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From childhood in Germany and England to young womanhood in Ghana, this enthralling novel follows a steadfastly thoughtful Ghanaian forging her own identity in the face of fractured family ties, tragedy and colonial imperialism. Though of illustrious heritage, Maya’s childhood as an émigré is complex, uncomfortable and evoked with lyrical precision. Her beautiful mother is self-absorbed, always scented with “powdery luxury” and critical of Maya. ”It’s a pity my child did not take my beauty”, she tells her reflection before counselling Maya to “always look more than perfect. Not just good enough, but perfect”. And Maya receives conflicting messages from her father too. “Boys will not like you if you are too clever”, he tells her, while also criticising an eight out of ten mark: “Why not ten out of ten? You must always do your best.” The arrival of cousin Kojo changes everything. His impassioned talk of Ghana fuels Maya’s understanding of her mother country, her parents, and her own identity. She observes that Kojo’s knowledge “gave him the power to upset the order of things,” leading her to wonder, “Could I learn these secrets and codes, even though I did not grow up in our country?” When she and Kojo are sent to schools in England, Maya experiences the racism of peers who “touched my hair and stroked my skin and passed me round on their laps like a doll”, and Kojo is bullied. No wonder then that he decides that, “this is nothing but a small shitty island that doesn’t work properly. It’s a cold wet Third World country, but they made us think they were all powerful.” Later back in Germany, Maya is maddened by the cultural imperialism of her education: “I could not think of much that was more frightening than fitting into this pinched-in sterile world.” Maya’s story is at once arresting and nuanced, and suffused in an elegant sense of triumph when she returns to Ghana, where Kojo has been struggling to set-up a museum, and in time finds her voice and purpose through navigating a tangle of personal misfortune and cultural complexities.
In their riveting and timely young adult debut, acclaimed novelist Akwaeke Emezi asks difficult questions about what choices a young person can make when the adults around them are in denial.
I was completely and utterly consumed by this debut, it slowly took hold, crept into my thoughts, drew me in, and then refused to let me go. I really didn’t want to stop reading, and even now Cora Burns enters my mind and stops for a while. Cora Burns born in gaol and raised in a workhouse, finds herself in gaol once again before a scientist takes her on as a servant, just what exactly is his current experiment? The story starts in savage darkness, then spins forward in time before rolling between 1865, 1874 and 1885, slowly answering questions yet creating more. Carolyn Kirby has created the most deeply felt and amazing character in Cora (to me she isn’t a character but as real as real can be). There were times when I almost didn’t want to read her story, I wanted to shut my eyes, hum, and put my hands to my ears, and yet I simply couldn’t stop, the words haunted me, called to me, devoured me. The Conviction of Cora Burns enthralling, fascinating and so incredibly worthwhile, developed into the most unexpectedly fierce and beautiful read (I think you will understand if you step between the pages).
A blazing storm of a novel, big, bold, different, and so readable the words left the page and entered my entire being. The Ninth House was formed at Yale in 1898 to monitor the top eight secret societies using magic (of the deep and dark kind). When a murder darkens the door to Yale, newcomer to Ninth House Alex Stern investigates. This may be Leigh Bardugo’s debut adult novel, however she is already an award-winning young adult novelist (this is not intended for young teens). The plot sparks provocatively, the characters shine rather ferociously, and the fantasy elements just feel as real as real can be. As I read, the thought of this being a fantasy novel didn’t even cross my mind, I entered, I witnessed, I felt, I believed. The first few chapters slowly reeled me in, gradually releasing information until I was a part of my surroundings. Leigh Bardugo visits the past and steps forward into the present, hinting, suggesting, letting the reader form their opinion, come to their own conclusion. The fabulous ending left me hungering for more, there just has to be a sequel to Ninth House, which has the hallmark of must-read stamped all over it! Chosen as one of my picks of the month and also a LoveReading Star Book, I absolutely loved it!
“Big sisters look after little sisters,” declares the mother of the two sisters at the centre of this fiercely enthralling novel and that’s taken to the extreme when big sister Korede helps little sister Ayoola dispose the body of the boyfriend she’s murdered. And not for the first time either. Femi is the third boyfriend to be killed by beautiful, untouchable Ayoola, and Korede can’t not come to her aid. “I am the older sister – I am responsible for Ayoola. That’s how it has always been. Ayoola would break a glass, and I would receive the blame for giving her the drink”. The writing is razor sharp, courtesy of Korede’s wry narration. She’s a mistress of observation and insight, all-seeing, all-knowing and - so it seems – all-loyal to her self-serving little sister. Ablaze with dark humour and strident originality, this wickedly explosive debut heralds the arrival of a smart new voice in contemporary fiction.
A stunningly beautiful, courageous read, one that crosses through time to 1612, when witchcraft allegations went hand in hand with fear, power and corruption. This is a work of fiction based on real people, local residents, Pendle witches and all. Let me tell you about the cover of this book, which really is very gorgeous indeed. The green leaves sooth, with fiery bursts of orange-red and gold, I then noticed the fox, the ring, pendant, feather… and last of all, the noose, which of course once I had seen, reached out and became all I could see. I tell you this, because the cover reminds me of how I felt about the book, mysterious, yet almost gentle, I let the words take me, I felt myself floating, and then bites of uncertainty and disquiet started gnaw at my awareness. The persecution of the women hammered home while an otherworldly existence lodged itself in my thoughts, and remains there. Deceptively powerful, moving and provocative, Stacey Hall writes with an eloquent pen. Opening a window into a vivid feast of a read, as a debut novel The Familiars stands out from the crowd.
