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Find out moreOur high-quality Family Drama selection offers the heart-breaking and heart-warming conflicts and dramas directly from the hearth, telling the stories of these families that have been struck by tragedy, conflict and drama and their struggle to survive intact.
“There are some things that shape every minute of forever”, and seventeen-year-old Lexi knows that more than most. Five years ago her life was thrown into turmoil by her older brother’s horrific actions, actions that left her traumatised, stigmatised and excruciatingly conflicted: “How do you condemn your own brother?” Now Lexi’s goal is to “survive a full school year - 180 days - hiding behind a new name, new home, new persona”, this time living with her aunt. Seeing as her “history always finds a way to suffocate everyone in its path,” Lexi fears getting close to anyone, but she strikes up a friendship with Ryan who’s also “wrapped in secrets”, and then embarks on a magnificent romance with Marcus, who shares her experience of being an outcast. I loved the powerfully positive portrayal of both Marcus and Ryan - it was refreshing to encounter such compassionate, non-judgmental, luminously 3D teen boy characters. The novel is brilliant in its portrayal of relatable real-life, coming-of-age universals - fitting in, standing out, anxieties, friendships, falling in love - within the context of Lexi’s agonising situation. Her story is impressively honest in its portrayal of life’s darknesses, and also shot-through with heart and hope as she finds friends she can truly trust, and her own inner strength to survive.
Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
A beautifully powerful read that sits in darkness, not an all-consuming menacing murk, but one with pinpricks of light that can be found and felt if you open yourself to the discovery. Stella McKeever is working on her final radio show, she is encouraging listeners to divulge their secrets and waiting another call from a man who claims he knows who murdered the pregnant woman in the city three weeks previously, but should some secrets stay secret? There are times when I think it might be slightly distracting to label a book with one specific genre and for me this is one of them. I know Call Me Star Girl is a psychological thriller, it certainly does thrill, it also made me feel a whole host of other emotions too. Louise Beech excels in writing about people, at their very best, very worst, and everything in between, so I’d rather not pop this book into a pigeon hole but let it fly. Each chapter is headed by a name, and either ‘then’, ‘now’ or ‘with’. I quickly settled into the story while getting to know the characters, they became entirely real to me as I explored the how and why of who they were. While suspicion cut through my thoughts, unexpected slices of deep, aching surprise were served, and there is one particular moment that will stay with me for a very long time. Call Me Star Girl explored my feelings, touched my heart, and is one of my picks of the month, it is a truly glorious read.
A smirky, fabulously quirky, poignant novel and an absolute joy to read. It is 1980, Lizzie is 18, she starts a new job working for a dentist, moves into her own flat, and thinks she may have got herself a boyfriend (but isn’t entirely sure). Lizzie is a total delight, her courage, spirit and pithy observations mix into a heady cocktail alongside her apprehension and doubt. The other characters are beautifully realised in their own right, every utterance perfectly placed, it is difficult to pick just one out as when I called them forward in my mind, they clambered over each in a riot of energy. Nina Stibbe excels in the small, in fact the incy wincy details that are so beautifully observed you didn’t know they were missing until you read them, and could see and feel the entire picture. The understanding of human frailty and poignancy of human absurdity is so wonderfully explored. There is something compelling about the writing that lodged in my mind, and took up residence in my heart. I snorted (yes actually snorted) out loud with laughter and while heartache and break is never far away, thoroughly loved every word of Reasons To Be Cheerful which earns it one of my picks of the month… it’s just gorgeous!
It’s no secret that I am a fan of Dinah Jefferies and this is as beautifully and vividly readable as one would expect. Slip back into history and join Belle Hatton who travels to Burma in 1936 to become a nightclub singer, accompanying her is a newspaper clipping suggesting her parents left Ragoon 25 years previously in mysterious circumstances. Two time frames sit side by side, in 1921 we meet Belle’s mother, lost and traumatised, while in 1936 Belle finds her life increasingly in danger. I adore the descriptive detailing, you can almost close your eyes and take in a deep breath of a bygone era. The colour of the place and people just pops with intensity. Belle begins a relationship with a man, yet it doesn’t take centre stage, it is important but certainly not the be all and end all of this particular story. There is one unforgettable moment, using an event from history that is shockingly dramatic and provocative, I saw with Belle’s eyes, felt the pain and fear. I feel as though I could pick up a Dinah Jefferies book without knowing the author and would instinctively know it was hers, each book is completely individual yet the style of the author remains. The Missing Sister is richly and expressively eye-catching, it swept me up into the pages, releasing me only at the very satisfying ending.
I was completely and utterly consumed by this debut, it slowly took hold, crept into my thoughts, drew me in, and then refused to let me go. I really didn’t want to stop reading, and even now Cora Burns enters my mind and stops for a while. Cora Burns born in gaol and raised in a workhouse, finds herself in gaol once again before a scientist takes her on as a servant, just what exactly is his current experiment? The story starts in savage darkness, then spins forward in time before rolling between 1865, 1874 and 1885, slowly answering questions yet creating more. Carolyn Kirby has created the most deeply felt and amazing character in Cora (to me she isn’t a character but as real as real can be). There were times when I almost didn’t want to read her story, I wanted to shut my eyes, hum, and put my hands to my ears, and yet I simply couldn’t stop, the words haunted me, called to me, devoured me. The Conviction of Cora Burns enthralling, fascinating and so incredibly worthwhile, developed into the most unexpectedly fierce and beautiful read (I think you will understand if you step between the pages), and so just has to be one of my picks of the month.
