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Our high-quality Family Drama selection offers the heart-breaking and heart-warming conflicts and dramas directly from the hearth, telling the stories of these families that have been struck by tragedy, conflict and drama and their struggle to survive intact.
Oh my word, this hits hard, and with so much power it almost took my breath away. Set in the future it focuses on an antibiotic crisis, no one over the age of 70 is allowed treatment and they are sent to hospitals called ‘The Waiting Rooms’. Although written before the current Covid 19 crisis, there is so much here you can connect to as a reader it feels as though this book was meant for these specific times. The first chapter is provocative, it shocked me and yet introduces the main character and book perfectly. As Kate searches for her birth mother, different time frames and countries sent my thoughts and feelings spinning. This is one of those books that doesn’t sit comfortably in one genre as it crosses from dystopian right through to family drama. It is perhaps best described as a speculative thriller, and boy did it make me reflect. I have been left thirsting for more information, for more knowledge and Eve Smith’s final words when she talks about the inspiration behind the novel are chilling indeed. The Waiting Rooms is a gutsy, thoughtful, fascinating read, and we have chosen it to feature as a LoveReading Debut of the Month.
This sequel to John Uttley’s family drama Where’s Sailor Jack? sees Bob, now past his “three score and ten”, dealing with era-defining external changes (Brexit, changes in the Labour Party, Donald Trump’s presidency) alongside day-to-day life, with his new love Wendy also given her own narrative. Having survived a divorce and a heart attack, and found himself new partner, Bob has also bought himself a grave plot “near enough to the gate for me to look for an escape if I’m sent to the wrong place,” he remarks with typically wry humour. Lively new characters are also introduced in this sequel, courtesy of teacher Lucy Fishwick, reputedly “a man-eater of all ages and sizes”, and her daughter Maddie, who’s often the object of male characters’ lascivious gazes. Reflective, nostalgic, and suffused in the author’s roots, No Precedent will appeal to those interested in personal takes on present-day political shifts. Indeed, it often reads as if lines between characters’ views and those of the author have been blurred. Tony Blair, Ed Miliband, Boris Johnson, Jeremy Corbyn, Teresa May, Jacob Rees-Mogg, John Bercow and Keir Starmer - and others - are discussed, and we’re also offered a reason for the collapse of Labour’s red wall in the 2019 general election: “I suppose they took the view that if you can’t beat the bastards then you might as well join them, if only for a while.” With loss, immortality (and the fates of Bolton and Blackpool football clubs) covered alongside politics, the overall reading experience is akin to overhearing a wry-minded, well-meaning stranger, then getting to know them over the course of an evening.
Family always comes first. Until now. Get ready for the ultimate summer read with the explosive new novel from Sunday Times No.1 bestseller and 'undisputed queen of crime writing' (Guardian) Martina Cole. Diana Davis has been head of the family business since the death of her husband, an infamous bank robber. She's a woman in a man's world, but no one messes with her. Her only son, Angus, is a natural born villain, but he needs to earn Diana's trust before she'll allow him into the business. Once he's proved he has the brains to run their clubs in Marbella, he is given what he's always wanted. It's the beginning of a reign of terror that knows no bounds. But Angus has a blind spot: his wife, Lorna, and their three kids, Angus Junior, Sean and Eilish. And as the next generation enters the business, Angus has a painful truth to learn. Even when it comes to family, he must show no mercy...
An interesting, expressive, and bittersweet dual time frame novel. Marine archaeologist Rachel investigates a shipwreck with links to the slave trade, while in 1763 Abigail falls in love with a tobacco trader in Whitehaven. This is the fourth in the Tales from Goswell series. These books feature the village of Goswell in Cumbria and a new main lead (or two) is introduced each time. A slice of history creates a dual timeline, with the present linking to the past and the focus equally on both. Characters from previous books are mentioned which adds continuity, it almost feels like a much loved holiday cottage, returning to a place that feels comfortable and homely. The slave trade from Whitehaven spears this storyline, with Katharine Swartz balancing the thoughts of the time with love and as usual with her books, hope. What it is to be family sits centre stage in The Widow’s Secret, and while a tale full of warmth, there is also an undeniably flinty and thought-provoking edge.
An interesting, expressive, and bittersweet dual time frame novel. Marine archaeologist Rachel investigates a shipwreck with links to the slave trade, while in 1763 Abigail falls in love with a tobacco trader in Whitehaven. This is the fourth in the Tales from Goswell series. These books feature the village of Goswell in Cumbria and a new main lead (or two) is introduced each time. A slice of history creates a dual timeline, with the present linking to the past and the focus equally on both. Characters from previous books are mentioned which adds continuity, it almost feels like a much loved holiday cottage, returning to a place that feels comfortable and homely. The slave trade spears this storyline, with Katharine Swartz balancing the thoughts of the time with love and as usual with her books, hope. What it is to be family sits centre stage in The Widow’s Secret, and while a tale full of warmth, there is also an undeniable flinty and provocative edge.