A hard-hitting punch of a crime thriller is waiting to be discovered, but also within the pages lies a provocative and emotionally stunning read too. This debut was the winner of the 2018 Swedish Academy of Crime Writers’ Award, and believe me, I can completely understand why. Lelle has been driving the silver road looking for his missing daughter for three years, his endless search consumes his very being. Within the first page I knew I had fallen in love with the writing, which is exquisitely translated. The words connected with my very being, I could feel the words, look around me and see my surroundings. Stina Jackson balances the dark and light quite beautifully, while tense and foreboding, there is also a silvery thread of hope to be found that thrums gently in the background. The cover of The Silver Road beckons, it leads to a read that emotionally connects, opens feelings and allows access to thoughts. Oh, and that ending… the ending sent goosebumps shivering down my arms. A highly recommended read indeed and one of my picks of the month.
Gosh, this is an absolute treat of a debut novel, so different, so compelling, so fabulously readable! Circling a past that isn’t actually that long ago, the Cold War battle between the USA and USSR intertwines with the background tale to the novel that became Doctor Zhivago. The prologue wonderfully and thoroughly sets the scene. The story spins and spins again, and as several tales are told from different perspectives, we hear from an unknown voice in the typing pool, from a muse, from a carrier… Women take centre stage, even when in a supportive role. Lara Prescott kept my attention as taut as razor wire throughout, the words ganging up to give my thoughts little shoves. I have been left with a thirst for more information about the history of this time, yet thoroughly satisfied by the tale on offer. The Secrets We Kept is many things, spy story, love story, cold war story, it is also an eloquent, surprising read and highly recommended.
Bea is the kind of open, honest, amusing character readers immediately care about. Told through her wittily illustrated diary, Bea’s tale begins with a(nother) upheaval. She and her family have just moved to their new Chinese takeaway, but her hopes for a fresh start are immediately dashed when she sees there’s no living room, and she has to share a room with little sister Bonny while big brother Simon lives with their grandparents. Bea’s experience of feeling “doubly different” is poignantly portrayed – she’s an outsider at school because she’s Chinese, and an outsider among her wider Chinese family because her own family is dysfunctional, and because she doesn’t speak the same language. Thank goodness, then, that she forms a friendship with fellow outcast, Tina the Goth, who stands up to racist school bullies. But while Bea begins to feel hopeful about her future and takes steps towards realising her dream of working in fashion, she and Bonny are increasingly neglected by their parents, and then there’s Dad’s aggressive outbursts. The mid-1980s setting prompts many amusing references, from ra-ra skirts and Gary Kemp’s perm, to sending drawings to Take Hart and going to Wimpy for a Knickerbocker Glory - but above all this is a highly readable, highly empathetic, impactful novel about familial abuse and neglect, trying to fit in, and finding your way in the world. Based on her own experiences, author Sue Cheung’s big-hearted story will chime with readers of 12+ who know how it feels to fall between cracks and dream of a different life.
I have completely and irretrievably fallen in love with this book. I entered thinking one thing, and left feeling so, so much more. Billy at over one hundred years old, decides to look back over the loves of his life. Richard Lumsden has created a wonderfully rounded and appealing main character, surrounded by an equally gorgeous supporting cast. I slipped into the pages and just wanted to remain there, the past calls and cajoles, intriguing suggestions form and grow, before the present enters once again. There were times when my heart broke, each piece forming a collection of love just for Billy. The Six Loves Of Billy Binns is a beautifully readable and emotional tale, full of laughter and tears you really couldn’t ask for much more, highly recommended.
When Levi and Charlotte McAllister’s mother dies, she suffers the post-death fate experienced by many a McAllister woman. After cremation, she re-appears and bursts into flame on the lawn. Fearing his sister is headed for the same end, Levi swears to “bury her whole and still and cold”, which prompts Charlotte to flee southward “towards the bottom of the earth”. What follows is a cleverly twisting story that crackles with intrigue and invention as the lives of an assortment of compelling characters collide. There’s the wildly eccentric coffin maker Levi commissions to make Charlotte’s casket, and the hard-drinking female detective he employs to track her down. There’s the wombat-farmer slipping into insanity, and the young woman who works for him and changes Charlotte’s life. Raw and real, yet also suffused in otherworldly magic, the author has conjured an elemental mythological landscape alongside the true-world Tasmanian setting. I raced through these blistering pages, but this is a book I shall undoubtedly return to.
The Old Bailey, 1826 and Frannie Langton stands in court accused of the brutal murder of her former master and mistress. But “there was love between me and her”, she tells the court as she relates her story from 1812, when she worked at Paradise plantation, Jamaica. With the skills of reading and writing “packed inside” her, “dangerous as gunpowder”, Frannie is taken to London and sent to work for a man named George Benham. His wife, the beautiful, eccentric Madame Marguerite Benham “stirred a feeling of wanting” in Frannie, and she becomes Madame’s lady’s maid and secretary - and more. But theirs is a complex, volatile relationship. “The truth is there was love as well as hate,” Frannie acknowledges. “The truth is, the love hurt worse”. Speaking at her trial, during which she recounts the inhumane racial experimentation undertaken by the master of Paradise, Frannie asks, “Sirs, I wonder...in the whole sum of human history, by what order have you white men been wrong more than you’ve been right?” She also questions the privileges and entitlements of gender: “how confident a man must be to write down his musings, expecting anybody else to be interested in reading them”. Ablaze with drama, detail, tension and wit, and wise on the nature of agency and freedom, this comes highly recommended for fans of Andrea Levy’s The Long Song, Marlon James’s The Book of Night Women and Sarah Waters. According to Frannie, “A novel is like a long, warm drink but a poem is a spike through the head”. By her definition, this novel is both these things - as potent as a poem, as addictive as a long, warm drink. Have a look at our Ambassador Book Buzz for The Confessions of Frannie Langton.
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