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Find out moreOur Diversity genre celebrates a wide range of inclusive narratives. It's about empowering people by respecting and appreciating what makes them different, in terms of age, gender, ethnicity, religion, disability, sexual orientation, education, and national origin. As a team, we read widely and make sure that we offer intersectional representation in our book recommendations.
Set in 1980s Atlanta, Tayari Jones’s Silver Sparrow is a rich tour de force that sparkles with wit, warmth and candid lyricism. Exploring the weight of secrets and the complexities of love and family life through the compelling coming of age stories of sisters estranged by their father’s bigamy, this novel lingers long in the soul. “The truth is a strange thing. Like pornography, you know when you see it.” This potent proclamation cuts to the novel’s core, for Dana and her mother Gwen are the other wife, the other daughter, of bigamist James, and they know this truth while his first wife and daughter remain oblivious. Upset when James tells her that being his second daughter “You are the one that’s a secret,” Gwen poignantly informs Dana that rather than being secret, she’s simply “unknown. That little girl there doesn’t know she has a sister. You know everything.” Knowledge that she possesses the truth offers Dana consolation, of sorts. While James’s other family is financially better off, both wives have a distinct lack of agency. Indeed, the novel is sharp on showing how women often have to make their lives from what men decide, such as when Gwen remarks that when you’re four weeks late, “All you can do is give him the news and let him decide if he is going to leave or if he is going to stay.” The novel is also powerful on elemental love and the nature of memory, such as Dana’s response to being gifted a fur coat her father won in a card game: “To this day and for the rest of my life I will always have a soft spot for a man with rum on his breath.” In time, during her own tempestuous teenage years, Dana orchestrates encounters with her sister and they become friends, with tension rising as the secret threatens to detonate. With finely drawn, flawed characters that pull readers’ loyalties in different directions, this commanding, compassionate novel confirms the author’s exceptional gifts. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Based on her great-great grandparents’ experiences, Tammye Huf’s A More Perfect Union is a heart-rending, soul-stirring story of the love between a black slave and an Irish immigrant. A lucid, bold tale of the despicable brutality of slavery, personal conflicts, and a bond that will not be broken. Henry O’Toole fled Ireland in 1848 to escape the famine. On arriving in New York, “America stabs me with homesickness” and he can’t find a job - “Every day it’s the same. No Irish”. Compelled to flee the city, he changes his surname to the English-sounding ‘Taylor’ and heads to Virginia. House slave Sarah is separated from her Momma and brother when she’s sold as a “quick-cleaning-slave-who-don’t-get-sick”. She and Henry meet when he comes seeking work as a blacksmith at the plantation she’s been sold to. Here Henry is moved by the sound of slaves singing at night, while Sarah paces her hoe in the kitchen garden to “the rhythmic strike of the blacksmith’s hammer”. The stirring attraction between them is palpable, but theirs is a forbidden relationship - inter-racial marriage is illegal, and viewed as an abomination. What’s more, she’s owned by another man. The couple are in an excruciating situation, their complex personal conflicts evoked with shattering clarity. Sarah has to reconcile loving a man whose white skin represents her oppression, and she’s also ostracised by fellow slaves. Then there’s the searing exchange when Sarah sees Henry making neck rings and shackles. When he protests that he has no choice, that he needs to earn money, that he knows what it is to be shackled by poverty, Sarah’s response captures the despicable inhumanity of enslavement: “’I know you been through a hard, hungry life,’ she says. ‘I want you to understand that slave suffering is a different thing. When somebody owns you, there ain’t nothing they can’t do to you.’” Both their voices are conjured with brilliant authenticity, and their story builds to an agonisingly edgy crescendo as the risks they take are as immense as their love. I cannot recommend this enough. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Immensely enjoyable, this high fantasy novel contains characters and a storyline to die for. Oh, and if you think you don’t like fantasy, you might want to think again - this has heaps of drama, action, and thoughtful intrigue, as well as allowing an escape from the reality of the world we are living in. Ashes of the Sun is the first book in the new Burninglade and Silvereye Series. Gyre seeks revenge on the Twilight Order who took his little sister Maya twelve years ago, but when the siblings meet again they find themselves on opposing sides in a war for survival. When it comes to fantasy novels I am a reading fiend, I find that this particular genre offers some of the very best series going and can already safely say that this will be a series I will be camping outside of bookshops for. Django Wexler has built a post-apocalyptic world that you can immerse yourself in, I didn’t stop, doubt, question, just wholeheartedly believed. I grew in knowledge alongside Gyre and Maya, and absolutely loved the combination of technology and inner power. Not only is this a fast-paced beautifully diverse read, I found the humour perfectly timed. In the acknowledgements Django Wexler says that the novel originated after a series of conversations about Star Wars, and you can definitely see some influences as you read. Ashes of the Sun has it all, and comes with the higher than highly recommended tag from me.