Also available on Kindle The Truth in a Lie is Jan Turk Petrie's sixth novel and the first in a contemporary setting. It is an engaging story of complex interpersonal relationships..husbands and wives, mothers and daughters, brothers and sisters; a story of love and loss, expertly told with sensitivity and real emotional depth. The reader follows Charlotte, Lottie, through a particularly difficult time in her life. After divorcing Duncan, we join the story when she leaves her partner, Michael, and has to adjust to being alone again, though sometimes with the company of Kate, her university student daughter. Her life is rocked again when her mother is taken seriously ill and has to undergo emergency surgery. The reappearance of Duncan at the hospital and her mother's insistence that her private papers will be destroyed unread, set the scene for an unexpected outcome, clearly demonstrating the devastating consequences that secrecy can have. The novel is very well-written with fully developed characterisations and evocative accounts, so much so that the reader feels that they know the people, places and feelings described. Indeed, the strength of the writing is that most people will have experienced something very similar and will be able to identify completely. A highly recommended read. Drena Irish, A LoveReading Ambassador
A scorching, provocative, heady hit of a read, that also feels refreshingly unique. The setting is Australia, three girls disappear and years later Tikka looks back at what happened and how the events have affected her life. Felicity McLean sets two time frames in motion, but the story doesn’t flow in a straight line, words meander, get caught in an eddy before rushing onwards again. It took me a few pages to settle into the writing, and that is just because it is so wonderfully and distinctively different. Tikka’s voice is compelling, her childhood evokes bright vivid colour and touchable vibrant feelings which all spill from the page. She didn’t just visit my thoughts, but set up home too. As I read, punches of realisation landed with precision, opening my eyes, making me consider. The Van Apfel Girls are Gone really is the most special debut, it is dark, atmospheric and tragic, yet bright, engaging and satisfying too. Also chosen as a LoveReading Star Book and Liz Pick of the Month, this Debut of the Month is one that I can highly recommend.
Emotionally haunting, dramatic and provocative, yet ultimately this is a novel full of hope. On the day the car collides with a wall, five sets of parents attend hospital not knowing if their child has survived. What follows isn’t an easy read emotionally as death, turmoil and loss features heavily, but… but… I was completely gripped and couldn’t stop turning the pages. Caroline Bond introduces the characters perfectly, I immediately felt as though I knew everyone. The interplay feels so very real and as the book skips backwards and forwards again, understanding of the personalities, relationships, and secrets seeped into my awareness. There is a thoughtful balance to this novel, no judgement is made by the author, rather she encourages contemplation. The drama sweeps across the stage, the readability factor is huge, and still One Split Second is full of empathy and compassion, earning it a place as a LoveReading Book of the Month.
Loss, recovery and pervasive secrets from the past - this engrossing saga tells the page-turning tale of an unforgettable Jamaican woman from WW1 to 1950. From the author of White Feathers, Susan Lanigan’s Lucia’s War is an absorbing, twisting, historical saga about the memorable Lucia Percival who came to Britain from Jamaica and worked as a nurse during WW1 before becoming a celebrated opera singer. Lucia’s lively, sharp-witted narrative undulates and unfolds at spellbinding speed - coloratura style, to use an operatic term - as she relates her story to a music critic as she’s set to give her last performance in 1950. It’s impossible not to feel invested in Lucia’s life as the tale darts back and forth from her working in the Voluntary Aid Detachment in France in 1916, to her striving to live as a musician in London on returning from war, to her later trials, all the while living in the tight grasp of her past. Recalling her father’s words towards the end of the novel, Lucia notes, “The trouble with you, Lucia, is that you can do anything.’ Turned out my father was right, just not in the way he meant. I was capable of doing anything.” This facet of her character chimes throughout the novel, as does her connection to the gruff Scottish surgeon she encountered in France: “You come all the way from the West Indies to England on your own…I’ve never met anyone like you in all my damn life.” These words ring true, for Lucia is a one-of-a-kind woman, driven by a longing to mother the son who was taken from her, a longing that sees her agree to a plan concocted by old Lillian (“The Witch”), a woman similarly scarred by loss, and damaged by war. Revealing the contribution Caribbean commonwealth citizens made to Britain during WWI, and touching on the Spanish flu epidemic, at its heart this is the powerful story of a black woman in a white man’s world; a personal account of the ravages of war; the story of a woman torn. In Lucia’s words, “The two parts of me – musician versus mother, public versus private – were separating out so rapidly and so completely there seemed to be no way of reconciling the two.” While I wondered what impact the novel might have if it followed a strict chronological structure, it’s gripping stuff, and the final twist is likely to catch readers off-guard, hungry to know how the next acts of Lucia’s extraordinary life play out. A Piece of Passion from the Publisher... Susan Lanigan and I worked together on her first novel White Feathers, and the glorious Lucia Pervical stole every scene she appeared in. It was clear that she needed her own book. When Susan approached me to work on Lucia's War, I was honoured to work with her again and to be one of the first to find out What Lucia Did Next. Susan's such a passionate author – personally, politically and poetically – who infuses her characters and the world they inhabit with a rich vivid life. I learned so much about Black British culture and history from between the wars and fell in love with Lucia's lyricism and her resilience. Technically, the novel is a tour de force of non-linear narrative by a writer skilled at her craft: the various strands of Lucia’s past are deftly woven together like the baby’s blanket she carries with her everywhere. I bawled each one of the three times I read it through from beginning to end. Which is a professional quality-control test we editors sometimes do.
