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Find out moreOur Diversity genre celebrates a wide range of inclusive narratives. It's about empowering people by respecting and appreciating what makes them different, in terms of age, gender, ethnicity, religion, disability, sexual orientation, education, and national origin. As a team, we read widely and make sure that we offer intersectional representation in our book recommendations.
Shortlisted for the Costa Children's Book Award 2019 Former Children’s Laureate Malorie Blackman makes a brilliant return to her best-selling Noughts and Crosses series with an all-guns-blazing story of prejudice, love, ambition, politics and violence. In the series launch title, Sephy, a Cross, and Callum, a Nought, challenged the divisions in their society. They paid a heavy price for doing so but they did make changes; racial and class barriers were brought down and the future would be brighter. Or so they thought. But a generation on, while superficially things look better, the prejudices are never far away and where they are, violence follows. When the first Nought Prime Minister is framed for murder he turns to his old friend Callie Rose, daughter of Sephy and Callum to defend him. But crossing the racial divide is still unpopular and both have ruthless enemies. As corruption spills into violence the next generation, Troy and Liberty, are terrifyingly caught up in the conflict. Malorie Blackman’s scope is huge in terms of characters and time- frames in this hard hitting socio-political commentary which has obvious resonance for today.
Sparked by the author’s reading about a real reform school in Florida, this deeply affecting novel centres around the unforgettable Elwood Curtis. “Raised strict” by his grandmother, Elwood was “intelligent and hardworking and a credit to his race”, and driven by the wisdom of Martin Luther King: “We must believe in our souls that we are somebody, that we are significant, that we are worthful, and we must walk the streets of life every day with this sense of dignity.” At high school - where the books were defaced by racist slurs written by white students who knew where their old books were headed - Elwood thrives under a teacher who lets him know of an opportunity to go to the local black college. But Elwood never got to go. One mistake sees him sent to Nickel Academy where he’s “swiftly appalled” by the low level of education. “I am stuck here, but I’ll make the best of it,” he resolves, invoking Dr King for strength. It’s not long before Elwood realises that rather than being a place that seeks to transform boys into “honorable and honest men”, the school is fuelled by violent abuse - “Nickel was racist as hell - half the people who worked here probably dressed up like the Klan on weekends” - and many kids disappear from this horrendous environment. While Elwood grasps onto Dr King’s “Do to us what you will and we will still love you” mantra, his friend Turner subscribes to the notion that survival is dependent on them adopting their tyrants’ cruelties. Like Elwood himself, this novel has a steady, direct tone, underpinned by resolve and dignity in the face of inhumane abuse. Traversing timeframes, and with a stop-you-in-your-tracks ending, this stunning book from the Pulitzer prize-winning author of The Underground Railroad exposes oft-hidden historical horrors with poised humanity, and shows-up the ricocheting, inter-generational resonance of institutional racism and abuse.
The Old Bailey, 1826 and Frannie Langton stands in court accused of the brutal murder of her former master and mistress. But “there was love between me and her”, she tells the court as she relates her story from 1812, when she worked at Paradise plantation, Jamaica. With the skills of reading and writing “packed inside” her, “dangerous as gunpowder”, Frannie is taken to London and sent to work for a man named George Benham. His wife, the beautiful, eccentric Madame Marguerite Benham “stirred a feeling of wanting” in Frannie, and she becomes Madame’s lady’s maid and secretary - and more. But theirs is a complex, volatile relationship. “The truth is there was love as well as hate,” Frannie acknowledges. “The truth is, the love hurt worse”. Speaking at her trial, during which she recounts the inhumane racial experimentation undertaken by the master of Paradise, Frannie asks, “Sirs, I wonder...in the whole sum of human history, by what order have you white men been wrong more than you’ve been right?” She also questions the privileges and entitlements of gender: “how confident a man must be to write down his musings, expecting anybody else to be interested in reading them”. Ablaze with drama, detail, tension and wit, and wise on the nature of agency and freedom, this comes highly recommended for fans of Andrea Levy’s The Long Song, Marlon James’s The Book of Night Women and Sarah Waters. According to Frannie, “A novel is like a long, warm drink but a poem is a spike through the head”. By her definition, this novel is both these things - as potent as a poem, as addictive as a long, warm drink. Have a look at our Ambassador Book Buzz for The Confessions of Frannie Langton. Read our 'Book-aneers of the Caribbean' listicle to find more unforgettable books by Caribbean writers. Head to our 'Black Lit Matters' list to find more must-read novels by black writers. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
