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Amateur sleuth Lord Peter Wimsey makes his first outing in Whose Body? with Sayers creating a character that can grow and develop through future stories. A great murder mystery with wonderful characters and a plot to keep you guessing. January 2010 Guest Editor Diana Gabaldon on DOROTHY L. SAYERS Mistress of dialogue, character, humor and social nuance. From her, I learned that dialogue is the single most defining trait of character, and just how much you can do with accent, idiom, and dialect. Also, that a character is embedded in his or her social matrix, and that matrix is as important as the individual's personal characteristics.
One does not expect to be kidnapped on a London street in broad daylight. But Amity Doncaster barely escapes with her life after she is trapped in a carriage with a blade-wielding man in a black silk mask who whispers the most vile taunts and threats into her ear. Her quick thinking, and her secret weapon, save her . . . for now. But the monster known in the press as the Bridegroom, who has left a trail of female victims in his wake, has survived the wounds she inflicts and will soon be on his feet again. He is unwholesomely obsessed by her scandalous connection to Benedict Stanbridge—gossip about their hours alone in a ship’s stateroom seems to have crossed the Atlantic faster than any sailing vessel could. Benedict refuses to let this resourceful, daring woman suffer for her romantic link to him—as tenuous as it may be. For a man and woman so skilled at disappearing, so at home in the exotic reaches of the globe, escape is always an option. But each intends to end the Bridegroom’s reign of terror in London, and will join forces to do so. And as they prepare to confront an unbalanced criminal in the heart of the city they love, they must also face feelings that neither of them can run away from. . .
Cope's mordant humour and formal ingenuity are in evidence, even as she remembers the wounds of a damaging childhood; and in poems about love and the inevitable problems of aging she achieves an intriguing blend of sadness and joy. Two very different sets of commissioned poems round off a remarkable volume, whose opening poem sounds clearly the profound note of compassion which underlies the whole.
We know you are here, our brothers and sisters. We will, one day, emerge from the Dome to join you in peace. For now, we watch from afar, benevolently. Pressia Belze has lived outside of the Dome ever since the detonations. Struggling for survival she dreams of life inside the safety of the Dome with the 'Pure'. Partridge, himself a Pure, knows that life inside the Dome, under the strict control of the leaders' regime, isn't as perfect as others think. Bound by a history that neither can clearly remember, Pressia and Partridge are destined to forge a new world.
An informant claims to have information about the whereabouts of the man entrusted by the Tsar with hiding his gold. As the news of the informant reaches Stalin, however, the man is knifed to death. Stalin summons Pekkala to the Kremlin and orders him to solve the murder. To accomplish his mission, he must return to Borodok, the notorious Gulag where he himself spent many years as a prisoner. There, he must pose as a inmate in order to unravel the mystery...As he returns to the nightmares of his past, is this a mission too far for the great Pekkala?
I had spent three years at Oxford studying to join the clergy. Three years of rising at dawn to pray, daily seminars in classics, divinity and logic … before rushing back to church for evening prayers and finally to bed. Unfortunately, it was in that gap between evening prayers and bed where I was tested; and failed magnificently. If only God had put fewer hours in the day. And not invented twins. It’s 1727. Tom Hawkins is damned if he’s going to follow in his father’s footsteps and become a country parson. Not for him a quiet life of prayer and propriety. His preference is for wine, women and cards. But there’s a sense of honour there too, and Tom won’t pull family strings to get himself out of debt - not even when faced with the appalling horrors of London’s notorious debtors’ prison: The Marshalsea Gaol. Offered the opportunity to free himself by solving a murder, Tom finds his principles tested to the limit. He is forced to navigate a new world of hitherto unimaginable corruption and violence.
A fugitive train loaded with the plunder of a doomed people. A dazzling jewelled pendant in the form of a stylized peacock. And three men - an American infantry captain in World War II, an Israeli-born dealer in art stolen by the Nazis, and a pioneering psychiatrist in fin-de-siecle Budapest - who find their carefully-wrought lives turned upside-down by three fierce women, each locked in a struggle against her own history and the history of our times. And at the centre of Love and Treasure, nested like a photograph hidden in a locket, a mystery: where does the worth of a people and its treasures truly lie? What is the value of a gift, when giver and recipient have been lost - of a love offering when the beloved is no more? In an intricately constructed narrative that is by turns funny and tragic, thrilling and harrowing, with all the expertise and narrative drive that readers have come to expect from her work, Waldman traces the unlikely journey, from 1914 Budapest to post-war Salzburg to present-day New York, of the peacock pendant whose significance changes - token of friendship, love-offering, unlucky talisman with the changes of fortune undergone by her characters as they find themselves caught up in the ebb and flow of modern European history. Spanning continents and a hundred years of turbulent history, encompassing war and revolution, the history of art, feminism and psychoanalysis, depicting the range of human feeling from the darkness of a shattered Europe to the ordinary heartbreaks of a contemporary New York woman, Love and Treasure marks the full maturity of a remarkable writer.
This is a tale of passion and betrayal from bestselling author Lucinda Riley - first published under the name Lucinda Edmonds. Rosanna Menici is just eleven years old when she meets Roberto Rossini, the man who will change her life forever. In the years to come, their destinies are bound together by their extraordinary talents as opera singers and by their enduring but obsessive love for each other - a love that will ultimately affect the lives of all those closest to them. For, as Rosanna slowly discovers, their union is haunted by powerful secrets from the past...Rosanna's journey takes her from humble beginnings in the back streets of Naples to the glittering stages of the world's most prestigious opera houses. Set against a dazzling backdrop of evocative locations, The Italian Girl unfolds into a poignant and unforgettable tale of love, betrayal and self-discovery. From the international bestselling author of Hothouse Flower and The Midnight Rose comes The Italian Girl - first published under the name Lucinda Edmonds. This novel was first published as Aria under the name Lucinda Edmonds.
One perfect family. Too many perfect lies. In every glossy picture of the American society pages, there's an Ev Winslow. Disarmingly beautiful, and - naturally - tall, athletic, with a smile that's perfect. Small-town Mabel Dagmar has never known anyone like Ev, and now she's sharing her college dorm - even if she is completely ignored. But suddenly they're friends and Mabel can hardly believe her luck when she finds herself summering at the Winslow family's luxurious estate, Winloch, in Vermont. Winloch is like a small village, with each of the perfect Winslow children inhabiting a pretty white cottage. Days spent swimming in watery coves evaporate into nights at glamorous cocktail parties where Mabel sits alongside the scions and the fountainhead of this prestigious family. And as the formality melts away with one particular Winslow brother, Mabel is left to think that her summer has all but become a golden dream. But when Mabel meets a disgruntled member of the family, she can't help looking a little closer at the Winslows, probing beneath their glossy exterior. And what she uncovers in their past is almost as shocking as what she finds out about their present. Beneath the beauty is a rotten core. And not everyone is quite as they seem.
The Victorian gossipmongers called them The Petticoat Men. But to young widow Mattie Stacey, they are Freddie and Ernest, her gentlemen lodgers. It is Mattie who admires their sparkling gowns, makes their extravagant hats and laughs at their stories of attending society balls dressed up as the glamorous 'Fanny' and 'Stella'. But one fateful night Fanny and Stella are arrested, and Mattie and her family are dragged into a shocking court trial, described in newspapers all over England as 'The Scandal of the Century'. Outraged, Mattie is determined to save her family from ruin, and her friends from shame and penury. She embarks on a brave journey to expose the establishment's hypocrisy - including the involvement of Mr Gladstone the Prime Minister, and the Prince of Wales. For Fanny and Stella are dangerous ladies, and these are dangerous times...
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