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Find out moreOur high-quality Family Drama selection offers the heart-breaking and heart-warming conflicts and dramas directly from the hearth, telling the stories of these families that have been struck by tragedy, conflict and drama and their struggle to survive intact.
Sharp, shrewd and incredibly intimate, this is a novel that explores the truth in family relationships. To celebrate Sverre’s 70th birthday his family travel to Italy, once there his children are shocked to the core when their mother and father announce they are divorcing. Novelist Helga Flatland makes her English debut with ‘A Modern Family’ which was the winner of the Norwegian Booksellers’ Award. The translation by Rosie Hedger is beautifully seamless. The three children, Liv, Ellen, and Hakon tell us their thoughts and feelings as the holiday and news hits home. As each person speaks, we not only see them as they see themselves, we are exposed to their quirks and differences as we then view them through the eyes of their siblings. The life cycle of relationships is explored with a transparent directness, this is a novel that prods and provokes. A fascinating read, incredibly profound, yet somehow tender, this really does encourage an exploration of a modern family.
Life, love, wiping slates clean. When life hands her death, a 43-year-old woman sets the record straight with people she’s close to, with wildly unexpected results - and plot twists aplenty. “Why do we only appreciate what we’ve got when it’s put at risk?” This question simmers at the heart of this breezily written book that sees a woman deal with a diagnosis of terminal illness with a certain calmness. While there’s nothing Jennifer can do about her prognosis, she can do something to confront deep-rooted niggles about problematic romantic and familial relationships. And so after enjoying of an early act of wild abandon - an uncharacteristic event that will surely put smiles on readers’ faces - she sends letters to people who’ve hurt her. Letters that reveal all the things she should have said to her philandering ex-husband, to her self-centred sister, and to her flaky former boyfriend. Their responses lay bare their regrets and love, but also highlight their own failings and insecurities, before a succession of sweeping twists lead Jennifer to understatedly muse that it’s “funny how the worst thing to happen can end up being the best thing.” Prompting “what would you do...?” questions of the reader, this entertaining debut weaves in universal truths about the value of honesty and living life to the full to stave off future regrets, and will be enjoyed by fans of Jenny Colgan, Jill Mansell, Cathy Kelly and Eleanor Oliphant is Completely Fine.
This is a tenderly written, fascinating and thoughtful semi-autobiographical novel. We follow Sissy through her life, as she experiences growing up in Zambia, and the impact it has left on her as an adult based in the United States. Sheena Kalayil explains that actual events and locations are placed and located in the novel. The prologue sets a beautifully described scene, the difference between the India of Sissy’s grandparents, and Zambia of her childhood settled vividly in my mind’s eye, noise, smells, memories all within touching distance. I particularly adored the small moments, the small actions that made this book feel so tangibly real. Time slides backwards and forwards with no explanation, none is needed. I was occasionally left unsettled as I became aware of the thoughts and feelings of the future Sissy, and waited for an explanation to occur in the past. ‘The Wild Wind’ looks at the presence of memories that bruise, that affect, that create our future selves, it is wonderfully readable and gently provocative too.
Oh… my… word, this is one fabulous debut! I found a deceptively simple, and stark dystopian foray into a world blighted by bombs and sickness. Monster is completely alone until one day she finds a child. She becomes mother and passes on her knowledge, but are her mothering skills being received in the way she is expecting them to be? Told in the first person, Katie Hale has created short chapters where thoughts scatter, bounce, zigzag. I filed away feelings and emotions as I read, each within touching distance, lying in wait to prod and provoke. This feels honest, as though looking at a future just within grasp, or back to a history that has already happened. The feelings are raw, sometimes painful, yet relatable and believable. I found the premise of this novel absolutely fascinating, I explored interpretation of meaning, motherhood, and thoughts on the basic cycle of life. ‘My Name is Monster’ is poignant, moving and wonderfully different, it is also incredibly intimate, readable and surprisingly beautiful, I adored it.
Gosh, this is a unique, riveting, gloriously written short novel. 17 year old Silvie and her parents are on an experimental archaeological dig site in Northumberland. Her controlling father keeps a tight rein on Silvie, yet as she experiences the freedom of the other students, her life closes in around her. Sarah Moss has created an absolutely chilling first chapter, the feeling remained with me throughout the book and I found myself on high alert. There aren’t many chapters, there are no speech marks, it is one continuous train of Silvie’s thoughts. Without realising I slipped into her mind space, almost became Silvie as her intimate thoughts merged with mine. A claustrophobic feeling settles over the pages, as each word is read, emotions intensify and fear sinks, this really is clever writing indeed. Ghost Wall may be short in length, due to the feelings it evokes, it actually feels as though it is an immense read. This fabulous, provocative and powerful book comes as highly recommended from me, it also sits as one of my picks of the month.