Sparked by the author’s reading about a real reform school in Florida, this deeply affecting novel centres around the unforgettable Elwood Curtis. “Raised strict” by his grandmother, Elwood was “intelligent and hardworking and a credit to his race”, and driven by the wisdom of Martin Luther King: “We must believe in our souls that we are somebody, that we are significant, that we are worthful, and we must walk the streets of life every day with this sense of dignity.” At high school - where the books were defaced by racist slurs written by white students who knew where their old books were headed - Elwood thrives under a teacher who lets him know of an opportunity to go to the local black college. But Elwood never got to go. One mistake sees him sent to Nickel Academy where he’s “swiftly appalled” by the low level of education. “I am stuck here, but I’ll make the best of it,” he resolves, invoking Dr King for strength. It’s not long before Elwood realises that rather than being a place that seeks to transform boys into “honorable and honest men”, the school is fuelled by violent abuse - “Nickel was racist as hell - half the people who worked here probably dressed up like the Klan on weekends” - and many kids disappear from this horrendous environment. While Elwood grasps onto Dr King’s “Do to us what you will and we will still love you” mantra, his friend Turner subscribes to the notion that survival is dependent on them adopting their tyrants’ cruelties. Like Elwood himself, this novel has a steady, direct tone, underpinned by resolve and dignity in the face of inhumane abuse. Traversing timeframes, and with a stop-you-in-your-tracks ending, this stunning book from the Pulitzer prize-winning author of The Underground Railroad exposes oft-hidden historical horrors with poised humanity, and shows-up the ricocheting, inter-generational resonance of institutional racism and abuse. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Thirty-year-old Shalini has lived a privileged life, but one beset by uncertainty. She was her erratic mother’s “little beast” and is struggling to come to terms with her tragic death. Adrift from work and the wider world, Shalini journeys to find Bashir, a travelling salesman she and her mother befriended through her childhood, tentatively hoping this will provide some understanding of her mother’s death. As Shalini’s journey unfolds in the present, a second narrative reveals her past with raw poignancy. On the road, Shalini’s faltering need to belong somewhere is revealed through her romantic imaginings of being part of a stranger’s family. And then, in Bashir’s remote Himalayan village, she becomes caught in a complex political situation, with the tangled conflict between her heart and conscience made powerfully palpable. While she feels “I had chosen this place, these people, this life, with its secrets and its violence, it’s hardness and its beauty”, Shalini recognises that she’s thrown Bashir’s family “into disarray with my invasion and my probing questions”. The writing is so exquisitely magnetic that I struggled to draw myself away from it, especially as Shalini’s story rose to an unexpected, pulse-quickening climax. This is the rare kind of novel that lingers long in the heart and mind, like a dream one feels compelled to return to.
As impactful as the author’s Montego Bay-set debut (Here Comes the Sun), this stirring novel sees Patsy fulfill her dream of leaving Jamaica (and Tru, her five-year-old daughter), to join Cicely, her best friend and secret lover, in Brooklyn. But when Patsy reaches her land of milk and honey a chasm gapes between her expectations and the actualities of being an undocumented immigrant: “The job that she had at the Ministry in Kingston was by far a more dignified job than cleaning houses, than wiping the assess of other people’s children, walking a dog and picking up shit.” And Cicely doesn’t live up to expectations, either. “Yuh don’t have to keep up di act wid me,” Patsy says to her friend, whose situation is less than the idyll she’d painted for Patsy. Meanwhile, with the passing of a decade, Tru is becoming her own young woman, defying convention by playing football with boys, and binding her breasts to keep them hidden. Across the ocean, and down the years, mother and daughter have more in common than either might imagine. Traversing generations and cultures, exposing white privilege and homophobia, exploring sexuality, the pressures of motherhood and the raw struggles of womanhood, Patsy’s plight of fleeing one cage for another, her search for peace and passion, makes for a profoundly stirring and highly readable novel. Read our 'Book-aneers of the Caribbean' listicle to find more unforgettable books by Caribbean writers. Head to our 'Black Lit Matters' list to find more must-read novels by black writers. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