With short fast-moving chapters this is a piercing and riveting political thriller. Sitting within a time period of just over two weeks, former aid worker Ursula finds herself in deep water when she becomes Minister for the Interior in Iceland. Author Lilja Sigurdardottir and translator Quentin Bates team up again after the successful and fiercely intense Reykjavik Noir trilogy which I absolutely adored. The writing here is just as smart and powerful with dirty politics and corruption leading the charge and an otherwordly feel slinking around in the background. A number of characters are introduced, from Ursula who takes a high-profile role in government, to driver and bodyguard Gunnar, and cleaner Stella. A picture slows builds with a teetering edge of tension remaining in place throughout. I hovered on the edge of knowing and understanding, my focus sharp and waiting for what was to come. In summary, Betrayal is an edge-of-your-seat political thriller just brimming over with attitude.
Written with luminous, crackling style, Cane Warriors is an unforgettable account of Jamaican and British history that must be known, with an unforgettable narrator at its heart. In the words of fourteen-year-old Moa, “the hope of our dreamland churned in my belly,” a powerful statement that pulses through this extraordinary story of Tacky’s War. Based on a revolutionary real-life 1760 Jamaican slave rebellion, a visceral sense of the atrocities Moa and his fellow field slaves are subjected to is evoked from the start. Their bodies are lashed and “roasted by a brutal sun”, Moa hasn’t seen his house-slave mama for three years, his papa lost an arm in mill machinery, and his friend Hamaya fears the day predatory white men will “come for me.” Spurred by the death of Miss Pam who “drop inna da field and lose her life”, and led by Miss Pam’s brother Tacky, who “trod like a king” and whose brain “work quick like Anancy”, the uprising hinges on the freedom fighters killing the plantation master. While Moa is glad to be given a pivotal role in the rebellion, he fears that success and escape will mean he’ll never see his parents or Hamaya again - his conflict is palpable, but he’s set on being a cane warrior. Outside the plantation, Moa’s world is immediately transformed, with his life as a freedom fighter evoked in fine detail (I loved the depiction of him tasting creamy, fleshy sweetsop for the first time). There are bloody battles ahead, executed in the presence of Akan gods, and driven by brotherhood and hope for that dreamland. Lucidly lyrical and raw, I cannot praise Cane Warriors enough.
Imparting an infectious passion for politics, speaking-out and trying to make a difference, Yes No Maybe So, co-authored by Becky Albertalli and Aisha Saeed, is a resonant, readable page-turner with an adorable cross-cultural romance at its heart. Jamie Goldberg is a self-professed klutz with confidence issues and a commitment to campaigning for his local Democrat candidate. While he hates being the centre of attention and has no interest in “power for its own sake”, Jamie is certain that “I want to be a history changer. I want to help draw the line.” It’s on the campaign trail that he meets Maya. With her parents recently separated, their vacation plans cancelled, and her best friend distracted with college plans, Maya figures she’d just as well do something during the summer. The Islamophobia Maya experiences while canvassing elicits a mix of shock, anger and defiance. “We don’t want the racist asshole guy to win, right?” she says of the bigot who slurs her during one doorstep encounter. “He already did win. In 2016,” Jamie quips of the US President. As the heat of the campaign intensifies, not least when they stand against a Republican bill seeking to ban head and face coverings in public spaces, and Jamie’s car is defaced with an anti-Semitic sticker, so too does their friendship, with their cross-cultural relationship portrayed with authentic empathy. Maya and Jamie’s dual narrative plays out with page-turning urgency and their awakenings – political, personal and romantic – are a genuine joy to experience. While Jamie has to learn from his Ramadan-related gaffes, and there are conflicts to navigate, their friendship – and more – transcends boundaries.
