Our specially selected Horror novels will have you reading with all of the lights on! Whether they are classic ghost stories filled with ancient beings or something horrifyingly new and unknown.
Eve and Dinah are everything to one another, never parted day or night. They are raised among the Children, a community of strays and orphans ruled by a mysterious figure they call Uncle. All they know is the grey Isle of Altnaharra which sits in the black sea off the wildest coast of Scotland. Eve loves the free, savage life of the Isle and longs to inherit Uncle's power. She is untroubled save by her dreams; of soft arms and a woman singing. Dinah longs for something other. But the world is at war and cannot be kept at bay. As the solitude of Altnaharra is broken, Eve's faith and sanity fracture. In a great storm, in the depths of winter, as the old year dies, the locals discover a devastating scene on the Isle. Eve and Dinah's accounts of that night contradict and intertwine. As past and present converge, only one woman can be telling the truth. Who is guilty, who innocent?
Charley has a strange feeling when she sees the idyllic mill house with its cluster of outbuildings, the lake and the swirling mill stream; a powerful sense of recognition, as if she has been there before. Except she knows she hasn't. After Charley and her husband Tom move into Elmwood Mill, sinister memories of a previous existence start to haunt her. Despite both their attempts to dismiss everything with rational explanations, the feeling turns to certainty as the memories become increasingly vivid and terrifying. Charley is persuaded to undergo hypnosis - but in searching deep into her past, she will soon fear her future. Originally published in 1990, this book has been re-issued and published by Orion in paperback in July 2018.
Four short novels from the author of THE FIREMAN and HORNS, ranging from creepy horror to powerful explorations of our modern society. One autumnal day in Boulder, Colorado, the clouds open up in a downpour of nails, splinters of bright crystal that tear apart anyone who isn't safely under cover. 'Rain' explores this escalating apocalyptic event, as clouds of nails spread out across the country and the world. Amidst the chaos, a girl studying law enforcement takes it upon herself to resolve a series of almost trivial mysteries . . . apparently harmless puzzles that turn out to have lethal answers. In 'Loaded' a mall security guard heroically stops a mass shooting and becomes a hero to the modern gun movement. Under the hot glare of the spotlights, though, his story begins to unravel, taking his sanity with it... 'Snapshot, 1988' tells the story of an kid in Silicon Valley who finds himself threatened by The Phoenician, a tattooed thug who possesses a Polaroid that can steal memories... And in 'Aloft' a young man takes to the skies to experience parachuting for the first time . . . and winds up a castaway on an impossibly solid cloud, a Prospero's island of roiling vapour that seems animated by a mind of its own.
The star of truTV's hit show Impractical Jokers-alongside veteran sci-fi and horror writer Darren Wearmouth-delivers a chilling and wickedly fun supernatural novel in the vein of The Strain, in which a beautiful new subway line in New York City unearths an ancient dark horror that threatens the city's utter destruction and the balance of civilization itself. After years of waiting, New York's newest subway line is finally ready, an express train that connects the city with the burgeoning communities across the Hudson River. The shining jewel of this state-of-the-art line is a breathtaking visitors' pavilion beneath the river. Major dignitaries, including New York City's Mayor and the President of the United States, are in attendance for the inaugural run, as the first train slowly pulls in. Under the station's bright ceiling lights, the shiny silver cars gleam. But as the train comes closer into view, a far different scene becomes visible. All the train's cars are empty. All the cars' interiors are drenched in blood. As chaos descends, all those in the pavilion scramble to get out. But the horror is only beginning. High levels of deadly methane fill the tunnels. The structure begins to flood. For those who don't drown, choke or spark an explosion, another terrifying danger awaits-the thing that killed all those people on the train. It's out there...and it's coming. There's something living beneath New York City, and it's not happy we've woken it up.
Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake, with their closest neighbours more than two miles in either direction. As Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young and friendly. Leonard and Wen talk and play until Leonard abruptly apologises and tells Wen, None of what's going to happen is your fault . Three more strangers arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out, Your dads won't want to let us in, Wen. But they have to. We need your help to save the world. So begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are intertwined.
