchy wise woman compels him to be her bookbinding apprentice. While this line of work is generally shrouded in superstitious fear, Emmett is shocked when his mentor explains that they “don’t make books to sell, boy. Selling books is wrong”. Rather, their gothically intriguing trade involves binding unwanted memories into books: ”Whatever people can’t bear to remember. Whatever they can’t live with. We take those memories and put them where they can’t do any more harm”. Most clients are wealthy; well-to-do gentlemen who have their servants and wives bound so they forget what wrongs their masters and husbands have done to them. No wonder then, that Emmett is horrified to discover a book bearing his own name, and so a tempestuous tangle of secrets unfurls. The novel is also fragrantly spiced with witty references to literary history and the novel as an art form: “It makes one wonder who would write them [novels]. People who enjoy imagining misery, I suppose. People who have no scruples about dishonesty”. Yet through the duplicity of her exquisitely crafted characters, and luminous storytelling, this novel’s author reveals truths of the human spirit in a most entertaining and absorbing fashion.
A different, emotionally beautiful and rewarding debut about love, hope, and all the strange little things that come together to make up a family. Augusta and Parfait, born on different continents into different worlds, both want to leave everything behind but does that ever solve anything? What a first sentence! Those few words stayed with me throughout the entire book, sitting, waiting, every now and then tapping me on the shoulder to say hello. I so love how this story unfolds, two separate tales, are they on a collision course or destined to remain forever apart? Joanna Glen has set intricate strands from the past coiling and twisting together through to the present to create a feeling of tension and mystery. While undeniably and wonderfully quirky, there is a real sense of warmth here, even when your heart may feel as though it is about to crack in two. As I read I found myself filling up with love for The Other Half of Augusta Hope. It has been chosen as a Debut of the Month and a LoveReading Star Book too, as it really is that gorgeous!
Crossing genres in style, this just has to be one of my favourite novels of the year. Set in the marshlands of North Carolina, the majority of this story takes place in the 1950’s and 60’s. The prologue begins in 1969 with the body of Chase Andrews being found in the marsh. The first paragraph of the prologue introduces surprising beauty, the marsh simply sings, it settled into my mind and became a part of me. The central character is Kya, we meet her as a child, and the truth of her life is immediately apparent. As the novel moves backwards and forwards in time, Kya emerges as the Marsh Girl, and suspicion begins to hound her after the body is found. Author Delia Owens is a wildlife scientist who has worked in Africa and written non-fiction, this is her debut novel. Descriptions entered my mind in wafting movement, I fell in love with the marsh and the girl who lived there. Where the Crawdads Sing is truly touching, almost hauntingly beautiful, and opens a doorway to a different world. It has been chosen as a LoveReading Star Book and a Liz Robinson Pick of the Month.
Khalid and Amira are taken away from their well-loved childhood home due to the civil war in Syria. This book comes across as an ode to their childhood, their happy memories and the places they were created, but it is also a pilgrimage through life, how the childhood friends move and grow into adulthood. A mix of genres, this book focuses on relationships, culture and family as Amira and Khalid’s story develops, and I think this would be a good recommendation for people who like books similar to The Kite Runner- two characters growing and changing with a background of conflict is quite similar. This is also a great way to educate about a very real conflict through the guise of fiction and the use of fictional characters. I didn’t know much about the conflicts in Syria and the backdrop of Khalid and Amira’s story was enlightening.
Acclaimed as an editor of unparalleled ingenuity, the late, great Diana Athill was herself a remarkable writer. Her memoirs and this - her only novel - are compelling, candid and affectingly meticulous, with a precise style reminiscent of Jean Rhys, whose work Athill edited and championed. Indeed, Meg, the main character here, with her self-critical wit, lodging house living and misfortune in matters of the heart is somewhat reminiscent of Rhys’s characters. The daughter of a poor pastor and distant mother, Meg found school “hateful and humiliating” and “knew that the adjectives most often used in connection with my name were ‘conceited’, ‘superior’ and ‘affected’”. But it’s here that Meg discovers her talent for drawing and befriends grown-up, glamorous, wealthy Roxane, to whom she remains complicatedly connected for many years. After attending art school in Oxford, Meg defies convention and moves to London where she finds some happiness in the chaos of a shared house. While Meg becomes a sought-after illustrator, her existence always feels precariously unsettled. She falls in love with entirely the wrong man and their passionate affair renders her impotent in many regards. “Two sayings which I detest”, she declares: “You must face facts” and “You can’t have your cake and eat it’”. And herein lies Meg’s fundamental struggle to find ease (her needs and outlook are at odds with the world), which Athill explores to intense affect in this luminous coming-of-age treasure.
A blistering, satirical novel about life under a global media corporation that knows exactly what we think, what we want, and what we do - before we do. Self-anointed guru of the Digital Age, Guy Matthias, has become one of the world's most powerful and influential figures. Untaxed and ungoverned, his company 'Beetle' essentially operates beyond the control of Governments or the law. But trouble is never far away, and for Guy a perfect storm is brewing: his wife wants to leave him; malfunctioning Beetle software has led to some unfortunate deaths which are proving hard to cover up and a mystery hacker, Gogol, is on his trail. With the clock ticking- Guy, his aide Douglas Varley, conflicted national security agent Eloise Jayne, depressed journalist David Strachey, and Gogol, whoever that may be - the question is becoming ever more pressing, how do you live in reality when nobody knows anything, and all knowledge, all certainty, is partly or entirely fake?