From the one-of-a-kind author of Poet X comes a one-of-a-kind novel suffused in YA’s finest features - friendship, shifting family relationships, fighting to find your voice, romantic passion – and more besides, thanks to the exuberant drive of its teen mom protagonist. Emoni has an extraordinary gift for creative cooking and a complicated home life. Her mom, whose family is “straight-from-the-Carolinas Black” died in childbirth, which caused her grief-stricken Puerto Rican dad to head home to his island. As a result Emoni was raised by his mother, the fabulous ‘Buela. Emoni is used to hearing other people’s problems with her dual heritage (“it’s like I’m some long-division problem folks keep wanting to parcel into pieces, and they don’t hear me when I say: I don’t reduce, homies. The whole of me is Black. The whole of me is whole”), but since falling pregnant in her freshman year she has a new set of struggles to contend with. It’s not easy being a teenage mom while also studying, working and dealing with Babygirl’s judgmental paternal grandmother, but somehow Emoni keeps it all going, finding soulful solace in the kitchen: “I’m happier in the kitchen than anywhere else in the world…my food doesn’t just taste good, it is good – straight up bottled goodness that warms you and makes you feel better about your life”. Enrolling on a culinary arts class makes Emoni even more determined to accomplish her gastronomic career goals, and also brings her heatedly close to new boy Malachi. But with multiple obstacles at every turn, when life reaches boiling point her best friend and family step-up as supporting sous chefs. Spiced with inspirational wisdom (“Taking risks and making choices in spite of fear – it’s what makes our life story compelling” says one of Emoni’s teachers; “The world is a turntable that never stops spinning; as humans we merely chose the tracks we want to sit out and the ones that inspire us to dance,” says Emoni), this luminous novel challenges multiple stereotypes and dances to its own love-infused, inspirational beat. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Oh, this is almost too gorgeous for words, thoughtful and full of emotion, it’s a simply wonderful story that connected to my heart and soul. Cate Morris has no option other than to leave everything she knows and move to Hatters with her son Leo, will they be welcomed with open arms? Anstey Harris writes with beautiful eloquence, her debut novel The Truths of Triumphs of Grace Atherton was one of my picks of the month and a LoveReading Star Book, and I’ll let you into a not so secret secret, Where we Belong is too. I was completely charmed by the first sentence, settled in with joy and then the end of chapter one caused me to take a deep breath. This is emotionally intelligent writing and perfectly timed reveals of information lay in wait. Hatters Museum of the Wide Wide World is just lovely, do I want to go there? Yes I most certainly do, so was captivated to learn that it is based on a real location. Where We Belong bewitched me with its secrets and beauty, Anstey Harris really is the most wonderful storyteller and I salute her. Explore our '80+ Books That Deliver a Hug' listicle for more feel-good or uplifting books.
April 2017 Book of the Month. An absolute page-turner of a novel, at times uncomfortable, yet powerful and oh so compelling. Roni and Nika meet when they are 8 years old, as the years pass their relationship changes, yet in their thoughts they remain as entwined as ever and a particular torment lives on. Dorothy Koomson sends us backwards and forwards in time, this isn't an easy ride, and it isn't meant to be. The jagged, almost serrated feel to the change in time lines meant I was alert and at times apprehensive as I watched events unfold. The story is so commanding it keeps you firmly in the moment, so aware of the pain and fear, waiting with bated breath yet still shocked as more revelations occur. Resolute, heart-rending, thought-provoking, and so beautifully compassionate, ‘When I Was Invisible’ left me with a tear in my eye and touched my heart. One of our Books of the Year 2016. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
One of our Books of the Year 2016. May 2016 MEGA Book of the Month. An absolute page-turner of a novel, at times uncomfortable, yet powerful and oh so compelling. Roni and Nika meet when they are 8 years old, as the years pass their relationship changes, yet in their thoughts they remain as entwined as ever and a particular torment lives on. Dorothy Koomson sends us backwards and forwards in time, this isn't an easy ride, and it isn't meant to be. The jagged, almost serrated feel to the change in time lines meant I was alert and at times apprehensive as I watched events unfold. The story is so commanding it keeps you firmly in the moment, so aware of the pain and fear, waiting with bated breath yet still shocked as more revelations occur. Resolute, heart-rending, thought-provoking, and so beautifully compassionate, ‘When I Was Invisible’ left me with a tear in my eye and touched my heart.
Renée Watson’s remarkable What Momma Left Me is a wise and nourishing story rooted in themes of resilience, healing and love. With high school on the horizon, African American Serenity is struggling to piece her life back together following the brutal death of her beloved momma and the loss of her dad. Amidst this sensitively evoked maelstrom, Serenity finds hope in the form of her wholesome grandparents, church (where Grandpa is a pastor), brother Danny and new friend and confidante Maria, a bright beam of light who harbours her own bleak secrets. Serenity handles her grief, set-backs and challenging dilemmas with dignity, her grandparents a constant, calming presence as they impart wisdom, such as this nod to Maya Angelou’s ‘Still I Rise’ poem: “That’s why we say ‘we rise’, children. There have been lots of things that have tried to keep us down. But we’ve got resilience running through these veins.”Empathetically charting Serenity’s grief, first romance and growing up (what Serenity does to save Maria from an unsafe situation shows strength and wisdom way beyond her years), this huge-hearted novel comes highly recommended for its honesty, depth and engaging readability, along with Watson’s Piecing Me Together and Watch Us Rise (the latter co-authored with Ellen Hagan). Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Winner of the Desmond Elliott Prize 2018 A darkly mesmerising and fascinating epic of a tale based in India, one that is all-consuming and fiercely beautiful. A family descends into a hellish nightmare when power, greed, and corruption begin to prowl through their lives. After his mother dies, Jivan returns home to his family and arrives to chaos. The first paragraph gently took hold of my thoughts, setting the departing view in my minds eye, setting my feet on the journey to India. I sank quickly and deeply into the page, Preti Taneja allows the words to sing, to explain, to show the world that Jivan is entering. I remained on edge, apprehensive, sometimes having to peek between my fingers as love and hate began a heady, swirling, burning dance, wrapping around one another until they became one. As a retelling of King Lear, it stands resolutely on its on merit and I almost didn’t want to mention the connection. ‘We That Are Young’ shocks, provokes, pushes and pulls at thoughts and feelings, it is also a ravishingly descriptive work of art. Featured in Episode 4 of the LoveReading Podcast
An absolute powerhouse of a little book proving that feminism should not be considered a dirty word. This is an essay written by the author from a speech she delivered at a conference on Africa. There are a lot of references to aspects of Nigerian culture, however the thoughts and feelings can easily transfer across nations. Several sentences and paragraphs cause intense reactions of understanding and show just how much of an impact words can have. This would be a perfect gift for both men and women, boys and girls and although small in size it is weighty in impact.
By turns gripping, meditative and elemental, and always inspirational, this treasure trove of prose, poetry and art lays bare a richness of relationships between female adventurers and the great outdoors. Shunning conventional, simplistic narratives about mankind conquering the highest this, or the deepest that, each adventurer-contributor shares their unique experiences with enlightening, engaging subtlety. In the wise words of one writer, “People go outdoors to push themselves past what they thought they could do…I go outdoors for the struggle, not to beat it.” This eloquent anthology contains over seventy pieces of writing and art, among them an enlightening piece about the motivations of an Antarctic researcher, an intimate account of a mountaineer’s connection with her father through cross-country skiing, and an exquisite evocation of the sensuous life-forces of a Dartmoor brook. It’s a delight to dip into, and the perfect gift for nature-lovers and adventure-seekers.
Clued-up creative activists Chelsea and Jasmine attend a New York school that’s proud of its progressive approach, with classes and clubs called things like Science for Social Justice and Poets for Peace and Justice. But, while forward-thinking liberalism is supposed to lie at the heart of their school’s ethos, Jasmine and Chelsea are infuriated by its evident neglect of women’s rights: “It feels like everyone outside Amsterdam Heights is taking it seriously, but here, it’s like we think the work is done… But it’s not”. When Chelsea’s drama teacher tries to coax her to develop a stereotypical “sassy and angry” black female character, she’s inspired to set up the Write Like a Girl club with a punch-packing feminist blog that sets off a whole lot of buzz in the school community. Alongside attempts to silence the girls’ powerful voices and direct action, Jasmine faces painful personal loss, but they remain strong, firmly fixed on changing the status quo “from the inside out”. Insightful on gender inequity, and the intersection of gender and race, this comes highly recommended for fans of Angie Thomas. Chelsea and Jasmine’s story is a smart and awe-inspiring call to action, a vital novel with the power to empower a generation of young women, much like co-author Renée Watson’s previous book, Piecing Me Together. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
This is an official tie-in edition of this eloquent and powerful memoir, to accompany Steve McQueen's major new film starring Brad Pitt, Michael Fassbender, Benedict Cumberbatch, Paul Giamatti, Chiwetel Ejiofor and Quvenzhane Wallis. Solomon Northup is a free man, living in New York. Then he is kidnapped and sold into slavery. Drugged, beaten, given a new name and transported away from his wife and children to a Louisiana cotton plantation, Solomon will die if he reveals his true identity. This is the searing true story of his twelve years as a slave: the endless brutality, daily humiliations and constant fear, but also the small ways in which he and his fellow men try to survive. Twelve Years a Slave is a unique, unflinching record of slavery from the inside, and the incredible account of one man whose life was ripped from him - and who fought to get it back. A moving, vital testament to one of slavery's many thousands gone who retained his humanity in the bowels of degradation . (Saturday Review). I could not believe that I had never heard of this book. It felt as important as Anne Frank's diary, only published nearly a hundred years before . (Steve McQueen). Solomon Northup was a free man kidnapped into slavery in Washington, D.C. in 1841. Shortly after his escape, he published his memoirs to great acclaim and brought legal action against his abductors, though they were never prosecuted. The details of his life thereafter are unknown, but he is believed to have died in Glen Falls, New York, around 1863.
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