Prepare yourself for an emotional read… full of deep abiding love and hope, there are also parts of this book that caused an intensely physical ache long after I’d finished reading. I don’t want to give too much away, I want you to be able to enter as I did, and experience all that is on offer. So, let me just say that Max and Pip have to make an impossible decision, one that will affect them forever more. The prologue sets the scene perfectly, and I felt a fellow sharp intake of breath at the last sentence before moving to chapter one. This is one of those books where I didn’t make many notes as I read, I was completely caught up in the story. Each character is perfectly placed, their emotions reaching out from the page to touch my heart and soul. There are times when right and wrong do not exist in a clear, comprehensive format and this book successfully shreds presupposition into tiny confetti-like pieces. After I had finished reading, the note at the end by Clare Mackintosh sent goosebumps skittering down my arms. After the End is powerful, provocative, and I can wholeheartedly recommend this extraordinarily beautiful read. I have chosen it as one of my picks of the month and a LoveReading star book.
Oh what a lovely summery ray of sunshine this book is, it made me smile from ear to ear! Robyn and Jake are planning a wedding at the beach hut, but secrets are lurking in the background, ready to cause a little turbulence along the way. Veronica Henry really does excel in creating hugely entertaining, captivating and uplifting reads. She has the wonderful ability to cross generations and time frames with her characters and storylines. The characters, from the leads to those who hover in the background, are beautifully well-rounded, and I loved discovering the inner tales contained within the main story. The smallest of details succeed in making this a vibrant and sparkling read. I could picture the setting so vividly I’m still hankering after Everdene, I want to traverse the dunes and wander down to the beach huts! I’ve chosen A Wedding at the Beach Hut as one of my Liz Picks of the month because it really is the most delightful hit of escapism, I adored it! Explore our '80+ Books That Deliver a Hug' listicle for more feel-good or uplifting books.
This is a proper domestic saga starting just after the end of the First World War. Built upon anecdotes about the author’s grandparents and in depth research into the historical records of their generation, Family Business tells a twisting tale of a family who tries to improve their lives while building a road haulage firm in the interwar years. This book has a colourful family at its heart and plenty of bumps in the road to building the family business. There's also scope at the end of the book for the next generation's story to be shared. Although it is a historical novel, I think that Family Business is actually quite timeless in terms of reflecting the day to day routine of many people’s lives. I also liked the added touch of the old images at the start of each chapter. I did find that in places the book is perhaps overly detailed making it a slow read and whereas other details are just skimmed over. The writing style is good but I felt that the book was just missing something to give it an edge.
Whether it’s Barbara Taylor Bradford’s window into the dark secrets of dynastic powerhouses, or the hard realities of Allison Pearson’s writing: the incisively humourous observations of Nick Hornby, or the light touch of Charlotte Bingham: the engrossing passion of Jojo Moyes, or the captivating worlds conjured by Jodi Picoult and Daisy Waugh, the range of fantastic stories in the Family Drama section is almost endless. Luckily our unique expert reviews and hand-picked recommendations are here to help match you with your perfect next read. Sign up to our monthly emails to stay in touch with the latest output from warm, wise Elizabeth Buchan, insightful Kate Atkinson, sensory-stimulating Joanna Harris, huge-scale Sidney Sheldon, magical Alice Hoffman and so many more in the varied family of fantastic authors of the genre.