Distorted Days looks at what happens after one of the worst events of your life takes place. Doris, Andy and Colleen all play a main role in this book as they come into each other's lives and discover the true value of friendship. I liked this book, it was a simple, short read that is perfect for enjoying over a weekend. I read this book in two sittings, interested to know how each of the characters' issues were going to be resolved. I found the characters endearing and, as you discover more about them, more complex. I would love to know more about Coleen's backstory, perhaps there's potential for another book? Initially, I struggled with the change of perspective between characters mid-chapter and I would have liked a bit more separation between the narratives to start with, then merging as the stories become more intertwined. I also found the repetition for Doris' drinking a bit unusual, I understand the feeling of falling back down the rabbit hole the author was trying to provoke but I think it was maybe a bit too big of a section to repeat, however with the connection made by her ex-husband at the end I do understand its relevance. In all, I think that Distorted Days is an enjoyable book for those who loved Three Things About Elsie, and Elinor Oliphant is Completely Fine and similar style narratives. I'd be interested in reading Louise's second novel, out May 2020. Charlotte Walker, A LoveReading Ambassador
Mina is staring over the edge of the George Washington Bridge when a patrol car drives up. She tries to convince the officers she's not about to jump but they don't believe her. Her husband, Oscar is called to pick her up. Oscar hopes that leaving New York for a few months will give Mina the space to heal. They travel to London, to an apartment wall-papered with indigo-eyed birds, to Oscars oldest friends, to a canal and blooming flower market. Mina, a classicist, searches for solutions to her failing mental health using mythological women. But she finds a beam of light in a living woman. Friendship and attraction blossom until Oscar and Mina's complicated love is tested.
From childhood in Germany and England to young womanhood in Ghana, this enthralling novel follows a steadfastly thoughtful Ghanaian forging her own identity in the face of fractured family ties, tragedy and colonial imperialism. Though of illustrious heritage, Maya’s childhood as an émigré is complex, uncomfortable and evoked with lyrical precision. Her beautiful mother is self-absorbed, always scented with “powdery luxury” and critical of Maya. ”It’s a pity my child did not take my beauty”, she tells her reflection before counselling Maya to “always look more than perfect. Not just good enough, but perfect”. And Maya receives conflicting messages from her father too. “Boys will not like you if you are too clever”, he tells her, while also criticising an eight out of ten mark: “Why not ten out of ten? You must always do your best.” The arrival of cousin Kojo changes everything. His impassioned talk of Ghana fuels Maya’s understanding of her mother country, her parents, and her own identity. She observes that Kojo’s knowledge “gave him the power to upset the order of things,” leading her to wonder, “Could I learn these secrets and codes, even though I did not grow up in our country?” When she and Kojo are sent to schools in England, Maya experiences the racism of peers who “touched my hair and stroked my skin and passed me round on their laps like a doll”, and Kojo is bullied. No wonder then that he decides that, “this is nothing but a small shitty island that doesn’t work properly. It’s a cold wet Third World country, but they made us think they were all powerful.” Later back in Germany, Maya is maddened by the cultural imperialism of her education: “I could not think of much that was more frightening than fitting into this pinched-in sterile world.” Maya’s story is at once arresting and nuanced, and suffused in an elegant sense of triumph when she returns to Ghana, where Kojo has been struggling to set-up a museum, and in time finds her voice and purpose through navigating a tangle of personal misfortune and cultural complexities.
An interesting opening to a story about a young woman looking for happiness. This book starts in a therapy style setting and Chloe is asked to recall her life, a job more easily done in the third person. Thus begins an introduction to Chloe's story. Chloe's early life was fraught, with serious illness and the after-effects including jealousy displayed by her elder sister. This book only tells part of the story, taking you from Chloe's early life to university. Her faith is tested throughout, and although she seemingly makes lots of friends, finding love proves a struggle. I admired Chloe's determination and strong will - she displays confidence in speaking up for herself against elders, dealing with the reaction of her father to her faith and her struggles and enduring perseverance with her studies. She Smiled leaves the door open for the reader to continue Chole's story in the sequel, She Smiled: Broken Yet. Time will tell whether Chloe will be able to finally feel "refreshed" and have everything fall into place for her. Charlotte Walker, A LoveReading Ambassador
Literary fiction is a bit of a “catch-all” phrase. Some call it “Serious Fiction” but we prefer to think of it as all of the greatest stories ever told, all in one place. This is where you will find literary classics from literary masters past and present.
Why not have a look at our monthly featured titles for inspiration? Revisit old friends? Discover new ones? Or finally read that book that your friends have been banging on about for ages? Whatever your reasons, settle down with your favourite tipple, unwind and open your mind with the home-spun brilliance of authors like Martin Amis, Salman Rushdie, David Nicholls and Zadie Smith; or those from further afield: Gabriel Garcia Marquez, Haruki Murakami, Ben Okri, Jostein Gaarder and so many more. There are obviously so many to choose from, you could get lost in the Sea of Choices.