A very special and beautiful read that left my heart full of feelings. When she was young, Mona’s Dadda told her there was a trick to time, as she revisits the past can she reshape her future? Having fallen in love with Kit de Waal’s first novel My Name is Leon (do read it, it’s simply gorgeous), I just had to get myself a copy of The Trick to Time. I thought I would read a crafty few chapters before going out, however the words caught me to them and held on. I completely forgot I was meant to be leaving and was just a little late! I adore Kit de Waal’s writing, it reaches inside, to hidden depths of awareness I wasn’t even sure existed, and nudges them awake. She has a gift with words, seemingly simple, building thoughts and feelings until they develop into a heartfelt, vividly intense moving picture. As Mona visits the past, lives in the present, and looks to the future I found myself alongside her every step of the way. The Trick to Time is a book I will keep close to hand to reread again and again, and I imagine that I will discover a slightly different version each time I step inside the pages. Highly recommended, I have chosen it as one of my Liz Robinson picks of the month, and a LoveReading Star Book. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Angela Makholwa’s The Blessed Girl is a wildly witty South Africa-set novel underpinned by smart and serious commentary on corruption, duplicity, drug abuse, sexual abuse, and what it’s like to be “blessed” (“a person, usually female, who lives a luxurious lifestyle funded by an older, often married partner, in return for sexual favours”). Hats off to the author for interweaving a rambunctious, read-in-one-sitting rollercoaster with shining a light on real-life struggles. Super-confident Bontle has been “charming the pants off people since the day I was born” when her parents “knew that I was destined to go far because of the way I looked, hence they named me Bontle – The Beautiful One… Watch out, world!” Bontle sure knows how to get what she wants from one of the many men she has falling over her, paying for her penthouse, flash cars, designer clothes, cosmetic surgery - luxuries her hair extension business would never give her. Bontle may not have excelled at school, but she does have a “PhD in MENcology, baby!” and manages to juggle several men at once, putting her troubled past behind her – for a time at least. Cracks begin to show when some of the men slip from her manicured grasp, when her past starts snapping at her heels, and Bontle must piece herself back together. Balancing outrageous entertainment with exposing ugly underbellies and a young woman’s realignment of a life swerved off-course, readers who enjoyed Sarong Party Girls will adore this. Head to our 'Black Lit Matters' list to find more must-read novels by black writers. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
It’s more than 20 years since I read my first Mike Gayle book. And I loved it. Perfectly pitched and incredibly funny, I became a fan. This is Mike’s most grown up novel yet and I adored it. Unable to put it down I ploughed through, consumed by the story of Kerry and her fierce love for her long-lost brother Jason. Although worlds apart, with Jason’s adoption, idyllic childhood and privileged education, they are connected and a stream of events change their lives forever. My glasses steamed up with my tears as I cried through the pages. Incredibly sad but gorgeously uplifting and beautifully written. Bravo, Mike. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
This is a tenderly written, fascinating and thoughtful semi-autobiographical novel. We follow Sissy through her life, as she experiences growing up in Zambia, and the impact it has left on her as an adult based in the United States. Sheena Kalayil explains that actual events and locations are placed and located in the novel. The prologue sets a beautifully described scene, the difference between the India of Sissy’s grandparents, and Zambia of her childhood settled vividly in my mind’s eye, noise, smells, memories all within touching distance. I particularly adored the small moments, the small actions that made this book feel so tangibly real. Time slides backwards and forwards with no explanation, none is needed. I was occasionally left unsettled as I became aware of the thoughts and feelings of the future Sissy, and waited for an explanation to occur in the past. ‘The Wild Wind’ looks at the presence of memories that bruise, that affect, that create our future selves, it is wonderfully readable and gently provocative too.
“I was born black, working class and northern in Margaret Thatcher’s Britain”, so begins the author’s personal prologue to a book that provides a vital, alternate lens through which to view Europe. Growing up as such, Pitts felt “I was being forced to react against one culture or overidentify with the other”. A visit to the Calais Jungle in 2016 resulted in him being stopped, searched and ID’d before being allowed in, albeit still under suspicion. A bleak reminder that when non-whites have the right documents, “I wasn’t all the way in”. What follows is a document of Pitts’s encounters and meetings with dozens of Afropeans; black citizens of Europe juggling identities and loyalties – a self-described ‘black French militant’ on the outskirts of Paris; a Belgian-Congolese artist in Brussels; a Sudanese-German chef in Berlin; a fascinating interview with Caryl Philipps, the acclaimed Kittian-British writer. A remarkable feat of research and understanding, this seminal book is reportage at its finest, enhanced by the author’s striking photography.
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Much like our Debut category has a variety of books from first-time authors, our Diverse Voices genre will highlight a wide range of Inclusive narratives.