Does a Harlan Coben novel really need an introduction… if you’ve not read this wordsmith’s work before then yes, of course it does! I have to say that I am never disappointed, his are thrilling novels that you can completely disappear into as they spear emotions and provoke thoughts. In Run Away a father searches for his daughter, she ran, and he has been searching ever since, when he finds her, he and the rest of his much-loved family find themselves in terrible danger. The first chapter snared my imagination, you know when you fall so deeply into a book that nothing else exists, well that was me. Each character dove into my awareness, so clearly defined, I could hear them and feel for them, even if I feared them. I didn’t want to stop reading and so waved hello to the very early hours (tip: start in good time if you don’t want to pull an all-nighter!). Run Away is a pure, addictive reading feast for the eyes and mind, if you haven’t yet tried A Harlan Coben, now is the perfect time.
As eight-year-old girls, three friends made a marriage pact. Now approaching thirty, Dahlia is the only one who remains unmarried and the pressure to conform, to accept a husband, is crippling. Dahlia is desperate to be “unfettered by customs and bonds and the burden of ancestry”, and it’s clear to her that life is much easier for young boys who “would have freedoms my sister and I never contemplated...the freedom to live their lives without constant scrutiny...the freedom to not marry without shame or guilt.” While Dahlia has conformed to her parents’ idea of a suitable career, she remains steadfast in her refusal to marry a man she does not love, and still harbours a desire to pursue her artistic talents, while battling familial and peer pressure, while haunted by the abuse inflicted on her by a family friend. Dahlia’s intimate, introspective narrative evokes a sense of constriction and conflict with remarkable potency, and readers will applaud her courage and acts of defiance. Thought-provoking, long-lingering and simmering with the strength of the human spirit, this is a powerfully assured debut.
What an addictive and powerful book this is, I gobbled it up in one heady sitting and then sat and had a good ponder as certain aspects of this read knocked at the door to my consciousness. Two people have spent the last twenty-two years trying to forget, but someone is determined, no matter what, that they will remember. The first few pages really set the scene in a simple yet clever way, then I was hit by a wallop of an opening. Each chapter is headed by a character and a date, two main time frames are explored, time is sliced, spliced, offering a doorway to answers. As I read my mind explored possibilities, evaluated decisions, examined each character, their thoughts, their feelings. C. J. Cook balances the plot beautifully, keeping it taut, yet encouraging exploration in the moment. ‘The Blame Game’ (which is an absolutely perfect title) is a dramatic, enthralling and ultimately very satisfying read.
Goosebumps still compete in a race down my arms when I think about The Snakes, it is remarkable, truly remarkable, so please just trust me when I say this is a must-read. Bea and Dan rent out their flat so they can travel, stopping off at her brother’s hotel in France on route. When Bea’s parents unexpectedly visit, Dan can’t understand why Bea has kept them at arms length and refused their financial help all of these years, surely it can’t hurt to get to know them? Sadie Jones is a master storyteller, apparently simple sentences gang together to create a slicing tension. There is a purity to the writing, even though the very darkest of human attributes are so wonderfully and tellingly observed as the tale unfolds. This isn’t a comfortable read, but gosh it’s compelling, I sat and read it in one heady afternoon. I felt on high alert, my mind unclouded as I tasted, tested, scrutinised both the thoughts of the characters, and my own. ‘The Snakes’ is powerful and provocative, not in a shouty, boastful way, it slid into my mind, creating and filling secret spaces, and when I reached the last few pages, and read the final words, I just stopped and sat in wondering heart-hammering silence. This is one of my picks of the month, in fact I already know that The Snakes will be one of my picks of the year.
A feverishly seductive story, it whispers, cajoles, beckons from history until the past forcefully assaults the present. When Ruth’s estranged father dies she returns to Edinburgh and discovers the hidden diary of her ancestor Thomas Erskine. Fascinated by his story Ruth finds herself in extraordinary danger when she starts to delve into the past. The prologue offers a warning, while the first chapter thoroughly sets the scene in 1760 as 10 year old Thomas witnesses a murder and sees the shadow of the dead man as it leaves the body. Barbara Erskine has based the story on her own family history, she paints a picture with a beautiful delicate balance and inner strength as the drama starts to unfold. Ruth’s story stands resolute in this time, and with a delicious shiver of fear I let the story take me where it willed. I always knew where I was, even as the past pushed ever closer. Spellbinding and gorgeously readable, as all becomes clear The Ghost Tree really is the most perfect title - highly recommended. Take a look at our Ambassador Book Buzz for The Ghost Tree.
Whether it’s Barbara Taylor Bradford’s window into the dark secrets of dynastic powerhouses, or the hard realities of Allison Pearson’s writing: the incisively humourous observations of Nick Hornby, or the light touch of Charlotte Bingham: the engrossing passion of Jojo Moyes, or the captivating worlds conjured by Jodi Picoult and Daisy Waugh, the range of fantastic stories in the Family Drama section is almost endless. Luckily our unique expert reviews and hand-picked recommendations are here to help match you with your perfect next read. Sign up to our monthly emails to stay in touch with the latest output from warm, wise Elizabeth Buchan, insightful Kate Atkinson, sensory-stimulating Joanna Harris, huge-scale Sidney Sheldon, magical Alice Hoffman and so many more in the varied family of fantastic authors of the genre.