This highly readable thriller-cum-domestic drama tingles with intrigue when a single mother is drawn into a world of violence. Single mom Nicole Adams is approaching forty and entirely focused on her sixteen-year-old son, Justin, and her budding career as a ceramicist. Nicole’s story opens at a thrillingly pivotal moment in her life - the Contemporary Crafts Museum of Los Angeles has just offered her a place in their upcoming show. “This was my chance, an incredible opportunity. I was an artist!” she enthuses. Pivotal Moment Number Two takes place shortly after, when Justin brings home a girl for the very first time, Daniela, who was “as young and fresh and lovely as a rosebud from my garden”. A girl whose presence was also entirely unexpected, for Justin had never previously shown any interest in the opposite sex. More bombshells follow, first when Justin announces that Daniela needs a place to stay, and second when he reveals that she’s pregnant. Nicole does the only thing she can and takes Daniela in – she’s a big-hearted woman, 100% committed to doing the right thing, especially when it comes to doing the right thing by her family, including her grandchild-to-be. But, as a result of this, she becomes embroiled in the violence of Daniela’s family. Nicole is an appealing character many readers will for, and her predicaments pose some “what would I do in her position?” questions for readers too. It’s also well-paced, and includes engaging sub-plots around her sister and relationship history. Joanne Owen
This piercing and raw, yet sensitive and beautiful read really spoke to me, it’s a stunner. 17-year-old Tyler finds himself caught between a rock and an impossibly hard place. Forced to break into houses by his older brother, life heads in a hopeless downward spiral when they disturb an occupant coming home and violence shatters Tyler’s life. Doug Johnstone writes with true eloquence, you really don’t need more than 230 pages when the writing is this good. True empathy and joy dance across the page even when chased down by brutality. I read this in one sitting, absolutely hooked yet almost afraid to reach the end. I had no idea as to how the story was going to finish, a part of me felt hopeless, yet I was full of hope at the same time. Tyler is going to stay with me, as he has taken up lodging in my heart. ‘Breakers' is meaningful, moving, undeniably wonderful storytelling, I adored every single word and it comes as highly recommended from me.
A striking and compelling family drama where the past takes a ferocious bite into the present. The House on the Edge of the Cliff explores relationships, how they can alter, move with fluidity, ever-changing almost without realisation. The house in question sits on the edge of a cliff in France, a character in its own right, a sanctuary, utterly bewitching, and yet full of history, of memories. When Grace was 16 an event occurred which has affected and remained with her ever since, when the past suddenly rears its head, danger beckons. We first meet Grace in the present and within the first few pages, I became as hooked as a hooked thing can be. Heightened, in fact, frantic emotions dance across the page and left me feeling breathless. Time then begins a slide backwards, explaining just enough, setting more questions and encouraging more thoughts to flow. Carol Drinkwater writes with captivating eloquence, I find her books so wonderfully readable, I just slip down into the welcoming pages and enjoy. Full of secrets, tense moments, gorgeous descriptions, and emotional interplay, The House on the Edge of the Cliff is a truly beautiful read and one of my picks of the month.
An intriguing and thoughtful debut that pushes, prods, and provokes thoughts on social class, wealth and motherhood. Golden Oaks is a retreat that locates and looks after host females who act as surrogates for the extraordinarily rich, those who can’t or don’t want to carry their own child. Every move, every heartbeat of each host is monitored until they give birth. We follow the lives of four women, each with very different reasons for their involvement with the retreat known by the occupants as The Farm. For the first few chapters I sat on the edge, watching and learning, I then felt myself sliding into the pages, fully immersed, compelled to witness. Joanne Ramos has created a fascinating storyline, with intimate access to the thought processes of the four women ensuring I was able to observe the interaction, the assumptions, the decisions made. The Farm is a clever, challenging debut, and while set just in the future, is very much of our time.
An intriguing and thoughtful debut that pushes, prods, and provokes thoughts on social class, wealth and motherhood. Golden Oaks is a retreat that locates and looks after host females who act as surrogates for the extraordinarily rich, those who can’t or don’t want to carry their own child. Every move, every heartbeat of each host is monitored until they give birth. We follow the lives of four women, each with very different reasons for their involvement with the retreat known by the occupants as The Farm. For the first few chapters I sat on the edge, watching and learning, I then felt myself sliding into the pages, fully immersed, compelled to witness. Joanne Ramos has created a fascinating storyline, with intimate access to the thought processes of the four women ensuring I was able to observe the interaction, the assumptions, the decisions made. The Farm is a clever, challenging debut, and while set just in the future, is very much of our time.
Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Whether it’s Barbara Taylor Bradford’s window into the dark secrets of dynastic powerhouses, or the hard realities of Allison Pearson’s writing: the incisively humourous observations of Nick Hornby, or the light touch of Charlotte Bingham: the engrossing passion of Jojo Moyes, or the captivating worlds conjured by Jodi Picoult and Daisy Waugh, the range of fantastic stories in the Family Drama section is almost endless. Luckily our unique expert reviews and hand-picked recommendations are here to help match you with your perfect next read. Sign up to our monthly emails to stay in touch with the latest output from warm, wise Elizabeth Buchan, insightful Kate Atkinson, sensory-stimulating Joanna Harris, huge-scale Sidney Sheldon, magical Alice Hoffman and so many more in the varied family of fantastic authors of the genre.