Nothing ever changes in Sanders. The town's still got a video store, for god's sake. a So why doesn't Eli Teague want to leave? a Not that he'd ever admit it, but maybe he's been waiting-waiting for the traveler to come back. The one who's roared into his life twice before, pausing just long enough to drop tantalizing clues before disappearing in a cloud of gunfire and a squeal of tires. The one who's a walking anachronism, with her tricorne hat, flintlock rifle, and steampunked Model-A Ford. a The one who's being pursued byasomething. a So when the mysterious traveler finally reappears, Eli's determined that this time, he's going to get some answers. But his hunt soon yields far more than he bargained for, plunging him headlong into a dizzying world full of competing factions and figures straight out of legend. a To make sense of the mystery at its heart, he must embark on a breakneck chase across the country and through two centuries of historyi-with nothing less than America's past, present, and future at stake.
Offered as a Hammer novella, you may well expect a substantial amount of supernatural horror, however a more rational yet none the less uncomfortable and captivating read awaits. The story is told from Muna’s viewpoint, held as a slave, abused and kept in the dark, she still has a cunning intelligence and quietly bides her time. The simplicity of the writing reveals a truly complicated and at times distressing subject matter. The ending is left on a note of uncertainty, your thoughts scrabble for purchase as they are pushed off a cliff of understanding. The author writes with a true level of compassion without hiding the cruelty explored in this creatively taut, original and chilling read.
In this spectacular father/son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men? All around the world, something is happening to women when they fall asleep; they become shrouded in a cocoon-like gauze. If awakened, if the gauze wrapping their bodies is disturbed, the women become feral and spectacularly violent... In the small town of Dooling, West Virginia, the virus is spreading through a women's prison, affecting all the inmates except one. Soon, word spreads about the mysterious Evie, who seems able to sleep - and wake. Is she a medical anomaly or a demon to be slain? The abandoned men, left to their increasingly primal devices, are fighting each other, while Dooling's Sheriff, Lila Norcross, is just fighting to stay awake. And the sleeping women are about to open their eyes to a new world altogether...
If you are an intrepid reader and delight in the creatively eerie, startling and spine-chilling, then some distinctive and perfectly crafted short stories await. Of course there are 13 tales, however there is nothing about the obvious here, as they range in length from one page to a novella, then float through history, fantasy and reality. ‘Night Music’ has the ability to encourage the imagination to go into overdrive, so it felt as though John Connolly was wielding a sharpened and potentially double-edged pen when I found further books, some alive with malice, lurking within the pages. I particularly enjoyed ‘The Caxton Private Lending Library and Book Depository’ which will remain vibrantly alive and functioning within my mind. So from the strangely weird and wonderful, through to bitterly sorrowful, and grimly formidable, here have gathered, waiting to provoke your imagination, some wonderfully readable tales of the supernatural. One of our Books of the Year 2015.
Simon Spanton, formerly Associate Publisher of Gollancz, the oldest specialist SF & Fantasy publisher in the UK, joined the editorial team of Lovereading in 2016 with a brief to select and review the very best titles in the fields of Science Fiction, Fantasy and Horror including those he believes may become the stars of tomorrow. Simon is on Twitter.
Established names like Stephen King and new stars like Lauren Beukes alike have taken horror into the mainstream. And it’s no surprise why – we can’t help ourselves we love a good scare from the safety of our armchairs. But there are any number of authors out there ready and willing to confront you with your darkest fears and, if you’re lucky, take you through them and out into the light again.
There’s always a fresh take on whatever has scared us down through the years. Whether the dark thrills of the demons that haunt the paranormal romances of Cassandra Clare or the hunger of the vengeful ghosts and vampires of Joe Hill. Or the high concept terrors of Sarah Lotz’s work, the insidious chills of Adam Nevill’s urban horrors. Horror can be stealthy like the classic chills of Susan Hills’ ghost stories or screaming in your face like Max Brooks’ terrifying zombies. So step this way and let us put the frighteners on you; scares that are subtle and literary or full-on ‘slap the book shut and turn on all the lights’. Or scares of the best sort – where you don’t know WHAT to expect.
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A selection of authors who will feature in this Lovereading category include: