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Find out moreOur Diversity genre celebrates a wide range of inclusive narratives. It's about empowering people by respecting and appreciating what makes them different, in terms of age, gender, ethnicity, religion, disability, sexual orientation, education, and national origin. As a team, we read widely and make sure that we offer intersectional representation in our book recommendations.
Set in 1980s Atlanta, Tayari Jones’s Silver Sparrow is a rich tour de force that sparkles with wit, warmth and candid lyricism. Exploring the weight of secrets and the complexities of love and family life through the compelling coming of age stories of sisters estranged by their father’s bigamy, this novel lingers long in the soul. “The truth is a strange thing. Like pornography, you know when you see it.” This potent proclamation cuts to the novel’s core, for Dana and her mother Gwen are the other wife, the other daughter, of bigamist James, and they know this truth while his first wife and daughter remain oblivious. Upset when James tells her that being his second daughter “You are the one that’s a secret,” Gwen poignantly informs Dana that rather than being secret, she’s simply “unknown. That little girl there doesn’t know she has a sister. You know everything.” Knowledge that she possesses the truth offers Dana consolation, of sorts. While James’s other family is financially better off, both wives have a distinct lack of agency. Indeed, the novel is sharp on showing how women often have to make their lives from what men decide, such as when Gwen remarks that when you’re four weeks late, “All you can do is give him the news and let him decide if he is going to leave or if he is going to stay.” The novel is also powerful on elemental love and the nature of memory, such as Dana’s response to being gifted a fur coat her father won in a card game: “To this day and for the rest of my life I will always have a soft spot for a man with rum on his breath.” In time, during her own tempestuous teenage years, Dana orchestrates encounters with her sister and they become friends, with tension rising as the secret threatens to detonate. With finely drawn, flawed characters that pull readers’ loyalties in different directions, this commanding, compassionate novel confirms the author’s exceptional gifts. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Based on her great-great grandparents’ experiences, Tammye Huf’s A More Perfect Union is a heart-rending, soul-stirring story of the love between a black slave and an Irish immigrant. A lucid, bold tale of the despicable brutality of slavery, personal conflicts, and a bond that will not be broken. Henry O’Toole fled Ireland in 1848 to escape the famine. On arriving in New York, “America stabs me with homesickness” and he can’t find a job - “Every day it’s the same. No Irish”. Compelled to flee the city, he changes his surname to the English-sounding ‘Taylor’ and heads to Virginia. House slave Sarah is separated from her Momma and brother when she’s sold as a “quick-cleaning-slave-who-don’t-get-sick”. She and Henry meet when he comes seeking work as a blacksmith at the plantation she’s been sold to. Here Henry is moved by the sound of slaves singing at night, while Sarah paces her hoe in the kitchen garden to “the rhythmic strike of the blacksmith’s hammer”. The stirring attraction between them is palpable, but theirs is a forbidden relationship - inter-racial marriage is illegal, and viewed as an abomination. What’s more, she’s owned by another man. The couple are in an excruciating situation, their complex personal conflicts evoked with shattering clarity. Sarah has to reconcile loving a man whose white skin represents her oppression, and she’s also ostracised by fellow slaves. Then there’s the searing exchange when Sarah sees Henry making neck rings and shackles. When he protests that he has no choice, that he needs to earn money, that he knows what it is to be shackled by poverty, Sarah’s response captures the despicable inhumanity of enslavement: “’I know you been through a hard, hungry life,’ she says. ‘I want you to understand that slave suffering is a different thing. When somebody owns you, there ain’t nothing they can’t do to you.’” Both their voices are conjured with brilliant authenticity, and their story builds to an agonisingly edgy crescendo as the risks they take are as immense as their love. I cannot recommend this enough. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Immensely enjoyable, this high fantasy novel contains characters and a storyline to die for. Oh, and if you think you don’t like fantasy, you might want to think again - this has heaps of drama, action, and thoughtful intrigue, as well as allowing an escape from the reality of the world we are living in. Ashes of the Sun is the first book in the new Burninglade and Silvereye Series. Gyre seeks revenge on the Twilight Order who took his little sister Maya twelve years ago, but when the siblings meet again they find themselves on opposing sides in a war for survival. When it comes to fantasy novels I am a reading fiend, I find that this particular genre offers some of the very best series going and can already safely say that this will be a series I will be camping outside of bookshops for. Django Wexler has built a post-apocalyptic world that you can immerse yourself in, I didn’t stop, doubt, question, just wholeheartedly believed. I grew in knowledge alongside Gyre and Maya, and absolutely loved the combination of technology and inner power. Not only is this a fast-paced beautifully diverse read, I found the humour perfectly timed. In the acknowledgements Django Wexler says that the novel originated after a series of conversations about Star Wars, and you can definitely see some influences as you read. Ashes of the Sun has it all, and comes with the higher than highly recommended tag from me.
With short fast-moving chapters this is a piercing and riveting political thriller. Sitting within a time period of just over two weeks, former aid worker Ursula finds herself in deep water when she becomes Minister for the Interior in Iceland. Author Lilja Sigurdardottir and translator Quentin Bates team up again after the successful and fiercely intense Reykjavik Noir trilogy which I absolutely adored. The writing here is just as smart and powerful with dirty politics and corruption leading the charge and an otherwordly feel slinking around in the background. A number of characters are introduced, from Ursula who takes a high-profile role in government, to driver and bodyguard Gunnar, and cleaner Stella. A picture slows builds with a teetering edge of tension remaining in place throughout. I hovered on the edge of knowing and understanding, my focus sharp and waiting for what was to come. In summary, Betrayal is an edge-of-your-seat political thriller just brimming over with attitude.
Written with luminous, crackling style, Cane Warriors is an unforgettable account of Jamaican and British history that must be known, with an unforgettable narrator at its heart. In the words of fourteen-year-old Moa, “the hope of our dreamland churned in my belly,” a powerful statement that pulses through this extraordinary story of Tacky’s War. Based on a revolutionary real-life 1760 Jamaican slave rebellion, a visceral sense of the atrocities Moa and his fellow field slaves are subjected to is evoked from the start. Their bodies are lashed and “roasted by a brutal sun”, Moa hasn’t seen his house-slave mama for three years, his papa lost an arm in mill machinery, and his friend Hamaya fears the day predatory white men will “come for me.” Spurred by the death of Miss Pam who “drop inna da field and lose her life”, and led by Miss Pam’s brother Tacky, who “trod like a king” and whose brain “work quick like Anancy”, the uprising hinges on the freedom fighters killing the plantation master. While Moa is glad to be given a pivotal role in the rebellion, he fears that success and escape will mean he’ll never see his parents or Hamaya again - his conflict is palpable, but he’s set on being a cane warrior. Outside the plantation, Moa’s world is immediately transformed, with his life as a freedom fighter evoked in fine detail (I loved the depiction of him tasting creamy, fleshy sweetsop for the first time). There are bloody battles ahead, executed in the presence of Akan gods, and driven by brotherhood and hope for that dreamland. Lucidly lyrical and raw, I cannot praise Cane Warriors enough.
From the author of the divinely dark The Binding and several acclaimed novels for young adults, Bridget Collins’s The Betrayals murmurs with menace and the mystery of the grand jeu, an arcane intellectual game that melds music, maths, poetry and philosophy. The novel’s world - at once familiar and strange - is conjured with crystalline clarity and populated by a cast of distinctly charismatic characters. Set in an unnamed disintegrating European country in the 1930s, the story begins when thirty-two-year-old Leo is removed from his post as Minister for Culture and exiled to his former academy, the exclusive Montverre. Here the nation’s cleverest are schooled in the art of the grand jeu, and here Leo is forced to face tragedy from his past as he forms an unsettling connection with the academy’s new female Magister Ludi. Part homage to Hermann Hesse’s The Glass Bead Game, this boasts a compellingly jolting plot that will keep readers on their toes, and a delicious dénouement - it’s a delight for lovers of literary conundrums.
From childhood in Germany and England to young womanhood in Ghana, this enthralling novel follows a steadfastly thoughtful Ghanaian forging her own identity in the face of fractured family ties, tragedy and colonial imperialism. Though of illustrious heritage, Maya’s childhood as an émigré is complex, uncomfortable and evoked with lyrical precision. Her beautiful mother is self-absorbed, always scented with “powdery luxury” and critical of Maya. ”It’s a pity my child did not take my beauty”, she tells her reflection before counselling Maya to “always look more than perfect. Not just good enough, but perfect”. And Maya receives conflicting messages from her father too. “Boys will not like you if you are too clever”, he tells her, while also criticising an eight out of ten mark: “Why not ten out of ten? You must always do your best.” The arrival of cousin Kojo changes everything. His impassioned talk of Ghana fuels Maya’s understanding of her mother country, her parents, and her own identity. She observes that Kojo’s knowledge “gave him the power to upset the order of things,” leading her to wonder, “Could I learn these secrets and codes, even though I did not grow up in our country?” When she and Kojo are sent to schools in England, Maya experiences the racism of peers who “touched my hair and stroked my skin and passed me round on their laps like a doll”, and Kojo is bullied. No wonder then that he decides that, “this is nothing but a small shitty island that doesn’t work properly. It’s a cold wet Third World country, but they made us think they were all powerful.” Later back in Germany, Maya is maddened by the cultural imperialism of her education: “I could not think of much that was more frightening than fitting into this pinched-in sterile world.” Maya’s story is at once arresting and nuanced, and suffused in an elegant sense of triumph when she returns to Ghana, where Kojo has been struggling to set-up a museum, and in time finds her voice and purpose through navigating a tangle of personal misfortune and cultural complexities.
Beginning with an address to Anansi, the trickster story teller god of African folklore, (“Anansi, your four gifts raised to nyame granted you no power over the stories I tell”), Derek Owusu’s That Reminds Me is a one-of-a-kind reading experience. K’s story will break your heart, and heal it. And Owusu’s writing will leave you stunned - it’s that unique, that honest, that impactful. K is a working-class boy born to Ghanaian parents in Tottenham. Fostered as a child, he’s relocated to an unfamiliar rural environment, where there are woods and fields instead of flats and video shops. When he returns to London at the age of eleven, the city has become alien to him - and his birth parents have too. Once again K must re-find himself. Piece himself together, and perhaps find friendship and love along with his identity. Told through K’s fragmented memories, this is an exceptional coming-of-age story that lingers long in the soul. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Tani Adewumi’s life-affirming memoir is a “dare to dream” story with the power to make souls sing. As he and his parents relate their extraordinary experiences from living under Boko Haram in Nigeria to forging a new life in America, eight-year-old Tani’s voice is unfailingly endearing, with his parents’ narratives providing enlightening context, underpinned by their Christian faith. The tone is set in the introduction, in which Tani tells us that while he’s not sure what he’ll do when he grows up (maybe become a chess grandmaster, maybe a pilot, or maybe both), “I do know this much. I believe in miracles.” The story begins when Tani’s printer father is visited by Boko Haram and he evades their order to print posters that declare “No to Western Education” and “Kill all Christians”. When this makes the family a target, they flee to another area of Nigeria, then to Dallas after it becomes clear they’re not safe in their homeland. But their first experiences in America are from the life they’d hoped for. They stay with Tani’s great uncle, whose American wife becomes hostile, which compels them to move again. Thanks to the kindness of an old Nigerian friend, they’re able to move to New York where a pastor finds them a place in a shelter. Here Tani is given the opportunity to join a chess club, where meeting Coach Shawn proves to be life-changing. Tani’s natural talent for chess coupled with hard work, family support, and the kindness of coaches who give him a scholarship, sees him make fast progress. Within months he’s crowned State Chess Champion. But it doesn’t end there – when Coach Shawn suggests the family tell the national press their story to help them secure a place to live, the coverage leads to even bigger things. Alongside the overarching story, Tani’s mother shares fascinating detail about her Yoruba heritage, and this memoir is also poignant in showing the hard realities of migrant life. This comes recommended for readers who love discovering human stories that don’t shirk from the truth, but still radiate a feel-good message of hope. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
A beautifully gentle yet pointed, and amusing yet thoughtful, feel-good relationship tale. When head teacher and separated mum of two Lucy, meets butcher, babysitter, and aspiring DJ Joseph, their age gap is just one of the obstacles in their path to finding love. This isn’t an overly sensational or dramatic tale, it’s more subtle than that, though it does cover three years during and after the EU referendum. Don’t groan, as Nick Hornby looks back in the most mindful way possible. Thoughts are provoked and rich pickings are to be found, as lots of little lightbulb moments clicked on as I read. The plot settled in the lightest of dances through some pretty weighty subjects. It’s not shouty, or finger-pointy, a relationship is created within a set of circumstances that allows you to form your own thoughts. I feel Nick Hornby has written the perfect story for anyone suffering from Covid 19 blues. Just Like You is an incredibly uplifting, engaging and stimulating read, and I absolutely loved it.
Edited by trailblazing broadcaster, editor and critic Margaret Busby OBE - Britain’s first black woman publisher when she co-founded Allison and Busby in the 1960s - New Daughters of Africa is an extraordinary feat of publishing, presenting as it does the diverse work of 200+ women of African heritage across more than 900 pages. In 1992, Busby published Daughters of Africa, and this epically-proportioned - and realised - re-visitation duplicates none of the writers featured in the first incarnation. Busby hopes in her introduction, “may all who find their way to this anthology, regardless of gender, class or race, feast well on its banquet of words.” And I defy any reader not to do just that. This rich feast presents all kinds of writers – academics and activists; critics and curators; fiction writers and filmmakers; poets and politicians, to name but a few - from all parts of the world. There are wise words to chew on from familiar figures, among them Diane Abbott, Angela Levy, Bernardine Evaristo, Malorie Blackman, Chimamanda Ngozi Adichie and Afua Hirsch. And there are individuals and pieces I was grateful to discover for the first time, such as Bermudian Angela Barry’s Without Prejudice story, and Yvette Edwards, a London writer of Montserratian origin. The collection’s historical entries are engrossing too, among them Sarah Parker Remond’s (1815-1894) “Why Slavery is Still Rampant” piece, and Meta Davis Cumberbatch’s (1900-1978) powerfully rousing poem, “A Child of Nature (Negro of the Caribbean)”. This is an exceptional anthology to savour - a uniquely nourishing banquet for mind and heart. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
An absolutely charming addition to a much loved series. There is something so uplifting about these novels, Alexander McCall Smith has the ability to embrace the intimate in order to open far-reaching views. Mma Ramotswe is troubled by a strange smell in her van, her new neighbour causes concern, and a distant cousin asks for help. Can you believe that we are now at book twenty-one in this evocative series which began with The No:1 Ladies’ Detective Agency in 1998? Do you have a favourite, I think this could well be mine…though as with all good series that create a world for you to inhabit, the latest usually becomes your most treasured! There is a graceful ease to the words of Alexander McCall Smith, he is so gently yet evocatively descriptive and as soon as I started to read a sense of ease enveloped me. The pace slows, the small things matter, and Mma Ramotswe is just glorious. How to Raise an Elephant really is the most delightful read, and it deserves to be included as a LoveReading Star Book. Explore our '80+ Books That Deliver a Hug' listicle for more feel-good or uplifting books.
Burning with an intense, provocative fire, this is a debut that doesn’t flinch from the troubled world it creates. 25 years ago, a 16 year old school girl and her teacher disappeared, now a journalist investigates the mystery at the heart of the boarding school. The prologue intrigues, answering a question while bursting open many more. I felt a seductive unsettling call and settled in. Three women sit centre stage in this story, the missing Louisa, her friend Victoria, and the journalist. I gained access to the school and sank into the heady highs and lows of teenage years. A veil of mystery covers Temple House, the school sits in both time periods, a chilling constant between the two. It is as much about the unsaid, the unseen, as it is what is revealed, and Rachel Donohue handles the balance with surety. The ending really spoke to me, it opened my thoughts and encouraged them to travel. I have no doubt that The Temple House Vanishing will stay with me for some time to come, it is an assured and compelling debut.
Co-written by award-winning novelist Ibi Zoboi and Dr Yusef Salaam, a prison reform activist, poet and one of the Exonerated Five, Punching the Air is a timely, heartachingly powerful free verse novel. Through its shatteringly succinct lyricism, Amal’s story is a mighty call to action that rouses readers to question the deep-rooted and damaging consequences of racially biased societal systems, while radiating the light and hope of art and Amal himself. Sixteen-year-old Amal is a talented poet and artist, but even at his liberal arts college, he’s victimised by destructive preconceptions, deemed disruptive by people who “made themselves a whole other boy in their minds and replaced me with him.” Amal’s budding life careers off-course when he’s wrongfully convicted of a crime in a gentrified area. Even in the courtroom it feels to him “like everything that I am, that I’ve ever been, counts as being guilty”. Standing before judgemental eyes in his specially chosen grey suit, he’s aware that “no matter how many marches or Twitter hashtags or Justice for So-and-So our mind’s eyes and our eyes’ minds see the world as they want to/Everything already illustrated in black and white.” In the detention centre, Amal considers his African ancestry: “I am shackled again,” he says. “Maybe these are the same chains that bind me to my ancestors. Maybe these are the same chains that bind me to my father and my father’s father and all the men that came before.” He expresses society’s double standards with searing clarity too - Black boys are “a mob/a gang ghetto/a pack of wolves animals/thugs hoodlums men” while white boys “were kids having fun home loved supported protected full of potential boys.” But through the beatings and despair, through anger and frustration, Amal finds solace in the supportive letters he receives from a girl in his school, and his “poet, educator and activist” teacher. By turns soul-stirring and inspiring, this sharp exposure of injustice and testament to the transformative power of art comes highly recommended for readers who love the work of Jason Reynolds and Elizabeth Acevedo. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
A thoughtful, stirring, and compassionate historical novel set during World War Two. Simone, the daughter of a Belgian First World War hero is best friends with Hava from a devout Jewish family, together they flee the advancing Nazi army in 1940. Inspired by the experiences of the author’s family members in Belgium, this is essentially a tale of what should be an uncomplicated friendship sitting within one of the most complex and horrifying times in world history. Author Christopher de Vinck introduced the reasons behind this book before Simone’s prologue slammed into my contemplations. Each chapter epigraph includes excerpts and memories that really do spread chills. It is interesting to note that those unattributed are from the author’s grandfather who was awarded the Croix de Guerre for bravery and was in the Belgian Resistance before being captured. Christopher de Vinck brings the girls to vibrant life by noting the small things that make each of us unique. He doesn’t sit in judgement, he releases the horror and emotion of the full story, with lost innocence spearing awareness and encouraging my own thoughts to form. Ashes (what a penetrating title that is), is a provocative read and yet also full of love.
Read our 'Book-aneers of the Caribbean' listicle to find more unforgettable books by Caribbean writers.
From the detailed domestic scenes dappled with loss, love, hardship and hanging on, to sweeping waves of war, the rare power of Maaza Mengiste’s The Shadow King creeps up on you, catches you unaware, becomes compulsive in the manner of complex classics of the ancient world. It’s 1935 in Ethiopia and newly-orphaned Hirut is employed as a maid by an officer in Emperor Hailie Selassie’s army. In her previous life, Hirut’s father taught her to use a gun: “This, he says, you do not touch unless you are prepared. Prepared for what, she asks. He slips the bullet back into his pocket. Prepared to be something you are not.” And this is what Hirut is prepared for when Ethiopia is invaded by Mussolini’s vengeful army. Not content to merely care for the wounded, she devises a plan and rouses women to rise up and fight. As they shift from being housewives, to nurses, to warriors, their stories are haunting, harrowing and stirring, and this novel confirms Mengiste’s status as a writer blessed with lyrical bravery and unique vision. Head to our 'Black Lit Matters' list to find more must-read novels by black writers. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
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Much like our Debut category has a variety of books from first-time authors, our Diverse Voices genre will highlight a wide range of Inclusive narratives.